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  • 1
    Book
    Book
    A history of English furniture : with plates in colour after Shirley Slocombe, and numerous illustrations selected and arranged by the author (1904)
    London : Lawrence & Bullen
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    Details
    UID:
    gbv_19398542X
    Language: English
    Keywords: Holzbearbeitung ; Holz ; Faserstoff
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  • 2
    Book
    Book
    The Salabue Stradivari : a history and critical description of the famous vidin commonly called "Le Messie" ; containing many particulars obtained from authentic sources and now publ. for the first time (1891)
    London : Hill [u.a.]
    Details
    UID:
    b3kat_BV020232841
    Format: 31 S., 3 Taf., 1 Faks. , Ill.
    Language: English
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  • 3
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    A history of English furniture / (1904)
    London, UK :Lawrence & Bullen,
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    Details
    UID:
    kobvindex_INT0002856
    Format: 4-volume set : , richly illustrated (black & white), plates (colour) ; , 38.5 x 29.5 cm.
    ISBN: No ISBN
    Content: MACHINE-GENERATED SUMMARY NOTE: "In the arrangement of this work, it will be found that the subject has been divided into four periods. The first, dating from 1500 to 1660, comprising furniture that can be attributed to the Renaissance and its evolution from the Gothic, may be termed 'The Age of Oak.' The second, from 1660 to 1720, where the change is varied by the Restoration and Dutch influence, followed by a distinctly assertive English spirit, may be called 'The Age of Walnut.' The third period, where the introduction from France of fresh ideas in design clearly marked another change, lasting from 1720 to 1770, which we call 'The Age of Mahogany' ; and the fourth, from 1770 to 1820, inspired by an affectation for all things classical, combined with a curiously unbalanced taste, can best be described as 'The Composite Age.' It is proposed to deal with the history, development, and evolution of English furniture only, but as the sources of its inspiration can so frequently be traced to foreign origin, it will be necessary to introduce occasionally some of these examples, in order to more clearly explain the different types and their close analogy. The comparison will be useful also for defining where the English craftsman at certain periods departed from his foreign model and struck into an original path. "
    Note: INDEX NOTE: includes index. , MACHINE-GENERATED CONTENTS NOTE: Vol. 1. The age of oak: 1500-1660 -- Vol. 2. The age of walnut: 1660-1720 -- Vol. 3. The age of mahogany: 1720-1770 -- Vol. 4. The age of satinwood: 1770-1820.
    Language: English
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  • 4
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    A history of English furniture : 1770-1820; Vol. 4: The age of satinwood (1908)
    London, UK : Lawrence and Bullen | New York, NY, USA : Putnam's Sons
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    Details
    UID:
    kobvindex_INT0002884
    Format: 260 pages, 15 pages of plates , 243 illustrations (black and white), 15 plates (colour) , 38.5 x 29.5 cm
    ISBN: No
    Content: "In the arrangement of this work, it will be found that the subject has been divided into four periods. The first, dating from 1500 to 1660, comprising furniture that can be attributed to the Renaissance and its evolution from the Gothic, may be termed 'The Age of Oak.' The second, from 1660 to 1720, where the change is varied by the Restoration and Dutch influence, followed by a distinctly assertive English spirit, may be called 'The Age of Walnut.' The third period, where the introduction from France of fresh ideas in design clearly marked another change, lasting from 1720 to 1770, which we call 'The Age of Mahogany' ; and the fourth, from 1770 to 1820, inspired by an affectation for all things classical, combined with a curiously unbalanced taste, can best be described as 'The Composite Age.' It is proposed to deal with the history, development, and evolution of English furniture only, but as the sources of its inspiration can so frequently be traced to foreign origin, it will be necessary to introduce occasionally some of these examples, in order to more clearly explain the different types and their close analogy. The comparison will be useful also for defining where the English craftsman at certain periods departed from his foreign model and struck into an original path. "
    Note: INDEX NOTE: includes index. , TITLE NOTE: date 1770-1820 taken from Vol. 1, preface, pages volume , Red lacquer cabinet -- Inlaid commode -- Mahogany escritoire -- Mahogany and satin-wood sideboard -- Gilt table with marble top -- Inlaid folding card-table -- Painted chair, satin-wood chair -- Inlaid mahogany pole-screen, amboyna-wood writing-cabinet -- Mahogany and satin-wood clothes-press -- Satin-wood commode -- Painted sideboard-commode -- Painted satin-wood writing-cabinet -- Satin-wood tea-caddy, circular knife-case, painted satin-wood chair, painted chair -- Satin-wood work-table, satin-wood dressing-table -- Painted commode
    Language: English
    URL: FULL
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  • 5
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    A history of English furniture : 1720-1770; Vol. 3: The age of mahogany (1906)
    London, UK : Lawrence and Bullen | New York, NY, USA : Putnam's Sons
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    Details
    UID:
    kobvindex_INT0002855
    Format: 271 pages, 15 pages of plates , 254 illustrations (black and white), 15 plates (colour) , 38.5 x 29.5 cm
    ISBN: No
    Content: "In the arrangement of this work, it will be found that the subject has been divided into four periods. The first, dating from 1500 to 1660, comprising furniture that can be attributed to the Renaissance and its evolution from the Gothic, may be termed 'The Age of Oak.' The second, from 1660 to 1720, where the change is varied by the Restoration and Dutch influence, followed by a distinctly assertive English spirit, may be called 'The Age of Walnut.' The third period, where the introduction from France of fresh ideas in design clearly marked another change, lasting from 1720 to 1770, which we call 'The Age of Mahogany' ; and the fourth, from 1770 to 1820, inspired by an affectation for all things classical, combined with a curiously unbalanced taste, can best be described as 'The Composite Age.' It is proposed to deal with the history, development, and evolution of English furniture only, but as the sources of its inspiration can so frequently be traced to foreign origin, it will be necessary to introduce occasionally some of these examples, in order to more clearly explain the different types and their close analogy. The comparison will be useful also for defining where the English craftsman at certain periods departed from his foreign model and struck into an original path. "
    Note: INDEX NOTE: includes index. , TITLE NOTE: date 1720-1770 taken from Vol. 1, preface, pages volume , List of plates: Gilt chair -- Gilt console-table, gilt caned chair -- Walnut cabinet -- Mahogany sofa -- Stained wood table -- Mahogany bed -- Writing-cabinet -- Settee -- Writing-chair -- Mahogany commode -- Amboyna and rosewood cabinet -- Writing-table -- Ribbon-back chair, pole screen -- Mahogany chair, mahogany chair -- China-cabinet
    Language: English
    URL: FULL
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  • 6
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    A history of English furniture : 1500-1660; Vol. 1: The age of oak (1923)
    London, UK : Medici Society ;
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    Details
    UID:
    kobvindex_INT0003628
    Format: 243 pages, [15] pages of plates , 215 illustrations (black and white), 15 plates (colour) , 38.5 x 29.5 cm
    Edition: Reprint
    ISBN: No
    Content: "In the arrangement of this work, it will be found that the subject has been divided into four periods. The first, dating from 1500 to 1660, comprising furniture that can be attributed to the Renaissance and its evolution from the Gothic, may be termed 'The Age of Oak.' The second, from 1660 to 1720, where the change is varied by the Restoration and Dutch influence, followed by a distinctly assertive English spirit, may be called 'The Age of Walnut.' The third period, where the introduction from France of fresh ideas in design clearly marked another change, lasting from 1720 to 1770, which we call 'The Age of Mahogany' ; and the fourth, from 1770 to 1820, inspired by an affectation for all things classical, combined with a curiously unbalanced taste, can best be described as 'The Composite Age.' It is proposed to deal with the history, development, and evolution of English furniture only, but as the sources of its inspiration can so frequently be traced to foreign origin, it will be necessary to introduce occasionally some of these examples, in order to more clearly explain the different types and their close analogy. The comparison will be useful also for defining where the English craftsman at certain periods departed from his foreign model and struck into an original path. "
    Note: EDITORIAL NOTE: errata slip inserted , EDITORIAL NOTE: originally published in 1904 , INDEX NOTE: includes index. , TITLE NOTE: date 1500-1660 taken from the preface, pages volume , List of plates: Credence -- Sudbury's hutch -- Sir John Wynne's buffet -- Yew chair, oak cacqueteuse chair -- Cabinet inlaid with marqueterie -- Writing cabinet inlaid with marqueterie -- Walnut and oak standing buffet -- Oak chest, oak inlaid nonesuch chest -- Oak inlaid chair -- Oak standing buffet -- Oak inlaid chest -- Oak inlaid box -- Oak cupboard (Welsh) -- Oak double chairs (Welsh) -- Oak court cupboard (Tridarn)
    Language: English
    URL: FULL
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  • 7
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    A history of English furniture : 1660-1720; Vol. 2: The age of walnut (1972)
    New York, NY, USA : Dover
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    Details
    UID:
    kobvindex_INT0003629
    Format: 245 pages, [15] pages of plates , 223 illustrations (black and white), 15 plates (black and white) , 28 x 21 cm
    Edition: Reprint
    ISBN: 9780486222042 , 0486222047
    Content: "In the arrangement of this work, it will be found that the subject has been divided into four periods. The first, dating from 1500 to 1660, comprising furniture that can be attributed to the Renaissance and its evolution from the Gothic, may be termed 'The Age of Oak.' The second, from 1660 to 1720, where the change is varied by the Restoration and Dutch influence, followed by a distinctly assertive English spirit, may be called 'The Age of Walnut.' The third period, where the introduction from France of fresh ideas in design clearly marked another change, lasting from 1720 to 1770, which we call 'The Age of Mahogany' ; and the fourth, from 1770 to 1820, inspired by an affectation for all things classical, combined with a curiously unbalanced taste, can best be described as 'The Composite Age.' It is proposed to deal with the history, development, and evolution of English furniture only, but as the sources of its inspiration can so frequently be traced to foreign origin, it will be necessary to introduce occasionally some of these examples, in order to more clearly explain the different types and their close analogy. The comparison will be useful also for defining where the English craftsman at certain periods departed from his foreign model and struck into an original path. "
    Note: EDITORIAL NOTE: "This Dover edition, first published in 1972, is an unabridged republication of the work originally published by Lawrence & Bullen, Ltd., London, in 1905." -- Title page verso , INDEX NOTE: includes index. , List of plates: Two chairs -- Upholstered bed -- Upholstered chair -- Chest of drawers inlaid with marqueterie -- Walnut cabinet inlaid with marqueterie -- Settee -- Table inlaid with marqueterie -- Cabinet-press inlaid with marqueterie -- Chest of drawers inlaid with marqueterie -- Lacquer cabinet -- Clock inlaid with light marqueterie -- Clock inlaid with dark marqueterie -- Walnut chair inlaid with marqueterie -- Mirror -- Upholstered bed -- Walnut chair covered with needlework -- Walnut settee inlaid with marqueterie -- Walnut inlaid writing-cabinet
    Language: English
    URL: FULL
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