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  • 1
    UID:
    b3kat_BV049046871
    Format: x, 190 Seiten , Illustrationen , 22 cm
    ISBN: 9781350270534 , 1350270539 , 9781350159310
    Additional Edition: Erscheint auch als Online-Ausgabe, PDF ISBN 978-1-3501-5933-4
    Additional Edition: Erscheint auch als Online-Ausgabe, EPUB ISBN 978-1-3501-5932-7
    Language: English
    Keywords: Theater ; Performance ; Intermedialität ; Digitalisierung ; Identität ; Aufsatzsammlung
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  • 2
    UID:
    gbv_1794814167
    Format: x, 190 pages , illustrations (black and white) , 22 cm
    ISBN: 9781350159310
    Note: Includes bibliographical references and index
    Additional Edition: ISBN 9781350159327
    Additional Edition: ISBN 9781350159334
    Language: English
    Keywords: Avatar ; Darstellende Kunst ; Technische Innovation ; Soziales Drama ; Soziale Identität
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  • 3
    UID:
    almahu_9947956512102882
    Format: XIII, 311 p. 14 illus. , online resource.
    ISBN: 9783319952109
    Content: This is a book about collaboration in the arts, which explores how working together seems to achieve more than the sum of the parts. It introduces ideas from economics to conceptualize notions of externalities, complementarity, and emergence, and playfully explores collaborative structures such as the swarm, the crowd, the flock, and the network. It uses up-to-date thinking about Wikinomics, Postcapitalism, and Biopolitics, underpinned by ideas from Foucault, Bourriaud, and Hardt and Negri. In a series of thought-provoking case studies, the authors consider creative practices in theatre, music and film. They explore work by artists such as Gob Squad, Eric Whitacre, Dries Verhoeven, Pete Wyer, and Tino Seghal, and encounter both live and online collaborative possibilities in fascinating discussions of Craigslist and crowdfunding at the Edinburgh Festival. What is revealed is that the introduction of Web 2.0 has enabled a new paradigm of artistic practice to emerge, in which participatory encounters, collaboration, and online dialogue become key creative drivers. Written itself as a collaborative project between Karen Savage and Dominic Symonds, this is a strikingly original take on the economics of working together.
    Note: 1. Introduction -- 2. Economics -- 3. Collaboration -- 4. Biopolitics -- 5. Network -- 6. Audience -- 7. Host -- 8. Swarm -- 9. Crowd -- 10. Conclusion.
    In: Springer eBooks
    Additional Edition: Printed edition: ISBN 9783319952093
    Language: English
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  • 4
    Online Resource
    Online Resource
    London [England] : Methuen Drama | [London, England] : Bloomsbury Publishing
    UID:
    gbv_1895306493
    Format: 1 Online-Ressource (224 pages)
    Edition: First edition
    ISBN: 9781350159341 , 9781350159327
    Content: "In the context of the postdigital age, where technology is increasingly part of our social and political world, Avatars, Activism and Postdigital Performance traces how identity is developed, created, hijacked, manipulated, sabotaged and explored through performance in postdigital culture. Considering how technology is reshaping performance, this timely collection reveals how we engage in performance practices through expanded notions of intermediality, convergence and layering. This book examines the artist as activist and avatar, and how body hacking, zombification, the cyborg and digital doubles problematize and expand our discussions of identity. Using a range of theatre and film performance examples, including Avatar, Calpurnia Descendin and User Not Found, chapters explore how the uncertain boundaries of the body in mediatized cultures, along with machine algorithms, apps and a commitment to a digital legacy, can operate as interventions between the senses, creating mediatized resonances between the body and one another. This is an incisive study for scholars, students and practitioners interested in the wider conversations around identity in mediatized culture."--
    Note: Includes bibliographical references and index , Introduction: Post-intermediality and the postdigital: 'Isn't it all "intermedial"? / Liam Jarvis, University of Essex, UK, and Karen Savage, University of Lincoln, UK -- Part I. Postdigital body-jacking: precarious performances through and 'in' the digital. 'Performativity 3.0: hacking post-digital subjectivities' / William Lewis, Texas State University, USA ; Avatars, apes, and the 'testing ground' of performance capture / Ralf Remshardt, University of Florida, USA -- Part II. Migrations: hearts, minds and souls. Archiving the soul -- we are 'liking' ghosts. Diva dromology: aging and acceleration in contemporary camp / Asher Warren, University of Tasmania, Australia ; Death and the migration of identity: social media as performance space / Lib Taylor, University of Reading, UK -- Part III. Dis-placed voices: it's not not them. Randy Rainbow's musical activism: hijacking audiences and politicising social media rapport / Karen Savage, University of Lincoln, UK ; Deepfake-ification: post-truth performance & postdigital aesthetics of failure / Liam Jarvis, University of Essex, UK -- Part IV. Out of synch: double exposure and asynchronicity. 'Voicing identity: theatre sound and precarious subjectivities / Lynne Kendrick, Royal Central School of Speech and Drama, University of London, UK & Yaron Shylydkrot, University of Surrey, UK ; Sensory disjunction and perceptual dissonance: resisting convergence in headphone theatre / Rosemary Klich, University of Essex, UK -- Part V. Postdigital place-mixing: the tango of human and non-human agency. Manufacturing 'dissent' in thoughts that can be danced / Piotr Woycicki, University of Aberystwyth, UK ; Postdigital Place -- mixing in the wild city / Jo Scott, Independent Scholar, UK -- Conclusion / Liam Jarvis, University of Essex, UK, and Karen Savage, University of Lincoln, UK. , Barrierefreier Inhalt: Compliant with Level AA of the Web Content Accessibility Guidelines. Content is displayed as HTML full text which can easily be resized or read with assistive technology, with mark-up that allows screen readers and keyboard-only users to navigate easily
    Additional Edition: ISBN 9781350159310
    Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 9781350159310
    Language: English
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  • 5
    UID:
    edoccha_BV045112267
    Format: 1 Online-Ressource (XIII, 311 p. 14 illus).
    ISBN: 978-3-319-95210-9
    Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 978-3-319-95209-3
    Language: English
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 6
    UID:
    edocfu_BV045112267
    Format: 1 Online-Ressource (XIII, 311 p. 14 illus).
    ISBN: 978-3-319-95210-9
    Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 978-3-319-95209-3
    Language: English
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 7
    Online Resource
    Online Resource
    London : Methuen Drama | London : Bloomsbury Publishing (UK)
    UID:
    gbv_1895313651
    Format: 1 Online-Ressource (144 pages)
    Edition: 1st ed
    ISBN: 9781350272149
    Series Statement: Performance and Digital Cultures
    Content: Covid-19 has been described as a 'digital pandemic'. But who might the characterisation of the pandemic as 'digital' leave behind? This timely book reconsiders the pandemic as 'postdigital', examining tensions between a growing postdigital attitude of disenchantment with digital technologies and the increasing reliance on adapted modes of online practice mid-lockdown in both performance-making and healthcare. What emerged amidst the pandemic restrictions was a theatre that was unable to show its face, instead adapting into a variety of 'covid-safe' remote forms of engagement, from 'Zoom plays' to self-generating experiences sent by post. This book explores the ways that both performances and healthcare practices found proxies for direct touch and face-to-face encounters, deconstructing the way that care and resilience were spectacularized by political actors online. Liam Jarvis and Karen Savage explore aspects of care in relation to technology, spectacle and facilitation, and how new modes of delivery and the repurposing of theatre spaces that were displaced amidst the mass migration online have been enabling as well as controversial. The variety of case studies assessed includes internet memes, online films, performances of everyday resilience through social media and participatory theatre productions, including Thaddeus Phillips' Zoom Motel, Coney's Telephone and Nightcap's Handle with Care
    Note: Includes bibliographical references and index , List of Illustrations Acknowledgements Series Editors' Preface Opening Provocation: Soft Spaces; Hard Edges By Proto-type Theater Introduction: A 'Postdigital Pandemic'? Chapter 1: Spectacles of Resilience: Postdigital Online Theatre & Mid-pandemic Resilience A Postdigital Attitude: Blind Spots in Digital Culture Vacant Theatres as Nightingale Courtrooms Theatre as Social Services: Slung Low & Holbeck Food Bank Chapter 2: Theatre's 'Loss of Face': The Levinasian Problem of Face-to-Face Encounters Mid-pandemic Ambivalent Otherness: Face Ethics Mid-lockdown Patching into the Past: Coney's Telephone Lockdown as a Hotel Room Without a Door: Thaddeus Phillips' Zoo Motel Chapter 3: The Spectacularization of Care Online Performing Handshakes: From Defiant Gestural Retail Politics to 'Bioweapon' Performing Applause: From Doorstep Clapping to Anti-Hero Worship Resilience Optics: Surveillance Technologies as Care Symbols in 'Drone Captain Tom' Chapter 4: Digital Care & Pandemic Care Ethics in Post-internet Cultures: 'Caring about' & 'Caring for' 'Caring About' Expanded: Webs of Interdependencies What Counts as 'Digital Care'? Care as 'Virtue Signaling' on Social Media? Detached Touch: 'Posting About' as 'Caring About'? Care and Memory in Miguel Angel Muñoz and Luisa Cantero's 100 Days with Tata Regressing in Care: Russell Howard's Home Time Theatre as Care Package: Nightcap's Handle With Care Chapter 5: Digital Twins, Avatars & the Metaverse AI-generated Avatars on Lensa Avatar Band Members in Aespa The Metaverse Conclusion: Meta-Resilience & the 'New Normal' Endnotes References Index , Barrierefreier Inhalt: Compliant with Level AA of the Web Content Accessibility Guidelines. Content is displayed as HTML full text which can easily be resized or read with assistive technology, with mark-up that allows screen readers and keyboard-only users to navigate easily
    Additional Edition: ISBN 9781350272101
    Additional Edition: ISBN 9781350272118
    Additional Edition: ISBN 9781350272125
    Additional Edition: ISBN 9781350272132
    Language: English
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