UID:
edocfu_9960800239002883
Format:
1 online resource (viii, 169 pages)
ISBN:
1-4632-2877-5
Content:
This volume gathers six essays from papers presented at the 3rd Annual Lawrence J. Schoenberg Symposium on November 19-20, 2010. The essays explore both the technology of inscribed musical expression in the Middle Ages—especially in regard to notation—and the role that modern digital technologies play in facilitating the study of music manuscripts today. As the manuscript evidence shows, medieval music as written text was both expressive and prescriptive in shaping music-making practices, performance, and reception.
Note:
Frontmatter --
,
Table of Contents --
,
Preface --
,
Introduction /
,
Capturing Sounds: The Notation of Language /
,
Music Notation, Metaphor, and the Reification of Late- Medieval Song /
,
Technologies of Un-Notated Transmission: Trecento Song as Literature in One Early Sixteenth-Century Poetic Anthology /
,
Monks, Manuscripts, and Other Peer-to-Peer Song Sharing Networks of the Middle Ages /
,
From Perfect to Preposterous: How Digital Restoration Can Both Help and Hinder Our Reading of Damaged Sources /
,
Quill and Pixel: Chansonniers and Their Modern Readers /
,
List of Contributors --
,
Index
,
In English.
Additional Edition:
ISBN 1-61719-056-X
Language:
English
DOI:
10.31826/9781463228774
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