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  • 1
    Online Resource
    Online Resource
    Cambridge :Cambrdige University Press,
    UID:
    almafu_9960118719402883
    Format: 1 online resource (ix, 302 pages) : , digital, PDF file(s).
    ISBN: 1-316-94429-8 , 1-316-94205-8 , 1-107-58823-5
    Series Statement: Cambridge introductions to philosophy and biology
    Content: Modern biological classification is based on the system developed by Linnaeus, and interpreted by Darwin as representing the tree of life. But despite its widespread acceptance, the evolutionary interpretation has some problems and limitations. This comprehensive book provides a single resource for understanding all the main philosophical issues and controversies about biological classification. It surveys the history of biological classification from Aristotle to contemporary phylogenetics and shows how modern biological classification has developed and changed over time. Readers will also be able to see how biological classification is in part a consequence of human psychology, language development and culture. The book will be valuable for student readers and others interested in a range of topics in philosophy and biology.
    Note: Title from publisher's bibliographic system (viewed on 06 Sep 2016). , Cover -- Half-title -- Series information -- Title page -- Copyright information -- Dedication -- Table of contents -- List of illustrations -- Acknowledgments -- Introduction -- 1 Why Classify? -- Classification and the Diversity of Life -- The Anthropology of Classification -- The Psychology of Classification -- Kinds of Kinds -- A Puzzle -- 2 The Aristotelian Framework -- The Essentialism Story -- The Aristotelian Framework -- The Transformation of Aristotle -- Universals -- Conclusion: Two Themes -- 3 The Darwinian Pivot -- The Return of Empirical Thinking -- Aristotle Returns? -- Language and Error -- The Linnaean System -- Buffon versus Linnaeus -- The Nineteenth Century -- The Darwinian Revolution -- Character Classification -- A Darwinian Paradox -- Trends and Tensions -- 4 Evolutionary Taxonomy and the Cladistic Challenge -- The Modern Synthesis -- Grouping and Ranking in Evolutionary Taxonomy -- Character Classification in Evolutionary Taxonomy -- Phenetics -- Hennigian Cladistics -- Cladistic Clades -- The Transformation of Cladistics -- Philosophical Issues -- 5 The Tree of Life -- Tree Thinking Before Darwin -- Trees after Darwin -- The Tree of Life -- Ranking and the Tree of Life -- Fossils and Ancestors -- Gene Trees -- Horizontal Gene Transfer -- Rethinking the Tree of Life -- 6 The Species Problem -- The Species Category -- The Species Problem -- Varieties of Pluralism -- The Problem with Microbes -- Conclusion: Are Species Real? -- 7 The Metaphysics of Biological Classification -- Metaphysics -- The Metaphysics of Species -- Natural Kinds Framework -- Cluster Kinds -- Historical Kinds -- Species as Individuals -- Individuality -- Sets or Individuals? -- Higher Taxa -- Conclusion -- 8 Theory and the World -- Two Methodological Stances -- The Baconian Ideal -- Observation and Theory -- The Theory Theory. , The Problem with Theories -- The Pragmatics of Classification -- Conclusion: The Two Faces of Classification -- 9 The Essential Tension -- The History of Biological Classification -- A Puzzle -- A Fundamental Tension -- References -- Index.
    Additional Edition: ISBN 1-107-06537-2
    Additional Edition: ISBN 1-107-68784-5
    Language: English
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 2
    Book
    Book
    Cambridge [u.a.] :Cambridge Univ. Press,
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  • 3
    Online Resource
    Online Resource
    Cambridge :Cambridge University Press,
    UID:
    almafu_9960118338002883
    Format: 1 online resource (71 pages) : , digital, PDF file(s).
    Edition: 1st ed.
    ISBN: 1-108-57518-8 , 1-108-57684-2 , 1-108-67207-8
    Series Statement: Cambridge elements. Elements in the philosophy of biology, 2515-1126
    Content: Biological accounts of art typically start with evolutionary, psychological or neurobiological theories. These approaches might be able to explain many of the similarities we see in art behaviors within and across human populations, but they don't obviously explain the differences we also see. Nor do they give us guidance on how we should engage with art, or the conceptual basis for art. A more comprehensive framework, based also on the ecology of art and how art behaviors get expressed in engineered niches, can help us better understand the full range of art behaviors, their normativity and conceptual basis.
    Note: Title from publisher's bibliographic system (viewed on 30 May 2019). , Cover -- Title page -- Copyright page -- The Biology of Art -- Contents -- 1 What Is Art? -- 1.1 Introduction -- 1.2 Defining Art -- 1.3 Procedural Criteria -- 1.4 Classical versus Cluster Definitions -- 1.5 Theoretical Problems -- 1.6 Theory and Art -- 1.7 Naturalism -- 1.8 Conclusion -- 2 Naturalism and Its Discontents -- 2.1 Introduction -- 2.2 Evolutionary Theories -- 2.3 The Psychology and Neurobiology of Art -- 2.4 Criticisms of Scientific Naturalism -- 2.5 Conclusion -- 3 The Evolutionary Framework -- 3.1 Introduction -- 3.2 Art in Other Species -- 3.3 The Evolution of Human Art -- 3.4 Storytelling -- 3.5 Dance and Music -- 3.6 The Full Evolutionary Framework -- 3.7 Conclusion -- 4 The Psychology and Neurobiology of Art -- 4.1 Introduction -- 4.2 Empirical Aesthetics -- 4.3 Arousal, Prototype and Fluency Theories -- 4.4 Laws of Aesthetic Experience -- 4.5 The Neurobiology of Aesthetic Experience -- 4.6 Conclusion -- 5 The Ecology of Art -- 5.1 Introduction -- 5.2 Engineered Niches -- 5.3 Human Niche Technologies -- 5.4 Niche-Dependent Normativity -- 5.5 Niche-Independent Normativity -- 5.6 The Two Streams of Normativity -- 6 Conclusion -- 6.1 The Value of Art -- 6.2 Relational Value -- 6.3 Sources of Value -- 6.4 What Is Art? Redux -- 6.5 Biotic Art -- 6.6 Pragmatism in Conceiving of Art -- References -- Acknowledgments.
    Additional Edition: ISBN 1-108-72784-0
    Language: English
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  • 4
    Online Resource
    Online Resource
    Cambridge [u.a.] :Cambridge Univ. Press,
    UID:
    almafu_BV043921732
    Format: 1 Online-Ressource (X, 236 S.).
    ISBN: 978-0-511-76222-2
    Additional Edition: Erscheint auch als Druck-Ausgabe, Hardcover ISBN 978-0-521-19683-3
    Additional Edition: Erscheint auch als Druck-Ausgabe, Paperback ISBN 978-1-107-54107-8
    Language: English
    Subjects: Biology
    RVK:
    RVK:
    Keywords: Systematik ; Wissenschaftsentwicklung ; Art ; Philosophie ; Biologie
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 5
    Online Resource
    Online Resource
    Cambridge : Cambridge University Press
    UID:
    gbv_883370522
    Format: Online-Ressource (1 online resource (248 p.)) , digital, PDF file(s).
    Edition: Online-Ausg.
    ISBN: 9780511762222
    Series Statement: Cambridge Studies in Philosophy and Biology
    Content: There is long-standing disagreement among systematists about how to divide biodiversity into species. Over twenty different species concepts are used to group organisms, according to criteria as diverse as morphological or molecular similarity, interbreeding and genealogical relationships. This, combined with the implications of evolutionary biology, raises the worry that either there is no single kind of species, or that species are not real. This book surveys the history of thinking about species from Aristotle to modern systematics in order to understand the origin of the problem, and advocates a solution based on the idea of the division of conceptual labor, whereby species concepts function in different ways - theoretically and operationally. It also considers related topics such as individuality and the metaphysics of evolution, and how scientific terms get their meaning. This important addition to the current debate will be essential for philosophers and historians of science, and for biologists
    Content: The species problem -- The transformation of Aristotle -- Linnaeus and the naturalists -- Darwin and the proliferation of species concepts -- The division of conceptual labor solution -- Species and the metaphysics of evolution -- Meaning, reference and conceptual change
    Note: Title from publisher's bibliographic system (viewed on 05 Oct 2015)
    Additional Edition: ISBN 9780521196833
    Additional Edition: ISBN 9781107541078
    Additional Edition: Erscheint auch als Druck-Ausgabe Richards, Richard A. The species problem Cambridge [u.a.] : Cambridge University Press, 2010 ISBN 9780521196833
    Additional Edition: ISBN 0521196833
    Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 9780521196833
    Language: English
    Subjects: Biology , Philosophy
    RVK:
    RVK:
    RVK:
    Keywords: Systematik ; Wissenschaftsentwicklung ; Geschichte Anfänge-2000 ; Art ; Philosophie ; Biologie
    URL: Volltext  (lizenzpflichtig)
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  • 6
    Online Resource
    Online Resource
    New York, NY :Routledge,
    UID:
    almahu_9949385726902882
    Format: 1 online resource
    ISBN: 9781000567564 , 1000567567 , 9781003007029 , 1003007023 , 9781000567601 , 1000567605
    Content: This book bridges the gap between the many insights into art provided by research in evolutionary theory, psychology and neuroscience and those enduring normative issues best addressed by philosophy. The sciences have helped us understand how art functions, our art preferences, and the neurological systems underlying our engagement with art. But we continue to rely on philosophy to tell us what is truly good in art, how we should engage with art, and the conceptual basis for this engagement. Naturalized Aesthetics: A Scientific Framework for the Philosophy of Art integrates a systematic and comprehensive naturalism, grounded in the sciences, with an "ecology" of art. It shows how the environments in which we make and experience art - our "engineered art niches" - affect the practice and experience of art and generate normativity - the goods and the shoulds- in our engagement with art. There are, in effect, two "streams" of normativity, according to this book: a niche-dependent, social, impersonal and objective stream and a niche-independent, individual, personal and subjective stream. Recognition of these two streams allows us to make progress in long-standing and unresolved philosophical disputes about how to interpret, evaluate and conceive art.Key Features: Provides a structured and critical introduction to the scientific accounts of art based on evolutionary thinking, psychology and neuroscience. Develops an "ecology" of art based on the insight that we engage with art in engineered niches. Presents a naturalistic account of normativity based on the recognition of two streams: a niche-dependent, social, impersonal and objective stream; and a niche-independent, individual, personal and subjective stream. Serves as an introduction and critical analysis of the debates about the interpretation, evaluation and definitions of art.
    Additional Edition: Print version: ISBN 9781000567601
    Additional Edition: Print version: ISBN 0367440040
    Additional Edition: ISBN 9780367440046
    Language: English
    RVK:
    Keywords: Electronic books.
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  • 7
    Book
    Book
    Cambridge : Cambridge University Press
    UID:
    gbv_859295729
    Format: ix, 302 Seiten , Diagramme
    ISBN: 9781107687844 , 9781107065376
    Series Statement: Cambridge introductions to philosophy and biology
    Language: English
    Keywords: Biologie ; Systematik ; Philosophie ; Biologie ; Systematik ; Klassifikation ; Philosophie
    Library Location Call Number Volume/Issue/Year Availability
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  • 8
    Online Resource
    Online Resource
    Cambridge :Cambridge University Press,
    UID:
    almafu_9959231438502883
    Format: 1 online resource (x, 236 pages) : , digital, PDF file(s).
    ISBN: 1-107-20523-9 , 1-282-65532-9 , 9786612655326 , 0-511-77563-6 , 0-511-77639-X , 0-511-77381-1 , 0-511-77274-2 , 0-511-76222-4 , 0-511-77487-7
    Series Statement: Cambridge studies in philosophy and biology
    Content: There is long-standing disagreement among systematists about how to divide biodiversity into species. Over twenty different species concepts are used to group organisms, according to criteria as diverse as morphological or molecular similarity, interbreeding and genealogical relationships. This, combined with the implications of evolutionary biology, raises the worry that either there is no single kind of species, or that species are not real. This book surveys the history of thinking about species from Aristotle to modern systematics in order to understand the origin of the problem, and advocates a solution based on the idea of the division of conceptual labor, whereby species concepts function in different ways - theoretically and operationally. It also considers related topics such as individuality and the metaphysics of evolution, and how scientific terms get their meaning. This important addition to the current debate will be essential for philosophers and historians of science, and for biologists.
    Note: Title from publisher's bibliographic system (viewed on 05 Oct 2015). , The species problem -- The transformation of Aristotle -- Linnaeus and the naturalists -- Darwin and the proliferation of species concepts -- The division of conceptual labor solution -- Species and the metaphysics of evolution -- Meaning, reference and conceptual change. , English
    Additional Edition: ISBN 1-107-54107-7
    Additional Edition: ISBN 0-521-19683-3
    Language: English
    Library Location Call Number Volume/Issue/Year Availability
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