Kooperativer Bibliotheksverbund

UID:

Format: 1 online resource (viii, 281 pages) : , illustrations

Edition: 1st ed.

ISBN: 0-472-90338-1

Content: In recent years, geeks have become chic, and the fashion and beauty industries have responded to this trend with a plethora of fashion-forward merchandise aimed at the increasingly lucrative fan demographic. This mainstreaming of fan identity is reflected in the glut of pop culture T-shirts lining the aisles of big box retailers as well as the proliferation of fan-focused lifestyle brands and digital retailers over the past decade. While fashion and beauty have long been integrated into the media industry with tie-in lines, franchise products, and other forms of merchandise, there has been limited study of fans’ relationship to these items and industries. Sartorial Fandom shines a spotlight on the fashion and beauty cultures that undergird fandoms, considering the retailers, branded products, and fan-made objects that serve as forms of identity expression. This collection is invested in the subcultural and mainstream expression of style and in the spaces where the two intersect. Fan culture is, in many respects, an optimal space to situate a study of style because fandom itself is often situated between the subcultural and the mainstream. Collectively, the chapters in this anthology explore how various axes of lived identity interact with a growing movement to consider fandom as a lifestyle category, ultimately contending that sartorial practices are central to fan expression but also indicative of the primacy of fandom in contemporary taste cultures.

Note: List of Figures. -- Acknowledgments Introduction: "Fandom, But Make It Fashion". Elizabeth Affuso and Suzanne Scott -- PART I: Histories of Sartorial Fandom -- 1. "Hollywood Fashions for Everygirl's Wardrobe!": Stealth-cosplay and 1930s Photoplay Kate Fortmueller -- 2. "Anorak City": Indie Pop's Resistance through Regression Elodie A. Roy -- 3. Five Little Victorian Londons Samantha Close (DePaul University) -- PART II: Sartorial Fandom as Business, Lifestyle, and Brand -- 4. Fanning The Flames of Fan Lifestyles at Hot Topic Avi Santo (Old Dominion University) -- 5. Flying Under the Radar: Culture and Community in the Unlicensed Geek Fashion Industry Lauren Boumaroun -- 6. Droids on the Runway: Fandom, Business and Transmedia in Star Wars Luxury Fashion Nicolle Lamerichs -- 7. "I AM NOT IN A CULT": Poppy and the Gendered Implications of Ironic Beauty Fan Cult(ure) Paxton C. Haven -- 8. In the Navy: Savage X Fenty's Fandorsement Work Alyxandra Vesey PART III: Fans of Fashion + Fashion as Fan Expression -- 9. Drop Culture: Masculinity, Fashion Performance, and Collecting in Hypebeast Brand Communities Elizabeth Affuso -- 10. This is my (floral) design: Flower Crowns, Fannibals, and Fan/Producer Permeability EJ Nielsen and Lori Morimoto -- 11. From Muggle to Mrs.: The Harry Potter Bachelorette Party and 'Crafting' Femininity on Etsy Jacqueline E. Johnson -- 12. Retcon: Revisiting Cosplay Studies A. Luxx Mishou -- PART IV: Fashioning Fan Bodies -- 13. DisneyBounding and Beyond: Fandom, Cosplay, and Embodiment in Themed Spaces Rebecca Williams -- 14. Wigs, Corsets, Cosmetic, and Instagram: The Prosthetics of Crossplay Minka Stoyanova -- 15. "MODEL TRIES CRAZY IU KPOP DIET": Embodied K-Pop Fandoms and Fashionable Diets on YouTube Anthony Tran -- 16. Underwear That's Fun to Wear: Theorizing Fan Lingerie Suzanne Scott Contributors.

Additional Edition: ISBN 0-472-07604-3

Additional Edition: ISBN 0-472-05604-2

Language: English

Keywords: Aufsatzsammlung

DOI: 10.3998/mpub.12315327

URL: Volltext  (kostenfrei)

URL: Volltext  (kostenfrei)

URL: Volltext  (kostenfrei)

UID:

Format: xviii, 462 Seiten : , Illustrationen.

ISBN: 978-1-138-63892-1 , 978-0-367-52806-5

Note: Hier auch später erschienene, unveränderte Nachdrucke

Additional Edition: Erscheint auch als Online-Ausgabe ISBN 978-1-315-63751-8

Language: English

Subjects: General works

Keywords: Massenmedien ; Neue Medien ; Fan ; Aufsatzsammlung ; Aufsatzsammlung

URL: Inhaltsverzeichnis

URL: Klappentext

URL: Inhaltsverzeichnis

URL: Klappentext

UID:

Format: ix, 291 Seiten : , Illustrationen.

ISBN: 978-1-4798-3860-8 , 978-1-4798-7957-1

Series Statement: Critical cultural communication

Content: "Scott's "Fake Geek Girls" explores the issues of gender"--

Language: English

Subjects: Sociology

Keywords: Popkultur ; Subkultur ; Kulturindustrie ; Weiblicher Fan ; Geschlechterforschung

URL: Inhaltsverzeichnis

UID:

Format: 1 Online-Ressource (294 p.)

ISBN: 9780472076048 , 9780472056040

Content: In recent years, geeks have become chic, and the fashion and beauty industries have responded to this trend with a plethora of fashion-forward merchandise aimed at the increasingly lucrative fan demographic. This mainstreaming of fan identity is reflected in the glut of pop culture T-shirts lining the aisles of big box retailers as well as the proliferation of fan-focused lifestyle brands and digital retailers over the past decade. While fashion and beauty have long been integrated into the media industry with tie-in lines, franchise products, and other forms of merchandise, there has been limited study of fans’ relationship to these items and industries. Sartorial Fandom shines a spotlight on the fashion and beauty cultures that undergird fandoms, considering the retailers, branded products, and fan-made objects that serve as forms of identity expression. This collection is invested in the subcultural and mainstream expression of style and in the spaces where the two intersect. Fan culture is, in many respects, an optimal space to situate a study of style because fandom itself is often situated between the subcultural and the mainstream. Collectively, the chapters in this anthology explore how various axes of lived identity interact with a growing movement to consider fandom as a lifestyle category, ultimately contending that sartorial practices are central to fan expression but also indicative of the primacy of fandom in contemporary taste cultures

Note: English

Language: Undetermined

URL: kostenfrei

URL: Inhaltsverzeichnis

UID:

Format: 1 online resource (295 pages)

Edition: 1st ed.

ISBN: 9780472903382

Additional Edition: Print version: Affuso, Elizabeth Sartorial Fandom Ann Arbor : University of Michigan Press,c2023 ISBN 9780472056040

Language: English

Keywords: Electronic books.

URL: Click to View

URL: lizenzpflichtig

URL: Inhaltsverzeichnis

UID:

Format: 1 online resource

ISBN: 9781477313770

Content: Media platforms continually evolve, but the issues surrounding media representations of gender and sexuality have persisted across decades. Spectator: The University of Southern California Journal of Film and Television Criticism has published groundbreaking articles on gender and sexuality, including some that have become canonical in film studies, since the journal’s founding in 1982. This anthology collects seventeen key articles that will enable readers to revisit foundational concerns about gender in media and discover models of analysis that can be applied to the changing media world today. Spectatorship begins with articles that consider issues of spectatorship in film and television content and audience reception, noting how media studies has expanded as a field and demonstrating how theories of gender and sexuality have adapted to new media platforms. Subsequent articles show how new theories emerged from that initial scholarship, helping to develop the fields of fandom, transmedia, and queer theory. The most recent work in this volume is particularly timely, as the distinctions between media producers and media spectators grow more fluid and as the transformation of media structures and platforms prompts new understandings of gender, sexuality, and identification. Connecting contemporary approaches to media with critical conversations of the past, Spectatorship thus offers important points of historical and critical departure for discussion in both the classroom and the field.

Note: Frontmatter -- , Contents -- , Acknowledgments -- , Introduction. Gender, Sexuality, and Media: Audience and Spectatorship -- , PART I Revisiting Film Subjects and the Pleasures of Cinema -- , ONE Feminine Discourse in Blackmail -- , TWO Venus in Furs: Masoch, Deleuze, and the Films of von Sternberg -- , THREE “You Don’t Know What It Is to Look White and Be Black”: The Black Press Mediates Race in the Classic Hollywood Studio System, 1930–1940 -- , Joe Dallesandro—A “Him” to the Gaze: Flesh, Heat, and Trash -- , PART II Speaking Up and Sounding Out 75 -- , FIVE Unheard Sexualities?: Queer Theory and the Soundtrack -- , SIX The Articulation of Body and Space in Speak Body -- , SEVEN “I Kinda Prefer to Be a Human Being”: Roseanne Barr and Defining Working-Class Feminism and Authorship -- , EIGHT Riot Grrrl: It’s Not Just Music, It’s Not Just Punk -- , PART III Queering Media -- , NINE Soap Slash: Gay Men Rewrite the World of Daytime Television Drama -- , TEN From Excess to Access: Televising the Subculture -- , ELEVEN Pronoun Trouble: The “Queerness” of Animation -- , PART IV Containment and Its Critiques -- , TWELVE Of Fleiss and Men: The Transgressions and Containment of a Hollywood Madam -- , THIRTEEN Out on Stage: LGBT Politics of Entertainment Award Shows -- , FOURTEEN Lesbian Cop, Queer Killer: Leveraging Black Queer Women’s Sexuality on HBO’s The Wire -- , PART V Fandom and Transmedia -- , FIFTEEN Resurrection of the Vampire and the Creation of Alternative Life: An Introduction to Dark Shadows Fan Culture -- , SIXTEEN The Rumors Are True!: Gossip Girl and the Cooptation of the Cult Fan -- , SEVENTEEN The Trouble with Transmediation: Fandom’s Negotiation of Transmedia Storytelling Systems -- , Contributors -- , Index , In English.

Language: English

Keywords: Electronic books.

DOI: 10.7560/313497

URL: https://doi.org/10.7560/313497

URL: https://www.degruyter.com/isbn/9781477313770

URL: https://doi.org/10.7560/313497

URL: https://www.degruyter.com/isbn/9781477313770

URL: Click to View

UID:

Format: 1 online resource : , 71 hts

ISBN: 9781479837441

Series Statement: User's Guides to Popular Culture ; 3

Content: A new edition that brings the ways we watch and think about television up to the presentWe all have opinions about the television shows we watch, but television criticism is about much more than simply evaluating the merits of a particular show and deeming it “good” or “bad.” Rather, criticism uses the close examination of a television program to explore that program’s cultural significance, creative strategies, and its place in a broader social context.How to Watch Television, Second Edition brings together forty original essays—more than half of which are new to this edition—from today’s leading scholars on television culture, who write about the programs they care (and think) the most about. Each essay focuses on a single television show, demonstrating one way to read the program and, through it, our media culture. From fashioning blackness in Empire to representation in Orange is the New Black and from the role of the reboot in Gilmore Girls to the function of changing political atmospheres in Roseanne, these essays model how to practice media criticism in accessible language, providing critical insights through analysis—suggesting a way of looking at TV that students and interested viewers might emulate. The contributors discuss a wide range of television programs past and present, covering many formats and genres, spanning fiction and non-fiction, broadcast, streaming, and cable. Addressing shows from TV’s earliest days to contemporary online transformations of the medium, How to Watch Television, Second Edition is designed to engender classroom discussion among television critics of all backgrounds.

Note: Frontmatter -- , Contents -- , Preface to the Second Edition -- , Introduction: An Owner’s Manual for Television -- , Part I. TV Form: Aesthetics and Style -- , 1. Better Call Saul: The Prestige Spinoff -- , 2. Empire: Fashioning Blackness -- , 3. House : Narrative Complexity -- , 4. Looking : Smartphone Aesthetics -- , 5. Mad Men: Visual Style -- , 6. Nip/Tuck : Popular Music -- , 7. One Life to Live : Soap Opera Storytelling -- , 8. The Sopranos : Episodic Storytelling -- , Part II. TV Representation: Social Identity and Cultural Politics -- , 9. 24 : Challenging Stereotypes -- , 10. Bala Loca : Producing Representations -- , 11. Being Mary Jane : Cultural Specificity -- , 12. Buckwild : Performing Whiteness -- , 13. Glee/House Hunters International : Gay Narratives -- , 14. Grey’s Anatomy : Feminism -- , 15. Master of None : Negotiated Decoding -- , 16. Orange Is the New Black : Intersectional Analysis -- , Part III. TV Politics: Democracy, Nation, and the Public Interest -- , 17. The Amazing Race : Global Othering -- , 18. America’s Next Top Model : Neoliberal Labor -- , 19. East Los High : Televised Empowerment -- , 20. The Eurovision Song Contest : Queer Nationalism -- , 21. Fox & Friends : Political Talk -- , 22. Full Frontal with Samantha Bee : Feminist Comedy -- , 23. The Hunt with John Walsh : True Crime Storytelling -- , 24. Parks and Recreation : The Cultural Forum -- , Part IV. TV Industry: Industrial Practices and Structures -- , 25. The Ernie Kovacs Show : Historicizing Comedy -- , 26. Gilmore Girls: A Year in the Life : TV Revivals -- , 27. I Love Lucy : The Writer- Producer -- , 28. Modern Family : Product Placement -- , 29. The Real Housewives of Beverly Hills : Franchising Femininity -- , 30. Roseanne : Programming Flow -- , 31. Tales from the Crypt : Content Regulation -- , 32. The Toy Box : Transmedia and Transgenerational Marketing -- , Part V. TV Practices: Medium, Technology, and Everyday Life -- , 33. Battlestar Galactica : Fans and Ancillary Content -- , 34. Everyday Italian : Cultivating Taste -- , 35. Gossip Girl : Transmedia Technologies -- , 36. High Maintenance and The Misadventures of Awkward Black Girl : Indie TV -- , 37. Monty Python’s Flying Circus : Layered Comedy -- , 38. NFL Broadcasts: Interpretive Communities -- , 39. Pardon the Interruption : Sports Debate -- , 40. The Walking Dead : Adapting Comics -- , Acknowledgments -- , About the Contributors -- , Index , In English.

Language: English

DOI: 10.18574/9781479837441

URL: https://www.degruyter.com/isbn/9781479837441

URL: https://www.degruyter.com/isbn/9781479837441

URL: lizenzpflichtig

URL: Cover

UID:

Format: viii, 306 Seiten : , Illustrationen, Diagramme.

ISBN: 978-0-7456-5433-1 , 978-0-7456-5434-8

Note: Includes bibliographical references and index

Language: English

URL: http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=028930800&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA

UID:

Format: XVI, 250 Seiten : , 3 Illustrationen ; , Breite 152 mm, Hoehe 229 mm.

ISBN: 978-1-4968-4217-6 , 978-1-4968-4216-9

Content: Contributions by Apryl Alexander, Alisia Grace Chase, Brian Faucette, Laura E. Felschow, Lindsay Hallam, Rusty Hatchell, Dru Jeffries, Henry Jenkins, Jeffrey SJ Kirchoff, Curtis Marez, James Denis McGlynn, Brandy Monk-Payton, Chamara Moore, Drew Morton, Mark C. E. Peterson, Jayson Quearry, Zachary J. A. Rondinelli, Suzanne Scott, David Stanley, Sarah Pawlak Stanley, Tracy Vozar, and Chris Yogerst Alan Moore's and Dave Gibbons's Watchmen fundamentally altered the perception of American comic books and remains one of the medium's greatest hits. Launched in 1986-"the year that changed comics" for most scholars in comics studies-Watchmen quickly assisted in cementing the legacy that comics were a serious form of literature no longer defined by the Comics Code era of funny animal and innocuous superhero books that appealed mainly to children.

Content: After Midnight: "Watchmen" after "Watchmen" looks specifically at the three adaptations of Moore's and Gibbons's Watchmen-Zack Snyder's Watchmen film (2009), Geoff Johns's comic book sequel Doomsday Clock (2017), and Damon Lindelof's Watchmen series on HBO (2019). Divided into three parts, the anthology considers how the sequels, especially the limited series, have prompted a reevaluation of the original text and successfully harnessed the politics of the contemporary moment into a potent relevancy. The first part considers the various texts through conceptions of adaptation, remediation, and transmedia storytelling.

Content: Part two considers the HBO series through its thematic focus on the relationship between American history and African American trauma by analyzing how the show critiques the alt-right, represents intergenerational trauma, illustrates alternative possibilities for Black representation, and complicates our understanding of how the mechanics of the show's production can complicate its politics. Finally, the book's last section considers the themes of nostalgia and trauma, both firmly rooted in the original Moore and Gibbons series, and how the sequel texts reflect and refract upon those often-intertwined phenomena

Note: Includes bibliographical references and index

Additional Edition: Erscheint auch als Online-Ausgabe, EPUB ISBN 978-1-4968-4218-3

Additional Edition: Erscheint auch als Online-Ausgabe, EPUB ISBN 978-1-4968-4219-0

Additional Edition: Erscheint auch als Online-Ausgabe, PDF ISBN 978-1-4968-4220-6

Additional Edition: Erscheint auch als Online-Ausgabe, PDF ISBN 978-1-4968-4221-3

Language: English

Subjects: English Studies

Keywords: 1953- Watchmen Moore, Alan ; Adaption ; Aufsatzsammlung

UID:

Format: 127 Seiten , überw. Ill. , 15 22 cm

ISBN: 3935254075

Series Statement: Ein flowmotion-Buch

Content: Das Trainingsbuch stellt die Übungen dieser gelenkschonenden Fitnessmethode in allen Bewegungsphasen mit Hilfe einer speziellen Bildtechnik sehr leicht nachvollziehbar dar.

Language: German

Keywords: Pilates-Methode ; Übungssammlung ; Übungssammlung ; Übungssammlung