Kooperativer Bibliotheksverbund

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Format: X, 271 S. : , Ill.

ISBN: 0-8135-2537-3 , 0-8135-2538-1

Language: English

Subjects: General works

Keywords: Zeichentrickfilm ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung

URL: http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=008570297&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA

URL: Inhaltsverzeichnis

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Format: VII, 274 S. : Ill.

ISBN: 0-8135-2668-X , 0-8135-2669-8

Language: English

Subjects: General works

Keywords: 1954- Cameron, James ; Titanic ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung

URL: Inhaltsverzeichnis

URL: Inhaltsverzeichnis

URL: Inhaltsverzeichnis

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Format: ix, 252 p. : , ill.

Edition: Electronic reproduction. Ann Arbor, MI : ProQuest, 2015. Available via World Wide Web. Access may be limited to ProQuest affiliated libraries.

Language: English

Keywords: Electronic books.

URL: Click to View

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Format: IX, 252 S. : , Ill.

ISBN: 978-0-8135-4089-4 , 978-0-8135-4088-7

Note: Includes bibliographical references and index

Language: English

Subjects: General works

Keywords: Filmbewertung ; Showgirls ; Filmzensur

URL: Table of contents only

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Format: XXVIII, 261 Seiten.

ISBN: 978-1-4968-5043-0 , 978-1-4968-5044-7

Series Statement: Television conversations series

Content: "Hanna and Barbera: Conversations presents a lively portrait of Bill Hanna and Joe Barbera, the influential producers behind Tom and Jerry, the Flintstones, Scooby-Doo, the Smurfs, and hundreds of other cartoon characters who continue to entertain the world today. Encompassing more than fifty years of film and television history, the conversations in this volume include first-person accounts by the namesakes of the Hanna-Barbera studio as well as recollections by artists and executives who worked closely with the pair for decades. It is the first collection of its kind about Hanna and Barbera, likely the most prolific animation producers of the twentieth century, whose studio once outflanked its competitor Walt Disney in output and influence. Bill Hanna fell into animation in 1930 at the Harman-Ising studio in Los Angeles, gaining skills across the phases of production as MGM opened its animation studio.

Content: Joe Barbera, a talented and sociable artist, entered the industry around the same time at the wild and woolly Van Beuren studio in Manhattan, learning the ins and outs of animation art before crossing the country to join MGM. In television, Hanna's timing and community-oriented work ethic along with Barbera's knack for sales and creating funny characters enabled Hanna-Barbera to build a roster of beloved cartoon series. A wide range of pieces map Hanna and Barbera's partnership, from their early days in Hollywood in the 1930s to Cartoon Network in the 1990s, when a new generation took the reins of their animation studio. Relatively unknown when they made over one hundred Tom and Jerry theatrical cartoons at MGM in the 1940s and 1950s, Hanna and Barbera became household names upon entering the new medium of television in 1957.

Content: Discussions here chart their early primetime successes as well as later controversies surrounding violence, overseas production, and the lack of quality in their Saturday morning cartoons. With wit, candor, insight, and bravado, Hanna and Barbera: Conversations reflects on Bill and Joe's breakthroughs and shortcomings, and their studio's innovations and retreads"--

Note: Includes bibliographical references and index. , Introduction -- , Chronology -- , Hanna and Barbera: after fifty years, opposites still attract , Cartoon creator Joseph Barbera takes Tom and Jerry to movies , Hanna and Barbera at MGM , Roundtable discussion with Mike Lah , Interview with Ray Patterson , Oscar goes to author if cartoon , They paint a million cats , The influence of "Crusader Rabbit" on "Ruff and Reddy" , Ed Benedict , Daws Butler: the master's voice , Don Messick: vocal hero , Cartoonists turn to TV for work , Lance Nolley , A few words from Jerry Eisenberg , TV hit from a cartoon factory , Close up-on Huck and Yogi: Hanna and Barbera with Antoinette Bower , TV without terror , Doug Wildey on "Jonny Quest" , Hanna-Barbera and Taft Broadcasting , It'll cost $40 tp $50 a day to enjoy areas's New Park , The improbable world of Hanna-Barbera , The purveyor of Saturday's fare , Hanna-Barbera presents Saturday morning and comedy , The men behind Dastardly and Muttley , Iwao Takamoto , Joe Ruby and Ken Spears on "Scooby-Doo, where are you!" , Roundtable discussion with Mike Maltese , Hanna-Barbera Australia , Darrell McNeil on "Super Friends" , Hanna-Barbera school to keep an art alive , My adventure in the Hanna-Barbera animation training program , Tom Sito on Hanna-Barbera , Margaret Loesch and Joe Barbera , Squire Rushnell at ABC , Hanna-Barbera: the cartoonists who own Satuday morning , "The Smurfs" , Hanna-Barbera: Will "Heidi's Song" be its "Snow White?" , Yabba dabba crew: working with Hoyt Curtin at Hanna-Barbera , Fred Seibert on Cartoon Network , Brian Levant on "The Flintstones" movie , Joseph Barbera: an animated life , Suggested resources -- , Index

Additional Edition: Erscheint auch als Online-Ausgabe, EPUB Hanna and Barbera Jackson : University Press of Mississippi, 2024 ISBN 978-1-4968-5045-4

Additional Edition: Erscheint auch als Online-Ausgabe, PDF Hanna and Barbera Jackson : University Press of Mississippi, 2024 ISBN 978-1-4968-5047-8

Additional Edition: Erscheint auch als Online-Ausgabe, PDF Hanna and Barbera Jackson : University Press of Mississippi, 2024 ISBN 978-1-4968-5048-5

Language: English

Keywords: 1910-2001 Hanna, William ; 1911-2006 Barbera, Joseph

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Format: 1 online resource (265 p.)

Edition: 1st ed.

ISBN: 1-281-15137-8 , 9786611151379 , 0-8135-4146-8

Content: From parents and teachers to politicians and policymakers, there is a din of voices participating in the debate over how young people are affected by violence, strong language, and explicit sexual activity in films. The Motion Picture Association of America (MPAA) responded to this concern in 1968 when it introduced a classification and rating system based on the now well-known labels: "G," "PG," PG-13," "R," and "X." For some, these simple tags are an efficient way to protect children from viewing undesirable content. But do the MPAA ratings only protect children? In The Naked Truth, Kevin S. Sandler argues that perhaps even more than viewers, ratings protect the Hollywood film industry. One prime indicator of this is the collective abandonment of the NC-17 rating in 1990 by the major distributors of the MPAA and the main exhibitors of the National Association of Theatre Owners. By categorizing all films released by Hollywood and destined for mainstream theaters into R ratings (or lower), the industry ensures that its products are perceived as "responsible entertainment"—films accessible by all audiences and acceptable to Hollywood's various critics and detractors.

Note: Description based upon print version of record. , Front matter -- , Contents -- , Acknowledgments -- , Introduction -- , 1. Film Regulation before the Rating System -- , 2. CARA and the Emergence of Responsible Entertainment -- , 3. From X to NC-17 -- , 4. The Incontestable R as a Code of Production -- , 5. Showgirls: The Feasibility and Fate of the NC-17 Rating -- , Conclusion -- , Notes -- , Index -- , About the Author , English

Additional Edition: ISBN 0-8135-4089-5

Additional Edition: ISBN 0-8135-4088-7

Language: English

DOI: 10.36019/9780813541464

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Format: 1 online resource (272 p.) : , 31

ISBN: 9780813541464

Content: From parents and teachers to politicians and policymakers, there is a din of voices participating in the debate over how young people are affected by violence, strong language, and explicit sexual activity in films. The Motion Picture Association of America (MPAA) responded to this concern in 1968 when it introduced a classification and rating system based on the now well-known labels: "G," "PG," PG-13," "R," and "X." For some, these simple tags are an efficient way to protect children from viewing undesirable content. But do the MPAA ratings only protect children? In The Naked Truth, Kevin S. Sandler argues that perhaps even more than viewers, ratings protect the Hollywood film industry. One prime indicator of this is the collective abandonment of the NC-17 rating in 1990 by the major distributors of the MPAA and the main exhibitors of the National Association of Theatre Owners. By categorizing all films released by Hollywood and destined for mainstream theaters into R ratings (or lower), the industry ensures that its products are perceived as "responsible entertainment"—films accessible by all audiences and acceptable to Hollywood's various critics and detractors.

Note: Frontmatter -- , Contents -- , Acknowledgments -- , Introduction -- , 1. Film Regulation before the Rating System -- , 2. CARA and the Emergence of Responsible Entertainment -- , 3. From X to NC-17 -- , 4. The Incontestable R as a Code of Production -- , 5. Showgirls: The Feasibility and Fate of the NC-17 Rating -- , Conclusion -- , Notes -- , Index -- , About the Author , In English.

Language: English

DOI: 10.36019/9780813541464

URL: https://www.degruyter.com/isbn/9780813541464

URL: https://www.degruyter.com/isbn/9780813541464