Format:
256 S.
,
24 cm
ISBN:
0500238456
Uniform Title:
New Yorker
Content:
This title allows the reader access behind the scenes of the art world, with profiles of leading figures such as the gallerist Marian Goodman, and accounts of visits to artists' studios
Content:
This title allows the reader access behind the scenes of the art world, with profiles of leading figures such as the gallerist Marian Goodman, and accounts of visits to artists' studios
Note:
Twenty questionsAmerica -- Beauty -- Calder in bloom -- Twin peaks: Matisse, Picasso -- A walk with David Hammons -- Runaway: Paul Gauguin -- Caspar David Friedrich -- Dark Star: Vija Celmins -- Light in Juddland: Flavin at Marfa -- Dead-end kids: political art -- Biomania -- "Sensation" -- Still life -- Sexy surrealism -- The pleasure principle -- Max Beckmann -- Stillness: Chardin -- Meet John Currin -- Late, Late de Kooning -- Thomas Eakins -- Lucian Freud -- Giacometti -- El Greco -- Philip Guston -- Marsden Hartley -- Hitler as artist -- Ingres -- Edouard Manet -- Malevich's revolution -- Picasso's lust -- Tough love: Joan Mitchell -- Bruce Nauman -- Folk as art -- Barnett Newman -- Tintoretto -- Dealership: Marian Goodman -- Varieties of museum experience -- Sigmar Polke -- Fairfield Porter -- Rembrandt -- Gerhard Richter -- Norman Rockwell -- Photography revisited: Thomas Struth -- Looking Back: Diane Arbus -- Vermeer -- Brice Marden -- Andy Warhol -- Byzantium's end -- Girls, girls, girls: Lisa Yuskavage -- Parlor music: Edouard Vuillard -- James McNeill Whistler -- Abstract meridian: Agnes Martin -- Those '80s -- Paintings for now: Neo Rauch -- Fra Angelico -- Cezanne vs Pissarro -- Young Raphael -- Minimalisms -- Festivalism -- Picasso in Madrid -- Robert Bechtle and photo-realism -- Telling: Winslow Homer -- Dada at MoMA -- Jean-Michel Basquiat -- Momento Mori: the Aztecs -- Inside outside: Martin Ramirez -- Here today: The Christo "Gates" -- Rubenessence -- Nothing on: sex and the Victorians -- Greek play -- Seeing and reading: Ed Ruscha -- According to Mona Hatoum -- Impressions of Childe Hassam -- American Abstract: Jackson Pollock -- Faires.
,
Twenty questions -- America -- Beauty -- Calder in bloom -- Twin peaks: Matisse, Picasso -- A walk with David Hammons -- Runaway: Paul Gauguin -- Caspar David Friedrich -- Dark Star: Vija Celmins -- Light in Juddland: Flavin at Marfa -- Dead-end kids: political art -- Biomania -- "Sensation" -- Still life -- Sexy surrealism -- The pleasure principle -- Max Beckmann -- Stillness: Chardin -- Meet John Currin -- Late, late de Kooning -- Thomas Eakins -- Lucian Freud -- Giacometti -- El Greco -- Philip Guston -- Marsden Hartley -- Hitler as artist -- Ingres -- Édouard Manet -- Malevich's revolution -- Picasso's lust -- Tough love: Joan Mitchell -- Bruce Nauman -- Folk as art -- Barnett Newman -- Tintoretto -- Dealership: Marian Goodman -- Varieties of museum experience -- Sigmar Polke -- Fairfield Porter -- Rembrandt -- Gerhard Richter -- Norman Rockwell -- Photography renovated: Thomas Struth -- Looking back: Diane Arbus -- Vermeer -- Brice Marden -- Andy Warhol -- Byzantium's end -- Girls, girls, girls: Lisa Yuskavage -- Parlor music: Édouard Vuillard -- James McNeill Whistler -- Abstract meridian: Agnes Martin -- Those '80s -- Paintings for now: Neo Rauch -- Fra Angelico -- Cezanne versus Pissarro -- Young Raphael -- Minimalisms -- Festivalism -- Picasso in Madrid -- Robert Bechtle and photo-realism -- Telling: Winslow Homer -- Dada at MoMA -- Jean-Michel Basquiat -- Momento mori: the Aztecs -- Inside outside: Martín Ramírez -- Here today: The Christo "Gates" -- Rubenessence -- Nothing on: sex and the Victorians -- Greek play -- Seeing and reading: Ed Ruscha -- According to Mona Hatoum -- Impressions of Childe Hassam -- American Abstract: Jackson Pollock -- Faires.res.
,
Twenty questions -- America -- Beauty -- Calder in bloom -- Twin peaks: Matisse, Picasso -- A walk with David Hammons -- Runaway: Paul Gauguin -- Caspar David Friedrich -- Dark Star: Vija Celmins -- Light in Juddland: Flavin at Marfa -- Dead-end kids: political art -- Biomania -- "Sensation" -- Still life -- Sexy surrealism -- The pleasure principle -- Max Beckmann -- Stillness: Chardin -- Meet John Currin -- Late, Late de Kooning -- Thomas Eakins -- Lucian Freud -- Giacometti -- El Greco -- Philip Guston -- Marsden Hartley -- Hitler as artist -- Ingres -- Edouard Manet -- Malevich's revolution -- Picasso's lust -- Tough love: Joan Mitchell -- Bruce Nauman -- Folk as art -- Barnett Newman -- Tintoretto -- Dealership: Marian Goodman -- Varieties of museum experience -- Sigmar Polke -- Fairfield Porter -- Rembrandt -- Gerhard Richter -- Norman Rockwell -- Photography revisited: Thomas Struth -- Looking Back: Diane Arbus -- Vermeer -- Brice Marden -- Andy Warhol -- Byzantium's end -- Girls, girls, girls: Lisa Yuskavage -- Parlor music: Edouard Vuillard -- James McNeill Whistler -- Abstract meridian: Agnes Martin -- Those '80s -- Paintings for now: Neo Rauch -- Fra Angelico -- Cezanne vs Pissarro -- Young Raphael -- Minimalisms -- Festivalism -- Picasso in Madrid -- Robert Bechtle and photo-realism -- Telling: Winslow Homer -- Dada at MoMA -- Jean-Michel Basquiat -- Momento Mori: the Aztecs -- Inside outside: Martin Ramirez -- Here today: The Christo "Gates" -- Rubenessence -- Nothing on: sex and the Victorians -- Greek play -- Seeing and reading: Ed Ruscha -- According to Mona Hatoum -- Impressions of Childe Hassam -- American Abstract: Jackson Pollock -- Faires
Language:
English
Keywords:
Schjeldahl, Peter 1942-2022
;
The New Yorker
;
Kunstkritik
;
Geschichte 1998-2007
;
Aufsatzsammlung
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