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  • 1
    Online Resource
    Online Resource
    Filmmakers Showcase, | [San Francisco, California, USA] :Kanopy Streaming,
    UID:
    almahu_9949608095402882
    Format: 1 online resource (streaming video file) (156 minutes): , digital, .flv file, sound , 023501
    Content: INVERTED NARRATIVES is part of the retrospective UNSEEN CINEMA that explores long-forgotten American experimental cinema.. In this collection, early directors D.W. Griffith and Lois Weber develop the radical language of cinema narrative through audience-friendly melodramas made for nickelodeon theaters. Experimental fantasies are depicted in such independent productions as MOONLAND (c.1926), LULLABY (1929), and THE BRIDGE (1929-30). Depression era films by socially-conscious filmmakers reshape drama as demonstrated in Josef Berne's brooding BLACK DAWN (1933) and Strand and Hurwitz's biting NATIVE LAND (1937-41): each pictures a raw reality. Parody and satire find their mark in Theodore Huff's LITTLE GEEZER (1932) and Barlow, Hay and LeRoy's EVEN AS YOU AND I (1937). David Bradley's SREDNI VASHTAR BY SAKI (1940-43) boasts an inadvertent post-modern attitude.. 12 films by featured directors: Roger Barlow, Lionel Berman, Josef Berne, G.W. "Billy" Bitzer, David Bradley, Boris Deutsch, Frontier Films, Mike Gordon, D.W. Griffith, Harry Hay, Theodore Huff, Leo Hurwitz, Irving Lerner, Ben Maddow, Neil McQuire, NYKino, William A. O'Connor, Le Roy Robbins, Philips Smalley, Ralph Steiner, Paul Strand, Seymour Stern, Willard Van Dyke, Charles Vidor, Lois Weber, Christopher Young.. Curated by Bruce Posner and produced by David Shepard. "Just one of the amazing things this series of early American avant-garde films drives home is just how far into the belly of the Hollywood beast the experimental filmmakers progressed." - The Guardian. "The creative explosion that took place at the margins of Hollywood." - Le Monde
    Note: Title from title frames. , playlist , In Process Record. , Originally produced by Filmmakers Showcase in 1910. , Mode of access: World Wide Web.
    Language: English
    Keywords: Documentary films. ; Documentary films.
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  • 2
    UID:
    kobvindex_ZLB15018625
    Format: (10 Min.) : s/w , Stummfilm
    Note: Orig.: USA, 1913
    In: Retour de flamme : [DVD-Video], [ca. 2008], 6. Retour de flamme 6 : la fabuleuse enfance du cinéma ; [DVD-Video], (2008)
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  • 3
    UID:
    kobvindex_ZLB13550943
    Format: 1 DVD Video (ca. 91 Min.) : s/w , 1 Beil. , Bildformat: 1.33:1
    Edition: 1
    Series Statement: The Milestone Collection : [DVD-Video]
    Note: Ländercode: 1 , Bonus feature: Commentary by Shelley Stamp, Lois Webber scholar and Associate Professor, Film and Digital Media, University of California, Santa Cruz. , Orig.: USA, 1921
    Language: English
    Keywords: The blot ; Kommentar ; DVD-Video ; Kommentar ; DVD-Video ; Kommentar
    Author information: Brownlow, Kevin
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  • 4
    UID:
    kobvindex_ZLB14976479
    Format: 1 DVD-Video (50/15 Min.) : getönnt und s/w , Stummfilm , NTSC
    Edition: Digitally remastered
    Series Statement: First ladies - Early women filmmakers : [DVD-Video]
    Content: The most important and prolific of all American women directors of the silent era, Lois Weber entered films in 1907 at Gaumont, working alongside Alice Guy-Blaché. In the ensuing years, she and her husband Phillips Smalley acted in, directed, wrote and edited films for Gaumont, Rex and Universal. By 1914, Weber was a well-known director when she went to work for the Bosworth Company to make HYPOCRITES. HYPOCRITES is an amazingly complex film in both narrative and technique, following the parallel stories of an early Christian ascetic and a modern minister, with most actors in dual roles. Gabriel (Courteney Foote) is a medieval monk who devotes himself to completing a statue of Truth, only to be murdered by a mob when his work turns out to be an image of a naked woman. The contemporary Gabriel is the pastor of a large urban congregation for whom religion is a matter of appearances, not beliefs. The hypocrisy of the congregation is exposed by a series of vignettes in which the Naked Truth, literally portrayed by a nude woman, reveals their appetites for money, sex and power. HYPOCRITES was a shocking and controversial film whose release was held up for many months by the difficulty of distributing a film with full nudity. Weber s sincerity and reputation allowed her to use something that in the hands of a male director would have been considered scandalous and immoral. Widely admired at the time for extraordinary use of multiple exposures and intricate editing, HYPOCRITES propelled Weber to the front ranks of silent directors (Covertext)
    Note: Ländercode: Keine Angaben , Orig.: USA, 1915
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  • 5
    UID:
    b3kat_BV036697485
    ISBN: 1893967-34-4
    Note: 10 Min. - s/w , Orig.: USA 1913
    In: Saved from the flames / program produced by David Shepard and Jeffrey Masino, Los Angeles, CA, 2008, 1893967-34-4
    Language: Undetermined
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  • 6
    Online Resource
    Online Resource
    Filmmakers Showcase, | [San Francisco, California, USA] :Kanopy Streaming,
    UID:
    edocfu_9958913289402883
    Format: 1 online resource (streaming video file) (156 minutes): , digital, .flv file, sound , 023501
    Content: INVERTED NARRATIVES is part of the retrospective UNSEEN CINEMA that explores long-forgotten American experimental cinema.. In this collection, early directors D.W. Griffith and Lois Weber develop the radical language of cinema narrative through audience-friendly melodramas made for nickelodeon theaters. Experimental fantasies are depicted in such independent productions as MOONLAND (c.1926), LULLABY (1929), and THE BRIDGE (1929-30). Depression era films by socially-conscious filmmakers reshape drama as demonstrated in Josef Berne's brooding BLACK DAWN (1933) and Strand and Hurwitz's biting NATIVE LAND (1937-41): each pictures a raw reality. Parody and satire find their mark in Theodore Huff's LITTLE GEEZER (1932) and Barlow, Hay and LeRoy's EVEN AS YOU AND I (1937). David Bradley's SREDNI VASHTAR BY SAKI (1940-43) boasts an inadvertent post-modern attitude.. 12 films by featured directors: Roger Barlow, Lionel Berman, Josef Berne, G.W. “Billy” Bitzer, David Bradley, Boris Deutsch, Frontier Films, Mike Gordon, D.W. Griffith, Harry Hay, Theodore Huff, Leo Hurwitz, Irving Lerner, Ben Maddow, Neil McQuire, NYKino, William A. O’Connor, Le Roy Robbins, Philips Smalley, Ralph Steiner, Paul Strand, Seymour Stern, Willard Van Dyke, Charles Vidor, Lois Weber, Christopher Young.. Curated by Bruce Posner and produced by David Shepard. “Just one of the amazing things this series of early American avant-garde films drives home is just how far into the belly of the Hollywood beast the experimental filmmakers progressed.” - The Guardian. "The creative explosion that took place at the margins of Hollywood." - Le Monde
    Note: Title from title frames. , playlist , In Process Record. , Originally produced by Filmmakers Showcase in 1910. , Mode of access: World Wide Web. , Silent
    Language: English
    Keywords: Documentary films.
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  • 7
    AV-Medium
    AV-Medium
    San Francisco : National Film Preservation Foundation
    UID:
    b3kat_BV048718597
    Format: [DVD] (65 Min.) , s/w , mono ; Stummfilm
    Series Statement: Treasures III: Social Issues in American Film (1900-1934) 2
    Uniform Title: Where are My Children?
    Content: Set in an unnamed Big City, the story focuses on a district attorney, who loves children, and his socialite wife, who does not. Upon graduating from college, the wife's brother moves in with the couple. Smitten by the brother, the couple's maidservant enters into an affair with the boy, the result being an unwanted pregnancy. Offering to help out, the wife arranges for an illegal abortion. Unfortunately, something goes wrong, and the maid dies ... Though "Where are My Children" may seem naively reactionary in these more enlightened times, the film was undeniably strong and powerful stuff in its day. [Allmovie Guide]
    Note: Stummfilm mit engl. Zwischentiteln
    Language: Undetermined
    Keywords: DVD-Video
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  • 8
    AV-Medium
    AV-Medium
    Waltham : The National Center for Jewish Film
    UID:
    b3kat_BV048729427
    Format: 1 DVD-Video (10 Min.) , schwarz-weiß
    Uniform Title: How Moshe came back
    Content: This short provides an interesting early example of a Jewish screen character: the nebbish who dreams of physical prowess. The character, Moshe, is sad about not winning the heavyweight championship and decides on a rematch. Introduced at the fight as weighing 98 pounds, Moshe is afraid when the "champ" is introduced at 240 pounds. When his "second" administers dope via a syringe, Moshe, who had been losing up to that point, defeats the champ and is the hero. Then, he wakes up and realizes it was all a dream. [jewishfilm.org]
    Note: Stummfilm mit engl. Zwischentiteln
    Language: English
    Keywords: DVD-Video
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  • 9
    UID:
    kobvindex_ZLB14964318
    Format: (65 Min.) : s/w , Stummfilm
    In: Social issues in American film : [DVD-Video], [S.l.], 2007, (2007)
    Keywords: USA ; Geburtenregelung ; Geschichte 1916 ; Film ; DVD-Video ; DVD-Video
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