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  • 1
    Book
    Book
    Motives for allusion : context and content in nineteenth-century music (2003)
    Cambridge [u.a.] :Harvard University Press,
    Details
    UID:
    almahu_BV015772619
    Format: XII, 230 S. : Notenbeisp.
    Edition: 1. publ.
    ISBN: 0-674-01037-X
    Note: Includes bibliographical references (p. ) and index
    Language: English
    Subjects: Musicology
    RVK:
    LR 55335
    Keywords: Musik ; Anspielung ; Zitat
    URL: Rezension
    Author information: Reynolds, Christopher A., 1951-
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  • 2
    Book
    Book
    Wagner, Schumann, and the lessons of Beethoven's Ninth (2015)
    Oakland, California : University of California Press
    Details
    UID:
    gbv_814217346
    Format: XIV, 212 S. , Notenbeisp.
    ISBN: 0520285565 , 9780520285569
    Series Statement: An Ahmanson Foundation book in the humanities
    Content: "Reynolds shows that the stylistic advances made by Richard Wagner and Robert Schumann in 1845-46 stemmed from a deepened understanding of Beethoven's techniques and strategies in the Ninth Symphony, particularly the use of counterpoint involving contrary motion. The trail of influences that Reynolds explores extends back to the music of Bach and ahead to Tristan and Isolde, as well as to Brahms's First Symphony."--Provided by publisher
    Content: "Reynolds shows that the stylistic advances made by Richard Wagner and Robert Schumann in 1845-46 stemmed from a deepened understanding of Beethoven's techniques and strategies in the Ninth Symphony, particularly the use of counterpoint involving contrary motion. The trail of influences that Reynolds explores extends back to the music of Bach and ahead to Tristan and Isolde, as well as to Brahms's First Symphony."--Provided by publisher
    Note: Includes bibliographical references and index , Wagner's Faustian understanding of Beethoven's NinthThe impact of the Ninth on the Flying Dutchman -- Wagner, thematic dispersion, and contrary motion -- Schumann, thematic dispersion, and contrary motion -- Late Schumann, Wagner, and Bach -- Brahms's triple response to the Ninth -- Wagner and Schumann.
    Additional Edition: ISBN 9780520960978
    Language: English
    Subjects: Musicology
    RVK:
    LP 63020
    RVK:
    LP 63175
    Keywords: Beethoven, Ludwig van Nr. 9 1770-1827 Sinfonien d-Moll ; op. 125 ; Rezeption ; Wagner, Richard 1813-1883 ; Schumann, Robert 1810-1856 ; Beethoven, Ludwig van Nr. 9 1770-1827 Sinfonien d-Moll ; op. 125 ; Rezeption ; Wagner, Richard 1813-1883 ; Schumann, Robert 1810-1856 ; Brahms, Johannes 1833-1897
    URL: Inhaltsverzeichnis
    Author information: Reynolds, Christopher A. 1951-
    Author information: Schumann, Robert 1810-1856
    Author information: Beethoven, Ludwig van 1770-1827
    Author information: Brahms, Johannes 1833-1897
    Author information: Wagner, Richard 1813-1883
    Library Location Call Number Volume/Issue/Year Availability
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  • 3
    Book
    Book
    Papal patronage and the music of St. Peter's : 1380 - 1513 (1995)
    Berkeley [u.a.] :Univ. of California Press,
    Details
    UID:
    almahu_BV010731452
    Format: XVII, 439 S. : Ill., Notenbeisp.
    ISBN: 0-520-08212-5
    Content: Examining archival documents, musical styles, and issues of artistic patronage and cultural context, Christopher Reynolds offers a new picture of music at the basilica of St. Peter's in the fifteenth century. An expanding commitment to music during this period is signaled by the construction of several organs, the employment of singers from outside Italy, and the gathering of an international group of composers and scribes. The attraction of St. Peter's for northerners attests to the strength of the system of clerical patronage that existed from the Avignon papacy to the Council of Trent. The resulting artistic flowering left us the earliest documentable tradition of written polyphony in Rome
    Content: Part 1 of Reynold's study is a historical account of singers, music scribes, composers, organists, and other instrumentalists. In Part 2, Reynolds examines several anonymous masses copied at St. Peter's, proposing attributions that have biographical implications for the composers. In Part 3, he examines the music to reveal the composers' cultural values and educational backgrounds in order to refute the accepted view that northern composers upheld scholastic values in a humanistic cultural milieu. In revealing a developing nationalism in patronage, which by the end of the century sought to favor Italian musicians once again, Reynolds chronicles changes in musical tastes and styles
    Language: English
    Subjects: Musicology
    RVK:
    LQ 82000
    RVK:
    LR 13520
    Keywords: Musik ; Kunst ; Liturgie ; Kunst ; Musik ; Mäzenatentum
    Author information: Reynolds, Christopher A., 1951-
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  • 4
    Online Resource
    Online Resource
    Music of the Renaissance : imagination and reality of a cultural practice (2019)
    Oakland : University of California Press
    Details
    UID:
    gbv_1678241512
    Format: 1 Online-Ressource (XV, 223 Seiten) , Illustrationen, Noten
    ISBN: 9780520970069
    Uniform Title: Musik der Renaissance
    Content: "Where previous accounts of the Renaissance have not fully acknowledged the role that music played in this decisive period of cultural history, Laurenz Lütteken merges historical music analysis with the analysis of the other arts to provide a richer context for the emergence and evolution of creative cultures across civilizations. This fascinating panorama foregrounds music as a substantial component of the era and considers musical works and practices in a wider cultural-historical context. Among the topics surveyed are music's relationship to antiquity, the position of music within systems of the arts, the emergence of the concept of the musical work, as well as music's relationship to the theory and practice of painting, literature, and architecture. What becomes clear is that the Renaissance gave rise to many musical concepts and practices that persist to this day, whether the figure of the composer, musical institutions, and modes of musical writing and memory"--Provided by publisher
    Content: The era and its terms -- Social reality and cultural interaction -- Text and texts -- Forms of perception -- Memoria
    Note: Includes bibliographical references and index
    Additional Edition: ISBN 9780520297906
    Additional Edition: Erscheint auch als Druck-Ausgabe Lütteken, Laurenz, 1964 - Music of the Renaissance Oakland, California : University of California Press], 2019 ISBN 9780520297906
    Language: English
    Subjects: Musicology
    RVK:
    LP 19503
    Keywords: Musik ; Geschichte 1420-1600 ; Renaissance ; Kultur ; Künste ; Musik ; Geschichte 1420-1600
    DOI: 10.1525/9780520970069
    URL: lizenzpflichtig
    URL: lizenzpflichtig
    URL: Cover
    URL: Cover
    Author information: Lütteken, Laurenz 1964-
    Author information: Reynolds, Christopher A. 1951-
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    Online Resource
    Open Access Request
    UB Potsdam
  • 5
    Book
    Book
    Wagner, Schumann, and the lessons of Beethoven's Ninth / (2015)
    Oakland, Calif. :Univ. of California Press,
    Details
    UID:
    almahu_BV042600880
    Format: XIV, 212 S. : , Notenbeisp.
    Content: "Reynolds shows that the stylistic advances made by Richard Wagner and Robert Schumann in 1845-46 stemmed from a deepened understanding of Beethoven's techniques and strategies in the Ninth Symphony, particularly the use of counterpoint involving contrary motion. The trail of influences that Reynolds explores extends back to the music of Bach and ahead to Tristan and Isolde, as well as to Brahms's First Symphony."--Provided by publisher
    Note: Includes bibliographical references and index. - Wagner's Faustian understanding of Beethoven's Ninth -- The impact of the Ninth on the Flying Dutchman -- Wagner, thematic dispersion, and contrary motion -- Schumann, thematic dispersion, and contrary motion -- Late Schumann, Wagner, and Bach -- Brahms's triple response to the Ninth -- Wagner and Schumann
    Language: English
    Subjects: Musicology
    RVK:
    LP 63020
    RVK:
    LP 63175
    Keywords: Nr. 9 1770-1827 Sinfonien Beethoven, Ludwig van d-Moll ; op. 125 ; Rezeption ; 1813-1883 Wagner, Richard ; 1810-1856 Schumann, Robert ; 1833-1897 Brahms, Johannes
    URL: http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=028033951&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA
    Author information: Reynolds, Christopher A., 1951-
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