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  • 1
    Online Resource
    Online Resource
    [Erscheinungsort nicht ermittelbar] : Taylor & Francis
    UID:
    gbv_1794573674
    Format: 1 Online-Ressource (14 p.)
    ISBN: 9781032016498 , 9780367203641
    Content: The idea of improvisation, broadly defined, has been integral to our imagination of the medieval musical past. It can be related to many elements of production: to the act of un-notated creation; to the manipulation and amplification of notated materials; to our observance of rigid rules and formulae; or to spontaneous freedom. Likely a product of the Carolingian Renaissance, this is the first medieval music treatise to address an aspect of chant performance that does not only relate to a memorized repertoire, but includes an unwritten practice of extemporizing an accompanying voice to a pre-given melody. The art of “coloration” or the ornamentation of a line, whether polyphonic or monophonic, had been an integral part of extemporization since at least the time of the Ad organum faciendum treatises. When planning author's ontological inquiries, the author's would do well to remember the possible existence of creativity that is not inspired, or ephemerality that is not performer- or expression-centered
    Note: English
    Language: English
    Library Location Call Number Volume/Issue/Year Availability
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  • 2
    Online Resource
    Online Resource
    [Erscheinungsort nicht ermittelbar] : Taylor & Francis
    UID:
    gbv_1778414656
    Format: 1 Online-Ressource (23 p.)
    ISBN: 9780367655150 , 9781032006642
    Content: "Polyphony and the Modern asks one fundamental question: what does it mean to be modern in one’s own time? To answer that question, this volume focuses on polyphony as an index of modernity. In the Principle of Hope, Ernst Bloch showed that each moment in time is potentially fractured: people living in the same country can effectively live in different centuries – some making their alliances with the past and others betting on the future – but all of them, at least technically, enclosed in the temporal moment. But can a claim of modernity also mean something more ambitious? Can an artist, by accident or design, escape the limits of his or her own time, and somehow precociously embody the outlook of a subsequent age? This book sees polyphony as a bridge providing a terminology and a stylistic practice by which the period barrier between Medieval and Early Modern can be breached."
    Note: English
    Language: English
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  • 3
    UID:
    gbv_1883331536
    Format: 1 Online-Ressource (352 p.) , 3 maps, 58 colour and 1 b/w illus
    ISBN: 9781805432180
    Content: The first collection of essays in the English language dedicated to the cultural achievements and politics of one of the most important ruling houses of late medieval Europe. The house of Luxembourg between 1308 and 1437 is best known today for its principal royal and imperial representatives, Henry VII, John the Blind, Charles IV, and Charles's two sons, Wenceslas and Sigismund - a group of rulers who, for better or worse, shaped the political destiny of much of Europe during the fourteenth and early fifteenth centuries. While some of the Luxembourg cultural legacy can still be experienced directly today in and around Prague and southern Germany, and through the literary and musical works of Machaut, Froissart, and Wolkenstein, it reached much further across Europe: from England to present-day Romania, and from the Baltic Sea to the Italian peninsula, alongside the dynasty's homelands in what is now Luxembourg, Belgium and France. However, this culture has not always attracted the scholarly attention it deserves.This volume explores the pan-European impact and influence of the Luxembourgs in a variety of fields: art and architectural history, material culture, Czech, French, German and Latin text production, gender and intellectual history, and music. Embracing the subject matter from multi-disciplinary and transnational perspectives, the essays here offer new insights into the late medieval cultures of the Luxembourg court. Particular subjects treated include the making of the "Wenceslas Bible"; Machaut at the court of John of Luxembourg; and Charles IV's patronage of multilingual literature.On publication this book is available as an Open Access eBook under the Creative Commons license: CC BY-NC-ND
    Note: Frontmatter , CONTENTS , List of Illustrations , Preface and Acknowledgements , List of Contributors , Maps , Henry VII: Ancestry and Progeny , John of Luxembourg, King of Bohemia, and his Progeny , Charles IV and his Progeny down the Male Line , Counts of Artois and Burgundy (HRE) , Counts then Dukes of Bar , Dukes of Brabant , Kings of France , Introduction: The 'Long Luxembourg Century' (1308-1437): Courtly Networks, Cultural Politics, Dynastic Legacy , PART I: John the Blind and his Progeny in France , 1 The 'Luxembourgness' of Things: Machaut C, Glazier 52, and Dynastic Presence in Early Fourteenth-Century France , 2 Guillaume de Machaut at the Court of John of Luxembourg: Defining a Social Milieu , 3 The Vyšší Brod Cycle and its Anonymous Painter: French and Bohemian Court Circles in the 1340s , PART II: Marvellous Objects and Culture at the Court of Charles IV , 4 Charles of Luxembourg and his Reliquary Cross: The Significance of Precious Stones , 5 Charles IV and the Patronage of Multilingual Literature at his Court and Beyond , 6 Miraculous Objects and Foundational Sins: Verbal and Material Reality in the Dalimil Chronicle, the Chronicle of Přibík Pulkava of Radenín, and Charles IV's Autobiography , PART III: Wenceslas and Sigismund: Art, Politics, and Diplomacy , 7 The Making of the Wenceslas Bible, with Special Consideration of the Theological Concept of its Genesis Initial , 8 The Naked King: Representing Wenceslas in his Illuminated Bible , 9 Dealing with the Luxembourg Court: Ellwangen Abbey and their Imperial Overlord , 10 Assessing the Luxembourgs: The Image of Wenceslas and Sigismund in the Correspondence of Italian Ambassadors , PART IV: Studying the Luxembourgs: What has been Neglected , 11 Heiresses, Regents, and Patrons: Female Rulers in the Age of the Luxembourgs , 12 Image-making, Image-breaking, and the Luxembourg Monarchy , 13 The Absent Present: Luxembourg Courts, their Sonic Cultures, and Music Histor(iograph)y , Select Bibliography , Index , In English
    Language: English
    URL: Cover
    Author information: Knighton, Tess 1957-
    Author information: Theisen, Maria 1963-
    Author information: Toussaint, Gia
    Author information: Burkhardt, Julia 1984-
    Author information: Scales, Len 1961-
    Author information: Ciulisová, Ingrid 1960-
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  • 4
    UID:
    gbv_1030884161
    Format: ix, 402 Seiten , Illustrationen, Notenbeispiele
    ISBN: 9781580442527
    Series Statement: The complete poetry & music / Guillaume de Machaut ; R. Barton Palmer and Yolanda Plumley, general editors volume 1
    Content: "Guillaume de Machaut is the most important poet and composer of late medieval France. His unique and inventive output is the subject of this new, integrated edition of Machaut's Volume 1, The Debate Series, presents the two "judgment" poems, which are among his most important artistically in terms of their formal innovations and their influence on contemporaries, notably Geoffrey Chaucer, and the associated Lay de plour, presented here with its music."--,
    Note: Literaturverzeichnis: Seite 381-402 , Le jugement dou Roy de Behaigne , Le jugement dou Roy de Navarre , Le lay de Plour , Commentary in English with text in Old French and English on facing pages
    Language: English
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  • 5
    UID:
    almahu_9949610649902882
    Format: 1 online resource (352 p.) : , 3 maps, 58 colour and 1 b/w illus.
    Content: The first collection of essays in the English language dedicated to the cultural achievements and politics of one of the most important ruling houses of late medieval Europe. The house of Luxembourg between 1308 and 1437 is best known today for its principal royal and imperial representatives, Henry VII, John the Blind, Charles IV, and Charles's two sons, Wenceslas and Sigismund - a group of rulers who, for better or worse, shaped the political destiny of much of Europe during the fourteenth and early fifteenth centuries. While some of the Luxembourg cultural legacy can still be experienced directly today in and around Prague and southern Germany, and through the literary and musical works of Machaut, Froissart, and Wolkenstein, it reached much further across Europe: from England to present-day Romania, and from the Baltic Sea to the Italian peninsula, alongside the dynasty's homelands in what is now Luxembourg, Belgium and France. However, this culture has not always attracted the scholarly attention it deserves.This volume explores the pan-European impact and influence of the Luxembourgs in a variety of fields: art and architectural history, material culture, Czech, French, German and Latin text production, gender and intellectual history, and music. Embracing the subject matter from multi-disciplinary and transnational perspectives, the essays here offer new insights into the late medieval cultures of the Luxembourg court. Particular subjects treated include the making of the "Wenceslas Bible"; Machaut at the court of John of Luxembourg; and Charles IV's patronage of multilingual literature.On publication this book is available as an Open Access eBook under the Creative Commons license: CC BY-NC-ND.
    Note: Frontmatter -- , CONTENTS -- , List of Illustrations -- , Preface and Acknowledgements -- , List of Contributors -- , Maps -- , Henry VII: Ancestry and Progeny -- , John of Luxembourg, King of Bohemia, and his Progeny -- , Charles IV and his Progeny down the Male Line -- , Counts of Artois and Burgundy (HRE) -- , Counts then Dukes of Bar -- , Dukes of Brabant -- , Kings of France -- , Introduction: The 'Long Luxembourg Century' (1308-1437): Courtly Networks, Cultural Politics, Dynastic Legacy -- , PART I: John the Blind and his Progeny in France -- , 1 The 'Luxembourgness' of Things: Machaut C, Glazier 52, and Dynastic Presence in Early Fourteenth-Century France -- , 2 Guillaume de Machaut at the Court of John of Luxembourg: Defining a Social Milieu -- , 3 The Vyšší Brod Cycle and its Anonymous Painter: French and Bohemian Court Circles in the 1340s -- , PART II: Marvellous Objects and Culture at the Court of Charles IV -- , 4 Charles of Luxembourg and his Reliquary Cross: The Significance of Precious Stones -- , 5 Charles IV and the Patronage of Multilingual Literature at his Court and Beyond -- , 6 Miraculous Objects and Foundational Sins: Verbal and Material Reality in the Dalimil Chronicle, the Chronicle of Přibík Pulkava of Radenín, and Charles IV's Autobiography -- , PART III: Wenceslas and Sigismund: Art, Politics, and Diplomacy -- , 7 The Making of the Wenceslas Bible, with Special Consideration of the Theological Concept of its Genesis Initial -- , 8 The Naked King: Representing Wenceslas in his Illuminated Bible -- , 9 Dealing with the Luxembourg Court: Ellwangen Abbey and their Imperial Overlord -- , 10 Assessing the Luxembourgs: The Image of Wenceslas and Sigismund in the Correspondence of Italian Ambassadors -- , PART IV: Studying the Luxembourgs: What has been Neglected -- , 11 Heiresses, Regents, and Patrons: Female Rulers in the Age of the Luxembourgs -- , 12 Image-making, Image-breaking, and the Luxembourg Monarchy -- , 13 The Absent Present: Luxembourg Courts, their Sonic Cultures, and Music Histor(iograph)y -- , Select Bibliography -- , Index , In English.
    Additional Edition: ISBN 1-80543-218-4
    Language: English
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  • 6
    UID:
    edoccha_9961356719302883
    Format: 1 online resource (352 p.) : , 3 maps, 58 colour and 1 b/w illus.
    Content: The first collection of essays in the English language dedicated to the cultural achievements and politics of one of the most important ruling houses of late medieval Europe. The house of Luxembourg between 1308 and 1437 is best known today for its principal royal and imperial representatives, Henry VII, John the Blind, Charles IV, and Charles's two sons, Wenceslas and Sigismund - a group of rulers who, for better or worse, shaped the political destiny of much of Europe during the fourteenth and early fifteenth centuries. While some of the Luxembourg cultural legacy can still be experienced directly today in and around Prague and southern Germany, and through the literary and musical works of Machaut, Froissart, and Wolkenstein, it reached much further across Europe: from England to present-day Romania, and from the Baltic Sea to the Italian peninsula, alongside the dynasty's homelands in what is now Luxembourg, Belgium and France. However, this culture has not always attracted the scholarly attention it deserves.This volume explores the pan-European impact and influence of the Luxembourgs in a variety of fields: art and architectural history, material culture, Czech, French, German and Latin text production, gender and intellectual history, and music. Embracing the subject matter from multi-disciplinary and transnational perspectives, the essays here offer new insights into the late medieval cultures of the Luxembourg court. Particular subjects treated include the making of the "Wenceslas Bible"; Machaut at the court of John of Luxembourg; and Charles IV's patronage of multilingual literature.On publication this book is available as an Open Access eBook under the Creative Commons license: CC BY-NC-ND.
    Note: Frontmatter -- , CONTENTS -- , List of Illustrations -- , Preface and Acknowledgements -- , List of Contributors -- , Maps -- , Henry VII: Ancestry and Progeny -- , John of Luxembourg, King of Bohemia, and his Progeny -- , Charles IV and his Progeny down the Male Line -- , Counts of Artois and Burgundy (HRE) -- , Counts then Dukes of Bar -- , Dukes of Brabant -- , Kings of France -- , Introduction: The 'Long Luxembourg Century' (1308-1437): Courtly Networks, Cultural Politics, Dynastic Legacy -- , PART I: John the Blind and his Progeny in France -- , 1 The 'Luxembourgness' of Things: Machaut C, Glazier 52, and Dynastic Presence in Early Fourteenth-Century France -- , 2 Guillaume de Machaut at the Court of John of Luxembourg: Defining a Social Milieu -- , 3 The Vyšší Brod Cycle and its Anonymous Painter: French and Bohemian Court Circles in the 1340s -- , PART II: Marvellous Objects and Culture at the Court of Charles IV -- , 4 Charles of Luxembourg and his Reliquary Cross: The Significance of Precious Stones -- , 5 Charles IV and the Patronage of Multilingual Literature at his Court and Beyond -- , 6 Miraculous Objects and Foundational Sins: Verbal and Material Reality in the Dalimil Chronicle, the Chronicle of Přibík Pulkava of Radenín, and Charles IV's Autobiography -- , PART III: Wenceslas and Sigismund: Art, Politics, and Diplomacy -- , 7 The Making of the Wenceslas Bible, with Special Consideration of the Theological Concept of its Genesis Initial -- , 8 The Naked King: Representing Wenceslas in his Illuminated Bible -- , 9 Dealing with the Luxembourg Court: Ellwangen Abbey and their Imperial Overlord -- , 10 Assessing the Luxembourgs: The Image of Wenceslas and Sigismund in the Correspondence of Italian Ambassadors -- , PART IV: Studying the Luxembourgs: What has been Neglected -- , 11 Heiresses, Regents, and Patrons: Female Rulers in the Age of the Luxembourgs -- , 12 Image-making, Image-breaking, and the Luxembourg Monarchy -- , 13 The Absent Present: Luxembourg Courts, their Sonic Cultures, and Music Histor(iograph)y -- , Select Bibliography -- , Index , In English.
    Additional Edition: ISBN 1-80543-218-4
    Language: English
    Library Location Call Number Volume/Issue/Year Availability
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  • 7
    UID:
    edocfu_9961356719302883
    Format: 1 online resource (352 p.) : , 3 maps, 58 colour and 1 b/w illus.
    Content: The first collection of essays in the English language dedicated to the cultural achievements and politics of one of the most important ruling houses of late medieval Europe. The house of Luxembourg between 1308 and 1437 is best known today for its principal royal and imperial representatives, Henry VII, John the Blind, Charles IV, and Charles's two sons, Wenceslas and Sigismund - a group of rulers who, for better or worse, shaped the political destiny of much of Europe during the fourteenth and early fifteenth centuries. While some of the Luxembourg cultural legacy can still be experienced directly today in and around Prague and southern Germany, and through the literary and musical works of Machaut, Froissart, and Wolkenstein, it reached much further across Europe: from England to present-day Romania, and from the Baltic Sea to the Italian peninsula, alongside the dynasty's homelands in what is now Luxembourg, Belgium and France. However, this culture has not always attracted the scholarly attention it deserves.This volume explores the pan-European impact and influence of the Luxembourgs in a variety of fields: art and architectural history, material culture, Czech, French, German and Latin text production, gender and intellectual history, and music. Embracing the subject matter from multi-disciplinary and transnational perspectives, the essays here offer new insights into the late medieval cultures of the Luxembourg court. Particular subjects treated include the making of the "Wenceslas Bible"; Machaut at the court of John of Luxembourg; and Charles IV's patronage of multilingual literature.On publication this book is available as an Open Access eBook under the Creative Commons license: CC BY-NC-ND.
    Note: Frontmatter -- , CONTENTS -- , List of Illustrations -- , Preface and Acknowledgements -- , List of Contributors -- , Maps -- , Henry VII: Ancestry and Progeny -- , John of Luxembourg, King of Bohemia, and his Progeny -- , Charles IV and his Progeny down the Male Line -- , Counts of Artois and Burgundy (HRE) -- , Counts then Dukes of Bar -- , Dukes of Brabant -- , Kings of France -- , Introduction: The 'Long Luxembourg Century' (1308-1437): Courtly Networks, Cultural Politics, Dynastic Legacy -- , PART I: John the Blind and his Progeny in France -- , 1 The 'Luxembourgness' of Things: Machaut C, Glazier 52, and Dynastic Presence in Early Fourteenth-Century France -- , 2 Guillaume de Machaut at the Court of John of Luxembourg: Defining a Social Milieu -- , 3 The Vyšší Brod Cycle and its Anonymous Painter: French and Bohemian Court Circles in the 1340s -- , PART II: Marvellous Objects and Culture at the Court of Charles IV -- , 4 Charles of Luxembourg and his Reliquary Cross: The Significance of Precious Stones -- , 5 Charles IV and the Patronage of Multilingual Literature at his Court and Beyond -- , 6 Miraculous Objects and Foundational Sins: Verbal and Material Reality in the Dalimil Chronicle, the Chronicle of Přibík Pulkava of Radenín, and Charles IV's Autobiography -- , PART III: Wenceslas and Sigismund: Art, Politics, and Diplomacy -- , 7 The Making of the Wenceslas Bible, with Special Consideration of the Theological Concept of its Genesis Initial -- , 8 The Naked King: Representing Wenceslas in his Illuminated Bible -- , 9 Dealing with the Luxembourg Court: Ellwangen Abbey and their Imperial Overlord -- , 10 Assessing the Luxembourgs: The Image of Wenceslas and Sigismund in the Correspondence of Italian Ambassadors -- , PART IV: Studying the Luxembourgs: What has been Neglected -- , 11 Heiresses, Regents, and Patrons: Female Rulers in the Age of the Luxembourgs -- , 12 Image-making, Image-breaking, and the Luxembourg Monarchy -- , 13 The Absent Present: Luxembourg Courts, their Sonic Cultures, and Music Histor(iograph)y -- , Select Bibliography -- , Index , In English.
    Additional Edition: ISBN 1-80543-218-4
    Language: English
    Library Location Call Number Volume/Issue/Year Availability
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  • 8
    UID:
    b3kat_BV047523239
    ISBN: 978-1-003-12983-7
    In: pages:15-36
    In: Polyphony and the modern / edited by Jonathan Fruoco, New York ; London, 2021, Seite [15]-36, 978-1-003-12983-7
    Language: English
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
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