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  • 1
    UID:
    almafu_9960141171102883
    Format: 1 online resource (544 p.) : , 317 colour illustrations 12 B/W tables
    ISBN: 9781474468428
    Content: Explores the myriad interactions between calligraphy and architecture throughout the history of the Muslim world 30 case studies explain different aspects and contexts of calligraphy in Islamic architectureGeographically wide-ranging – covers North Africa, the Middle East, South Asia, China and SpainTakes an interdisciplinary approach to analysing calligraphy as part of its larger spatial-architectural contextLavishly illustrated with over 300 colour imagesFrom Spain to China, Islamic architecture and calligraphy are inexorably intertwined. Mosques, dervish lodges, mausolea, libraries, even baths and market places bear masterpieces of calligraphy that rival the most refined of books and scrolls.This major reference work focuses on architectural inscriptions through the Muslim world, from the emergence of Islam to the present day.What were the purposes of these inscriptions?How do they infuse buildings with culturally specific meanings, sacred or profane?What do they add to architectural design?What sorts of materials were used, and how do they interact with light and space?Who were their patrons, and what do we know about the artists who produced them?Find out with this exciting new collection edited by a stellar cast of international contributors.About the ContributorsNasiba Baimatowa, Harvard University, USABavand Behpoor, Ludwig Maximilian University of Munich, GermanySüleyman Berk, Yalova University, TurkeySheila S. Blair, Boston College and Virginia Commonwealth University, USAJohanna Blayac, University Paris 8 Saint-Denis, FrancePatricia Blessing, Stanford University, USASnježana Buzov, Ohio State University, USAM. Uğur Derman, independentEdhem Eldem, Boğaziçi University, TurkeyNina Ergin, Koç University, Istanbul, TurkeyMohammad Gharipour, Morgan State University, USASina Goudarzi, independent Sadiq Javer, Tsinghua University in Beijing, ChinaHilal Kazan, independentSaeid Khaghani, Shahrood University of Technology, IranUlrike-Christiane Lintz, Saarland University, GermanyTehnyat Majeed, Beaconhouse National University, Lahore, PakistanTalip Mert, Marmara University, TurkeyBernard O’Kane, American University in Cairo, EgyptJosé Miguel Puerta Vilchez, University of Granada, Spainİrvin Cemil Schick, İstanbul Şehir University, TurkeyAnn Shafer, American University in Cairo, EgyptBahia Shehab, Mi7-Cairo and American University in Cairo, EgyptSumayah Al-Solaiman, University of Dammam, Saudi ArabiaBarbara Stöcker-Parnian, Ludwig-Maximilians-University Munich, GermanyMurat Sülün, Marmara University, Istanbul, TurkeyHashim Al-Tawil, Henry Ford Community College, USAAbdülhamit Tüfekçioğlu, Yüzüncü Yıl University, Van, TurkeyCaroline Olivia M. Wolf, Rice University, USA
    Note: Frontmatter -- , Contents -- , Figures -- , Introduction -- , Part A: Sites -- , Chapter One.Inscribing the Square: The Inscriptions on the Maidān-i Shāh in Iṣfahān -- , Chapter Two. Speaking Architecture: Poetry and Aesthetics in the Alhambra Palace -- , Chapter Three. The Arabic Calligraphy on the Ceiling of the Twelfth- Century Cappella Palatina in Palermo, Sicily: Function and Identity -- , Chapter Four. Wall- Less Walls: The Calligraphy at the Hadži Sinanova Tekija in Sarajevo -- , Chapter Five. The Qur’anic Inscriptions of the Minaret of Jām in Afghanistan -- , Part B: Style vs Content -- , Chapter Six. Multi- Sensorial Messages of the Divine and the Personal: Qur’an Inscriptions and Recitation in Sixteenth- Century Ottoman Mosques in Istanbul -- , Chapter Seven. The Revival of Kūfī Script during the Reign of Sultan Abdülhamid II -- , Chapter Eight. Calligraphy in Chinese Mosques: At the Intersection of Arabic and Chinese Calligraphy -- , Chapter Nine. Qur’anic Verses on Works of Architecture: The Ottoman Case -- , Chapter Ten. Reading Qājār Epigraphs: Case Studies from Shīrāz and Iṣfahān -- , Part C: Patronage -- , Chapter Eleven ‘The Pen Has Extolled Her Virtues’: Gender and Power within the Visual Legacy of Shajar al- Durr in Cairo -- , Chapter Twelve. Sovereign Epigraphy in Location: Politics, Devotion and Legitimisation around the Quṭb Minār, Delhi -- , Chapter Thirteen. Archival Evidence on the Commissioning of Architectural Calligraphy in the Ottoman Empire -- , Chapter Fourteen. On the Renewal of t he Calligraphy at the Mosque of the Prophet (al- Masjid al- Nabawī) under the Reign of Sultan Abdülmecid -- , Chapter Fifteen. Fāṭimid Kūfī Epigraphy on the Gates of Cairo: Between Royal Patronage and Civil Utility -- , Chapter Sixteen. An Art Ambassador: The Inscriptions of 'Alī Riżā 'Abbāsī -- , Chapter Seventeen. Mustafa Râkım Efendi’s Architectural Calligraphy -- , Chapter Eighteen. Yesârîzâde Mustafa Īzzet Efendi and his Contributions to Ottoman Architectural Calligraphy -- , Chapter Nineteen. The Visual Interpretation of Nasta'līq in Architecture: Mīrzā Gholām Reżā’s Monumental Inscriptions for the Sepahsālār Mosque in Tehran -- , Part E: Regional -- , Chapter Twenty. Ma‘qilī Inscriptions on the Great Mosque of Mardin: Stylistic and Epigraphic Contexts -- , Chapter Twenty- one. The Composition of Kūfī Inscriptions in Transitional and Early- Islamic Architecture of North Khurāsān -- , Chapter Twenty-two. Space and Calligraphy in the Chinese Mosque -- , Chapter Twenty- three. Medium and Message in the Monumental Epigraphy of Medieval Cairo -- , Chapter Twenty- four. Allegiance, Praise and Space: Monumental Inscriptions in Thirteenth- Century Anatolia as Architectural Guides -- , Chapter Twenty- five. Symmetrical Compositions in Asia Minor Chapter Twenty- five Symmetrical Compositions in Pre- Ottoman and Ottoman Architectural Inscriptions in Asia Minor -- , Part F: Modernity -- , Chapter Twenty- six. Writing Less, Saying More: Calligraphy and Modernisation in the Last Ottoman Century -- , Chapter Twenty- seven. The Absence and Emergence of Calligraphy in Najd: Calligraphy as a Modernist Component of Architecture in Riyadh -- , Chapter Twenty- eight. Cairo to Canton and Back: Tradition in the Islamic Vernacular -- , About the Contributors -- , Index , In English.
    Language: English
    Keywords: Electronic books ; Electronic books ; Electronic books.
    URL: FULL  ((OIS Credentials Required))
    URL: FULL  ((OIS Credentials Required))
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  • 2
    UID:
    gbv_892936975
    Format: XIII, 936 Seiten , 10 Illustrationen , 25 cm
    ISBN: 9789004344952
    Series Statement: Handbook of oriental studies = Handbuch der Orientalistik volume 120
    Uniform Title: Historia del pensamiento estético árabe
    Content: In Aesthetics in Arabic Thought from Pre-Islamic Arabia through al-Andalus José Miguel Puerta Vílchez analyzes the discourses about beauty, the arts, and sense perception that arose within classical Arab culture from pre-Islamic poetry and the Quran (sixth-seventh centuries CE) to the Alhambra palace in Granada (fourteenth century CE). He focuses on the contributions of such great thinkers as Ibn Ḥazm, Avempace, Ibn Ṭufayl, Averroes, Ibn ʻArabī, and Ibn Khaldūn in al-Andalus, and the Brethren of Purity, al-Tawḥīdī, al-Fārābī, Avicenna, Alhazen, and al-Ghazālī in the East. The work also explores literary criticism, calligraphy, music, belles-lettres (adab), and erotic literature, and highlights the contribution of Arab humanism to shaping the field of Aesthetics in the West
    Note: Literaturverzeichnis: Seite 855-883 , Text englisch, Anmerkungen teilweise englisch, teilweise arabisch (in arabischer Schrift)
    Additional Edition: ISBN 9789004345041
    Language: English
    Subjects: Comparative Studies. Non-European Languages/Literatures
    RVK:
    Keywords: Araber ; Poetik ; Ästhetik ; Islamische Philosophie ; Einführung
    Author information: Hanioğlu, M. Şükrü 1955-
    Author information: Fierro, Maribel 1956-
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  • 3
    UID:
    gbv_360857108
    ISBN: 8493205184
    Content: Se recoge en este volumen la biografía y producción intelectual de los autores nacidos en Al Andalus, incluidos aquellos que por diversos motivos emigraron a otros puntos del orbe, además de los que podría denominarse "andalusíes de adopción", aquellos que aunque venidos de otras latitudes residieron en suelo andalusí y dejaron en él su impronta personal y su saber.El límite cronológico abarca del 711 a 1492, época de mayor presencia de la lengua musulmana en España.
    Language: Spanish
    Keywords: al- Andalus ; Schriftsteller ; al- Andalus ; Literatur ; Geschichte ; Biografie ; Bibliografie
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  • 4
    UID:
    almafu_BV012637550
    Format: 913 S.
    ISBN: 84-460-0737-1
    Series Statement: Arte y estética 52
    Note: Zugl.: Granada, Univ., Diss., 1995 u.d.T.: Puerta Vílchez, José Miguel: Belleza, arte y percepción en el pensamiento andalusí
    Language: Spanish
    Subjects: Comparative Studies. Non-European Languages/Literatures
    RVK:
    Keywords: Islamische Philosophie ; Ästhetik ; Ästhetik ; Mauren ; Ästhetik ; Ästhetik ; Hochschulschrift
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  • 5
    UID:
    gbv_890316260
    Format: 1 Online-Ressource (XIII, 936 Seiten)
    ISBN: 9789004345041
    Series Statement: Handbook of Oriental studies volume 120
    Uniform Title: Historia del pensamiento estético árabe
    Content: In Aesthetics in Arabic Thought from Pre-Islamic Arabia through al-Andalus José Miguel Puerta Vílchez analyzes the discourses about beauty, the arts, and sense perception that arose within classical Arab culture from pre-Islamic poetry and the Quran (sixth-seventh centuries CE) to the Alhambra palace in Granada (fourteenth century CE). He focuses on the contributions of such great thinkers as Ibn Ḥazm, Avempace, Ibn Ṭufayl, Averroes, Ibn ʻArabī, and Ibn Khaldūn in al-Andalus, and the Brethren of Purity, al-Tawḥīdī, al-Fārābī, Avicenna, Alhazen, and al-Ghazālī in the East. The work also explores literary criticism, calligraphy, music, belles-lettres (adab), and erotic literature, and highlights the contribution of Arab humanism to shaping the field of Aesthetics in the West
    Note: Includes bibliographical references and index
    Additional Edition: ISBN 9789004344952
    Additional Edition: Erscheint auch als Druck-Ausgabe Puerta Vílchez, José Miguel, author Aesthetics in Arabic thought Leiden ; Boston : Brill, 2017
    Language: English
    Subjects: Comparative Studies. Non-European Languages/Literatures
    RVK:
    Keywords: Arabien ; al- Andalus ; Ästhetik
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  • 6
    UID:
    gbv_589220322
    Format: 416 S , zahlr. Ill., Kt , 24 cm
    ISBN: 9788495736413
    Note: Includes bibliographical references
    In: Artigrama, Nr. 22.2007;
    Language: Spanish
    Keywords: Andalusien ; Architektur ; Geschichte ; Kunsthandwerk ; Aufsatzsammlung
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  • 7
    UID:
    gbv_646324705
    Format: 364 S , überw. Ill , 1 DVD (PAL) , 25 cm
    Edition: 1. ed.
    ISBN: 9788486827397 , 9788495856968
    Note: Titel der zugehörigen DVD: Sentir la Alhambra; Sprachen: Span., Engl., Franz., Dt., Ital., Arab , Text teilw. in arab. Schr., arab.
    Language: Spanish
    Subjects: Art History
    RVK:
    Keywords: Alhambra ; Bauornament ; Arabisch ; Inschrift ; Führer
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  • 8
    UID:
    gbv_1559568321
    Format: 1 Online-Ressource
    ISBN: 9789004345041
    Series Statement: Handbook of Oriental studies = Handbuch der Orientalistik v. 120
    Content: Preliminary Material /José Miguel Puerta Vílchez and Consuelo López-Morillas -- Introduction /José Miguel Puerta Vílchez -- 1 Beauty and the Arts in the Rise of Written Arabic Culture /José Miguel Puerta Vílchez -- 2 The Arts on the Margins of Knowledge: Ideas and Concepts of Art in Classical Arab Culture /José Miguel Puerta Vílchez -- 3 Aesthetic Perception and the Definition of Beauty in Classical Arabic Thought /José Miguel Puerta Vílchez -- Conclusion /José Miguel Puerta Vílchez -- Bibliography of Primary Sources /José Miguel Puerta Vílchez -- Bibliography of Secondary Sources /José Miguel Puerta Vílchez -- Index /José Miguel Puerta Vílchez and Consuelo López-Morillas.
    Content: In Aesthetics in Arabic Thought from Pre-Islamic Arabia through al-Andalus José Miguel Puerta Vílchez analyzes the discourses about beauty, the arts, and sense perception that arose within classical Arab culture from pre-Islamic poetry and the Quran (sixth-seventh centuries CE) to the Alhambra palace in Granada (fourteenth century CE). He focuses on the contributions of such great thinkers as Ibn Ḥazm, Avempace, Ibn Ṭufayl, Averroes, Ibn ʿArabī, and Ibn Khaldūn in al-Andalus, and the Brethren of Purity, al-Tawḥīdī, al-Fārābī, Avicenna, Alhazen, and al-Ghazālī in the East. The work also explores literary criticism, calligraphy, music, belles-lettres ( adab ), and erotic literature, and highlights the contribution of Arab humanism to shaping the field of Aesthetics in the West
    Additional Edition: ISBN 9789004344952
    Additional Edition: Erscheint auch als Druck-Ausgabe Puerta Vílchez, José Miguel, 1959 - Handbook of Oriental studies ; section 1, volume 120: Section 1, The Near and Middle East: Aesthetics in Arabic thought Leiden : Brill, 2017 ISBN 9789004344952
    Language: Arabic
    Subjects: Comparative Studies. Non-European Languages/Literatures
    RVK:
    Keywords: Araber ; al- Andalus ; Ästhetik ; Geschichte 500-1500 ; Ästhetik ; Islamische Philosophie ; Geschichte 600-1500
    URL: DOI
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  • 9
    UID:
    gbv_77203205X
    Format: 422 S. , zahlr. Ill. , 29 cm
    ISBN: 9788495856906 , 8495856905
    Note: Bound
    Language: Spanish
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  • 10
    Book
    Book
    [Granada] : Edilux | Madrid : Casa Árabe
    UID:
    gbv_1040710123
    Format: 128 Seiten , Illustrationen , 22 cm
    Edition: 1st edition
    ISBN: 9788495856258
    Uniform Title: El sentido artístico de Qurtuba
    Language: English
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