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  • 1
    UID:
    gbv_503244082
    Format: XII, 496 S. , Ill., Kt. , 24 cm
    Edition: 1. publ.
    ISBN: 9780670037759 , 0670037753
    Content: East : Humboldt and the influence of Europe -- South : J.N. Reynolds and the "more comprehensive promise" of the Antarctic -- West : Clarence King's experience of the frontier -- North : George Wallace Melville and John Muir in extremis
    Note: Includes bibliographical references (p. 447-472) and index
    Language: English
    Subjects: History , General works
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    Keywords: Humboldt, Alexander von 1769-1859 ; USA ; Forschungsreisender ; Wissenschaftler ; Naturschutz ; Geschichte 1800-1900
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  • 2
    Book
    Book
    New Haven :Yale Univ. Press,
    UID:
    almahu_BV041194491
    Format: XI, 484 S.
    ISBN: 978-0-300-17640-7 , 978-0-300-20588-6
    Series Statement: New directions in narrative history
    Note: "Perhaps America's best environmental idea was not the national park but the garden cemetery, a use of space that quickly gained popularity in the mid-nineteenth century. Such spaces of repose brought key elements of the countryside into rapidly expanding cities, making nature accessible to all and serving to remind visitors of the natural cycles of life. In this unique interdisciplinary blend of historical narrative, cultural criticism, and poignant memoir, Aaron Sachs argues that American cemeteries embody a forgotten landscape tradition that has much to teach us in our current moment of environmental crisis.Until the trauma of the Civil War, many Americans sought to shape society into what they thought of as an Arcadia--not an Eden where fruit simply fell off the tree, but a public garden that depended on an ethic of communal care, and whose sense of beauty and repose related directly to an acknowledgement of mortality and limitation. Sachs explores the notion of Arcadia in the works of nineteenth-century nature writers, novelists, painters, horticulturists, landscape architects, and city planners, and holds up for comparison the twenty-first century's--and his own--tendency toward denial of both death and environmental limits. His far-reaching insights suggest new possibilities for the environmental movement today and new ways of understanding American history"-- Provided by publisher.. - Includes bibliographical references and index
    Language: English
    Subjects: Ethnology
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    Keywords: Friedhof ; Landschaftsgarten ; Umweltbewusstsein
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  • 3
    Online Resource
    Online Resource
    New Haven : Yale University Press
    UID:
    gbv_1696106222
    Format: 1 Online-Ressource (xvi, 285 Seiten)
    ISBN: 9780300252040
    Series Statement: New directions in narrative history
    Content: A collection of memorable, stirring, and eloquent historical essays, designed to help any historian write more artfully Is there any reason that serious historical scholarship cannot receive literary expression? Isn't it possible that the most committed empiricists and postmodernists might both achieve better results by thinking of writing as a craft, rather than just a means of packaging research? This book compiles some of the most compelling efforts to make history writing eloquent, stirring, and memorable, in the realms of both practice and theory. The authors included here prove the great potential of approaching the writing of history as a literary art, even as they retain a commitment to rigorous scholarship. The collection shows how historians can aspire to find a form that matches and enhances their substance, nudging readers toward what historian John Clive called the "spell that lingers in the memory and is conducive not just to reading but to rereading." With selections from: Jonathan Spence, Simon Schama, Saidiya Hartman, Wendy Warren, Jill Lepore, Louis Masur, Jane Kamensky, and John Demos, among others
    Content: Frontmatter -- Contents -- Acknowledgments -- Introduction -- Jonathan Spence, from The Death of Woman Wang (1978) -- Robert Rosenstone, from Mirror in the Shrine (1988) -- Simon Schama, from Dead Certainties (1991) -- Stella Tillyard, from Aristocrats (1994) -- Saidiya Hartman, "Lose Your Mother" (2007) -- Wendy Warren, " 'The Cause of Her Grief': The Rape of a Slave in Early New England" (2007) -- Stephen Berry, "The Historian as Death Investigator" (2011) -- Paul A. Kramer, "The Importance of Being Turbaned" (2011) -- Craig Harline, from Conversions (2011) -- Amy Reading, "Benjamin Franklin's Disciples" (2012) -- Jill Lepore, "All About Erections" (2012) -- Jonathan Holloway, from Jim Crow Wisdom (2013) -- James Goodman, "For the Love of Stories" (1998) -- Louis P. Masur, "What It Will Take to Turn Historians into Writers" (2001) -- Aaron Sachs, "Letters to a Tenured Historian: History as Creative Nonfi ction-or Maybe Even Poetry" (2010) -- Jane Kamensky, "Novelties: A Historian's Field Notes from Fiction" (2011) -- John Demos, "History in the Head, History from the Heart: A Personal Minifesto" (2016) -- Contributors -- Credits
    Additional Edition: ISBN 9780300239904
    Additional Edition: Erscheint auch als print ISBN 9780300239904
    Language: English
    Keywords: Geschichtsschreibung ; Erzähltechnik ; Anthologie
    URL: Cover
    URL: Cover
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  • 4
    UID:
    gbv_172733650
    Format: 58 S , graph. Darst
    ISBN: 187807122X
    Series Statement: Worldwatch paper 121
    Content: An economy in the raw -- Society's consuming passion -- Building a secondary materials economy -- Designing for efficiency -- New markets, new investments -- The economic opportunity -- A revolutionary partnership
    Note: September 1994
    Language: English
    Keywords: Graue Literatur
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  • 5
    UID:
    gbv_1811169570
    Format: xx, 450 Seiten , Illustrationen , 24 cm
    ISBN: 9780691215419
    Content: Up from the Depths tells the interconnected stories of two of the most important writers in American history-the novelist and poet Herman Melville (1819-1891) and one of his earliest biographers, the literary critic and historian Lewis Mumford (1895-1990). Deftly cutting back and forth between the writers, Aaron Sachs reveals the surprising resonances between their lives, work, and troubled times-and their uncanny relevance in our own age of crisis. The author of Moby-Dick was largely forgotten for several decades after his death, but Mumford helped spearhead Melville's revival in the aftermath of World War I and the 1918-1919 flu pandemic, when American culture needed a forebear with a suitably dark vision. As Mumford's career took off and he wrote books responding to the machine age, urban decay, world war, and environmental degradation, it was looking back to Melville's confrontation with crises such as industrialization, slavery, and the Civil War that helped Mumford to see his own era clearly. Mumford remained obsessed with Melville, ultimately helping to canonize him as America's greatest tragedian. But largely forgotten today is one of Mumford's key insights-that Melville's darkness was balanced by an inspiring determination to endure. Amid today's foreboding over global warming, racism, technology, pandemics, and other crises, Melville and Mumford remind us that we've been in this struggle for a long time. To rediscover these writers today is to rediscover how history can offer hope in dark times
    Note: Literaturangaben Seite 371-431
    Additional Edition: ISBN 9780691236940
    Additional Edition: Erscheint auch als Online-Ausgabe ISBN 9780691236940
    Language: English
    Subjects: American Studies
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    Keywords: Melville, Herman 1819-1891 ; Krise ; Rezeption ; Mumford, Lewis 1895-1990
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