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  • 1
    Online Resource
    Online Resource
    The Cinema of Marguerite Duras : Multisensoriality and Female Subjectivity (2019)
    Edinburgh :Edinburgh University Press,
    Details
    UID:
    almahu_9949414115702882
    Format: 1 online resource (146 p.)
    ISBN: 9781474427869
    Content: The writer Marguerite Duras was a key figure in post-war French cinema, pioneering innovations such as the disjunction of film and image, and the primacy given to voices, silence and music. Her multisensorial approach opened up new spaces for the female experience to be expressed. Although she worked with some of the best French visual technicians and musicians of her time, critiques have often neglected the visual and sonic aesthetics of her films, and their effects on spectators. Drawing on theories of embodiment and spectatorship, this book analyses the tactility and multisensoriality of Duras' films, and how they relate to her female-centred perspective.
    Language: English
    Subjects: Romance Studies
    RVK:
    IH 38401
    Keywords: Electronic books.
    URL: View this content on BiblioBoard.
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: kostenfrei
    URL: kostenfrei
    URL: Cover
    Library Location Call Number Volume/Issue/Year Availability
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    Online Resource
    Fulltext
    Fulltext
    Stabi Berlin
    HU Berlin
    UB Potsdam
    EUV Frankfurt
    HTW Berlin
    BTU Cottbus
    Alice Salomon HS
    Filmuniversität Babelsberg
  • 2
    Online Resource
    Online Resource
    The Cinema of Marguerite Duras : Multisensoriality and Female Subjectivity (2019)
    Edinburgh, UK : Edinburgh University Press
    Details
    UID:
    gbv_1778507174
    Format: 1 Online-Ressource
    ISBN: 9781474427869
    Content: The writer Marguerite Duras was a key figure in post-war French cinema, pioneering innovations such as the disjunction of film and image, and the primacy given to voices, silence and music. Her multisensorial approach opened up new spaces for the female experience to be expressed. Although she worked with some of the best French visual technicians and musicians of her time, critiques have often neglected the visual and sonic aesthetics of her films, and their effects on spectators. Drawing on theories of embodiment and spectatorship, this book analyses the tactility and multisensoriality of Duras’ films, and how they relate to her female-centred perspective
    Note: English
    Language: English
    URL: kostenfrei
    Library Location Call Number Volume/Issue/Year Availability
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    Online Resource
    Stabi Berlin
    UB Potsdam
  • 3
    Online Resource
    Online Resource
    The cinema of Marguerite Duras : multisensoriality and female subjectivity (2019)
    Edinburgh, UK :Edinburgh University Press,
    Details
    UID:
    almahu_9949507594202882
    Format: 1 online resource (vi, 133 pages) : , illustrations.
    Edition: First edition.
    Series Statement: Visionaries (Edinburgh University Press)
    Content: The writer Marguerite Duras was a key figure in post-war French cinema, pioneering innovations such as the disjunction of film and image, and the primacy given to voices, silence and music. Her multisensorial approach opened up new spaces for the female experience to be expressed. Although she worked with some of the best French visual technicians and musicians of her time, critiques have often neglected the visual and sonic aesthetics of her films, and their effects on spectators. Drawing on theories of embodiment and spectatorship, this book analyses the tactility and multisensoriality of Duras' films, and how they relate to her female-centred perspective.
    Note: Film theory, multisensoriality and the feminine -- Inscribing authorship -- Desynchronisation, subversion and the senses -- Multisensorial visuality -- Soundscape: sonic aesthetics and the feminine. , English.
    Additional Edition: ISBN 1-4744-2787-1
    Language: English
    DOI: 10.1515/9781474427869
    Library Location Call Number Volume/Issue/Year Availability
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    Online Resource
    Open Access Request
    HU Berlin
    FU Berlin
  • 4
    Online Resource
    Online Resource
    The cinema of Marguerite Duras : multisensoriality and female subjectivity (2019)
    Edinburgh :Edinburgh University Press,
    Details
    UID:
    almahu_9949298323702882
    Format: 1 online resource (145 pages)
    ISBN: 1-4744-2786-3
    Series Statement: Visionaries: Thinking Through Female Filmmakers : VISI
    Content: The writer Marguerite Duras was a key figure in post-war French cinema, pioneering innovations such as the disjunction of film and image, and the primacy given to voices, silence and music. Her multisensorial approach opened up new spaces for the female experience to be expressed. Although she worked with some of the best French visual technicians and musicians of her time, critiques have often neglected the visual and sonic aesthetics of her films, and their effects on spectators. Drawing on theories of embodiment and spectatorship, this book analyses the tactility and multisensoriality of Duras' films, and how they relate to her female-centred perspective.
    Note: Frontmatter -- , Contents -- , List of figures -- , Acknowledgements -- , Introduction -- , 1. Film theory, multisensoriality and the feminine -- , 2. Inscribing authorship -- , 3. Desynchronisation, subversion and the senses -- , 4. Multisensorial visuality -- , 5. Soundscape: sonic aesthetics and the feminine -- , Conclusion -- , Bibliography -- , Filmography -- , Index
    Additional Edition: ISBN 1-4744-2785-5
    Additional Edition: ISBN 1-4744-4054-1
    Language: English
    DOI: 10.1515/9781474427869
    Library Location Call Number Volume/Issue/Year Availability
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    Online Resource
    Open Access Request
    HU Berlin
  • 5
    Online Resource
    Online Resource
    The cinema of Marguerite Duras : multisensoriality and female subjectivity (2019)
    Edinburgh :Edinburgh University Press,
    Details
    UID:
    edocfu_9959072890002883
    Format: 1 online resource (145 pages)
    ISBN: 1-4744-2786-3
    Series Statement: Visionaries: Thinking Through Female Filmmakers : VISI
    Content: The writer Marguerite Duras was a key figure in post-war French cinema, pioneering innovations such as the disjunction of film and image, and the primacy given to voices, silence and music. Her multisensorial approach opened up new spaces for the female experience to be expressed. Although she worked with some of the best French visual technicians and musicians of her time, critiques have often neglected the visual and sonic aesthetics of her films, and their effects on spectators. Drawing on theories of embodiment and spectatorship, this book analyses the tactility and multisensoriality of Duras' films, and how they relate to her female-centred perspective.
    Note: Frontmatter -- , Contents -- , List of figures -- , Acknowledgements -- , Introduction -- , 1. Film theory, multisensoriality and the feminine -- , 2. Inscribing authorship -- , 3. Desynchronisation, subversion and the senses -- , 4. Multisensorial visuality -- , 5. Soundscape: sonic aesthetics and the feminine -- , Conclusion -- , Bibliography -- , Filmography -- , Index
    Additional Edition: ISBN 1-4744-2785-5
    Additional Edition: ISBN 1-4744-4054-1
    Language: English
    DOI: 10.1515/9781474427869
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
    Online Resource
    Open Access Request
    FU Berlin
  • 6
    Online Resource
    Online Resource
    The cinema of Marguerite Duras : multisensoriality and female subjectivity (2019)
    Edinburgh :Edinburgh University Press,
    Details
    UID:
    edoccha_9959072890002883
    Format: 1 online resource (145 pages)
    ISBN: 1-4744-2786-3
    Series Statement: Visionaries: Thinking Through Female Filmmakers : VISI
    Content: The writer Marguerite Duras was a key figure in post-war French cinema, pioneering innovations such as the disjunction of film and image, and the primacy given to voices, silence and music. Her multisensorial approach opened up new spaces for the female experience to be expressed. Although she worked with some of the best French visual technicians and musicians of her time, critiques have often neglected the visual and sonic aesthetics of her films, and their effects on spectators. Drawing on theories of embodiment and spectatorship, this book analyses the tactility and multisensoriality of Duras' films, and how they relate to her female-centred perspective.
    Note: Frontmatter -- , Contents -- , List of figures -- , Acknowledgements -- , Introduction -- , 1. Film theory, multisensoriality and the feminine -- , 2. Inscribing authorship -- , 3. Desynchronisation, subversion and the senses -- , 4. Multisensorial visuality -- , 5. Soundscape: sonic aesthetics and the feminine -- , Conclusion -- , Bibliography -- , Filmography -- , Index
    Additional Edition: ISBN 1-4744-2785-5
    Additional Edition: ISBN 1-4744-4054-1
    Language: English
    DOI: 10.1515/9781474427869
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
    Online Resource
    Open Access Request
    Charité
  • 7
    Online Resource
    Online Resource
    The cinema of Marguerite Duras : multisensoriality and female subjectivity (2019)
    Edinburgh, UK : Edinburgh University Press
    Details
    UID:
    gbv_1741850045
    Format: 1 Online-Ressource
    ISBN: 9781474440547 , 1474440541 , 9781474427869 , 1474427863 , 9781474427876 , 1474427871
    Content: The writer Marguerite Duras was a key figure in post-war French cinema, pioneering innovations such as the disjunction of film and image, and the primacy given to voices, silence and music. Her multisensorial approach opened up new spaces for the female experience to be expressed. Although she worked with some of the best French visual technicians and musicians of her time, critiques have often neglected the visual and sonic aesthetics of her films, and their effects on spectators. Drawing on theories of embodiment and spectatorship, this book analyses the tactility and multisensoriality of Duras' films, and how they relate to her female-centred perspective
    Note: Includes bibliographical references and index
    Language: English
    URL: kostenfrei
    Library Location Call Number Volume/Issue/Year Availability
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    Online Resource
    Stabi Berlin
  • 8
    Book
    Book
    Marguerite Duras à la croisée des arts (2019)
    Bruxelles : P.I.E. Peter Lang
    Details
    UID:
    gbv_1670000397
    Format: 301 Seiten , Illustrationen , 21 cm x 14.8 cm
    ISBN: 9782807604834 , 2807604838
    Series Statement: Collection Marguerite Duras vol. 3
    Additional Edition: ISBN 9782807604841
    Additional Edition: ISBN 9782807604858
    Additional Edition: ISBN 9782807604865
    Additional Edition: Erscheint auch als Online-Ausgabe ISBN 9782807604841
    Additional Edition: Erscheint auch als Online-Ausgabe ISBN 9782807604858
    Additional Edition: Erscheint auch als Online-Ausgabe ISBN 9782807604865
    Language: French
    Subjects: Romance Studies
    RVK:
    IH 38401
    Keywords: Duras, Marguerite 1914-1996 ; Rezeption ; Kunst ; Literatur ; Film ; Duras, Marguerite 1914-1996 ; Film ; Kunst ; Literatur ; Rezeption ; Aufsatzsammlung
    URL: Inhaltstext
    URL: Unbekannt
    URL: Inhaltsverzeichnis
    Author information: Royer, Michelle
    Library Location Call Number Volume/Issue/Year Availability
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    Book
    Stabi Berlin get availability status
  • 9
    Online Resource
    Online Resource
    The cinema of Marguerite Duras : multisensoriality and female subjectivity (2019)
    Edinburgh, UK :Edinburgh University Press,
    Details
    UID:
    edoccha_9959842443802883
    Format: 1 online resource (vi, 133 pages) : , illustrations.
    Edition: First edition.
    Series Statement: Visionaries (Edinburgh University Press)
    Content: The writer Marguerite Duras was a key figure in post-war French cinema, pioneering innovations such as the disjunction of film and image, and the primacy given to voices, silence and music. Her multisensorial approach opened up new spaces for the female experience to be expressed. Although she worked with some of the best French visual technicians and musicians of her time, critiques have often neglected the visual and sonic aesthetics of her films, and their effects on spectators. Drawing on theories of embodiment and spectatorship, this book analyses the tactility and multisensoriality of Duras' films, and how they relate to her female-centred perspective.
    Note: Film theory, multisensoriality and the feminine -- Inscribing authorship -- Desynchronisation, subversion and the senses -- Multisensorial visuality -- Soundscape: sonic aesthetics and the feminine. , English.
    Additional Edition: ISBN 1-4744-2787-1
    Language: English
    DOI: 10.1515/9781474427869
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
    Online Resource
    Open Access Request
    Charité
  • 10
    Online Resource
    Online Resource
    The cinema of Marguerite Duras : multisensoriality and female subjectivity (2019)
    Edinburgh, UK :Edinburgh University Press,
    Details
    UID:
    edocfu_9959842443802883
    Format: 1 online resource (vi, 133 pages) : , illustrations.
    Edition: First edition.
    Series Statement: Visionaries (Edinburgh University Press)
    Content: The writer Marguerite Duras was a key figure in post-war French cinema, pioneering innovations such as the disjunction of film and image, and the primacy given to voices, silence and music. Her multisensorial approach opened up new spaces for the female experience to be expressed. Although she worked with some of the best French visual technicians and musicians of her time, critiques have often neglected the visual and sonic aesthetics of her films, and their effects on spectators. Drawing on theories of embodiment and spectatorship, this book analyses the tactility and multisensoriality of Duras' films, and how they relate to her female-centred perspective.
    Note: Film theory, multisensoriality and the feminine -- Inscribing authorship -- Desynchronisation, subversion and the senses -- Multisensorial visuality -- Soundscape: sonic aesthetics and the feminine. , English.
    Additional Edition: ISBN 1-4744-2787-1
    Language: English
    DOI: 10.1515/9781474427869
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
    Online Resource
    Open Access Request
    FU Berlin
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