Kooperativer Bibliotheksverbund

UID:

Format: 129 S. : , Notenbeisp.

ISBN: 978-3-86916-156-3

Series Statement: Musik-Konzepte N.F. 154

Note: Enth.: Abgeschlossenheit und Offenheit : Ravel auf dem Möbiusband / Michael J. Puri. "Eine der dunkelsten Nächte der gesamten Musikgeschichte": Le Gibet / Christoph Flamm. Kompositorische Replik : Ravels Duosonate (2. Satz) als Positionsbestimmung zu Beginn der 1920er Jahre / Volker Helbing. Überwindung und ASpotheose des Symbolismus? : ein Diskussionsbeitrag zu Ravels Liedschaffen bis 1913 / Benedikt Leßmann. Der Skorpion im Feuerkreis : La Valse im Spiegel von Baudelaires Fortschrittskritik / Ulrich Krämer. Zur Überlieferung von Ravels Wderken / Peter Jost

Language: German

Subjects: Musicology

Keywords: 1875-1937 Ravel, Maurice ; Aufsatzsammlung

URL: Inhaltstext

URL: Inhaltsverzeichnis

Author information: Tadday, Ulrich, 1963-

UID:

Format: 129 S. , Notenbeisp.

ISBN: 9783869161563

Series Statement: Musik-Konzepte N.F. 154

Note: Enth.: Abgeschlossenheit und Offenheit : Ravel auf dem Möbiusband / Michael J. Puri. "Eine der dunkelsten Nächte der gesamten Musikgeschichte": Le Gibet / Christoph Flamm. Kompositorische Replik : Ravels Duosonate (2. Satz) als Positionsbestimmung zu Beginn der 1920er Jahre / Volker Helbing. Überwindung und ASpotheose des Symbolismus? : ein Diskussionsbeitrag zu Ravels Liedschaffen bis 1913 / Benedikt Leßmann. Der Skorpion im Feuerkreis : La Valse im Spiegel von Baudelaires Fortschrittskritik / Ulrich Krämer. Zur Überlieferung von Ravels Wderken / Peter Jost

Language: German

Subjects: Musicology

Keywords: Ravel, Maurice 1875-1937 ; Aufsatzsammlung

URL: Inhaltstext

URL: Inhaltsverzeichnis

Author information: Tadday, Ulrich 1963-

UID:

Format: viii, 264 p. : , ill.

Edition: Electronic reproduction. Ann Arbor, MI : ProQuest, 2015. Available via World Wide Web. Access may be limited to ProQuest affiliated libraries.

Language: English

Keywords: Electronic books.

URL: Click to View

UID:

Format: 1 online resource (440 p.) : , 25 halftones. 3 tables. 15 musical examples.

ISBN: 9781400845101

Series Statement: The Bard Music Festival ; 32

Content: A revealing look at French composer and virtuoso Camille Saint-SaënsCamille Saint-Saëns—perhaps the foremost French musical figure of the late nineteenth century and a composer who wrote in nearly every musical genre, from opera and the symphony to film music—is now being rediscovered after a century of modernism overshadowed his earlier importance. In a wide-ranging and trenchant series of essays, articles, and documents, Camille Saint-Saëns and His World deconstructs the multiple realities behind the man and his music. Topics range from intimate glimpses of the private and playful Saint-Saëns, to the composer's interest in astronomy and republican politics, his performances of Mozart and Rameau over eight decades, and his extensive travels around the world. This collection also analyzes the role he played in various musical societies and his complicated relationship with such composers as Liszt, Massenet, Wagner, and Ravel. Featuring the best contemporary scholarship on this crucial, formative period in French music, Camille Saint-Saëns and His World restores the composer to his vital role as innovator and curator of Western music.The contributors are Byron Adams, Leon Botstein, Jean-Christophe Branger, Michel Duchesneau, Katharine Ellis, Annegret Fauser, Yves Gérard, Dana Gooley, Carolyn Guzski, Carol Hess, D. Kern Holoman, Léo Houziaux, Florence Launay, Stéphane Leteuré, Martin Marks, Mitchell Morris, Jann Pasler, William Peterson, Michael Puri, Sabina Teller Ratner, Laure Schnapper, Marie-Gabrielle Soret, Michael Stegemann, and Michael Strasser.

Note: Frontmatter -- , Contents -- , Acknowledgments and Permissions -- , Introduction: Deconstructing Saint-Saëns -- , PART I SAINT-SAËNS THE PERSON -- , Saint-Saëns in (Semi-)Private -- , Saint-Saëns, the Playful -- , Inspired by the Skies? Saint-Saëns, Amateur Astronomer -- , Changes on the Moon -- , Business and Politics, with Humor: Saint-Saëns and Auguste Durand -- , Rivals and Friends: Saint-Saëns, Massenet, and Thaïs -- , Massenet–Saint-Saëns Correspondence -- , Saint-Saëns and Lecocq: An Unwavering Friendship -- , PART II SAINT-SAËNS THE MUSICIAN -- , Saint-Saëns and the Performer’s Prestige -- , Le Maître and the “Strange Woman,” Marie Jaëll: Two Virtuoso-Composers in Resonance -- , Saint-Saëns’s Improvisations on the Organ (1862) -- , Providing Direction for French Music: Saint-Saëns and the Société Nationale -- , Saint-Saëns as President of the Société des Compositeurs (1887–1891) -- , Saint-Saëns at the Société des Concerts du Conservatoire de Paris (1903–1904) -- , PART III SAINT-SAËNS THE GLOBETROTTER -- , Saint-Saëns: The Traveling Musician -- , Saint-Saëns in Germany -- , Saint-Saëns in England: His Organ Symphony -- , Analytical and Historical Programme for His New Symphony in C Minor and Major -- , Saint-Saëns, “Algerian by Adoption” -- , Friendship and Music in Indochina -- , Saint-Saëns in New York -- , Saint-Saëns and Latin America -- , PART IV SAINT-SAËNS, AESTHETICS PAST AND PRESENT -- , What’s in a Song? Camille Saint-Saëns’s Mélodies -- , Saint-Saëns and the Ancient World: From Africa to Greece -- , Saint-Saëns, Writer -- , Saint-Saëns and Rameau’s Keyboard Music -- , Preface, Rameau’s Pièces de Clavecin (Durand, 1895) -- , Lyres and Citharas of Antiquity -- , Ancient Lyres and Citharas From La Revue de l’art ancien et moderne (1903) -- , Saint-Saëns and d’Indy in Dialogue -- , PART V SAINT-SAËNS IN THE THE 20TH CENTURY -- , Saint-Saëns’s Advocacy of Music Education in Elementary School -- , Report of M. Saint-Saëns -- , Saint-Saëns and the Future of Music -- , Musical Evolution, From Le Ménestrel, 24 June 1906 -- , The Fox in the Henhouse, or Saint-Saëns at the SMI -- , Saint-Saëns, Ravel, and Their Piano Concertos: Sounding Out a Legacy -- , Saint-Saëns and Silent Film / Sound Film and Saint-Saëns -- , Beyond the Conceits of the Avant-Garde: Saint-Saëns, Romain Rolland, and the Musical Culture of the Nineteenth Century -- , Index -- , Notes on the Contributors , In English.

Language: English

DOI: 10.1515/9781400845101

URL: https://doi.org/10.1515/9781400845101?locatt=mode:legacy

URL: https://www.degruyter.com/isbn/9781400845101

URL: https://doi.org/10.1515/9781400845101?locatt=mode:legacy

URL: https://www.degruyter.com/isbn/9781400845101

UID:

Format: 129 S. : , Notenbeisp.

ISBN: 978-3-86916-156-3

Series Statement: Musik-Konzepte N.F. 154

Note: Enth.: Abgeschlossenheit und Offenheit : Ravel auf dem Möbiusband / Michael J. Puri. "Eine der dunkelsten Nächte der gesamten Musikgeschichte": Le Gibet / Christoph Flamm. Kompositorische Replik : Ravels Duosonate (2. Satz) als Positionsbestimmung zu Beginn der 1920er Jahre / Volker Helbing. Überwindung und ASpotheose des Symbolismus? : ein Diskussionsbeitrag zu Ravels Liedschaffen bis 1913 / Benedikt Leßmann. Der Skorpion im Feuerkreis : La Valse im Spiegel von Baudelaires Fortschrittskritik / Ulrich Krämer. Zur Überlieferung von Ravels Wderken / Peter Jost

Language: German

Subjects: Musicology

Keywords: 1875-1937 Ravel, Maurice ; Aufsatzsammlung

URL: Inhaltstext

URL: Inhaltsverzeichnis

Author information: Tadday, Ulrich 1963-

UID:

Format: 1 online resource (273 p.)

Edition: 1st ed.

ISBN: 0-19-045368-0 , 1-280-59475-6 , 9786613624581 , 0-19-987601-0

Content: The music of Maurice Ravel (1875-1937), beloved by musicians and audiences since its debut, has been a difficult topic for scholars. The traditional stylistic categories of impressionism, symbolism, and neoclassicism, while relevant, have offered too little purchase on this fascinating but enigmatic work. In Ravel the Decadent, author Michael Puri provides an innovative and productive solution by locating the aesthetic origins of this music in the French Decadence and demonstrating the extension of this influence across the length of his oeuvre. From an array of Decadent topics Puri selects th

Note: Description based upon print version of record. , Cover; Table of Contents; Acknowledgments; Introduction: Memory, Decadence, and Music; 1. Thematic Cyclicism and the Ravelian Finale; 2. Reanimation and the Primal Scene; 3. Dandy, Interrupted; 4. Idylls and Bacchanals; 5. Epilogism in the Valses nobles et sentimentales; 6. Dynamism in La valse; Conclusion: In the Footsteps of the Faun; Notes; Bibliography; Index; A; B; C; D; E; F; G; H; I; J; K; L; M; N; O; P; Q; R; S; T; U; V; W; Y; Z , English

Additional Edition: ISBN 0-19-973537-9

Language: English