Kooperativer Bibliotheksverbund

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Format: xxiii, 295 Seiten : , Illustrationen, Portraits, Notenbeispiele.

ISBN: 978-0-252-08510-9 , 978-0-252-04323-9

Series Statement: Music in American life

Content: "Florence B. Price (1887-1953) was the first African American woman composer to achieve national recognition. She grew up in Little Rock, Arkansas, studies at the new England Conservatory, and spent her professional career in Chicago (1927-53), where her Symphony in E Minor, premiered by the Chicago Symphony Orchestra in 1933 under the direction of Frederick Stock, marks the first large-scale work by an African American woman composer (and the second work by an African American composer) to be performed by a major American orchestra. A prolific composer, she wrote more than 300 works in all genres: orchestra music (symphonies, orchestral suites, and concerti), vocal music, art songs and arrangements of spirituals, piano music (including teaching pieces), organ music, chamber music, and music for chorus. Her compositions reflect not only her cultural heritage, but also the romantic nationalist style of the period in which she was most active (beginning in the 1920s). Brown discusses Price in the context of the Harlem Renaissance and deals with issues of race, gender, and class. She draws on interviews with Price's colleagues, on music manuscripts located in major repositories of African American material and in private collections, on contemporary black newspapers and journals, on census records, and on archival materials as well as the relevant published sources. An appendix lists Price's compositions by genre"--

Note: Includes bibliographical references and index

Additional Edition: Online version Brown, Rae Linda, 1953- The heart of a woman Urbana : University of Illinois Press, 2020 ISBN 978-0-252-05211-8

Language: English

Keywords: 1887-1953 Price, Florence ; Biografie ; Biographies ; Biografie ; Biografie

URL: Inhaltsverzeichnis

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Format: 1 online resource : , illustrations (black and white), maps (black and white)

ISBN: 9780190651305 (ebook) :

Content: 'The Transformation of Black Music' situates black musics within the broader cultural, political, social, and historical frameworks of the last millennium. It focuses on the dynamic musical practices that have emerged, morphed, and influenced each other in Africa and throughout the African Diaspora.

Note: Previously issued in print: 2017.

Additional Edition: Print version : ISBN 9780195307245

Language: English

Subjects: Musicology , Sociology

URL: Oxford scholarship online

URL: lizenzpflichtig

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Format: 1 online resource (310 p.)

ISBN: 9780520392182 , 9783110993899

Series Statement: Phono: Black Music and the Global Imagination ; 1

Content: Guthrie P. Ramsey, Jr., is an award-winning musicologist, music historian, composer, and pianist, whose prescient theoretical and critical interventions have worked to build a bridge between Black cultural studies and musicology. Representing twenty-five years of commentary and scholarship, these essays document Ramsey's search to understand America's Black musical past and present and to find his own voice as an African American writer in the field of musicology. This far-reaching collection embraces historiography, ethnography, cultural criticism, musical analysis, and autobiography, traversing the landscape of Black musical expression from sacred music to art music, and jazz to hip hop. Taken together, these essays and the provocative introduction that precedes them are testament to the legacy work that has come to define a field, as well as a rousing call to new readers to continue to ask the hard questions and write the hard truths.

Note: Frontmatter -- , Contents -- , Foreword -- , Acknowledgments -- , Introduction: Who Hears Here Now? -- , 1. Cosmopolitan or Provincial? Ideology in Early Black Music Historiography, 1867-1940 -- , 2. Who Hears Here? Black Music, Critical Bias, and the Musicological Skin Trade -- , 3. The Pot Liquor Principle: Developing a Black Music Criticism in American Music Studies -- , 4. Secrets, Lies, and Transcriptions: New Revisions on Race, Black Music, and Culture -- , 5. Muzing New Hoods, Making New Identities: Film, Hip-Hop Culture, and Jazz Music -- , 6. Afro-Modernism and Music: On Science, Community, and Magic in the Black Avant-Garde -- , 7. Bebop, Jazz Manhood, and "Piano Shame" -- , 8. Blues and the Ethnographic Truth -- , 9. Time Is Illmatic: A Song for My Father, A Letter to My Son -- , 10. A New Kind of Blue: The Power of Suggestion and the Pleasure of Groove in Robert Glasper's Black Radio -- , 11. Free Jazz and the Price of Black Musical Abstraction -- , 12. Jack Whitten's Musical Eye -- , 13. Out of Place and Out of Line: Jason Moran's Eclecticism as Critical Inquiry -- , 14. African American Music -- , Onward: An Afterword -- , Notes -- , Index , Mode of access: Internet via World Wide Web. , In English.

In: EBOOK PACKAGE COMPLETE 2022 English, De Gruyter, 9783110993899

In: EBOOK PACKAGE COMPLETE 2022, De Gruyter, 9783110994810

In: EBOOK PACKAGE Literary, Cultural, Area Studies 2022 English, De Gruyter, 9783110993752

In: EBOOK PACKAGE Literary, Cultural, Area Studies 2022, De Gruyter, 9783110993738

In: University of California Press Complete eBook-Package 2022, De Gruyter, 9783110766493

Additional Edition: ISBN 9780520281837

Language: English

DOI: 10.1525/9780520392182

URL: https://doi.org/10.1525/9780520392182?locatt=mode:legacy

URL: https://www.degruyter.com/isbn/9780520392182

URL: Cover

URL: lizenzpflichtig

URL: lizenzpflichtig

URL: Cover

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Format: xvii, 287 Seiten.

ISBN: 978-0-520-28184-4 , 978-0-520-28183-7

Series Statement: Phono: black music and the global imagination

Content: "Guthrie P. Ramsey, Jr., is an award-winning musicologist, music historian, composer, and pianist, whose prescient theoretical and critical interventions have worked to build a bridge between Black cultural studies and musicology. Representing twenty-five years of commentary and scholarship, these essays document Ramsey's search to understand America's Black musical past and present and to find his own voice as an African American writer in the field of musicology. This far-reaching collection embraces historiography, ethnography, cultural criticism, musical analysis, and autobiography, traversing the landscape of Black musical expression from sacred music to art music, and jazz to hip hop. Taken together, these essays and the provocative introduction that precedes them are testament to the legacy work that has come to define a field, as well as a rousing call to new readers to continue to ask the hard questions and write the hard truths"--

Note: Introduction : who hears here now? -- Cosmopolitan or provincial? : ideology in early black music historiography, 1867-1940 -- Who hears here? : black music, critical bias, and the musicological skin trade -- The pot liquor principle : developing a black music criticism in American music studies -- Secrets, lies and transcriptions : new revisions on race, black music and culture -- Muzing new hoods, making new identities : film, hip-hop culture, and jazz music -- Afro-Modernism and music : on science, community, and magic in the Black Avant-Garde -- Bebop, jazz manhood and "piano shame" -- Blues and the ethnographic truth -- Time is illmatic : a song for my father, a letter to my son -- A new kind of blue : the power of suggestion and the pleasure of groove in Robert Glasper's black radio -- Free jazz and the price of black musical abstraction -- Jack Whitten's musical eye -- Out of place and out of line : Jason Moran's eclecticism as critical inquiry -- African American music -- Onward : an afterword by Shana L. Redmond

Additional Edition: Erscheint auch als Online-Ausgabe ISBN 978-0-520-39218-2

Language: English

Subjects: Musicology

Keywords: Schwarze ; Afroamerikanische Musik ; Ethnische Identität ; Criticism, interpretation, etc ; History

URL: Inhaltsverzeichnis

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Format: XII, 281 S. , Ill., Notenbeisp.

ISBN: 0520210484

Series Statement: Music of the African diaspora 7

Language: English

Subjects: Musicology

Keywords: USA ; Schwarze ; Geschichte ; Musik ; USA ; Afroamerikanische Musik ; Bibliografie

URL: http://www.loc.gov/catdir/description/ucal042/2002068455.html

URL: http://www.loc.gov/catdir/bios/ucal051/2002068455.html

URL: http://www.loc.gov/catdir/toc/ucal041/2002068455.html

URL: http://www.loc.gov/catdir/enhancements/fy0613/2002068455-d.html

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Format: xiii, 282 Seiten , Illustrationen , 28 cm

ISBN: 1934351199 , 9781934351192

Content: Director's foreword / Alex Nyerges -- What you know about the Dirty South? / Valerie Cassel Oliver -- a poem for black art / Fred Moten -- Landscape : the politics and poetics of dirt. Cosmic encounter / Charlie R. Braxton ; Bevery Buchanan : forms of ruination / Andrea Barnwell Brownlee, Jennifer Burris, and Park MacArthur ; Quilted beats bound at the rut : a theorization of the Dirty South / Regina N. Bradley ; Plates -- Systems of thought : the vision of envisioning. Songs that are sacred and pure (for Toni Morrison) / Charlie R. Braxton ; Dreaming empire, conjuring freedom : Renée Stout, African American landscape representation, and the imperial South / Kirsten Pai Buick ; Bible Belt swag : Houston hip-hop and Black religion / Anthony B. Pinn ; Dreaming of the South in stereo : Black music's American journey / Guthrie P. Ramsey Jr. ; Plates -- The Black body : repository/site/agent. Bluesosophy (for Julius Thompson) / Charlie R. Braxton ; Picturing the South : how photographers have imaged the region / Rhea L. Combs ; Changing the rules, the practice of pleasure : the linguistic possibilities of dirt / Roger Reeves ; Plates -- Epilogue. Code Black : the Dirty South / Paul D. Miller ; The Dirty South playlist ; Plates -- Artist biographies -- Contributor biographies -- Exhibition checklist and image credits.

Content: "This exhibition catalog to the Virginia Museum of Fine Arts’ The Dirty South: Contemporary Art, Material Culture, and the Sonic Impulse chronicles the pervasive visual and sonic parallels in the work of Black artists from the southern United States. It looks to contemporary southern hip-hop as a portal into the roots and aesthetic legacies that have shaped contemporary art from the 1920s to the present. It features multiple generations of both academically trained and 'outsider' artists working in a variety of genres and disciplines, including Thornton Dial, Allison Janae Hamilton, Arthur Jafa, Jason Moran, Sister Gertrude Morgan, Sun Ra, Kara Walker, and William Edmondson. Creating a capacious understanding of southern expression in visual art, material culture, and music, this richly illustrated volume documents the exhibition’s artworks and includes critical essays, poems, artist biographies, and an extended bibliography"--https://vmfashop.com/dirty-south/the-dirty-south-exhibition-catalog.html

Note: "This catalogue accompanies the exhibition 'The Dirty South: Contemporary Art, Material Culture, and the Sonic Impulse', presented at the Virginia Museum of Fine Arts, May 22-September 6, 2021; Contemporary Arts Museum Houston, October 28, 2021-February 6, 2022; Crystal Bridges Museum of American Art, March 12-July 25, 2022; Museum of Contemporary Art Denver, September 2022-February 2023"--Page iv , Includes artists: Terry Adkins, Charles Henry Alston, Emma Amos, Benny Andrews, Radcliffe Bailey, Romare Bearden, Kevin Beasley, Paul Stephen Benjamin, Julia Beverly, John Biggers, Sanford Biggers, Herman Poole Blount (AKA Sony'r Ra or Sun Ra), Sheila Pree Bright, Beverly Buchanan, Bisa Butler, Elizabeth Catlett, Nick Cave, Mel Chin, Sonya Clark, Bethany Collins, Eldzier Cortor, Abraham Lincoln Criss, Jamal Cyrus, Bruce Davenport Jr. (AKA Dapper Bruce Lafitte), Beauford Delaney, Thornton Dial, Nathaniel Donnett, Aaron Douglas, William Edmondson, Melvin Edwards, Winton and Rosa Eugene, Minnie Evans, Leonard Freed, Theaster Gates, Sam Gilliam, Allison Janae Hamilton, David Hammons, Bessie Harvey, Palmer Hayden (AKA Peyton Cole Hedgeman), Robert Hodge, Earlie Hudnall, Jr., Clementine Hunter, Arthur Jafa, Anderson Johnson, William H. Johnson, Richard FIEND Jones (aka International Jones), Jacob Lawrence, El Franco Lee II, Samella Lewis, James Little, Whitfield Lovell, Jonathan Mannion, Kerry James Marshall, James Martin (AKA Spider Martin), Rodney McMillian, Michi Meko, Jason Moran, Sister Gertrude Morgan, Marilyn Nance (AKA Soulsista), Rashaad Newsome, Tameka Jenean Norris (AKA T.J. Dedeaux-Norris and Meka Jean), Demetrius Oliver, Joe Overstreet, Fahamu Pecou, Rita Mae Pettway, Robert Pruitt, Deborah Roberts, Nadine Robinson, Sulton Rogers, RaMell Ross, Nellie Mae Rowe, Kenneth Royster, Paul Rucker, Augusta Savage, Joyce J. Scott, John Sims, Kevin Sipp, Kaneem Smith, Renée Stout, Jimmy Lee Sudduth, Felandus Thames, Alma Thomas, James Thomas (AKA Son Ford), Bob Thompson, Mildred Thompson, Mose Tolliver, Bill Traylor, Freeman Vines, Kara Walker, Nari Ward, Arliss Watford, Jack Whitten, William T. Williams, Purvis Young

Language: English

Subjects: Art History

Keywords: USA ; Kunst ; Schwarze ; Geschichte 1945- ; Musik ; Literatur ; Ausstellungskatalog ; Ausstellungskatalog ; Ausstellungskatalog ; Ausstellungskatalog ; Bildband

URL: Inhaltsverzeichnis

Author information: Oliver, Valerie Cassel

Author information: Moten, Fred 1962-

Author information: Bradley, Regina N.

Author information: Burris, Jennifer

UID:

Format: 1 online resource (297 pages).

ISBN: 0-520-93843-7 , 978-0-520-93843-4

Note: Print version record , Covering the vast and various terrain of African American music, this text begins with an account of the author's own musical experiences with family and friends on the South Side of Chicago. It goes on to explore the global influence and social relevance of African American music

Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 0-520-21048-4

Language: English

Subjects: Musicology

Keywords: Musik ; Schwarze

URL: Volltext

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Format: xxxv, 240 Seiten : , Karten, Notenbeispiele.

ISBN: 978-0-19-530724-5

Content: Powerful and embracive, "The Transformation of Black Music"explores the full spectrum of black musics over the past thousand years as Africans and their descendants have traveled around the globe making celebrated music both in their homelands and throughout the Diaspora. Authors Samuel A. Floyd, Melanie Zeck, and Guthrie Ramsey brilliantly discuss how the music has blossomed, permeated present traditions, and created new practices. As a companion to the ground-breaking The Power of Black Music, this text brilliantly situates emerging, morphing, and influential black musics in a broader framework of cultural, political, and social histories. Grappling with subjects frequently omitted from traditional musical texts, "The Transformation of Black Music" is guided by more than just the ideals of inclusivity and representation. This work covers overlooked topics that include classical musicians of African descent, and builds upon the contributions of esteemed predecessors in the field of black music study. Providing a sweeping list of figures rarely included in conventional music history and theory textbooks, the text elucidates the findings of ethnomusicologists, cultural historians, Americanists, Africanists, and anthropologists, and weaves these accounts into a powerful and informative narrative. Taking its readers on a journey - one that has never been attempted in a single volume alone - this book reflects the musical phenomena generated by forced African migration and collective memory, and considers the kinds of powerful stories that these musics were meant to tell. Filling in critical musical and historical gaps previously ignored, authors Floyd, Zeck, and Ramsey infuse an engaging musical dialogue with a deeper understanding of the interrelationships between black musical genres and mainstream music.

Note: Includes bibliographical references and index

Language: English

Subjects: Musicology , Sociology

Keywords: Schwarze ; Musik ; Diaspora ; Soziokultureller Wandel ; Afroamerikanische Musik ; Musiker ; Migration ; Soziale Funktion ; Kollektives Gedächtnis

URL: http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=029608187&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA

UID:

Format: XII, 281 S , Ill , 23 cm

Edition: first paperback print

Series Statement: Music of the African diaspora 7

Language: English

Keywords: USA ; Schwarze ; Geschichte ; Musik ; Bibliografie

UID:

Format: xi, 240 p.

Edition: Electronic reproduction. Ann Arbor, MI : ProQuest, 2015. Available via World Wide Web. Access may be limited to ProQuest affiliated libraries.

Series Statement: Music of the African diaspora ; 17

Language: English

Keywords: Electronic books.

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