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  • 1
    Book
    Book
    Cambridge [u.a.] :Cambridge Univ. Press,
    UID:
    almafu_BV025066901
    Format: IX, 114 S.
    ISBN: 0-521-63637-X
    Series Statement: Cambridge music handbooks
    Language: English
    Subjects: Musicology
    RVK:
    Keywords: 1857-1934 Variations on an original theme Elgar, Edward
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  • 2
    UID:
    almahu_BV036721281
    Format: XV, 413 S. : , Ill., Notenbeisp.
    Edition: 1. publ.
    ISBN: 978-1-84383-567-7 , 1-84383-567-3
    Language: English
    Subjects: Musicology
    RVK:
    RVK:
    Keywords: Oper ; Gesellschaft ; Nationalismus ; Aufsatzsammlung ; Festschrift ; Aufsatzsammlung ; Aufsatzsammlung ; Festschrift
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  • 3
    Book
    Book
    Oxford [u.a.] :Oxford Univ. Press,
    UID:
    almafu_BV013670794
    Format: XV, 363 S. : zahlr. Notenbeisp.
    Edition: 1. publ.
    ISBN: 0-19-816690-7 , 0-19-816738-5
    Content: This is the first full-length musical study of Berlioz to take into account the rediscovered Messe solennelle. Julian Rushton discusses all aspects of his work, without undue emphasis on a few more popular pieces. The first section consists of a comprehensive biography of Berlioz's musical works, tracing shifting patterns of productivity, approaches to genre, and the contrast between works which are aesthetically progressive or retrospective. The author then considers aspects of Berlioz's musical style, building upon earlier studies by the author and other recent scholarship. The final section offers a more substantial analysis of selected passages and an overall critical assessment.
    Language: English
    Subjects: Musicology
    RVK:
    Keywords: 1803-1869 Berlioz, Hector ; Musikalischer Stil ; 1803-1869 Berlioz, Hector
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  • 4
    Book
    Book
    Cambridge :Univ. Press,
    UID:
    almafu_BV008238632
    Format: X, 187 S. : Notenbeisp.
    Edition: 1. publ.
    ISBN: 0-521-43144-1 , 0-521-43741-5
    Series Statement: Cambridge opera handbooks
    Language: English
    Subjects: Musicology
    RVK:
    Keywords: 1756-1791 Idomeneo, rè di Creta Mozart, Wolfgang Amadeus
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  • 5
    Online Resource
    Online Resource
    Cambridge :Cambridge University Press,
    UID:
    almahu_9947414041202882
    Format: 1 online resource (x, 187 pages) : , digital, PDF file(s).
    ISBN: 9780511620058 (ebook)
    Series Statement: Cambridge opera handbooks
    Content: Idomeneo, by common consent Mozart's greatest opera seria, is a rich synthesis of the dramatic potentialities of Italian opera seria, French tragédie lyrique, and recent German opera. It was composed for the finest orchestra in Germany and some excellent singers. Mozart's relish of the challenge and his problems with some performers and the bureaucracy are uniquely documented in his letters home and these form the basis of a vivid account of the genesis of the opera. A detailed synopsis relates the musical and dramatic action of the opera. Further chapters trace the historical development of its subject matter 'from myth to libretto' and chart the opera's performance history, including a description of Richard Strauss's 1931 reworking. Later chapters consider the opera's general structure and the musical forms, and analyse passages of particular interest.
    Note: Title from publisher's bibliographic system (viewed on 05 Oct 2015).
    Additional Edition: Print version: ISBN 9780521431446
    Language: English
    URL: Volltext  (lizenzpflichtig)
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  • 6
    UID:
    almahu_9949460586502882
    Format: 1 online resource (xv, 413 pages) : , digital, PDF file(s).
    ISBN: 9781846158759 (ebook)
    Content: Essays highlight the interplay between opera, art and ideology across three centuries. Three broad themes are opened up from a variety of approaches: nationalism, cosmopolitanism and national opera; opera, class and the politics of enlightenment; and opera and otherness. Opera, that most extravagant of the performing arts, is infused with the contexts of power-brokering and cultural display in which it was conceived and experienced. For individual operas such contexts have shifted over time and new meanings emerged, often quite remote from those intended by the original collaborators; but tracing this ideological dimension in a work's creation and reception enables us to understand its cultural and political role more clearly - sometimes conflicting with its status as art and sometimes enhancing it. This collection is a Festschrift in honour of Julian Rushton, one of the most distinguished opera scholars of his generation and highly regarded for his innovative studies of Gluck, Mozart and Berlioz, among many others. Colleagues, associates and former students pay tribute to his work with essays highlighting the interplay between opera, art and ideology across three centuries. Three broad themes are opened up from a variety of approaches: nationalism, cosmopolitanism and national opera; opera, class and the politics of enlightenment; and opera and otherness. British opera is represented bystudies of Grabu, Purcell, Dibdin, Holst, Stanford and Britten, but the collection sustains a truly European perspective rounded out with essays on French opera funding, Bizet, Mozart, Mendelssohn, Verdi, Puccini, JanaÌcek, Nielsen, Rimsky-Korsakov and Schreker. Several works receive some of their first extended discussion in English. RACHEL COWGILL is Professor of Musicology at Liverpool Hope University. DAVID COOPER is Professor of Music and Technology at the University of Leeds. CLIVE BROWN is Professor of Applied Musicology at the University of Leeds. Contributors: MARY K. HUNTER, CLIVE BROWN, PETER FRANKLIN, RALPH LOCKE, DOMINGOS DE MASCARENHAS,DAVID CHARLTON, KATHARINE ELLIS, BRYAN WHITE, PETER HOLMAN, RACHEL COWGILL, ROBERTA MONTEMORRA MARVIN, DAVID COOPER, RICHARD GREENE, J.P.E. HARPER-SCOTT, DANIEL GRIMLEY, STEPHEN MUIR, JOHN TYRRELL.
    Note: Title from publisher's bibliographic system (viewed on 28 Feb 2023). , I. Nationalism, cosmopolitanism and national opera. "Studying a little of the French air" : Louis Grabu's Albion and Albanius and the dramatic operas of Henry Purcell / Bryan White ; Mendelssohn's Die Hochzeit des Camacho : an unfulfilled vision for German opera / Clive Brown ; Funding grand opera in regional France : ideologies of the mid-nineteenth century / Katharine Ellis ; Stanford's and Le Fanu's Shamus O'Brien : Protestant constructions of Irish nationalism in late Victorian England / David Cooper ; Janáček, Nejedlý and the future of Czech national opera / John Tyrrell ; "As for opera I am bewildered" : Gustav Holst on the fringe of European opera / Richard Greene -- II. Opera, class and the politics of enlightenment. The Sadler's Wells dialogues of Charles Dibdin / Peter Holman ; Nobility in Mozart's operas / Mary Hunter ; New light and the man of might : revisiting early interpretations of Die Zauberflöte / Rachel Cowgill ; The Victorian Violetta : the social messages of Verdi's La traviata / Roberta Montemorra Marvin ; Carl Nielsen's carnival : time, space and the politics of identity in Maskarade / Daniel M. Grimley -- III. Opera and otherness. Beyond the exotic : how "Eastern" is Aida? / Ralph P. Locke ; Beyond Orientalism : the international rise of Japan and the revisions to Madama Butterfly / Domingos de Mascarenhas ; Opera as poetry : Bizet's Djamileh and the ironies of Orientalism / David Charlton ; Rimsky-Korsakov, Pan voyevoda and the Polish question : exposing the "Occidentalist irony" / Stephen Muir ; Modernism's distanced sound : a British approach to Schreker and others / Peter Franklin ; Being-with Grimes : the problem of others in Britten's first opera / J.P.E. Harper-Scott.
    Additional Edition: Print version: ISBN 9781843835677
    Language: English
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  • 7
    Book
    Book
    Cambridge [u.a.] :Cambridge Univ. Press,
    UID:
    almafu_BV009827348
    Format: X, 119 S. : Notenbeisp.
    Edition: 1. publ.
    ISBN: 0-521-37397-2 , 0-521-37767-6
    Series Statement: Cambridge music handbooks
    Language: English
    Subjects: Musicology
    RVK:
    Keywords: 1803-1869 Roméo et Juliette Berlioz, Hector
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  • 8
    Online Resource
    Online Resource
    Cambridge :Cambridge University Press,
    UID:
    almahu_9947415225302882
    Format: 1 online resource (xxii, 398 pages) : , digital, PDF file(s).
    ISBN: 9781316221617 (ebook)
    Content: With over forty international specialist authors, this Encyclopedia covers all aspects of the life and work of Hector Berlioz. One of the most original composers of the nineteenth century, he was also internationally known as a pioneer of modern conducting, and as an entertaining author of memoirs, fiction, and criticism. His musical reputation has fluctuated, partly because his works rarely fit into conventional categories. As this Encyclopedia demonstrates, however, his influence on other composers, through his music and his orchestration treatise, was considerable, and extended into the twentieth century. The volume also covers Berlioz's connections with government officials and Paris concert societies and theatres, and contains information on his wide social circle including important literary figures. The Encyclopedia explores his fascination with foreign authors such as Shakespeare, Moore, and Goethe, and treats fully his promotion of his own and others' music, often at his own financial risk.
    Note: Title from publisher's bibliographic system (viewed on 27 Nov 2017).
    Additional Edition: Print version: ISBN 9781107104433
    Language: English
    URL: Volltext  (lizenzpflichtig)
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  • 9
    UID:
    almahu_9949401857502882
    Format: 1 online resource (xxi, 291 pages) : , digital, PDF file(s).
    ISBN: 9781800103511 (ebook)
    Series Statement: Music in Britain, 1600-2000
    Content: Building upon the developing picture of the importance of British music, musicians and institutions during the eighteenth century, this book investigates the themes of composition, performance (amateur and professional) and music-printing, within the wider context of social, religious and secular institutions.
    Note: Title from publisher's bibliographic system (viewed on 07 Oct 2022). , Henry, Elizabeth, and George: new light on music at Wilton House in the 1770s / Peter Holman -- Wilhelm Cramer, the professional concert, and the foundation of the modern symphony orchestra / Simon McVeigh -- Thomas Vincent (1723-1798): oboist, composer, and entrepreneur / Michael Tolbot -- J.C. Bach's and the "true organ style": propriety and impropriety in eighteenth-century English organ music / Peter Lynan -- Henry Purcell's mad songs in the theatre and concert rooms in the eighteenth century / Olive Baldwin and Thelma Wilson -- From "Fowle original" to "printed for the author": the autograph score of William Croft's "Laurus cruentas" / Alan Howard -- James Lates of Oxford and his sixteen minuets / Susan Wollenberg -- William Hayes (1708-1777), professor of music / Simon Heighes -- Music and musicians at Westminster Abbey, 1685-1760 / Tony Trowles -- Catholic church music in eighteenth-century Britain / John Caldwell -- Precedents for the symphony anthem: British Library additional manuscript 31434 and the court of Charles I / Jonathan P. Wainwright -- "You can't have it of Smith except you'll have it wrote out on purpose": eighteenth-century copyists of Handel's music in London and the "Smith scriptorium" / Donald Burrows -- The earliest surviving engraved music plates? / Peter Ward Jones and Kelly Domoney -- Musica Britannica and the eighteenth century / Julian Rushton.
    Additional Edition: Print version: ISBN 9781783276479
    Language: English
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  • 10
    UID:
    almahu_BV047131865
    Format: 1 Studienpartitur (xvi, 57 Seiten).
    Edition: Study score
    ISBN: 978-0-19-339942-6
    Uniform Title: Flos campi
    Note: Copyright: Oxford University Press 1928. This edition 2014. - Preface: October 2013 , Gesang in Vokalisen. - Vorwort und Anmerkungen englisch
    Language: Undetermined
    Subjects: Musicology
    RVK:
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