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  • 1
    Online Resource
    Online Resource
    Cambridge :Cambridge University Press,
    UID:
    almahu_9948214600502882
    Format: 1 online resource (ix, 238 pages) : , digital, PDF file(s).
    ISBN: 9781108367455 (ebook)
    Content: Bergson was a pre-eminent European philosopher of the early twentieth century and his work covers all major branches of philosophy. This volume of essays is the first collection in twenty years in English to address the whole of Bergson's philosophy, including his metaphysics, epistemology, philosophy of science, philosophy of life, aesthetics, ethics, social and political thought, and religion. The essays explore Bergson's influence on a number of different fields, and also extend his thought to pressing issues of our time, including philosophy as a way of life, inclusion and exclusion in politics, ecology, the philosophy of race and discrimination, and religion and its enduring appeal. The volume will be valuable for all who are interested in this important thinker and his continuing relevance.
    Note: Title from publisher's bibliographic system (viewed on 22 Nov 2019).
    Additional Edition: Print version: ISBN 9781108421157
    Language: English
    URL: Volltext  (lizenzpflichtig)
    URL: Volltext  (lizenzpflichtig)
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  • 2
    UID:
    almahu_BV044403701
    Format: 195 Seiten ; , 21 cm.
    ISBN: 978-3-95679-114-7 , 3-95679-114-2
    Uniform Title: Überschrift
    Language: English
    Subjects: Philosophy
    RVK:
    Keywords: Poetik ; Literaturproduktion
    Author information: Avanessian, Armen, 1973-,
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  • 3
    UID:
    almahu_BV047443932
    Format: XIV, 391 Seiten : , Illustrationen.
    ISBN: 978-0-231-18793-0 , 9780231187923
    Series Statement: Columbia themes in philosophy, social criticism, and the arts
    Uniform Title: Das durchscheinende Bild
    Content: Images have always stirred ambivalent reactions. Yet whether eliciting fascinated gazes or iconoclastic repulsion from their beholders, they have hardly ever been seen as true sources of knowledge. They were long viewed as mere appearances, placeholders for the things themselves or deceptive illusions. Today, the traditional critique of the spectacle has given way to an unconditional embrace of the visual. However, we still lack a persuasive theoretical account of how images work.Emmanuel Alloa retraces the history of Western attitudes toward the visual to propose a major rethinking of images as irreplaceable agents of our everyday engagement with the world. He examines how ideas of images and their powers have been constructed in Western humanities, art theory, and philosophy, developing a novel genealogy of both visual studies and the concept of the medium. Alloa reconstructs the earliest Western media theory—Aristotle’s concept of the diaphanous milieu of vision—and the significance of its subsequent erasure in the history of science. Ultimately, he argues for a historically informed phenomenology of images and visual media that explains why images are not simply referential depictions, windows onto the world. Instead, images constantly reactivate the power of appearing. As media of visualization, they allow things to appear that could not be visible except in and through these very material devices
    Additional Edition: Erscheint auch als Online-Ausgabe ISBN 9780231547574
    Language: English
    Subjects: Philosophy
    RVK:
    Keywords: Visuelle Medien ; Phänomenologie
    Author information: Alloa, Emmanuel, 1980-,
    Author information: Benjamin, Andrew E., 1952-
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  • 4
    UID:
    almafu_BV047443932
    Format: XIV, 391 Seiten : , Illustrationen.
    ISBN: 978-0-231-18793-0 , 9780231187923
    Series Statement: Columbia themes in philosophy, social criticism, and the arts
    Uniform Title: Das durchscheinende Bild
    Content: Images have always stirred ambivalent reactions. Yet whether eliciting fascinated gazes or iconoclastic repulsion from their beholders, they have hardly ever been seen as true sources of knowledge. They were long viewed as mere appearances, placeholders for the things themselves or deceptive illusions. Today, the traditional critique of the spectacle has given way to an unconditional embrace of the visual. However, we still lack a persuasive theoretical account of how images work.Emmanuel Alloa retraces the history of Western attitudes toward the visual to propose a major rethinking of images as irreplaceable agents of our everyday engagement with the world. He examines how ideas of images and their powers have been constructed in Western humanities, art theory, and philosophy, developing a novel genealogy of both visual studies and the concept of the medium. Alloa reconstructs the earliest Western media theory—Aristotle’s concept of the diaphanous milieu of vision—and the significance of its subsequent erasure in the history of science. Ultimately, he argues for a historically informed phenomenology of images and visual media that explains why images are not simply referential depictions, windows onto the world. Instead, images constantly reactivate the power of appearing. As media of visualization, they allow things to appear that could not be visible except in and through these very material devices
    Additional Edition: Erscheint auch als Online-Ausgabe ISBN 9780231547574
    Language: English
    Subjects: Philosophy
    RVK:
    Keywords: Visuelle Medien ; Phänomenologie
    Author information: Benjamin, Andrew E. 1952-
    Author information: Alloa, Emmanuel 1980-
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  • 5
    Online Resource
    Online Resource
    Berlin, [Germany] ; : De Gruyter,
    UID:
    almahu_9948325442502882
    Format: 1 online resource (238 pages).
    Series Statement: Paradigms : Literature and the Human Sciences, Volume 3
    Additional Edition: Print version: Avanessian, Armen. Irony and the logic of modernity. Berlin, [Germany] ; Boston, [Massachusetts] : De Gruyter, c2015 ISSN 2195-2205 ISBN 9783110302202
    Language: English
    Subjects: Comparative Studies. Non-European Languages/Literatures
    RVK:
    Keywords: Electronic books.
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  • 6
    UID:
    almahu_9948663812302882
    Format: 1 online resource (344 pages) : , digital, PDF file(s).
    ISBN: 9789048525607 (ebook)
    Series Statement: Recursions: theories of media, materiality, and cultural techniques
    Uniform Title: Heiligen Kanäle.
    Content: Erich Hörl's Sacred Channels is an original take on the history of communication theory and the cultural imaginary of communication understood through the notions of the sacred and the primitive. Hörl offers insight into the shared ground of anthropology and media theory in the nineteenth and twentieth centuries and presents an archeology of the philosophy of technology that underpins contemporary culture. This singular and unique project focuses on the ethnological disciplines and their phantasmatic imaginations of a prealphabetical realm of the sacred and the primitive but reads them in the context of media cultural questions as epistemic unconscious and as projections of the emerging postalphabetical condition. Drawing inspiration from work by the likes of Friedrich Kittler, Hörl's understanding of cybernetics in the post-World War II interdisciplinary field informs a rich analysis that is of interest to media scholars and to anyone seeking to understand the historical and theoretical underpinnings of the humanities in the age of technical media.
    Note: Orignally published in 2005 as Die heiligen Kanäle: Die archaische Illusion der Kommunikation by Diaphanes, Zürich. , Title from publisher's bibliographic system (viewed on 22 Feb 2021).
    Additional Edition: Print version: ISBN 9789089647702
    Language: English
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  • 7
    Online Resource
    Online Resource
    Durham :Duke University Press,
    UID:
    almahu_BV047811800
    Format: 1 Online-Ressource (320 pages).
    ISBN: 978-1-4780-2234-3
    Series Statement: Sign, Storage, Transmission : 27
    Content: We regularly touch and handle media devices. At the same time, media devices such as body scanners, car seat pressure sensors, and smart phones scan and touch us. In Horn, Henning Schmidgen reflects on the bidirectional nature of touch and the ways in which surfaces constitute a site of mediation between interior and exterior. Schmidgen uses the concept of horn-whether manifested as a rhinoceros horn or a musical instrument-to stand for both natural substances and artificial objects as a space of tactility. He enters into creative dialogue with artists, scientists, and philosophers, ranging from Salvador Dalí, William Kentridge, and Rebecca Horn to Sigmund Freud, Walter Benjamin, and Marshall McLuhan, who plumb the complex interplay between tactility and technological and biological surfaces. Whether analyzing how Dalí conceived of images as tactile entities during his "rhinoceros phase" or examining the problem of tactility in Thomas Pynchon's The Crying of Lot 49, Schmidgen reconfigures understandings of the dynamic phenomena of touch in media
    Note: Description based on online resource; title from PDF title page (publisher's Web site, viewed 10. Jan 2022) , In English
    Language: English
    Subjects: Law
    RVK:
    URL: Volltext  (URL des Erstveröffentlichers)
    Author information: Schmidgen, Henning, 1965-,
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  • 8
    UID:
    gbv_1034144669
    Format: 1 Online-Ressource (xiv, 211 p) , illustrations
    Edition: 2014
    ISBN: 9781350004757 , 9781350004740 , 9781350004719
    Uniform Title: Metanoia : spekulative Ontologie der Sprache
    Content: "Fusing speculative realism, analytical and linguistic philosophy this book theorises the fundamental impact the experience of reading has on us. In reading, language provides us with a world and meaning becomes perceptible. We can connect with another subjectivity, another place, another time. At its most extreme, reading changes our understanding of the world around us. Metanoia--meaning literally a change of mind or a conversion--refers to this kind of new way of seeing. To see the world in a new light is to accept that our thinking has been irrevocably transformed. How is that possible? And is it merely an intellectual process without any impact on the world outside our brains? Innovatively tackling these questions, this book mobilizes discussions from linguistics, literary theory, philosophy of language, and cognitive science. It re-articulates linguistic consciousness by underlining the poetic, creative moment of language and sheds light on the ability of language to transform not only our thinking but the world around us as well."--Bloomsbury Publishing
    Note: "Originally published in German as Metanoia : spekulative Ontologie der Sprache"--T.p. verso , Includes bibliographical references and index , Barrierefreier Inhalt: Compliant with Level AA of the Web Content Accessibility Guidelines. Content is displayed as HTML full text which can easily be resized or read with assistive technology, with mark-up that allows screen readers and keyboard-only users to navigate easily
    Additional Edition: ISBN 9781350004726
    Additional Edition: ISBN 9781350004733
    Additional Edition: Erscheint auch als Druck-Ausgabe Avanessian, Armen, 1973 - Metanoia London : Bloomsbury Academic, 2017 ISBN 9781350004726
    Language: English
    Keywords: Metanoia ; Linguistik ; Poetik ; Electronic books
    Author information: Avanessian, Armen 1973-
    Author information: Schott, Nils F.
    Author information: Hennig, Anke 1971-
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  • 9
    UID:
    edocfu_9959690240402883
    Format: 1 online resource (344 p.)
    ISBN: 9780822375333
    Content: Appearing here in English for the first time, Vladimir Jankélévitch's Henri Bergson is one of the two great commentaries written on Henri Bergson. Gilles Deleuze's Bergsonism renewed interest in the great French philosopher but failed to consider Bergson's experiential and religious perspectives. Here Jankélévitch covers all aspects of Bergson's thought, emphasizing the concepts of time and duration, memory, evolution, simplicity, love, and joy. A friend of Bergson's, Jankélévitch first published this book in 1931 and revised it in 1959 to treat Bergson's later works. This unabridged translation of the 1959 edition includes an editor's introduction, which contextualizes and outlines Jankélévitch's reading of Bergson, additional essays on Bergson by Jankélévitch, and Bergson's letters to Jankélévitch.
    Note: Frontmatter -- , CONTENTS -- , EDITORS’ PREFACE -- , ACKNOWLEDGMENTS -- , INTRODUCTION Jankélévitch on Bergson: Living in Time -- , INTRODUCTION -- , CHAPTER ONE. Organic Totalities -- , CHAPTER TWO. Freedom -- , CHAPTER THREE. Soul and Body -- , CHAPTER FOUR. Life -- , CHAPTER FIVE. Heroism and Saintliness -- , CHAPTER SIX. The Nothingness of Concepts and the Plenitude of Spirit -- , CHAPTER SEVEN. Simplicity... and Joy -- , APPENDICES -- , SUPPLEMENTARY PIECES -- , NOTES -- , BIBLIOGRAPHY -- , INDEX , In English.
    Language: English
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  • 10
    UID:
    kobvindex_KHB0031612
    Format: XII, 211 Seiten : Illustrationen
    ISBN: 978-1-350-00473-3 , 1-350-00473-1
    Uniform Title: Metanoia : spekulative Ontologie der Sprache
    Content: Text englisch. "Fusing speculative realism, analytical and linguistic philosophy this book theorises the fundamental impact the experience of reading has on us. In reading, language provides us with a world and meaning becomes perceptible. We can connect with another subjectivity, another place, another time. At its most extreme, reading changes our understanding of the world around us. Metanoia--meaning literally a change of mind or a conversion--refers to this kind of new way of seeing. To see the world in a new light is to accept that our thinking has been irrevocably transformed. How is that possible? And is it merely an intellectual process without any impact on the world outside our brains? Innovatively tackling these questions, this book mobilizes discussions from linguistics, literary theory, philosophy of language, and cognitive science. It re-articulates linguistic consciousness by underlining the poetic, creative moment of language and sheds light on the ability of language to transform not only our thinking but the world around us as well."--Bloomsbury Publishing
    Note: "Originally published in German as Metanoia : spekulative Ontologie der Sprache"--T.p. verso. - Includes bibliographical references and index. Erscheint auch als Online-Ausgabe.
    Language: English
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