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  • 1
    UID:
    almafu_9960117001002883
    Format: 1 online resource (139 pages) : , digital, PDF file(s).
    ISBN: 1-78204-633-X
    Series Statement: Renaissance Papers,
    Content: Renaissance Papers collects the best scholarly essays submitted each year to the Southeastern Renaissance Conference. The 2014 volume opens and closes with essays on historically based explorations of identity: the first on the circle of Jane Scroop in Skelton's Philip Sparrow, and the last on dogs and horses as symbols of national identity in early modern England. The heart of thisyear's journal is English drama, especially Jonson and Marlowe: there are essays on Puritan logic in Jonson's Bartholomew Fair; grotesque sex in Jonson's Volpone; the role of anti-Catholicism in the creation of Marlowe's Dr. Faustus; and the relationship between puppetry and the Faust legend. Marlowe and Jonson also surface in two reconsiderations of their non-dramatic works;first an essay on Ovidian resonances in Marlowe's Hero and Leander, and second a reflection on Spenserian echoes in Jonson's Epode. The next essay shifts to the poetics of religious literature, arguing for clothing as an important metaphor for renewal in Herbert's The Temple, and the penultimate essay addresses imaginative resources in the Martin Marprelate pamphlets. Contributors: William Coulter, Philip Goldfarb, Chris Hill, Joanna Kucinski, Pamela Macfie, Sara Mayo, Barry Shelton, Emily Stockard, Lisa Ulevich, Emma Annette Wilson. The journal is edited by Jim Pearce of North Carolina Central University and Ward Risvold of the University of Georgia.
    Note: Title from publisher's bibliographic system (viewed on 11 Jun 2021). , Frontcover; Contents; Who Was Jane Scrope?; "All is but Hinnying Sophistry": The Role of Puritan Logic in Bartholomew Fair; Grotesque Sex: Hermaphroditism and Castration in Jonson's Volpone; The Devil, Not the Pope: Anti-Catholicism and Textual Difference in Doctor Faustus; "Straunge Motion": Puppetry, Faust, and the Mechanics of Idolatry; The Ovidian Recusatio in Marlowe's Hero and Leander; "To catchen hold of that long chaine": Spenserian echoes in Jonson's "Epode"; Devotion in the Present Progressive: Clothing and Lyric Renewal in The Temple , Dost thou see a Martin who is Wise in his own Conceit? There is more hope in a fool than in him.English Dogs and Barbary Horses: Horses, Dogs, and Identity in Renaissance England; Review Section; Quentin Skinner, Forensic Shakespeare. Oxford, UK: Oxford University Press, 2014. Cloth, 368 pages. Reviewed by Andrew P. Williams
    Additional Edition: ISBN 1-57113-928-1
    Language: English
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  • 2
    UID:
    almafu_9960118325002883
    Format: 1 online resource (164 pages) : , digital, PDF file(s).
    ISBN: 1-78744-604-2
    Series Statement: Renaissance Papers,
    Content: Sixty-fifth annual volume, focusing notably on Shakespearean drama and the poetry of early modern England but with essays on a variety of other topics relevant to the period.
    Note: Title from publisher's bibliographic system (viewed on 20 Mar 2020). , Frontmatter -- , Contents -- , “One Little Room, An Everywhere”: Staging Silence in London’s Blackfriars and Shakespeare’s Henry VIII -- , “What they are yet I know not”: Speech, Silence, and Meaning in King Lear -- , Shakespearean Epiphany -- , Between the “triple pillar” and “mutual pair”: Love, Friendship, and Social Networks in Antony and Cleopatra -- , “Beauty Changed to Ugly Whoredom”: Analyzing the Mermaid Figure in The Changeling -- , Imagining the Other in a Cuzco Defense of the Eucharist -- , A Critique of Poor Reading: Antissia’s Madness in The Countess of Montgomery’s Urania -- , “Thou thyself likewise art lyttle made”: Spenser, Catullus, and the Aesthetics of “smale poemes” -- , The ordo salutis: Sacred Circularities in John Donne’s “Good Friday 1613. Riding Westward” -- , “Broken-Backed” Texts: Meritocracy and Misogyny in Ben Jonson’s The Forrest
    Additional Edition: ISBN 1-64014-059-X
    Language: English
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  • 3
    Online Resource
    Online Resource
    Rochester, New York :Published for The Southern Renaissance Conference by Camden House,
    UID:
    almahu_9949314359002882
    Format: 1 online resource (145 pages) : , digital, PDF file(s).
    ISBN: 9781800102132 (ebook)
    Additional Edition: Print version: ISBN 9781640141124
    Language: English
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  • 4
    Online Resource
    Online Resource
    Rochester, New York :Published for the Southeastern Renaissance Conference by Camden House,
    UID:
    almahu_9949099780102882
    Format: 1 online resource (138 pages) : , digital, PDF file(s).
    ISBN: 9781782048466 (ebook)
    Series Statement: Renaissance papers
    Content: Renaissance Papers collects the best scholarly essays submitted each year to the Southeastern Renaissance Conference. The 2015 volume features essays from the conference held at the Universityof North Carolina at Chapel Hill, as well as essays submitted directly to the journal. The volume opens with a trio of reconsiderations of the impact of patronage on theater under the Stuarts, the role of the audience in Hamlet, and the role of King Arthur in The Faerie Queene. The heart of this year's journal is English drama, featuring essays on anxieties about nationhood in TheSpanish Tragedy, generic anomalies and Chaucerian echoes in All's Well That Ends Well, the inversion of the hagiographical tradition in Shakespeare's Richard III, and the complexities coalescing around authorial identity under the Stuarts. In the penultimate essay, the focus shifts to the non-dramatic with a reconsideration of Milton's Paradise Regained and its relationship to the court masque. The last offering is a historical essay on the intersection of the personal and the political in John Wray's The Pilgrim's Journal. The volume concludes with four book reviews. Contributors: David M. Bergeron, William A. Coulter, Timothy D. Crowley, Melissa Geil, Lainie Pomerleau, Robert Lanier Reid, Emily Stockard, Lewis Walker, John N. Wall. The journal is edited by Jim Pearce of North Carolina Central University and Ward Risvold of the University of Georgia.
    Note: Title from publisher's bibliographic system (viewed on 18 Jun 2021).
    Additional Edition: Print version: ISBN 9781571139641
    Language: English
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  • 5
    UID:
    almahu_9948177815002882
    Format: 1 online resource (131 pages) : , digital, PDF file(s).
    ISBN: 9781787441507 (ebook)
    Content: Annual volume of the best essays submitted to the Southeastern Renaissance Conference, this year with an emphasis on Shakespeare, reading practices, and the visual arts.
    Note: Title from publisher's bibliographic system (viewed on 30 Aug 2019).
    Additional Edition: Print version: ISBN 9781571139795
    Language: English
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  • 6
    UID:
    almafu_9961373636202883
    Format: 1 online resource.
    Edition: First edition.
    ISBN: 0-8232-9741-1 , 0-8232-9424-2
    Series Statement: Fordham scholarship online
    Content: In addition to providing a thorough philological review, this book revises the way scholars have tended to read the Simonides episode from Plato's 'Protagoras'. 'Couch City' ties this review with a literary interpretation of the poem's involvement in the dialogue, how the dialogue itself may be read literarily, and, most importantly, how these readings work together rather than as discrete, incidental literary interventions in Socrates studies. It uses concepts like the performatives of speech-act theory to demonstrate how the structure of the dialogue sanctions the poem's transgressive playfulness as much as how Socrates's performance of the poem informs that structure as well as its execution.
    Note: This edition also issued in print: 2021.
    Additional Edition: ISBN 0-8232-9423-4
    Language: English
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  • 7
    UID:
    almahu_9948108506802882
    Format: 1 online resource (178 pages) : , digital, PDF file(s).
    ISBN: 9781787444164 (ebook)
    Content: This year's volume offers many contributions on early modern drama alongside essays probing identity, iconography, and devotional imagery in religious spaces and artworks.
    Note: Title from publisher's bibliographic system (viewed on 19 Apr 2019). , "A Selection of Papers Submitted to the Seventy-Fourth Annual Meeting October 13–14, 2017 University of South Carolina, Columbia, South Carolina"
    Additional Edition: Print version: ISBN 9781640140189
    Language: English
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  • 8
    UID:
    gbv_1667778382
    Format: 1 online resource (178 pages)
    ISBN: 9781787444164 , 9781640140189
    Content: This year's volume offers many contributions on early modern drama alongside essays probing identity, iconography, and devotional imagery in religious spaces and artworks.
    Note: Title from publisher's bibliographic system (viewed on 19 Apr 2019). - "A Selection of Papers Submitted to the Seventy-Fourth Annual Meeting October 13–14, 2017 University of South Carolina, Columbia, South Carolina"
    Additional Edition: ISBN 9781640140189
    Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 9781640140189
    Language: English
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  • 9
    Online Resource
    Online Resource
    Rochester, New York : Camden House
    UID:
    gbv_1831898101
    Format: 1 online resource (161 pages) , digital, PDF file(s).
    ISBN: 9781800108257 , 9781640141438
    Content: Essays on a wide range of topics including the role of early modern chess in upholding Aristotelian virtue; readings of Sidney, Wroth, Spenser, and Shakespeare; and several topics involving the New World.
    Note: Title from publisher's bibliographic system (viewed on 16 Dec 2022)
    Additional Edition: ISBN 9781640141438
    Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 9781640141438
    Language: English
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  • 10
    UID:
    gbv_1759464880
    Format: 1 Online-Ressource (184 Seiten)
    ISBN: 9780823294251
    Content: Frontmatter -- Contents -- Introduction: Speech Bonds -- Part I. The Republic -- 1 Couch City, or, The Discourse of the Couch -- 2 Simonides, Part 1 -- 3 Simonides, Part 2 -- 4 Simonides, Part 3 -- 5 Simonides, Part 4 -- Part II. The Protagoras -- 6 Macrological Mystification: Protagoras’s Myth -- 7 The Ethics of Etceteration -- 8 The Parts of Gold and the Parts of Face -- 9 Sophistry as Safemindedness in the Protagoras -- Notes -- Index
    Content: Crowning six decades of literary, rhetorical, and historical scholarship, Harry Berger, Jr., offers readers another trenchant reading. Berger subverts the usual interpretations of Plato’s kalos kagathos, showing Socrates to be trapped in a double ventriloquism, tethered to his interlocutors’ speech acts even as they are tethered to his. Plato’s Republic and Protagoras both reserve a small but significant place for a poet who differs from Homer and Hesiod: the lyric poet Simonides of Ceos. In the Protagoras, Socrates takes apart a poem attributed to Simonides and uses this to finish off the famous and supposedly dangerous sophist, Protagoras. Couch City is a close reading of the comic procedures Socrates deploys against Protagoras as he reduces him to silence. But it also shows that Socrates takes the danger posed by Protagoras and his fellow sophists seriously. Even if they are represented as buffoons, sophists are among the charismatic authority figures—poets, rhapsodes, seers, orators, and lawgivers—who promote views harmful to Athenian democracy. Socrates uses Simonides’s poem to show how sophists not only practice misinterpretation but are unable to defend against it. Berger ports his roots as a pioneering literary theorist into this rhetorical discussion, balancing ideas such as speech-act theory with hard-nosed philology. The result is a provocative and counterintuitive reassessment of Plato’s engagement with democracy
    Note: Mode of access: Internet via World Wide Web. , In English
    Additional Edition: ISBN 9780823294237
    Additional Edition: Erscheint auch als Online-Ausgabe Berger, Harry, 1924 - Couch city New York : Fordham University Press, 2021 ISBN 9780823294237
    Additional Edition: ISBN 0823294234
    Language: English
    Keywords: Plato v427-v347 Protagoras ; Simonides Ceus
    URL: Cover
    URL: Cover
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