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  • 1
    UID:
    almahu_BV046942264
    Format: 905 Seiten : , Illustrationen, Notenbeispiele.
    Edition: Deutsche Erstausgabe
    ISBN: 978-3-498-00185-8
    Uniform Title: Wagnerism
    Note: Hier auch später erschienene, unveränderte Nachdrucke. - Rezensiert in: Die deutsche Bühne, 92. Jahrgang, 01 (Januar 2021), Seite 16 (Regine Müller); Das Orchester 69 (2021), Heft 2, Seite 61 (Dieter David Scholz); Schwerpunkt: Der fliegende Holländer. Würzburg, 2021 (Wagnerspectrum, 17. Jahrgang (2021), Heft 1), Seite 324-328 (Manuel Gervink); Forum Musikbibliothek 42 (2021), Heft 2, Seite 70-72 (Christian Dammann); Zeitschrift für Religions- und Geistesgeschichte 73 (2021), Heft 3, Seite 265-267 (Gerhard Altmann, Korb)
    Additional Edition: Erscheint auch als Online-Ausgabe ISBN 978-3-644-00695-9
    Language: German
    Subjects: Musicology
    RVK:
    Keywords: 1813-1883 Wagner, Richard ; Rezeption ; Biografie ; Biografie
    URL: Cover
    Author information: Ross, Alex, 1968-
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  • 2
    Book
    Book
    New York :Farrar, Straus and Giroux,
    UID:
    almafu_BV046910885
    Format: X, 769 Seiten, 8 ungezählte Seiten Bildtafeln : , Illustrationen.
    Edition: First edition
    ISBN: 978-0-374-28593-7
    Content: Prelude : Death in Venice -- Rheingold : Wagner, Nietzsche, and the Ring -- Tristan Chord : Baudelaire and the Symbolists -- Swan Knight : Victorian Britain and Gilded Age America -- Grail Temple : Esoteric, Decadent, and Satanic Wagner -- Holy German Art : The Kaiserreich and Fin-de-Siècle Vienna -- Nibelheim : Jewish and Black Wagner -- Venusberg : Feminist and Gay Wagner -- Brünnhilde's Rock : Willa Cather and the Singer-Novel -- Magic Fire : Modernism, 1900 to 1914 -- Nothung : The First World War and Hitler's Youth -- Ring of Power : Revolution and Russia -- Flying Dutchman : Ulysses, The Waste Land, The Waves -- Siegfried's Death : Nazi Germany and Thomas Mann -- Ride of the Valkyries : Film from The Birth of a Nation to Apocalypse Now -- The Wound : Wagnerism After 1945
    Content: "A large-canvas narrative history, charting the impact of the cultural titan Wagner on art and politics. Ross will show how various artists-composers, novelists, poets, filmmakers-wrestled with the legacy of Wagner in the twentieth century"--
    Note: Includes bibliographical references and index. - Rezensiert in: Wagnerspectrum, 18. Jahrgang (2022), Heft 1, Seite 293-296 (Nicholas Vazsonyi)
    Language: English
    Keywords: 1813-1883 Wagner, Richard ; Rezeption
    Author information: Ross, Alex 1968-
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  • 3
    UID:
    gbv_617838844
    Format: 703 S. , Ill.
    Edition: 2. Aufl.
    ISBN: 9783492053013
    Uniform Title: The rest is noise 〈dt.〉
    Language: German
    Subjects: Musicology
    RVK:
    Keywords: Neue Musik ; Musik ; Geschichte 1900-2000
    Author information: Ross, Alex 1968-
    Author information: Herzke, Ingo 1966-
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  • 4
    Book
    Book
    München :Piper,
    UID:
    almafu_BV037374816
    Format: 703 Seiten : , Illustrationen.
    Edition: 3. Auflage
    ISBN: 978-3-492-05301-3
    Uniform Title: The rest is noise
    Language: German
    Subjects: Musicology
    RVK:
    Keywords: Neue Musik ; Musik
    Author information: Ross, Alex 1968-
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  • 5
    UID:
    almahu_9949297094402882
    Format: 1 online resource (552 p.)
    ISBN: 9781478021391 , 9783110743319
    Series Statement: Refiguring American Music : 25
    Content: In Songbooks, critic and scholar Eric Weisbard offers a critical guide to books on American popular music from William Billings's 1770 New-England Psalm-Singer to Jay-Z's 2010 memoir Decoded. Drawing on his background editing the Village Voice music section, coediting the Journal of Popular Music Studies, and organizing the Pop Conference, Weisbard connects American music writing from memoirs, biographies, and song compilations to blues novels, magazine essays, and academic studies. The authors of these works are as diverse as the music itself: women, people of color, queer writers, self-educated scholars, poets, musicians, and elites discarding their social norms. Whether analyzing books on Louis Armstrong, the Beatles, and Madonna; the novels of Theodore Dreiser, Gayl Jones, and Jennifer Egan; or varying takes on blackface minstrelsy, Weisbard charts an alternative history of American music as told through its writing. As Weisbard demonstrates, the most enduring work pursues questions that linger across time period and genre-cultural studies in the form of notes on the fly, on sounds that never cease to change meaning.
    Note: Frontmatter -- , CONTENTS -- , Introduction -- , Part I Setting the Scene -- , First Writer, of Music and on Music -- , Blackface Minstrelsy Extends Its Twisted Roots -- , Shape-Note Singing and Early Country -- , Music in Captivity -- , Champion of the White Male Vernacular -- , Notating Spirituals -- , First Black Music Historian -- , Child Ballads and Folklore -- , Women Not Inventing Ethnomusicology -- , First Hit Songwriter, from Pop to Folk and Back Again -- , Novelist of Urban Pop Longings -- , Americana Emerges -- , Documenting the Story -- , Tin Pan Alley's Sheet Music Biz -- , First Family of Folk Collecting -- , Proclaiming Black Modernity -- , Songcatching in the Mountains -- , Part II The Jazz Age -- , Stories for the Slicks -- , Remembering the First Black Star -- , Magazine Criticism across Popular Genres -- , Harlem Renaissance -- , Tin Pan Alley's Standards Setter -- , Broadway Musical as Supertext -- , Father of the Blues in Print -- , Poet of the Blare and Racial Mountain -- , Blessed Immortal, Forgotten Songwriter -- , Tune Detective and Expert Explainer -- , Pop's First History Lesson -- , Roots Intellectual -- , Jook Ethnography, Inventing Black Music Studies -- , What He Played Came First -- , Jazz's Original Novel -- , Introducing Jazz Critics -- , Part III Midcentury Icons -- , Folk Embodiment -- , A Hack Story Soldiers Took to War -- , From Immigrant Jew to Red Hot Mama -- , White Negro Drug Dealer -- , Composer of Tone Parallels -- , Jazz's Precursor as Pop and Art -- , Field Recording in the Library of Congress Mister Jelly Roll: The Fortunes of Jelly Roll Morton, New Orleans Creole and "Inventor of Jazz," 1950 -- , Dramatizing Blackness from a Distance -- , Centering Vernacular Song -- , Writing about Records -- , Collective Oral History to Document Scenes -- , The Greatest Jazz Singer's Star Text -- , Beat Generation -- , Borderlands Folklore and Transnational Imaginaries -- , New Yorker Critic of a Genre Becoming Middlebrow -- , Part IV Vernacular Counterculture -- , Blues Revivalists -- , Britpop in Fiction -- , Form-Exploding Indeterminacy -- , Science Fiction Writer Pens First Rock and Roll Novel -- , Pro-Jazz Scene Sociology -- , Reclaiming Black Music -- , An Endless Lit, Limited Only in Scope -- , Music as a Prose Master's Jagged Grain -- , How to Succeed in . . . -- , Schmaltz and Adversity -- , New Journalism and Electrified Syntax -- , Defining a Genre -- , Swing's Movers as an Alternate History of American Pop -- , Rock and Roll's Greatest Hyper -- , Ebony's Pioneering Critic of Black Pop as Black Power -- , Entertainment Journalism and the Power of Knowing -- , An Over-the- Top Genre's First Reliable History -- , Rock Critic of the Trivially Awesome -- , Black Religious Fervor as the Core of Rock and Soul -- , Jazz Memoir of "Rotary Perception" Multiplicity -- , Composing a Formal History -- , Krazy Kat Fiction of Viral Vernaculars -- , Derrière Garde Prose and Residual Pop Styles American Popular Song: The Great Innovators, 1900-1950, 1972 -- , Charts as a New Literature -- , Selling Platinum across Formats -- , Blues Relationships and Black Women's Deep Songs -- , "Look at the World in a Rock 'n' Roll Sense . . . What Does That Even Mean?" -- , Cultural Studies Brings Pop from the Hallway to the Classroom -- , A Life in Country for an Era of Feminism and Counterculture -- , Introducing Rock Critics -- , Patriarchal Exegete of Black Vernacular as "Equipment for Living" -- , Reading Pop Culture as Intellectual Obligation -- , Paging through Books to Make History -- , Historians Begin to Study Popular Music -- , Musicking to Overturn Hierarchy -- , Drool Data and Stained Panties from a Critical Noise Boy -- , Part V After the Revolution -- , Punk Negates Rock -- , The Ghostwriter behind the Music Books -- , Disco Negates Rock -- , Industry Schmoozer and Black Music Advocate Fills Public Libraries with Okay Overviews -- , Musicology's Greatest Tune Chronicler -- , Criticism's Greatest Album Chronicler -- , Rock's Frank Capra -- , Culture Studies/Rock Critic Twofer -- , A Magical Explainer of Impure Sounds -- , Feminist Rock Critic, Pop-Savvy Social Critic -- , New Deal Swing Believer Revived -- , Ethnomusicology and Pop, Forever Fraught -- , Autodidact Deviance, Modeling the Rock Generation to Come -- , The Rolling Stones of Rolling Stones Books -- , Finding the Blackface in Bluegrass -- , Cyberpunk Novels and Cultural Studies Futurism -- , Glossy Magazine Features Writer Gets History's Second Draft -- , Theorizing Sound as Dress Rehearsal for the Future -- , Classic Rock, Mass Market Paperback Style -- , Love and Rockets, Signature Comic of Punk Los Angeles as Borderland Imaginary -- , Plays about Black American Culture Surviving the Loss of Political Will -- , Putting Pop in the Big Books of Music -- , Popular Music's Defining Singer and Swinger -- , Anti-Epic Lyricizing of Black Music after Black Power -- , Lost Icon of Rock Criticism -- , Veiled Glimpses of the Songwriter Who Invented Rock and Roll as Literature -- , Making "Wild-Eyed Girls" a More Complex Narrative -- , Reporting Black Music as Art Mixed with Business -- , Sessions with the Evil Genius of Jazz -- , Part VI New Voices, New Methods -- , Literature of New World Order Americanization -- , Ethnic Studies of Blended Musical Identities -- , Ballad Novels for a Baby Boomer Appalachia -- , Pimply, Prole, and Putrid, but with a Surprisingly Diverse Genre Literature -- , How Musicology Met Cultural Studies -- , Idol for Academic Analysis and a Changing Public Sphere -- , Black Bohemian Cultural Nationalism -- , From Indie to Alternative Rock -- , Musicology on Popular Music- In Pragmatic Context -- , Listening, Queerly -- , Blackface as Stolen Vernacular -- , Media Studies of Girls Listening to Top 40 -- , Ironies of a Contested Identity -- , Two Generations of Leading Ethnomusicologists Debate the Popular -- , Defining Hip-Hop as Flow, Layering, Rupture, and Postindustrial Resistance -- , Regendering Music Writing, with the Deadly Art of Attitude -- , Soundscaping References, Immersing Trauma -- , Sociologist Gives Country Studies a Soft-Shell Contrast to the Honky-Tonk -- , All That Not-Quite Jazz -- , Jazz Studies Conquers the Academy -- , Part VII Topics in Progress -- , Paradigms of Club Culture, House and Techno to Rave and EDM -- , Performance Studies, Minoritarian Identity, and Academic Wildness -- , Left of Black: Networking a New Discourse -- , Aerobics as Genre, Managing Emotions -- , Confronting Globalization -- , Evocations of Cultural Migration Centered on Race, Rhythm, and Eventually Sexuality -- , Digging Up the Pre-Recordings Creation of a Black Pop Paradigm -- , When Faith in Popular Sound Wavers, He's Waiting -- , Codifying a Precarious but Global Academic Field -- , Salsa and the Mixings of Global Culture -- , Musicals as Pop, Nationalism, and Changing Identity -- , Musical Fiction and Criticism by the Greatest Used Bookstore Clerk of All Time -- , Poetic Ontologies of Black Musical Style -- , Rescuing the Afromodern Vernacular -- , Sound Studies and the Songs Question The Audible Past: Cultural Origins of Sound Reproduction, 2003 -- , Dylanologist Conventions -- , Two Editions of a Field Evolving Faster Than a Collection Could Contain -- , Revisionist Bluesology and Tangled Intellectual History -- , Trying to Tell the Story of a Dominant Genre -- , Refiguring American Music- And Its Institutionalization -- , Country Music Scholars Pioneer Gender and Industry Analysis -- , Where Does Classical Music Fit In -- , Poptimism, 33⅓ Books, and the Struggles of Music Critics -- , Novelists Collegial with Indie Music -- , YouTube, Streaming, and the Popular Music Performance Archive -- , Idiosyncratic Musician Memoirs-Performer as Writer in the Era of the Artist as Brand -- , Acknowledgments -- , Works Cited -- , Index , Mode of access: Internet via World Wide Web. , In English.
    In: Duke University Press Complete eBook-Package 2021, De Gruyter, 9783110743319
    In: EBOOK PACKAGE COMPLETE 2021 English, De Gruyter, 9783110754001
    In: EBOOK PACKAGE Literary, Cultural, Area Studies 2021 English, De Gruyter, 9783110754124
    In: EBOOK PACKAGE Literary, Cultural, Area Studies 2021, De Gruyter, 9783110753899
    Language: English
    Keywords: Criticism, interpretation, etc
    URL: Cover
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Cover
    URL: Cover
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  • 6
    UID:
    gbv_716873249
    Format: 703 S. , Ill. , 19 cm
    Edition: Ungekürzte Taschenbuchausg.
    ISBN: 3492301894 , 9783492301893
    Series Statement: Piper 30189
    Uniform Title: The rest is noise 〈dt.〉
    Note: Aus dem Amerikan. von Ingo Herzke , Hier auch später erschienene, unveränderte Nachdrucke
    Language: German
    Subjects: Musicology
    RVK:
    Keywords: Neue Musik ; Neue Musik
    Author information: Ross, Alex 1968-
    Author information: Herzke, Ingo 1966-
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  • 7
    Book
    Book
    München [u.a.] :Piper,
    UID:
    almahu_BV035981028
    Format: 703 S. : , Ill. ; , 23 cm.
    Edition: 2. Aufl.
    ISBN: 978-3-492-05301-3
    Uniform Title: The rest is noise
    Language: German
    Subjects: Musicology
    RVK:
    Keywords: Neue Musik ; Musik
    Author information: Ross, Alex, 1968-
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  • 8
    Book
    Book
    New York : Farrar, Straus and Giroux
    UID:
    gbv_622916513
    Format: XIII, 364 S. , Notenbeisp. , 24 cm
    Edition: First Edition
    ISBN: 0374187746 , 9780374187743
    Content: This collection of essays showcases the best of Ross's writing from more than a decade at" The New Yorker." Whether his subject is Mozart or Bob Dylan, Ross shows how music expresses the full complexity of the human condition. Witty, passionate, and brimming with insight, "Listen to This" teaches us how to listen
    Note: Includes bibliographical references and index -- "Suggested listening": p. [335]-345 , Listen to this : crossing the border from classical to pop -- Chacona, lamento, walking blues : bass lines of music history -- Infernal machines : how recordings changed music -- The storm of style : Mozart's golden mean -- Orbiting : Radiohead's grand tour -- The anti-maestro : Esa-Pekka Salonen at the Los Angeles Philharmonic -- Great soul : searching for Schubert -- Emotional landscapes : Björk's saga -- Symphony of millions : classical music in China -- Song of the Earth : the Arctic sound of John Luther Adams -- Verdi's grip : opera as popular art -- Almost famous : on the road with the St. Lawrence Quartet -- Edges of pop : Kiki and Herb, Cecil Taylor and Sonic Youth, Sinatra, Kurt Cobain -- Learning the score : the crisis in music education -- Voice of the century : Marian Anderson -- The music mountain : inside the Marlboro retreat -- I saw the light : following Bob Dylan -- Fervor : remembering Lorraine Hunt Lieberson -- Blessed are the sad : late Brahms.
    Language: English
    Keywords: Musik ; Popmusik ; Aufsatzsammlung ; Aufsatzsammlung
    Author information: Ross, Alex 1968-
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  • 9
    Book
    Book
    New York : Picador
    UID:
    kobvindex_SLB546170
    Format: XVIII, 684 S. , Ill.
    Edition: 1. Aufl.
    ISBN: 9780312427719
    Note: Titel in engl. Sprache
    Language: English
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  • 10
    UID:
    b3kat_BV048417034
    Format: 1 DVD-Video (100 min) , farbig , 12 cm
    Content: "Fantasy-Drama über Christopher Robin, den Jungen aus A.A. Milnes "Pu der Bär", das dessen Schicksal als Erwachsener fortspinnt: Mit dem Erwachsenwerden verliert Christopher seine kindliche Unbeschwertheit und den Kontakt zu Pu und seinen Freunden aus dem "Hundert-Morgen-Wald". Als Ehemann und Vater entfremdet er sich durch den Arbeitsstress seiner Familie und muss erst durch die Wiederbegegnung mit Pu den Kopf zurechtgerückt bekommen. Der Film entfaltet sich als vergnüglicher Clash zwischen effizienzgesteuerter Erwachsenenwelt und Pu und seinen Freunden als Repräsentanten kindlicher Fantasie; dabei schlägt die Inszenierung einen latent melancholischen Tonfall an, der den Film eher zum Nostalgie-Fest für Erwachsene denn zum Kinder-Spaß prädestiniert." [filmdienst.de]
    Note: Original: Großbritannien, USA 2018 , Bildformat 2.39:1 (16:9) , Deutsch, Englisch, Italienisch - Untertitel: Deutsch, Englisch für Hörgeschädigte, Italienisch
    Language: Italian
    Keywords: Film ; DVD-Video ; Film
    Author information: McGregor, Ewan 1971-
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