Kooperativer Bibliotheksverbund

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Format: xii, 348 Seiten : , Illustrationen.

ISBN: 978-0-520-28315-2 , 978-0-520-28314-5

Content: Music after the Fall is the first book to survey contemporary Western art music within the transformed political, cultural, and technological environment of the post-Cold War era. In this book, Tim Rutherford-Johnson considers musical composition against this changed backdrop, placing it in the context of globalization, digitization, and new media. Drawing connections with the other arts, in particular visual art and architecture, he expands the definition of Western art music to include forms of composition, experimental music, sound art, and crossover work from across the spectrum, inside and beyond the concert hall. Each chapter is a critical consideration of a wide range of composers, performers, works, and institutions, and develops a broad and rich picture of the new music ecosystem, from North American string quartets to Lebanese improvisers, from electroacoustic music studios in South America to ruined pianos in the Australian outback. Rutherford-Johnson puts forth a new approach to the study of contemporary music that relies less on taxonomies of style and technique than on the comparison of different responses to common themes of permission, fluidity, excess, and loss.

Note: Includes bibliographical references and index

Additional Edition: Erscheint auch als Online-Ausgabe ISBN 978-0-520-95904-0

Language: English

Subjects: Musicology

Keywords: Neue Musik ; Politischer Wandel ; Globalisierung

URL: http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=029269806&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA

URL: Inhaltsverzeichnis

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Format: 1 online resource (xiv, 479 pages) : , digital, PDF file(s).

ISBN: 9781108680899 (ebook)

Content: This is the first introductory survey of western twentieth-century music to address popular music, art music and jazz on equal terms. It treats those forms as inextricably intertwined, and sets them in a wide variety of social and critical contexts. The book comprises four sections - Histories, Techniques and Technologies, Mediation, Identities - with 16 thematic chapters. Each of these explores a musical or cultural topic as it developed over many years, and as it appeared across a diversity of musical practices. In this way, the text introduces both key musical repertoire and critical-musicological approaches to that work. It historicises music and musical thinking, opening up debate in the present rather than offering a new but closed narrative of the past. In each chapter, an overview of the topic's chronology and main issues is illustrated by two detailed case studies.

Note: Title from publisher's bibliographic system (viewed on 22 Sep 2022). , Introduction -- Part 1. Histories. Place and space, local and global ; Modernism ; Postmodernism ; Canons -- Part 2. Techniques and technologies. Work and notation ; Rhythm and time ; Harmony ; Instruments -- Part 3. Mediation. Recording and production ; Copyright and the music industry ; States and markets ; Music and the Moving Image -- Part 4. Identities. Gender and sexuality ; Race and ethnicity ; Audiences, class and consumption ; Centres and peripheries.

Additional Edition: Print version: ISBN 9781108481984

Language: English

URL: https://doi.org/10.1017/9781108680899

URL: lizenzpflichtig

URL: lizenzpflichtig

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Format: 41 Seiten , Illustrationen

In: Teil 3

Language: German

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Format: Online-Ressource

Edition: 6. ed.

ISBN: 9780191744518

Series Statement: Oxford reference online premium

Content: 'The Oxford Dictionary of Music' is a guide for all music lovers and performers, both amateur and professional. It brings together 12,500 entries covering musical subjects of all kinds in an authoritative and accessible way.

Additional Edition: ISBN 9780199578108

Additional Edition: ISBN 0199578109

Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 9780199578108

Former: Frühere Aufl. Kennedy, Michael, 1926 - Concise Oxford dictionary of music

Language: English

Keywords: Musik ; Wörterbuch

DOI: 10.1093/acref/9780199578108.001.0001

URL: Volltext

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Format: 1 Online-Ressource (XII, 954 S.) : , Ill.

Edition: 6. ed.

ISBN: 978-0-19-174451-8

Series Statement: Oxford reference

Note: Published to Oxford Reference: 2013

Additional Edition: Erscheint auch als Druck-Ausgabe, Hardcover ISBN 978-0-19-957810-8

Additional Edition: Erscheint auch als Druck-Ausgabe, Hardcover ISBN 0-19-957810-9

Language: English

Subjects: Musicology

Keywords: Musik ; Englisch ; Musik ; Wörterbuch ; Wörterbuch

DOI: 10.1093/acref/9780199578108.001.0001

URL: Volltext

URL: Volltext

Author information: Kennedy, Joyce Bourne

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Format: 1 online resource (363 pages)

Edition: 1st ed.

ISBN: 0-520-95904-3

Content: ";...the best extant map of our sonic shadowlands, and it has changed how I listen.";-Alex Ross, The New Yorker ";...an essential survey of contemporary music.";-New York Times ";...sharp, provacative and always on the money. The listening list alone promises months of fresh discovery, the main text a fresh new way of navigating the world of sound.";-The Wire 2017 Music Book of the Year-Alex Ross, The New YorkerMusic after the Fall is the first book to survey contemporary Western art music within the transformed political, cultural, and technological environment of the post-Cold War era. In this book, Tim Rutherford-Johnson considers musical composition against this changed backdrop, placing it in the context of globalization, digitization, and new media. Drawing connections with the other arts, in particular visual art and architecture, he expands the definition of Western art music to include forms of composition, experimental music, sound art, and crossover work from across the spectrum, inside and beyond the concert hall. Each chapter is a critical consideration of a wide range of composers, performers, works, and institutions, and develops a broad and rich picture of the new music ecosystem, from North American string quartets to Lebanese improvisers, from electroacoustic music studios in South America to ruined pianos in the Australian outback. Rutherford-Johnson puts forth a new approach to the study of contemporary music that relies less on taxonomies of style and technique than on the comparison of different responses to common themes of permission, fluidity, excess, and loss.

Note: Previously issued in print: 2017. , Frontmatter -- , Contents -- , List of illustrations -- , Acknowledgments -- , 1. 1989 and After -- , 2. Mediation and the Marketplace -- , 3. Permission: Freedom, Choice, and the Body 51 -- , 4. Fluidity: Digital Translations, Displacements, and -- , 5. Mobility: Worldwide Flows, Networks, and Archipelagos -- , 6. Superabundance: Spectacle, Scale, and Excess -- , 7. Loss: Ruins, Memorials, and Documents -- , 8. Recovery: Gaps between Past and Present -- , Appendix 1: Recommended Listening -- , Appendix 2: Further Reading -- , Notes -- , Index , In English.

Additional Edition: ISBN 0-520-28315-5

Additional Edition: ISBN 0-520-28314-7

Language: English

DOI: 10.1525/9780520959040