feed icon rss

Your email was sent successfully. Check your inbox.

An error occurred while sending the email. Please try again.

Proceed reservation?

Export
Filter
Type of Medium
Language
Region
Years
Person/Organisation
Subjects(RVK)
Access
  • 1
    Online Resource
    Online Resource
    London [England] : The Arden Shakespeare | London [England] : Bloomsbury Publishing
    UID:
    gbv_1796989355
    Format: 1 Online-Ressource (256 pages)
    Edition: First edition
    ISBN: 9781350112957 , 9781350112933 , 9781350114883
    Content: "Shakespeare is at the heart of the British theatrical tradition, but the contribution of Ira Aldridge and the Shakespearean performers of African, Afro-Caribbean and Asian heritage who came after him is not widely known. Telling the story for the first time of how Shakespearean theatre was integrated from the 1960s to the twenty-first century, this is a timely and important account of that contribution. Drawing extensively on empirical evidence from the British Black and Asian Shakespeare Performance Database and featuring interviews with many performers, the book chronicles important productions that led to ground-breaking castings of black and Asian actors in substantial Shakespearean roles including: Zakes Mokae (Cry Freedom) as one of three black Witches in William Gaskill's production of Macbeth, Royal Court Theatre, London, 1966 - Norman Beaton as Angelo in Michael Rudman's 1981 Measure for Measure at the National Theatre, the first majority black Shakespearean cast at the National Theatre - Adrian Lester as Henry V in Nicholas Hytner's 2003 production. Detailing the earliest recorded castings of black and Asian performers in Shakespeare's roles, this illuminating account illustrates the various ways in which black and Asian actors have been integrated into contemporary Shakespearean productions. With first-hand accounts from key performers including Joseph Marcell, Adrian Lester, Noma Dumezweni, Rakie Ayola, Ray Fearon, Paterson Joseph, Lucian Msamati and many more, this book is an invaluable history of black and Asian Shakespeareans that highlights the gains these actors have made and the challenges still faced in pursuing a career in classical theatre."--
    Note: Includes bibliographical references and index , Chapter One. Ira Aldridge: "Impossible facts" -- Chapter Two. "Difficult to justify this casting without sounding racist": breakthroughs and stereotypes -- Chapter Three. Regional theatre -- Chapter Four. The battle for Othello -- Chapter Five. "Nobody was offering black actors Shakespeare": temba and talawa making Shakespeare theirs -- Chapter Six. Tara arts and yellow earth: the growth of Asian-led Shakespeare -- Chapter Seven. "The first classical generation": pushing boundaries in the 1990s -- Chapter Eight. Black Shakespearean kings: the history plays and the glass ceiling -- Chapter Nine. From multiculturalism to Brexit: further breakthroughs and stereotypes , Mode of access: World Wide Web. , Barrierefreier Inhalt: Compliant with Level AA of the Web Content Accessibility Guidelines. Content is displayed as HTML full text which can easily be resized or read with assistive technology, with mark-up that allows screen readers and keyboard-only users to navigate easily
    Additional Edition: ISBN 9781350112926
    Language: English
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 2
    Online Resource
    Online Resource
    London ; New York :The Arden Shakespeare,
    UID:
    almahu_BV047216217
    Format: 1 Online-Ressource (256 Seiten) : , Illustrationen.
    ISBN: 978-1-350-11295-7 , 978-1-350-11294-0 , 978-1-350-11293-3
    Content: "Shakespeare is at the heart of the British theatrical tradition, but the contribution of Ira Aldridge and the Shakespearean performers of African, Afro-Caribbean and Asian heritage who came after him is not widely known. Telling the story for the first time of how Shakespearean theatre was integrated from the 1960s to the twenty-first century, this is a timely and important account of that contribution. Drawing extensively on empirical evidence from the British Black and Asian Shakespeare Performance Database and featuring interviews with many performers, the book chronicles important productions that led to ground-breaking castings of black and Asian actors in substantial Shakespearean roles including: Zakes Mokae (Cry Freedom) as one of three black Witches in William Gaskill’s production of Macbeth, Royal Court Theatre, London, 1966 Norman Beaton as Angelo in Michael Rudman’s 1981 Measure for Measure at the National Theatre, the first majority black Shakespearean cast at the National Theatre Adrian Lester as Henry V in Nicholas Hytner’s 2003 production Detailing the earliest recorded castings of black and Asian performers in Shakespeare’s roles, this illuminating account illustrates the various ways in which black and Asian actors have been integrated into contemporary Shakespearean productions. With first-hand accounts from key performers including Joseph Marcell, Adrian Lester, Noma Dumezweni, Rakie Ayola, Ray Fearon, Paterson Joseph, Lucian Msamati and many more, this book is an invaluable history of black and Asian Shakespeareans that highlights the gains these actors have made and the challenges still faced in pursuing a career in classical theatre."
    Additional Edition: Erscheint auch als Druck-Ausgabe, Hardcover ISBN 978-1-350-11292-6
    Additional Edition: Erscheint auch als Druck-Ausgabe, Paperback ISBN 978-1-350-11488-3
    Language: English
    Subjects: English Studies
    RVK:
    Keywords: 1564-1616 Shakespeare, William ; Inszenierung ; Besetzung ; Schwarze ; Asiaten ; 1564-1616 Shakespeare, William ; Drama ; Inszenierung ; Schwarze ; Asiaten ; History ; Interviews
    URL: Volltext  (URL des Erstveröffentlichers)
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
Close ⊗
This website uses cookies and the analysis tool Matomo. Further information can be found on the KOBV privacy pages