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  • 1
    Book
    Book
    London :V & A Publ.,
    UID:
    almafu_BV036575226
    Format: 160 S. : , zahlr. Ill., Kt. ; , 28 cm.
    Edition: 1. publ.
    ISBN: 978-1-85177-598-9
    Note: Includes bibliographical references (p. 152-157) and index
    Language: English
    RVK:
    Keywords: Kunst ; Mauren ; Kunst ; Islamische Kunst
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  • 2
    Online Resource
    Online Resource
    Leiden, The Netherlands :Koninklijke Brill NV,
    UID:
    almahu_9949281545402882
    Format: 1 online resource (xxvi, 478 pages) : , illustrations, maps
    Edition: First edition.
    ISBN: 90-04-46920-6
    Series Statement: Handbook of Oriental Studies. Section 1 the near and Middle East Series ; Volume 156.
    Content: In Articulating the Ḥijāba, Mariam Rosser-Owen analyses for the first time the artistic and cultural patronage of the ‘Amirid regents of the last Cordoban Umayyad caliph, Hisham II, a period rarely covered in the historiography of al-Andalus.; Readership: All interested in the history, literature, art, architecture and archaeology of medieval Islamic Iberia, relations with the Maghrib, the organisation of artistic workshops, and the patronage and meaning of artworks
    Note: Intro -- Contents -- Acknowledgements -- Figures -- Abbreviations -- Maps -- Introduction -- Chapter 1 Al-Dawla al-ʿĀmiriyya: Constructing the ʿĀmirid State -- 1 Succession Crisis -- 2 Regency -- 3 The Maghrib -- 4 Conspicuous Piety -- 5 The Rise to Power -- 6 Al-Manṣūr -- 7 The Culmination of Power -- 8 Rupture -- 9 Restoration -- 10 Inheritance -- Chapter 2 Appropriating Diplomacy: The ʿĀmirid Court -- 1 The 'Ceremonial Idiom' -- 2 Tools of Diplomacy -- 2.1 Gifts -- 2.2 Dynastic Marriages -- 3 ʿĀmirid Diplomatic Relations -- 4 Diplomatic Exchange with the Maghrib -- 5 Objects of Exchange -- Chapter 3 'The Creation of Loyalty': Public and Private Staging of the ʿĀmirid Court -- 1 Elegance and Eloquence: the Literary Court -- 2 Private Poetry -- 3 A Culture of Learning -- Chapter 4 Architecture as Titulature: al-Madīnat al-Zāhira -- 1 Looking for al-Zāhira -- 2 Reconstructing the Palace -- 3 Reconstructing the City -- 3.1 The Mosque -- 3.2 Organs of State Bureaucracy -- 3.3 Walls -- 4 Why Did al-Manṣūr Build al-Madīnat al-Zāhira? -- 5 What Did al-Madīnat al-Zāhira Look Like? -- Chapter 5 The Politics of Piety: Al-Manṣūr's Extension to the Great Mosque of Cordoba -- 1 The Pre-ʿĀmirid Mosque -- 2 The ʿĀmirid Mosque (Figure 49) -- 2.1 Analysis of the Interior -- 2.1.1 'Decorative Differences' That Can be Explained through the Need for Practical Solutions to Existing Construction Issues (See plan in Figure 49) -- 2.1.1.1 Double Qibla Wall Not Continued -- 2.1.1.2 Five-Lobed Arches to Resolve Disparity along the New Courtyard Façade -- 2.1.1.3 Five-Lobed and Pointed Arches to Resolve Disparity within the Northern Zone -- 2.1.1.4 Introduction of Lead Discs -- 2.1.2 Architectural Differences in Cordoba IV That Seem Purely Decorative, and Can Be Read as Ostentatiously Costly -- 2.1.2.1 Stone Construction -- 2.1.2.2 Increasing Complexity of Roll Corbels. , 2.1.2.3 New Decorative Elements on the External Gates -- 2.1.3 Architectural Features That Were Imitated from the Earlier Mosque -- 2.1.3.1 Continuation of Transverse Arcade Running Parallel to Qibla Wall -- 2.1.3.2 Arcade of Large Horseshoes along Longitudinal Wall -- 2.1.3.3 Alternating Pattern of Coloured Columns -- 2.1.3.4 Newly-Carved Stone Capitals -- 2.1.3.5 Imitation of al-Ḥakam's Original Eastern Façade -- 2.1.4 ʿĀmirid Interventions into al-Ḥakam's Prayer Hall -- 2.1.4.1 Addition of Transverse Arcade along the Qibla Wall -- 2.1.4.2 An ʿĀmirid Tribune in the Maqṣūra? -- 3 Qurʾānic Inscriptions at the Great Mosque of Cordoba -- 3.1 Reading al-Manṣūr's Extension: the ʿĀmirid Epigraphic Programme on the Eastern Façade (Figure 67) -- Chapter 6 The Dār al-Ṣināʿa: ʿĀmirid Patronage of the Luxury Arts -- 1 The Origins of the Dār al-Ṣināʿa -- 1.1 Structure of the Industry -- 1.2 Craftsmen Working across Media -- 1.3 Materials -- 1.3.1 Stone and Marble -- 1.3.2 Ivory -- 1.3.3 Perfumes and Perfume Containers -- 1.3.4 Other Object Types -- 2 Iṣtināʿ: The Strategic Use of Objects -- 2.1 Precedents for Patronage: The Two Jaʿfars -- 2.2 Anonymous Objects -- 2.3 How al-Manṣūr Used Objects -- Chapter 7 Building a Corpus of ʿĀmirid Art -- 1 Objects Associated with al-Manṣūr -- 1.1 The Andalusiyyīn Minbar (Dated 369/980 and 375/985 -- Figures 5-7 -- Appendix 4.4) -- 1.2 Al-Manṣūr's Marble Basin (Dated 377/987-8 -- Figures 108-109, 113-118 -- Appendix 4.7) -- 2 Objects Associated with ʿAbd al-Malik al-Muẓaffar (r. 1002-8) -- 2.1 The Pamplona Casket (Dated 395/1004-5 -- Figures 120-127 -- Appendix 4.11) -- 2.2 The Braga Pyxis (Datable 1004-8, Figures 11, 15 -- Appendix 4.12) -- 2.3 Marble Basins -- 2.3.1 Basin Made for ʿAbd al-Malik (Datable 1004-7, Figures 128-133 -- Appendix 4.13) -- 2.3.2 Basin Made for ʿAbd al-Malik, Found in Toledo (Appendix 4.14). , 2.3.3 Fragments from a Basin, Found at the Alhambra (Figures 134-135, Appendix 4.15) -- 2.4 The 'Suaire de Saint Lazare' (Datable 1007-8) and Its Comparanda (Figures 84, 136 -- Appendix 4.18) -- 2.5 An ʿĀmirid Minbar for the al-Qarawiyyīn Mosque? (Appendix 4.17) -- 3 Objects Associated with ʿAbd al-Raḥmān 'Sanchuelo' -- 3.1 The 'Ashmolean' Pyxis (Dated 389/999, Figures 139-141, Appendix 4.10) -- 3.2 The Xàtiva Basin (Figures 142-143) -- 4 ʿĀmirid Objects without Designated Patrons -- 4.1 Ivories -- 4.1.1 The Doha Casket (Dated 394/1003-4, Figures 145-146, Appendix 4.16) -- 4.1.2 The Bargello and V& -- A Caskets (Figures 148-155 -- Appendix 4.19) -- 4.1.3 The Metropolitan Museum Panel (Figure 32) -- 4.1.4 Ivories from San Millán de la Cogolla -- 4.2 Stone and Marble -- 4.2.1 The 'Bādīs Basin' (Figures 156-158, Appendix 4.20) -- 4.2.2 Other Objects in 'the Large Basin Group' -- 4.2.3 Small Basins -- 4.2.3.1 Basin in Madrid -- 4.2.3.2 Basin in Seville -- 4.2.3.3 Small basin in Granada -- 4.2.3.4 Border fragment in Cordoba -- 4.2.3.5 Side fragment in Seville -- 5 The Language of ʿĀmirid Art -- Chapter 8 Poems in Stone: Imagery, Text and Meaning in ʿĀmirid Art -- 1 Poetic and Visual Imagery -- 1.1 The Lion and Gazelle (Figure 157) -- 1.2 Nature Imagery -- 1.3 The 'Heraldic' Eagle (Figures 116, 132, 158) -- 1.3.1 Banners -- 1.4 The Tale of the Tortoise and Two Ducks -- 2 Text and Image in ʿĀmirid Art -- 2.1 Visualising the Ideal Ruler -- Conclusion -- Appendix 1 Genealogy of the Banū Abī ʿĀmir, 711-1085 -- Appendix 2 Timeline of al-Manṣūr's Main Campaigns and Offices Held -- Appendix 3a Qurʾānic Inscriptions inside the Cordoba Mosque -- Appendix 3b Qurʾānic Inscriptions on the Eastern Façade of the Cordoba Mosque -- Appendix 4 Inscriptions on Objects Made for the ʿĀmirids -- Bibliography -- Index. , English
    Additional Edition: ISBN 90-04-46913-3
    Language: English
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  • 3
    UID:
    gbv_1794564411
    Format: 1 Online-Ressource (504 p.)
    ISBN: 9789004469204 , 9789004469136
    Series Statement: Handbook of Oriental Studies. Section 1 The Near and Middle East
    Content: In Articulating the Ḥijāba, Mariam Rosser-Owen analyses for the first time the artistic and cultural patronage of the ‘Amirid regents of the last Cordoban Umayyad caliph, Hisham II, a period rarely covered in the historiography of al-Andalus.; Readership: All interested in the history, literature, art, architecture and archaeology of medieval Islamic Iberia, relations with the Maghrib, the organisation of artistic workshops, and the patronage and meaning of artworks
    Note: English
    Language: English
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  • 4
    UID:
    gbv_719787920
    Format: XII, 530 S. , Ill., graph. Darst. , 25 cm
    ISBN: 9781780763231
    Series Statement: [Library of Middle East history 32]
    Content: Introduction / Venetia Porter and Mariam Rosser-Owen -- The principle of parsimony and the problem and the 'Mosul School of Metalwork' / Julian Raby -- Metalwork and fourteenth-century Persian painting : a footnote / Teresa Fitzherbert -- The die-engraver of Balkh (290/902-302/914) / Luke Treadwell -- The ugly ducking of Iranian metalwork? : initial remarks on Qajar copper and copper-alloy objects in the National Museums of Scotland / Ulrike al-Khamis and Katherine Eremin -- Gilding, inlay and the mobility of metallurgy : a case of fraud in medieval Kashmir / Lorenz Korn -- Persians abroad : the case of the Jami' Masjid of Gulbarga / Robert Hillenbrand -- An extraordinary Mamluk casket in the Fitzwilliam Museum / Rachel Ward -- A Mamluk tray and its journey to the V&A / Tim Stanley -- Arabic titles, well-wishes and a female saint : a Mamluk basin in the Rijksmuseum, Amsterdam / Luitgard Mols -- A bronze tambourine player / Doris Behrens-Abouseif -- The Fatimid bronze hoard of Tiberias / Elias Khamis -- A group of round boxes from the metal hoard found in Caesarea / Ayala Lester -- Islamic Embroideries from Egypt : shifts in taste, change in status / Ruth Barnes -- Metalwork in Damascus at the end of the Ottoman period : an analysis of the Qāmūs al-Sinā'āt al-Shāmiyya / Marcus Milwright -- A bronze pillar lampstand from Petralia Sottana, Sicily / Jeremy Johns -- The metal mounts on Andalusi ivories : initial observations / Miriam Rosser-Owen -- The marble spolia from the Badi' Palace in Marrakesh / Nadia Erzini and Stephen Vernoit -- Glaze-decorated unglazed wares / Olivia Watson -- Pearl cups like the moon : the Abbasid Reception of Chinese ceramics and the Belitung shipwreck / Jessica Hallett -- Branding 'tradition' in contemporary tin-glaze pottery from Puebla / Farzaneh Pirouz-Moussavi -- The lion, the hare and lustreware / Fahmida Suleman -- Said el Sadr (1909-86) and Fatimid lustreware : a succession / Alan Caiger-Smith -- Potter's trail : an Abu Zayd Ewer in the Saint Louis Art Musuem / Oya Pancaroğlu -- From the workshops of New Julfa to the court of Tsar Aleksei Mikhailovich : an initial look at Armenian networks and the mobility of visual culture / Amy S. Landau -- Modern palimpsests : what defines a fake? / Emilie Savage-Smith -- 'Neo-calligraphism' and its different varieties in modern and contemporary Iranian art / Hamid Keshmirshekan -- Meem 1958, by Siah Armajani / Venetia Porter
    Note: Introduction , The principle of parsimony and the problem and the 'Mosul School of Metalwork' , Metalwork and fourteenth-century Persian painting : a footnote , The die-engraver of Balkh (290/902-302/914) , The ugly ducking of Iranian metalwork? : initial remarks on Qajar copper and copper-alloy objects in the National Museums of Scotland , Gilding, inlay and the mobility of metallurgy : a case of fraud in medieval Kashmir , Persians abroad : the case of the Jami' Masjid of Gulbarga , An extraordinary Mamluk casket in the Fitzwilliam Museum , A Mamluk tray and its journey to the V&A , Arabic titles, well-wishes and a female saint : a Mamluk basin in the Rijksmuseum, Amsterdam , A bronze tambourine player , The Fatimid bronze hoard of Tiberias , A group of round boxes from the metal hoard found in Caesarea , Islamic Embroideries from Egypt : shifts in taste, change in status , Metalwork in Damascus at the end of the Ottoman period : an analysis of the Qāmūs al-Sinā'āt al-Shāmiyya , A bronze pillar lampstand from Petralia Sottana, Sicily , The metal mounts on Andalusi ivories : initial observations , The marble spolia from the Badi' Palace in Marrakesh , Glaze-decorated unglazed wares , Pearl cups like the moon : the Abbasid Reception of Chinese ceramics and the Belitung shipwreck , Branding 'tradition' in contemporary tin-glaze pottery from Puebla , The lion, the hare and lustreware , Said el Sadr (1909-86) and Fatimid lustreware : a succession , Potter's trail : an Abu Zayd Ewer in the Saint Louis Art Musuem , From the workshops of New Julfa to the court of Tsar Aleksei Mikhailovich : an initial look at Armenian networks and the mobility of visual culture , Modern palimpsests : what defines a fake? , 'Neo-calligraphism' and its different varieties in modern and contemporary Iranian art , Meem 1958, by Siah Armajani
    Language: English
    Subjects: Art History
    RVK:
    RVK:
    Keywords: Islam ; Metallkunst ; Aufsatzsammlung
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  • 5
    UID:
    almafu_9959797720102883
    Format: 1 online resource (726 pages) : , illustrations (some color), maps, tables.
    ISBN: 90-04-35604-5
    Series Statement: Handbook of Oriental Studies. Section 1. The near and Middle East, Volume 122
    Content: The first dynasty to mint gold dinars outside of the Abbasid heartlands, the Aghlabid (r. 800-909) reign in North Africa has largely been neglected in the scholarship of recent decades, despite the canonical status of its monuments and artworks in early Islamic art history. The Aghlabids and their Neighbors focuses new attention on this key dynasty. The essays in this volume, produced by an international group of specialists in history, art and architectural history, archaeology, and numismatics, illuminate the Aghlabid dynasty’s interactions with neighbors in the western Mediterranean and its rivals and allies elsewhere, providing a state of the question on early medieval North Africa and revealing the centrality of the dynasty and the region to global economic and political networks.
    Note: The Aghlabids and Their Neighbors: An Introduction / , State-building -- , The Origins of the Aghlabids / , Comment les Aghlabides ont-ils gouverné l’Ifriqiya ? / , Reinterpreting the Aghlabids’ Sicilian Policy (827–910)1 / , Topographies of Power in Aghlabid-Era Kairouan / , L’atelier monétaire d’al-ʿAbbassiyya: du « vieux château » (al-Qasr al-Qadim) à la ville princière aghlabide1 / , Le changement du type monétaire des dinars aghlabides sous le règne de Ziyadat Allah iii : évolution ou révolution artistique ? / , Ziryab in the Aghlabid Court / , Monuments: The Physical Construction of Power -- , La Grande Mosquée de Kairouan : textes et contexte archéologique / , The Marble Panels in the Mihrab of the Great Mosque of Kairouan / , Fragments d’histoire du minbar de Kairouan / , Les carreaux verts et jaunes « cachés » du mihrab de la Grande Mosquée de Kairouan et analogie avec une sélection d’objets kairouanais / , La Grande Mosquée Zitouna : un authentique monument aghlabide (milieu du ixe siècle) / , The Zaytuna: The Mosque of a Rebellious City* / , Le coufique des inscriptions monumentales et funéraires aghlabides / , Les ribāṭs aghlabides : un problème d’identification / , Ceramics: Morphology and Mobility -- , La céramique aghlabide de Raqqada et les productions de l’Orient islamique : parenté et filiation / , Aghlabid Palermo: Written Sources and Archaeological Evidence1 / , Palermo in the Ninth and Early Tenth Century: Ceramics as Archaeological Markers of Cultural Dynamics / , La céramique des niveaux idrisside et zénète de la Mosquée al-Qarawiyyin de Fès (ixe-xe siècles) / , Material Culture Interactions between al-Andalus and the Aghlabids / , Neighbors: North Africa and the Central Mediterranean in the Ninth Century -- , Jerba of the Ninth Century: Under Aghlabid Control? / , Islamic Bari between the Aghlabids and the Two Empires / , Nakur : un émirat rifain pro-omeyyade contemporain des Aghlabides / , Idris i and the Berbers / , Sijilmassa in the Footsteps of the Aghlabids: The Hypothesis of a Ninth-Century New Royal City in Tafilalt Plain (Morocco) / , Zuwila and Fazzan in the Seventh to Tenth Centuries: The Emergence of a New Trading Center / , Legacy -- , The Materiality of the Blue Quran: A Physical and Technological Study1 / , The Palermo Quran (ah 372/982–3 ce) and its Historical Context / , Seventeen contributions in English; twelve in French.
    Additional Edition: ISBN 90-04-35566-9
    Language: English
    Keywords: Electronic books.
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  • 6
    UID:
    almahu_BV044483831
    Format: XXXVIII, 688 Seiten : , Illustrationen, Diagramme, Karten.
    ISBN: 978-90-04-35566-8
    Series Statement: Handbook of Oriental studies. Section 1, The Near and Middle East volume 122
    Note: Includes bibliographical references and index , Seventeen contributions in English; twelve in French
    Additional Edition: Erscheint auch als Online-Ausgabe ISBN 978-90-04-35604-7
    Language: English
    Subjects: History , Comparative Studies. Non-European Languages/Literatures , Art History
    RVK:
    RVK:
    RVK:
    Keywords: ca. 9. Jh. Aghlabiden ; Islamische Kunst ; Islamische Architektur ; Archäologie ; Numismatik ; Sachkultur ; Konferenzschrift ; Aufsatzsammlung ; Konferenzschrift
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  • 7
    UID:
    almahu_BV044545855
    Format: 1 Online-Ressource (XXXVIII, 688 Seiten) : , Illustrationen, Diagramme, Karten.
    ISBN: 978-90-04-35604-7
    Series Statement: Handbook of Oriental studies. Section 1, The Near and Middle East volume 122
    Note: Beiträge teilweise englisch, teilweise französisch
    Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 978-90-04-35566-8
    Language: English
    Subjects: History , Comparative Studies. Non-European Languages/Literatures , Art History
    RVK:
    RVK:
    RVK:
    Keywords: ca. 9. Jh. Aghlabiden ; Islamische Kunst ; Islamische Architektur ; Archäologie ; Numismatik ; Sachkultur ; Konferenzschrift ; Aufsatzsammlung ; History.
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: DOI:
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  • 8
    UID:
    gbv_1806422603
    Format: 1 Online-Ressource
    ISBN: 9789004469204 , 9789004469136
    Series Statement: Handbook of Oriental Studies. Section 1 The Near and Middle East 156
    Content: In Articulating the Ḥijāba, Mariam Rosser-Owen analyses for the first time the artistic and cultural patronage of the 'Amirid regents of the last Cordoban Umayyad caliph, Hisham II, a period rarely covered in the historiography of al-Andalus. Al-Mansur, the founder of this dynasty, is usually considered a usurper of caliphal authority, who pursued military victory at the expense of the transcendental achievements of the first two caliphs. But he also commissioned a vast extension to the Great Mosque of Cordoba, founded a palatine city, conducted skilled diplomatic relations, patronised a circle of court poets, and owned some of the most spectacular objects to survive from al-Andalus, in ivory and marble. This study presents the evidence for a reconsideration of this period
    Note: Includes bibliographical references and index
    Additional Edition: Erscheint auch als Druck-Ausgabe Articulating the Ḥijāba: Cultural Patronage and Political Legitimacy in al-Andalus : The ʿĀmirid Regency c. 970-1010 AD Leiden : BRILL, 2021 ISBN 9789004469136
    Language: English
    Keywords: al- Andalus ; Kalifat Córdoba ; Amiriden Dynastie : 978-1085 ; Legitimation ; Mäzenatentum
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  • 9
    UID:
    almahu_BV043145524
    Format: 1 Online-Ressource (xii, 530 Seiten) : , Illustrationen.
    ISBN: 978-0-85772-188-4 , 0-85772-188-7 , 978-1-78076-323-1 , 1-78076-323-9 , 1-299-63990-9 , 978-1-299-63990-4
    Note: - A bronze tambourine player / Doris Behrens-Abouseif -- The Fatimid bronze hoard of Tiberias / Elias Khamis -- A group of round boxes from the metal hoard found in Caesarea / Ayala Lester -- Islamic embroideries from Egypt : shifts in taste, change in status / Ruth Barnes -- Metalwork in Damascus at the end of the Ottoman period : an analysis of the Qāmūs al-Ṣināʻāt al-Shāmiyya / Marcus Milwright -- A bronze pillar lampstand from Petralia Sottana, Sicily / Jeremy Johns -- The metal mounts on Andalusi ivories : initial observations / Mariam Rosser-Owen -- The marble spolia from the Badiʻ Palace in Marrakesh / Nadia Erzini and Stephen Vernoit -- Glaze-decorated unglazed wares / Olivia Watson -- Pearl cups like the moon : the Abbasid reception of Chinese ceramics and the Belitung shipwreck / Jessica Hallett -- Branding 'tradition' in contemporary tin-glaze pottery from Puebla / Farzaneh Pirouz-Moussavi -- The lion, the hare and lustreware / Fahmida Suleman -- . - - Said el Sadr (1909-86) and Fatimid lustreware : a succession / Alan Caiger-Smith -- Potter's trail : an Abu Zayd Ewer in the Saint Louis Art Museum / Oya Pancaroğlu -- From the workshops of New Julfa to the court of Tsar Aleksei Mikhailovich : an initial look at Armenian networks and the mobility of visual culture / Amy S. Landau -- Modern palimpsests : what defines a fake? / Emilie Savage-Smith -- 'Neo-calligraphism' and its different varieties in modern and contemporary Iranian art / Hamid Keshmirshekan -- Meem 1958, by Siah Armajani / Venetia Porter
    Language: English
    Keywords: Islamische Kunst ; Metallkunst ; 1945- Allan, James W. ; Bibliografie ; Aufsatzsammlung ; Festschrift
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  • 10
    UID:
    gbv_728249626
    Format: 191 S , zahlr. Ill , 26 cm
    ISBN: 9788486827595
    Content: On his two visits to Granada (1834 and 1837), Jones saw the Alhambra as a treatise on architecture, one that provided clues to the laws governing ornament and color. At the Alhambra, Jones developed his ambition to integrate the Islamic legacy with contemporary culture, a goal he pursued throughout his lengthy career as an architect and decorator. Jones studied the monument in detail, producing drawings, plans, tracings and even plaster casts. The fruit of this work was Plans, Elevations, Sections and Details of the Alhambra, published in two volumes in 1842 and 1845
    Note: Includes bibliographical references , Includes bibliographical references (p. 137-142). - Essays and chronology in English and Spanish , Text in English and Spanish
    Language: Spanish
    Keywords: Jones, Owen 1809-1874 ; Granada Alhambra ; Alhambra ; Bauornament ; Rezeption ; Aufsatzsammlung
    Author information: Jones, Owen 1809-1874
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