Kooperativer Bibliotheksverbund

UID:

Format: x, 329 Seiten : , Illustrationen.

ISBN: 978-0-231-19711-3 , 978-0-231-19710-6

Series Statement: Modernist latitudes

Content: "In the late nineteenth and early twentieth centuries, radical women's movements and the avant-gardes were often in contact with one another, brought together through the socialist internationals. Jill Richards argues that these movements were not just socially linked but also deeply interconnected. Each offered the other an experimental language that could move beyond the nation-state's rights of man and citizen, suggesting an alternative conceptual vocabulary for women's rights. Rather than focus on the demand for the vote, The Fury Archives turns to the daily practices and social worlds of feminist action. It offers an alternative history of women's rights, practiced by female arsonists, suffragette rioters, industrial saboteurs, self-named terrorists, lesbian criminals, and queer resistance cells. Richards also examines the criminal proceedings that emerged in the wake of women's actions, tracing the way that citizen and human emerged as linked categories for women on the fringes of an international campaign for suffrage. Recovering a transatlantic print archive, Richards brings together a wide range of activists and artists, including Lumina Sophie, Ina Césaire, Rosa Luxemburg, Rebecca West, Angelina Weld Grimké, Elizabeth Gurley Flynn, Hannah Höch, Claude Cahun, Paulette Nardal, and Leonora Carrington. An expansive and methodologically innovative book, The Fury Archives argues that the relationship of women's rights movements and the avant-gardes offers a radical alternative to liberal discourses of human rights in formation at the same historical moment"--

Additional Edition: Erscheint auch als Online-Ausgabe ISBN 978-0-231-55198-4

Language: English

Subjects: Sociology

Keywords: Frauenkunst ; Feminismus ; Frauenbewegung ; Avantgarde ; History

URL: http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032217222&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA

URL: Inhaltsverzeichnis

URL: Inhaltsverzeichnis

UID:

Format: 1 Online-Ressource (277 Seiten) : , Illustrationen.

ISBN: 978-0-231-55088-8

Series Statement: Literature now

Content: Like few other works of contemporary literature, Elena Ferrante's Neapolitan novels found an audience of passionate and engaged readers around the world. Inspired by Ferrante's intense depiction of female friendship and women's intellectual lives, four critics embarked upon a project that was both work and play: to create a series of epistolary readings of the Neapolitan Quartet that also develops new ways of reading and thinking together.In a series of intertwined, original, and daring readings of Ferrante's work and her fictional world, Sarah Chihaya, Merve Emre, Katherine Hill, and Jill Richards strike a tone at once critical and personal, achieving a way of talking about literature that falls between the seminar and the book club. Their letters make visible the slow, fractured, and creative accretion of ideas that underwrites all literary criticism and also illuminate the authors' lives outside the academy. The Ferrante Letters offers an improvisational, collaborative, and cumulative model for reading and writing with others, proposing a new method the authors call collective criticism. A book for fans of Ferrante and for literary scholars seeking fresh modes of intellectual exchange, The Ferrante Letters offers incisive criticism, insouciant riffs, and the pleasure of giving oneself over to an extended conversation about fiction with friends

Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 978-0-231-19456-3

Language: English

Keywords: 1943- Ferrante, Elena ; Frauenfreundschaft

DOI: 10.7312/chih19456

URL: Volltext  (URL des Erstveröffentlichers)

URL: https://doi.org/10.7312/chih19456

URL: lizenzpflichtig

URL: lizenzpflichtig

URL: Cover

URL: Cover

UID:

Format: 1 Online-Ressource (1 online resource)

Edition: [Online-Ausgabe]

ISBN: 9780231551984

Series Statement: Modernist Latitudes

Content: Frontmatter -- Contents -- Acknowledgments -- Introduction -- 1. The Fury Archives: Afterlives of the Female Incendiary -- 2. The Long Middle: Militant Suffrage from Britain to South Africa -- 3. The Art of Not Having Children: Birth Strike, Sabotage, and the Reproductive Atlantic -- 4. Rhineland Bastards, Queer Species: An Afro- German Case Study -- PART III. CONVERGENCES IN INSTITUTIONAL HUMAN RIGHTS -- 5. Surrealism’s Inhumanities: Chance Encounter, Lesbian Crime, Queer Resistance -- 6. The Committee Form: Négritude Women and the United Nations -- Epilogue. Social Reproduction and the Midcentury Witch: Leonora Carrington in Mexico -- Notes -- Bibliography -- Index -- Modernist latitudes

Content: In the late nineteenth and early twentieth centuries, radical women’s movements and the avant-gardes were often in contact with one another, brought together through the socialist internationals. Jill Richards argues that these movements were not just socially linked but also deeply interconnected. Each offered the other an experimental language that could move beyond the nation-state’s rights of man and citizen, suggesting an alternative conceptual vocabulary for women’s rights.Rather than focus on the demand for the vote, The Fury Archives turns to the daily practices and social worlds of feminist action. It offers an alternative history of women’s rights, practiced by female arsonists, suffragette rioters, industrial saboteurs, self-named terrorists, lesbian criminals, and queer resistance cells. Richards also examines the criminal proceedings that emerged in the wake of women’s actions, tracing the way that citizen and human emerged as linked categories for women on the fringes of an international campaign for suffrage.Recovering a transatlantic print archive, Richards brings together a wide range of activists and artists, including Lumina Sophie, Ina Césaire, Rosa Luxemburg, Rebecca West, Angelina Weld Grimké, Elizabeth Gurley Flynn, Hannah Höch, Claude Cahun, Paulette Nardal, and Leonora Carrington. An expansive and methodologically innovative book, The Fury Archives argues that the relationship of women’s rights movements and the avant-gardes offers a radical alternative to liberal discourses of human rights in formation at the same historical moment

Note: Mode of access: Internet via World Wide Web. , In English

Language: English

DOI: 10.7312/rich19710

URL: lizenzpflichtig

URL: lizenzpflichtig

URL: Cover

URL: https://doi.org/10.7312/rich19710

URL: https://www.degruyter.com/isbn/9780231551984

UID:

Format: 1 CD , Beih. , 12 cm

Series Statement: 20th century Irish series

Note: World premieres , Enth. außerdem: 1 unselbständiges Werk , Aufn.: 1995 und 1999

Language: Undetermined

UID:

Format: 154 S.

Edition: 1. publ.

ISBN: 0-04-372026-9 , 0-04-372027-7

Series Statement: Unwin education books

Language: English

Subjects: Education , Psychology

Keywords: Schule ; Sprache ; Unterrichtssprache

UID:

Format: 1 online resource (277 pages)

ISBN: 0-231-55088-X

Series Statement: Literature Now

Content: Like few other works of contemporary literature, Elena Ferrante's Neapolitan novels found an audience of passionate and engaged readers around the world. Inspired by Ferrante's intense depiction of female friendship and women's intellectual lives, four critics embarked upon a project that was both work and play: to create a series of epistolary readings of the Neapolitan Quartet that also develops new ways of reading and thinking together.In a series of intertwined, original, and daring readings of Ferrante's work and her fictional world, Sarah Chihaya, Merve Emre, Katherine Hill, and Jill Richards strike a tone at once critical and personal, achieving a way of talking about literature that falls between the seminar and the book club. Their letters make visible the slow, fractured, and creative accretion of ideas that underwrites all literary criticism and also illuminate the authors' lives outside the academy. The Ferrante Letters offers an improvisational, collaborative, and cumulative model for reading and writing with others, proposing a new method the authors call collective criticism. A book for fans of Ferrante and for literary scholars seeking fresh modes of intellectual exchange, The Ferrante Letters offers incisive criticism, insouciant riffs, and the pleasure of giving oneself over to an extended conversation about fiction with friends.

Note: Frontmatter -- , Contents -- , Introduction: Collective Criticism -- , My Brilliant Friend -- , The Story of a New Name -- , Those Who Leave and Those Who Stay -- , The Story of the Lost Child -- , Unform -- , The Story of a Fiction -- , The Queer Counterfactual -- , The Cage of Authorship -- , Afterword -- , Appendix: Guest Letters -- , Acknowledgments -- , Notes -- , Bibliography , In English.

Additional Edition: ISBN 0-231-19456-0

Language: English

DOI: 10.7312/chih19456

UID:

Format: 1 online resource (344 pages) : , illustrations

ISBN: 0-231-55198-3

Series Statement: Modernist Latitudes

Content: In the late nineteenth and early twentieth centuries, radical women’s movements and the avant-gardes were often in contact with one another, brought together through the socialist internationals. Jill Richards argues that these movements were not just socially linked but also deeply interconnected. Each offered the other an experimental language that could move beyond the nation-state’s rights of man and citizen, suggesting an alternative conceptual vocabulary for women’s rights.Rather than focus on the demand for the vote, The Fury Archives turns to the daily practices and social worlds of feminist action. It offers an alternative history of women’s rights, practiced by female arsonists, suffragette rioters, industrial saboteurs, self-named terrorists, lesbian criminals, and queer resistance cells. Richards also examines the criminal proceedings that emerged in the wake of women’s actions, tracing the way that citizen and human emerged as linked categories for women on the fringes of an international campaign for suffrage.Recovering a transatlantic print archive, Richards brings together a wide range of activists and artists, including Lumina Sophie, Ina Césaire, Rosa Luxemburg, Rebecca West, Angelina Weld Grimké, Elizabeth Gurley Flynn, Hannah Höch, Claude Cahun, Paulette Nardal, and Leonora Carrington. An expansive and methodologically innovative book, The Fury Archives argues that the relationship of women’s rights movements and the avant-gardes offers a radical alternative to liberal discourses of human rights in formation at the same historical moment.

Note: Includes index. , Frontmatter -- , Contents -- , Acknowledgments -- , Introduction -- , 1. The Fury Archives: Afterlives of the Female Incendiary -- , 2. The Long Middle: Militant Suffrage from Britain to South Africa -- , 3. The Art of Not Having Children: Birth Strike, Sabotage, and the Reproductive Atlantic -- , 4. Rhineland Bastards, Queer Species: An Afro- German Case Study -- , PART III. CONVERGENCES IN INSTITUTIONAL HUMAN RIGHTS -- , 5. Surrealism’s Inhumanities: Chance Encounter, Lesbian Crime, Queer Resistance -- , 6. The Committee Form: Négritude Women and the United Nations -- , Epilogue. Social Reproduction and the Midcentury Witch: Leonora Carrington in Mexico -- , Notes -- , Bibliography -- , Index -- , Modernist latitudes

Additional Edition: ISBN 0-231-19710-1

Language: English

DOI: 10.7312/rich19710