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  • 1
    Book
    Book
    The uses of excess in visual and material culture, 1600 - 2010 / (2014)
    Farnham [u.a.] :Ashgate,
    Details
    UID:
    almahu_BV041935869
    Format: XVI, 304 S. : , zahlr. Ill.
    ISBN: 978-1-4094-4237-0
    Language: English
    Subjects: History , Ethnology
    RVK:
    NK 4940
    RVK:
    LC 10000
    Keywords: Künste ; Exzess ; Luxus ; Reichtum ; Kunst ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung
    URL: http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=027379039&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA
    URL: Inhaltsverzeichnis
    URL: http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=027379039&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA
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  • 2
    Book
    Book
    Radical decadence : excess in contemporary feminist textiles and craft (2017)
    London ; Oxford ; New York ; New Delhi ; Sydney :Bloomsbury Academic,
    Details
    UID:
    almahu_BV044340209
    Format: xi, 125 Seiten, 16 Seiten Tafeln : , Illustrationen ; , 25 cm.
    ISBN: 978-1-4725-6940-0 , 1-4725-6940-7
    Content: "This pioneering book explores the notion of 'radical decadence' as concept, aesthetic and lived experience, and as an analytical framework for the study of contemporary feminist textile art. Gendered discourses of decadence that perpetuate anxieties about women's power, consumption and pleasure are deconstructed through images of drug use, female sexuality and 'excessive' living, in artworks by several contemporary textile artists including Orly Cogan, Tracey Emin, Allyson Mitchell, and Rozanne Hawksley. Perceptions of decadence are invariably bound to the negative connotations of decay and degradation, particularly with regard to the transgression of social norms related to femininity and the female body. Excessive consumption by women has historically been represented as grotesque, and until now, women's pleasure in relation to drug and alcohol use has largely gone unexamined in feminist art history and craft studies. Here, representations of female consumption, from cupcakes to alcohol and cocaine, are opened up for critical discussion. Drawing on feminist and queer theories, Julia Skelly considers portrayals of 'bad girls' in artworks that explore female sexuality - performative pieces designed to subvert and exceed feminine roles. In this provocative book, decadence is understood not as a destructive force but as a liberating aesthetic."--Publisher's description
    Note: Introduction: decadence, feminism and "excess" -- Consuming craft, cupcakes, and cocaine: Orly Cogan, Shane Waltener, and Shelley Miller -- Pleasure craft: Nava Lubelski, Mickalene Thomas, and Shary Boyle -- Bad women? Tracey Emin, Ghada Amer and Allyson Mitchell -- "The decaying fabrics of life and death": Rozanne Hawksley's textile art
    Additional Edition: Erscheint auch als Online-Ausgabe, PDF ISBN 978-1-4725-6942-4
    Additional Edition: Erscheint auch als Online-Ausgabe, EPUB ISBN 978-1-4725-6943-1
    Language: English
    RVK:
    LH 60250
    Keywords: Frauenkunst ; Textilien ; Kunsthandwerk ; Exzess ; Textilkunst ; Handarbeiten ; Design ; Frau
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  • 3
    Online Resource
    Online Resource
    The uses of excess in visual and material culture, 1600 - 2010 (2016)
    London : Routledge, Taylor and Francis Group
    Details
    UID:
    gbv_893834327
    Format: 1 Online-Ressource (xviii, 304 Seiten) , Illustrationen
    ISBN: 9781351539746
    Content: Cover -- Title Page -- Copyright Page -- Contents -- List of Illustrations -- Notes on Contributors -- Acknowledgements -- Introduction: The Uses of Excess -- Organization of the Book -- References -- 1 All that Glitters: Diamonds and Constructions of Nabobery in British Portraits, 1600-1800 -- Mughal Splendor -- Diamonds and Dishonor -- Officers and Gentlemen -- References -- Notes -- 2 "Every Other Place it Could be Placed with Advantage": Ladies-in-Waiting at the British Court and the "Excessive" Display of Ceramics as Art Objects, 1689-1740 -- Women, Porcelain, and Francophilia -- The Duchess of Chandos -- Anne Granville Stanley and Mary II's Influence -- Henrietta Howard, Lord Chesterfield, and Cloisonné -- Conclusion -- References -- Notes -- 3 Consuming Excess: Pronk Poppenhuisen and the Dollhouses of Sara Rothé -- Collecting Dollhouses: Consuming Luxury and Managing Materiality -- Excess and Frugality: Pronk Poppenhuisen as Site of Moral Tensions -- Conclusion: Dutch Female Connoisseurship and the Costs of Competitive Collecting -- References -- Notes -- 4 Exotic, Fetish, Virtual: Visual Excesses in Victorian Painting -- Gender Excess -- Virtual Excess and a New Chronotope -- Concluding Excess -- References -- Notes -- 5 Excess on the Walls: Victorian Exhibition Culture and Anxieties of Art and Commerce -- References -- Notes -- 6 The Paradox of Excess: Oscar Wilde, Caricature, and Consumption -- Oral Fixation -- "Physical Excesses": Alcohol, Food, Opium, and Homosexuality -- Conclusion -- Acknowledgements -- References -- Notes -- 7 Toronto's Casa Loma: From Nostalgia to Glamour and Back Again -- Architecture and Development in Toronto at the Turn of the Nineteenth Century -- The Foundation of Pellatt's Capital -- A Sense of Place -- Casa Loma's Architectural Predecessors -- Living the Good Life . . . to the Point of Excess
    Content: Mary Pellatt and Casa Loma -- Conclusion: The Sale of the Century -- References -- Notes -- 8 Homosexuality/Modernism/Nationalism: Between Excess and Exile in 1920s Europe -- Stockholm: Reporting Space, Spreading Shame -- Hildesborg: Expressionism, Orientalism and Excessive Degeneration -- Gai Paris: Effeminate Creativity in Exile -- Conclusion: "There's No Place Like Home" -- Acknowledgements -- References -- Notes -- 9 Excesses of the Bawdy Body: John Wentworth Russell and his Modern Girls, 1927-1935 -- Grounding the Bawdy Body -- Pressed to Comply -- Shrieking Licentiousness -- I am Bohemian! -- Naked Bodies in Real Time -- Conclusion: Thoughts on Bodies -- References -- newspapers -- other sources -- Notes -- 10 For the Love of God: Excess, Ambivalence, and Damien Hirst's Diamond Skull -- Iconic and Ironic -- Beyond Belief -- Memento Mori/Diamonds Are Forever: The Ambivalence of Excess -- Decoration Against Death: Excess and General Economics -- For the Love of God Money: Hirst and the Libidinal Economy of the Art Market -- References -- Notes -- 11 "Your Asshole is Hanging Outside of Your Body?": Excess, AIDS, and Shame in the Theatre of Sky Gilbert -- Act I: Drag Queens on Trial -- ACT II: I Have AIDS! -- Epilogue: Excess and Transformation -- Acknowledgment -- References -- Notes -- Index
    Note: First published 2014 by Ashgate Publisher
    Additional Edition: ISBN 9781409442370
    Additional Edition: Erscheint auch als Druck-Ausgabe The uses of excess in visual and material culture, 1600 - 2010 Aldershot [u.a.] : Ashgate, 2014 ISBN 9781409442370
    Additional Edition: ISBN 1409442373
    Language: English
    Keywords: Luxus ; Reichtum ; Kunst ; Geschichte 1600-2010 ; Aufsatzsammlung
    URL: Volltext
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    Online Resource
    Online Access
    Stabi Berlin
  • 4
    Book
    Book
    Addiction and British visual culture, 1751 - 1919 : wasted looks (2014)
    Farnham [u.a.] : Ashgate
    Details
    UID:
    gbv_769244130
    Format: XII, 187 S. , Ill.
    Edition: [New ed.]
    ISBN: 1409435563 , 9781409435563
    Content: Introduction : the visual politics of addiction -- Wasted mothers : reading William Hogarth's Gin lane -- From graphic satire to temperance art : George Cruikshank's addiction to sobriety -- Addictive architecture : the Crystal Palace, gin palaces and women's consumption -- Closeting addiction : confinement, punishment, concealment -- Advertising masculine vulnerability : cocaine and cigarettes after the 1st World War -- Conclusion
    Note: Includes bibliographical references and index , Includes bibliographical references and index
    Language: English
    Keywords: Großbritannien ; Sucht ; Drogenabhängigkeit ; Alkoholismus ; Kunst ; Geschichte 1751-1919
    URL: Inhaltsverzeichnis
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  • 5
    Online Resource
    Online Resource
    Prudence Heward - life & work (2015)
    Toronto, ON : Art Canada Institute
    Details
    UID:
    gbv_1845005066
    Format: 1 Online-Ressource (103 Seiten) , Illustrationen
    Edition: Issued also in printed form
    ISBN: 9781487100698 , 9781487100711 , 148710071X
    Note: Includes bibliographical references : pages 85-82 , Biography -- Key works -- Significance & critical issues -- Style & technique -- Where to see -- Notes -- Glossary -- Sources & resources -- About the author -- Credits. , Issued also in printed form
    Additional Edition: Parallele Sprachausgabe Skelly, Julia Prudence Heward - sa vie et son oeuvre
    Language: English
    Keywords: Biografie
    URL: kostenfrei
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    Staatliche Museen
  • 6
    Image
    Image
    Skin crafts : affect, violence and materiality in global contemporary art (2022)
    London : Bloomsbury Visual Arts
    Details
    UID:
    gbv_1819757099
    Format: x, 211 Seiten , Illustrationen , 24 cm
    ISBN: 1350122955 , 9781350122956
    Content: Narco-violence, Femicide, and Gore Capitalism: Teresa Margolles's Piercing Textile Works -- Facing Slavery and Survival: Lubaina Himid's Overpainted Ceramics -- “A Skin for a Skin”: Sherry Farrell Racette's Textile Paintings -- Festering Wounds and Stitched Scars in Works by Rebecca Belmore and Nadia Myre -- Concrete and Caresses: The Case of Doris Salcedo.
    Content: "Skin Crafts discusses multiple artists from global contexts who employ craft materials in works that address historical and contemporary violence. These artists are deliberately embracing the fragility of textiles and ceramics to evoke the vulnerability of human skin and - in so doing - are demanding visceral responses from viewers. Drawing on a range of theories including affect theory, material feminism, skin studies, phenomenology and global art history, the book illuminates the various ways in which artists are harnessing the affective power of craft materials to address and cope with violence. Artists from Mexico, Africa, China, the Netherlands and Indigenous artists based in the unceded territory known as Canada are examined in relation to one another to illuminate the connections and differences across their bodies of work. Skin Crafts interrogates ongoing material violence towards women and marginalized others, and demonstrates the power of contemporary art to force viewers and scholars into facing their ethical responsibilities as human beings."--Publisher description
    Note: Includes bibliographical references (pages 189-205) and index
    Additional Edition: ISBN 9781350122987
    Additional Edition: ISBN 9781350122970
    Additional Edition: Erscheint auch als Online-Ausgabe Skelly, Julia Skin Crafts London : Bloomsbury Publishing USA, 2022 ISBN 9781350122970
    Language: English
    RVK:
    LH 65020
    Keywords: Kunst ; Kunsthandwerk ; Gewalt ; Haut ; Geschichte 1900-1999 ; Frau ; Diskriminierung ; Gewalt ; Rassismus ; Kunst
    URL: Inhaltsverzeichnis
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  • 7
    Online Resource
    Online Resource
    Radical decadence : excess in contemporary feminist textiles and craft (2017)
    London : Bloomsbury Academic | London : Bloomsbury Fashion Central
    Details
    UID:
    b3kat_BV049591928
    Format: 1 Online-Ressource (xii, 141 Seiten) , Illustrationen
    ISBN: 9781474284981
    Content: "This pioneering book explores the notion of 'radical decadence' as concept, aesthetic and lived experience, and as an analytical framework for the study of contemporary feminist textile art. Gendered discourses of decadence that perpetuate anxieties about women's power, consumption and pleasure are deconstructed through images of drug use, female sexuality and 'excessive' living, in artworks by several contemporary textile artists including Orly Cogan, Tracey Emin, Allyson Mitchell, and Rozanne Hawksley. Perceptions of decadence are invariably bound to the negative connotations of decay and degradation, particularly with regard to the transgression of social norms related to femininity and the female body. Excessive consumption by women has historically been represented as grotesque, and until now, women's pleasure in relation to drug and alcohol use has largely gone unexamined in feminist art history and craft studies. Here, representations of female consumption, from cupcakes to alcohol and cocaine, are opened up for critical discussion. Drawing on feminist and queer theories, Julia Skelly considers portrayals of 'bad girls' in artworks that explore female sexuality - performative pieces designed to subvert and exceed feminine roles. In this provocative book, decadence is understood not as a destructive force but as a liberating aesthetic"--Bloomsbury Publishing
    Note: Includes bibliographical references and index
    Additional Edition: Erscheint auch als Druck-Ausgabe, Paperback ISBN 978-1-4725-6940-0
    Additional Edition: Erscheint auch als Druck-Ausgabe, Hardcover ISBN 978-1-4725-6941-7
    Additional Edition: Erscheint auch als Online-Ausgabe, PDF ISBN 978-1-4725-6942-4
    Additional Edition: Erscheint auch als Online-Ausgabe, EPUB ISBN 978-1-4725-6942-4
    Language: Undetermined
    RVK:
    LH 60250
    Keywords: Textilkunst ; Handarbeiten ; Design ; Frau ; Geschichte 1975-2017 ; Frauenkunst ; Textilien ; Kunsthandwerk ; Exzess ; Geschichte 1975-2017
    DOI: 10.5040/9781474284981
    URL: URL des Erstveröffentlichers
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    Online Resource
    Open Access Request
    HTW Berlin
  • 8
    Online Resource
    Online Resource
    Skin crafts : affect, violence and materiality in global contemporary art (2022)
    London ; New York ; Oxford ; New Delhi ; Sydney : Bloomsbury Visual Arts
    Details
    UID:
    b3kat_BV049525437
    Format: 1 Online-Ressource (x, 211 Seiten, 8 ungezählte Seiten) , Illustrationen
    ISBN: 9781350122970
    Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 978-1-350-29046-4
    Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 978-1-350-12295-6
    Language: English
    RVK:
    LH 65020
    Keywords: Kunst ; Kunsthandwerk ; Gewalt ; Haut ; Geschichte 1900-2021 ; Margolles, Teresa 1963- ; Himid, Lubaina 1954- ; Racette, Sherry Farrell 1952- ; Belmore, Rebecca 1960- ; Myre, Nadia 1974- ; Salcedo, Doris 1958- ; Künstlerin ; Gewalt ; Sklaverei ; Frauenmord
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    Online Resource
    UdK Berlin
  • 9
    Online Resource
    Online Resource
    Radical decadence : excess in contemporary feminist textiles and craft (2019)
    London : Bloomsbury Publishing
    Details
    UID:
    gbv_1749493012
    Format: 1 Online-Ressource (192 pages) , illustrations
    Edition: Previously issued in print: Bloomsbury Academic, 2017. Digital resource published 2019
    ISBN: 9781474284981
    Content: Introduction: Decadence, Feminism and "Excess" -- Chapter 1: Consuming Craft, Cupcakes and Cocaine: Orly Cogan, Shane Waltener and Shelley Miller -- Chapter 2: Pleasure Craft: Nava Lubelski, Mickalene Thomas and Shary Boyle -- Chapter 3: Bad Women?: Tracey Emin, Ghada Amer and Allyson Mitchell -- Chapter 4: "The Decaying Fabrics of Life and Death": Rozanne Hawksley's Textile Art -- Bibliography -- Index.
    Content: "This pioneering book explores the notion of 'radical decadence' as concept, aesthetic and lived experience, and as an analytical framework for the study of contemporary feminist textile art. Gendered discourses of decadence that perpetuate anxieties about women's power, consumption and pleasure are deconstructed through images of drug use, female sexuality and 'excessive' living, in artworks by several contemporary textile artists including Orly Cogan, Tracey Emin, Allyson Mitchell, and Rozanne Hawksley. Perceptions of decadence are invariably bound to the negative connotations of decay and degradation, particularly with regard to the transgression of social norms related to femininity and the female body. Excessive consumption by women has historically been represented as grotesque, and until now, women's pleasure in relation to drug and alcohol use has largely gone unexamined in feminist art history and craft studies. Here, representations of female consumption, from cupcakes to alcohol and cocaine, are opened up for critical discussion. Drawing on feminist and queer theories, Julia Skelly considers portrayals of 'bad girls' in artworks that explore female sexuality - performative pieces designed to subvert and exceed feminine roles. In this provocative book, decadence is understood not as a destructive force but as a liberating aesthetic"--Bloomsbury Publishing
    Note: Includes bibliographical references and index , Previously issued in print: Bloomsbury Academic, 2017. Digital resource published 2019. , Mode of access: World Wide Web. , Barrierefreier Inhalt: Compliant with Level AA of the Web Content Accessibility Guidelines. Content is displayed as HTML full text which can easily be resized or read with assistive technology, with mark-up that allows screen readers and keyboard-only users to navigate easily
    Additional Edition: ISBN 9781472569400
    Additional Edition: ISBN 9781472569417
    Additional Edition: ISBN 9781472569431
    Additional Edition: ISBN 9781472569424
    Additional Edition: ISBN 9781472569400
    Additional Edition: Erscheint auch als Druck-Ausgabe Skelly, Julia Radical decadence : excess in contemporary feminist textiles and craft London : Bloomsbury Academic, 2017 ISBN 9781472569400
    Language: Undetermined
    Keywords: Electronic books
    DOI: 10.5040/9781474284981
    URL: lizenzpflichtig
    URL: lizenzpflichtig
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    Online Resource
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    UB Potsdam
  • 10
    Online Resource
    Online Resource
    Skin crafts : affect, violence and materiality in global contemporary art (2022)
    London : Bloomsbury Visual Arts | London : Bloomsbury Publishing
    Details
    UID:
    gbv_1895307465
    Format: 1 Online-Ressource (vi, 214 pages) , illustrations
    Edition: Also issued in print: Bloomsbury Visual Arts, 2022. Digital resource published 2022
    ISBN: 9781350123007
    Content: "Skin Crafts discusses multiple artists from global contexts who employ craft materials in works that address historical and contemporary violence. These artists are deliberately embracing the fragility of textiles and ceramics to evoke the vulnerability of human skin and - in so doing - are demanding visceral responses from viewers. Drawing on a range of theories including affect theory, material feminism, skin studies, phenomenology and global art history, the book illuminates the various ways in which artists are harnessing the affective power of craft materials to address and cope with violence. Artists from Mexico, Africa, China, the Netherlands and Indigenous artists based in the unceded territory known as Canada are examined in relation to one another to illuminate the connections and differences across their bodies of work. Skin Crafts interrogates ongoing material violence towards women and marginalized others, and demonstrates the power of contemporary art to force viewers and scholars into facing their ethical responsibilities as human beings."--
    Note: Includes bibliographical references and index , Cover -- Half Title -- Series -- Title -- Copyright -- Dedication -- Contents -- Plates -- Figures -- Introduction -- 1. Narco-violence, femicide and gore capitalism: Teresa Margolles's piercing textile works -- 2. Facing slavery and survival: Lubaina Himid's overpainted ceramics -- 3. 'A skin for a skin': Sherry Farrell Racette's textile paintings -- 4. Festering wounds and stitched scars in works by Rebecca Belmore and Nadia Myre -- 5. Concrete and caresses: The case of Doris Salcedo -- Afterword -- Bibliography -- Index. , Also issued in print: Bloomsbury Visual Arts, 2022. Digital resource published 2022 , Barrierefreier Inhalt: Compliant with Level AA of the Web Content Accessibility Guidelines. Content is displayed as HTML full text which can easily be resized or read with assistive technology, with mark-up that allows screen readers and keyboard-only users to navigate easily
    Additional Edition: ISBN 9781350122956
    Additional Edition: ISBN 9781350290464
    Additional Edition: ISBN 9781350122970
    Additional Edition: ISBN 9781350122987
    Additional Edition: Erscheint auch als Druck-Ausgabe Skelly, Julia Skin Crafts London : Bloomsbury Visual Arts, 2022 ISBN 9781350122956
    Language: English
    DOI: 10.5040/9781350123007
    URL: lizenzpflichtig
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    Online Resource
    Open Access Request
    UB Potsdam
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