Kooperativer Bibliotheksverbund

UID:

Format: xxiii, 179 Seiten.

ISBN: 978-1-4780-0594-0 , 978-1-4780-0661-9

Series Statement: Refiguring American music

Content: "From his cavernous voice and unparalleled artistry to his fearless struggle for human rights, Paul Robeson was one of the twentieth-century's greatest icons and polymaths. In Everything Man Shana L. Redmond traces Robeson's continuing cultural resonances in popular culture and politics. She follows his appearance throughout the twentieth century in the forms of sonic and visual vibration and holography; theater, art, and play; and the physical environment. Redmond thereby creates an imaginative cartography in which Robeson remains present and accountable to all those he inspired and defended. With her bold and unique theorization of antiphonal life, Redmond charts the possibility of continued communication, care, and collectivity with those who are dead but never gone."--Provided by publisher

Note: Element: a preface -- Vibration: an introduction -- Hologram -- Play -- Installation -- Environment -- Frequency: a continuation ..

Additional Edition: Erscheint auch als Online-Ausgabe Redmond, Shana L, 1980- Everything man Durham : 2020 ISBN 978-1-4780-0729-6 10.1215/9781478090212

Language: English

Keywords: Schwarze ; Schauspieler ; Sänger ; Politisches Engagement ; Biografie ; Biografie

URL: Volltext  (kostenfrei)

URL: Volltext  (kostenfrei)

UID:

Format: 1 online resource (xxiii, 179 pages)

ISBN: 1-4780-0661-7 , 1-4780-0729-X

Series Statement: Refiguring American music

Content: "From his cavernous voice and unparalleled artistry to his fearless struggle for human rights, Paul Robeson was one of the twentieth-century's greatest icons and polymaths. In Everything Man Shana L. Redmond traces Robeson's continuing cultural resonances in popular culture and politics. She follows his appearance throughout the twentieth century in the forms of sonic and visual vibration and holography; theater, art, and play; and the physical environment. Redmond thereby creates an imaginative cartography in which Robeson remains present and accountable to all those he inspired and defended. With her bold and unique theorization of antiphonal life, Redmond charts the possibility of continued communication, care, and collectivity with those who are dead but never gone."--Provided by publisher.

Note: Element: a preface -- Vibration: an introduction -- Hologram -- Play -- Installation -- Environment -- Frequency: a continuation ... , English

Additional Edition: ISBN 1-4780-9021-9

Additional Edition: ISBN 1-4780-0594-7

Language: English

UID:

Format: XI, 345 S.

ISBN: 978-0-8147-8932-2 , 978-0-8147-7041-2

Content: "For people of African descent, music constitutes a unique domain of expression. From traditional West African drumming to South African kwaito, from spirituals to hip-hop, Black life and history has been dynamically displayed and contested through sound. Shana Redmond excavates the sonic histories of these communities through a genre emblematic of Black solidarity and citizenship: anthems. An interdisciplinary cultural history, Anthem reveals how this "sound franchise" contributed to the growth and mobilization of the modern, Black citizen. Providing new political frames and aesthetic articulations for protest organizations and activist-musicians, Redmond reveals the anthem as a crucial musical form following World War I. Beginning with the premise that an analysis of the composition, performance, and uses of Black anthems allows for a more complex reading of racial and political formations within the twentieth century, Redmond expands our understanding of how and why diaspora was a formative conceptual and political framework of modern Black identity. By tracing key compositions and performances around the world...from James Weldon Johnson's "Lift Ev'ry Voice and Sing" that mobilized the NAACP to Nina Simone's "To Be Young, Gifted & Black" which became the Black National Anthem of the Congress of Racial Equality (CORE)...Anthem develops a robust recording of Black social movements in the twentieth century that will forever alter the way you hear race and nation. Shana L. Redmond is Assistant Professor of American Studies and Ethnicity at the University of Southern California. She is a former musician and labor organizer"..

Note: Includes bibliographical references and index

Language: English

Subjects: American Studies , Political Science

Keywords: Schwarze ; Bürgerrechtsbewegung ; Anthem ; Politik ; Musiksoziologie

URL: Cover image

URL: http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=026740744&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA

URL: http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=026740744&sequence=000002&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA

URL: Cover

UID:

Format: 1 Online-Ressource (208 p.)

ISBN: 9781478090212

Content: From his cavernous voice and unparalleled artistry to his fearless struggle for human rights, Paul Robeson was one of the twentieth century's greatest icons and polymaths. In Everything Man Shana L. Redmond traces Robeson's continuing cultural resonances in popular culture and politics. She follows his appearance throughout the twentieth century in the forms of sonic and visual vibration and holography; theater, art, and play; and the physical environment. Redmond thereby creates an imaginative cartography in which Robeson remains present and accountable to all those he inspired and defended. With her bold and unique theorization of antiphonal life, Redmond charts the possibility of continued communication, care, and collectivity with those who are dead but never gone

Note: English

Language: English

URL: kostenfrei

UID:

Format: 1 online resource (310 p.)

ISBN: 9780520392182 , 9783110993899

Series Statement: Phono: Black Music and the Global Imagination ; 1

Content: Guthrie P. Ramsey, Jr., is an award-winning musicologist, music historian, composer, and pianist, whose prescient theoretical and critical interventions have worked to build a bridge between Black cultural studies and musicology. Representing twenty-five years of commentary and scholarship, these essays document Ramsey's search to understand America's Black musical past and present and to find his own voice as an African American writer in the field of musicology. This far-reaching collection embraces historiography, ethnography, cultural criticism, musical analysis, and autobiography, traversing the landscape of Black musical expression from sacred music to art music, and jazz to hip hop. Taken together, these essays and the provocative introduction that precedes them are testament to the legacy work that has come to define a field, as well as a rousing call to new readers to continue to ask the hard questions and write the hard truths.

Note: Frontmatter -- , Contents -- , Foreword -- , Acknowledgments -- , Introduction: Who Hears Here Now? -- , 1. Cosmopolitan or Provincial? Ideology in Early Black Music Historiography, 1867-1940 -- , 2. Who Hears Here? Black Music, Critical Bias, and the Musicological Skin Trade -- , 3. The Pot Liquor Principle: Developing a Black Music Criticism in American Music Studies -- , 4. Secrets, Lies, and Transcriptions: New Revisions on Race, Black Music, and Culture -- , 5. Muzing New Hoods, Making New Identities: Film, Hip-Hop Culture, and Jazz Music -- , 6. Afro-Modernism and Music: On Science, Community, and Magic in the Black Avant-Garde -- , 7. Bebop, Jazz Manhood, and "Piano Shame" -- , 8. Blues and the Ethnographic Truth -- , 9. Time Is Illmatic: A Song for My Father, A Letter to My Son -- , 10. A New Kind of Blue: The Power of Suggestion and the Pleasure of Groove in Robert Glasper's Black Radio -- , 11. Free Jazz and the Price of Black Musical Abstraction -- , 12. Jack Whitten's Musical Eye -- , 13. Out of Place and Out of Line: Jason Moran's Eclecticism as Critical Inquiry -- , 14. African American Music -- , Onward: An Afterword -- , Notes -- , Index , Mode of access: Internet via World Wide Web. , In English.

In: EBOOK PACKAGE COMPLETE 2022 English, De Gruyter, 9783110993899

In: EBOOK PACKAGE COMPLETE 2022, De Gruyter, 9783110994810

In: EBOOK PACKAGE Literary, Cultural, Area Studies 2022 English, De Gruyter, 9783110993752

In: EBOOK PACKAGE Literary, Cultural, Area Studies 2022, De Gruyter, 9783110993738

In: University of California Press Complete eBook-Package 2022, De Gruyter, 9783110766493

Additional Edition: ISBN 9780520281837

Language: English

DOI: 10.1525/9780520392182

URL: https://doi.org/10.1525/9780520392182?locatt=mode:legacy

URL: https://www.degruyter.com/isbn/9780520392182

URL: Cover

URL: lizenzpflichtig

URL: lizenzpflichtig

URL: Cover

UID:

Format: xvii, 287 Seiten.

ISBN: 978-0-520-28184-4 , 978-0-520-28183-7

Series Statement: Phono: black music and the global imagination

Content: "Guthrie P. Ramsey, Jr., is an award-winning musicologist, music historian, composer, and pianist, whose prescient theoretical and critical interventions have worked to build a bridge between Black cultural studies and musicology. Representing twenty-five years of commentary and scholarship, these essays document Ramsey's search to understand America's Black musical past and present and to find his own voice as an African American writer in the field of musicology. This far-reaching collection embraces historiography, ethnography, cultural criticism, musical analysis, and autobiography, traversing the landscape of Black musical expression from sacred music to art music, and jazz to hip hop. Taken together, these essays and the provocative introduction that precedes them are testament to the legacy work that has come to define a field, as well as a rousing call to new readers to continue to ask the hard questions and write the hard truths"--

Note: Introduction : who hears here now? -- Cosmopolitan or provincial? : ideology in early black music historiography, 1867-1940 -- Who hears here? : black music, critical bias, and the musicological skin trade -- The pot liquor principle : developing a black music criticism in American music studies -- Secrets, lies and transcriptions : new revisions on race, black music and culture -- Muzing new hoods, making new identities : film, hip-hop culture, and jazz music -- Afro-Modernism and music : on science, community, and magic in the Black Avant-Garde -- Bebop, jazz manhood and "piano shame" -- Blues and the ethnographic truth -- Time is illmatic : a song for my father, a letter to my son -- A new kind of blue : the power of suggestion and the pleasure of groove in Robert Glasper's black radio -- Free jazz and the price of black musical abstraction -- Jack Whitten's musical eye -- Out of place and out of line : Jason Moran's eclecticism as critical inquiry -- African American music -- Onward : an afterword by Shana L. Redmond

Additional Edition: Erscheint auch als Online-Ausgabe ISBN 978-0-520-39218-2

Language: English

Subjects: Musicology

Keywords: Schwarze ; Afroamerikanische Musik ; Ethnische Identität ; Criticism, interpretation, etc ; History

URL: Inhaltsverzeichnis

UID:

Format: xi, 556 Seiten : , Illustrationen ; , 24 cm.

ISBN: 978-0-8223-6108-4 , 978-0-8223-6127-5

Content: "Building on the intellectual and political momentum that established the Critical Ethnic Studies Association, this Reader inaugurates a radical response to the appropriations of liberal multiculturalism while building on the possibilities enlivened by the historical work of Ethnic Studies. It does not attempt to circumscribe the boundaries of Critical Ethnic Studies; rather, it offers a space to promote open dialogue, discussion, and debate regarding the field's expansive, politically complex, and intellectually rich concerns. Covering a wide range of topics, from multiculturalism, the neoliberal university, and the exploitation of bodies to empire, the militarized security state, and decolonialism, these twenty-five essays call attention to the urgency of articulating a Critical Ethnic Studies for the twenty-first century." -- Publisher's description

Note: Literaturverzeichnis Seite 495-532 , The multicultural nation and the violence of liberal rights -- As though it were our own?: against a politics of identification / Shana L. Redmond -- Juan Crow: progressive mutations of the Black-White binary / John D. Márquez -- Can the line move? Antiblackness and a diasporic logic of forced social epidermalization / João H. Costa Vargas -- (Re)producing the nation: treaty rights, gay marriage, and the settler state / Lindsey Schneider -- Hateful travels: queering ethnic studies in a context of criminalization, pathologization, and globalization / Jin Haritaworn -- Critical contradictions: a conversation among Glen Coulthard, Dylan Rodríguez, and Sarita Echavez See / moderated by Sarita Echavez See -- Critical ethnic studies projects meet the neoliberal university -- A better life? Asian Americans and the necropolitics of higher education / Long T. Bui -- Notes from a member of the demographic threat: this is what "we are all Palestinians" really means / Nada Elia -- , Restructuring, resistance, and knowledge production on campus: the story of the department of equity studies at York University / Tania Das Gupta -- "The goal of the revolution is the elimination of anxiety:" on the right to abundance in a time of artificial scarcity / David Lloyd -- Subjugated knowledges: activism, scholarship, and ethnic studies ways of knowing / Dan Berger -- The body and the dispensations of racial capital -- Becoming disabled/becoming Black: crippin' critical ethnic studies from the periphery / Nirmala Erevelles -- Arts and crafts, elsewhere and home, mama & me: defying transnormativity through bobby Cheung's creative modalities of resignification / Bo Luengsuraswat -- Indra Sinha's melancholic citizenship: marking the violence of uneven development in animal's people / Andrew Uzendoski -- Cocoa Chandelier's confessional: Kanaka Maoli performance and Aloha in drag / Stephanie Nohelani Teves -- , Militarism, empire, and war: the security state and states of insecurity -- Surrogates and subcontractors: flexibility and obscurity in u.s. immigrant detention / David M. Hernández -- Of "mates" and men: the comparative racial politics of Filipino naval enlistment, circa 1941-1943 / Jason Luna Gavilan -- The thickening borderlands: bastard mestiz@s, "illegal" possibilities, and globalizing migrant life / Gilberto Rosas -- Up in the air and on the skin: drone warfare and the queer calculus of pain / Ronak K. Kapadia -- Empire's verticality: the af-pak frontier, visual culture, and racialization from above / Keith P. Feldman -- Fugitive socialities and alternative futures -- Decolonization, "race", ́ and remaindered life under empire / Neferti X.M. Tadiar -- Critical ethnic studies, identity politics, and the right-left convergence / Ella Shohat and Robert Stam -- Césaire's gift and the decolonial turn / Nelson Maldonado-Torres -- , Checkered Choices, Political Assertions: The Unarticulated Racial Identity of La Asociación Nacional México-Americana / Laura Pulido -- Racializing biopolitics and bare life / Alexander G. Weheliye

Additional Edition: Erscheint auch als Online-Ausgabe ISBN 978-0-8223-7436-7

Language: English

Subjects: Ethnology

Keywords: Ethnizität ; Multikulturelle Gesellschaft ; Postkolonialismus ; Aufsatzsammlung

URL: Inhaltsverzeichnis

URL: Inhaltsverzeichnis

UID:

Format: 1 online resource (358 p.)

ISBN: 0-8147-7095-9

Content: "For people of African descent, music constitutes a unique domain of expression. From traditional West African drumming to South African kwaito, from spirituals to hip-hop, Black life and history has been dynamically displayed and contested through sound. Shana Redmond excavates the sonic histories of these communities through a genre emblematic of Black solidarity and citizenship: anthems. An interdisciplinary cultural history, Anthem reveals how this "sound franchise" contributed to the growth and mobilization of the modern, Black citizen. Providing new political frames and aesthetic articulations for protest organizations and activist-musicians, Redmond reveals the anthem as a crucial musical form following World War I. Beginning with the premise that an analysis of the composition, performance, and uses of Black anthems allows for a more complex reading of racial and political formations within the twentieth century, Redmond expands our understanding of how and why diaspora was a formative conceptual and political framework of modern Black identity. By tracing key compositions and performances around the world--from James Weldon Johnson's "Lift Ev'ry Voice and Sing" that mobilized the NAACP to Nina Simone's "To Be Young, Gifted & Black" which became the Black National Anthem of the Congress of Racial Equality (CORE)--Anthem develops a robust recording of Black social movements in the twentieth century that will forever alter the way you hear race and nation. Shana L. Redmond is Assistant Professor of American Studies and Ethnicity at the University of Southern California. She is a former musician and labor organizer"--

Note: Description based upon print version of record. , Frontmatter -- , Contents -- , Acknowledgments -- , Introduction -- , 1. From Race to Nation -- , 2. Extending Diaspora -- , 3. Songs of Free Men -- , 4. Women’s Work -- , 5. Soul Intact -- , 6. Sounds of Exile -- , Conclusion -- , Notes -- , Index -- , About the Author , English

Additional Edition: ISBN 0-8147-8932-3

Additional Edition: ISBN 0-8147-7041-X

Language: English

DOI: 10.18574/9780814770955

UID:

Format: 1 online resource : , 6 black and white illustrations

ISBN: 9780814770955

Note: Frontmatter -- , Contents -- , Acknowledgments -- , Introduction -- , 1. From Race to Nation -- , 2. Extending Diaspora -- , 3. Songs of Free Men -- , 4. Women’s Work -- , 5. Soul Intact -- , 6. Sounds of Exile -- , Conclusion -- , Notes -- , Index -- , About the Author , In English.

Language: English

DOI: 10.18574/9780814770955

URL: https://www.degruyter.com/isbn/9780814770955

URL: https://www.degruyter.com/isbn/9780814770955

UID:

Format: 1 online resource (xxiii, 179 pages)

ISBN: 1-4780-0661-7 , 1-4780-0729-X

Series Statement: Refiguring American music

Content: "From his cavernous voice and unparalleled artistry to his fearless struggle for human rights, Paul Robeson was one of the twentieth-century's greatest icons and polymaths. In Everything Man Shana L. Redmond traces Robeson's continuing cultural resonances in popular culture and politics. She follows his appearance throughout the twentieth century in the forms of sonic and visual vibration and holography; theater, art, and play; and the physical environment. Redmond thereby creates an imaginative cartography in which Robeson remains present and accountable to all those he inspired and defended. With her bold and unique theorization of antiphonal life, Redmond charts the possibility of continued communication, care, and collectivity with those who are dead but never gone."--Provided by publisher.

Note: Element: a preface -- Vibration: an introduction -- Hologram -- Play -- Installation -- Environment -- Frequency: a continuation ... , English

Additional Edition: ISBN 1-4780-9021-9

Additional Edition: ISBN 1-4780-0594-7

Language: English