Kooperativer Bibliotheksverbund

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Format: 381 Seiten, 16 ungezählte Seiten Bildtafeln : , Illustrationen.

ISBN: 978-0-8223-6381-1 , 082236381X , 978-0-8223-6901-1 , 082236901X

Note: Includes bibliographical references and index. - The idea for this book was hatched at a conference on "The Madness og Photography" in Savannah, Georgio, in 2011 , Photography's Weimar-era proliferation and Walter Benjamin's optical unconscious , "A hiding place in waking dreams" : David Octavius Hill, Robert Adamson, and Walter Benjamin's "Little History of Photography" , Freud : the photographic apparatus , "To adopt" : Freud, photography, and the optical unconscious , The politics of contemplation , Freud, Saturn, and the power of hypnosis , On the couch , Vision's unseen : on sovereignty, race, and the optical unconscious , Sligo heads , Developing historical negatives : the colonial photographic archive as optical unconscious , The purloined image , The Vancouver carts : a brief mémoire , Vietnamese photography and the look of revolution , Shooting in the dark : a note on the photographic imagination , Slow

Additional Edition: Erscheint auch als Online-Ausgabe ISBN 978-0-8223-7299-8

Language: English

Subjects: General works

Keywords: Fotografie ; Psychoanalyse ; Unbewusstes ; Visuelle Wahrnehmung ; Fotografie ; Psychologie ; Wahrnehmung ; Psychoanalyse ; Unbewusstes ; Visuelle Wahrnehmung ; Aufsatzsammlung ; Konferenzschrift ; Konferenzschrift ; Aufsatzsammlung

URL: http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=029437399&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA

URL: Inhaltsverzeichnis

URL: Inhaltsverzeichnis

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Format: ix, 236 Seiten, 16 ungezählte Seiten Tafeln : , Illustrationen, Portraits (zum Teil farbig) ; , 24 cm.

ISBN: 978-1-4780-0468-4 , 978-1-4780-0407-3

Content: "In PHOTOGRAPHIC RETURNS Shawn Smith sets out to examine works of contemporary art, only to find that many of the works refer back to the past, to photography's many intersections with the history of racial justice in the U.S. Smith focuses on flashpoints in that history -- spanning from the abolitionist movement, to the Civil War, lynching, and mass incarceration-- to mark the roles that photography has played in documenting the exigencies of Black life, and as a tool for resisting those racial regimes. For each of these moments, Smith shows how contemporary photographers utilize their medium as a way to recall, revise, or amplify the relationship between racial politics in the past and in the present. She argues that the tendency of African-American photographers and other artists to return to the archive of early photography does not simply point to the usefulness of early photography as document of the past, but to the recursive nature of photography itself. This study expands our theories of photography and memory by arguing that the recursive temporality of photography is central to its role in recording and remembering history. It also asserts that photography is an invaluable tool for critical practice of racial justice"--

Note: Photographic returns -- Looking forward and looking back: Rashid Johnson and Frederick Douglass on photography -- Photographic remains: Sally Mann at Antietam -- The scene of the crime: Deborah Luster -- Photographic referrals: Lorna Simpson's 9 props -- Afterimages: Jason Lazarus -- Photographic reenactments: Carrie Mae Weems's constructing history -- False returns: Taryn Simon's The Innocents -- A glimpse forward: Dawoud Bey's The Birmingham project

Additional Edition: Erscheint auch als Online-Ausgabe ISBN 978-1-4780-0553-7

Language: English

Subjects: General works , English Studies , Sociology

Keywords: Rassenfrage ; Fotografie ; History ; History

URL: Inhaltsverzeichnis

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Format: XVIII, 225 S., [12] Bl. : , Ill.

ISBN: 0-8223-3331-7 , 0-8223-3343-0 , 978-0-8223-3343-2

Series Statement: A John Hope Franklin Center Book

Language: English

Subjects: American Studies , English Studies , Sociology

Keywords: Ethnische Beziehungen ; Schwarze ; Ethnische Identität ; Fotografie ; Schwarze ; 1868-1963 Du Bois, William E. B. ; Rasse ; Bibliografie

URL: http://www.loc.gov/catdir/toc/ecip0412/2003027589.html

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Format: 101 S. : , Ill.

ISBN: 978-0-520-25152-6 , 978-0-520-25332-2

Series Statement: Defining moments in American photography 2

Note: Hier auch später erschienene, unveränderte Nachdrucke. - Includes bibliographical references and index

Language: English

Subjects: General works

Keywords: Lynchjustiz ; Fotografie

URL: Table of contents only

URL: http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=016258540&sequence=000005&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA

URL: Table of contents only

URL: Inhaltsverzeichnis

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Format: 387 Seiten : , Illustrationen.

ISBN: 978-0-8223-5067-5 , 978-0-8223-5085-9

Note: Includes bibliographical references and index , Introduction: pictures and progress / Maurice Wallace and Shawn Michelle Smith -- "A More Perfect Likeness" : Frederick Douglass and the image of the nation / Laura Wexler -- "Rightly viewed" : theorizations of self in Frederick Douglass's lecture on pictures / Ginger Hill -- Shadow and substance : Sojourner Truth in black and white / Augusta Rohrbach -- Snapshot 1. unredeemed realities: Augustus Washington / Shawn Michelle Smith -- Mulatta obscura : camera tactics and Linda Brent / Michael Chaney -- Who's your mama? : "white" mulatta genealogies, early photography, and anti-passing narratives of slavery and freedom / P. Gabrielle Foreman -- Out from behind the mask : Paul Laurence Dunbar, the Hampton Institute Camera Club, and photographic performance of identity / Ray Sapirstein -- Snapshot 2. reproducing black masculinity : Thomas Askew / Shawn Michelle Smith -- Louis Agassiz and the American school of ethnoeroticism : polygenesis, pornography, and other "perfidious influences" / Suzanne Schneider -- Framing the black soldier : image, uplift, and the duplicity of pictures / Maurice Wallace -- Snapshot 3. unfixing the frame(-up): A. P. Bedou / Shawn Michelle Smith -- "Looking at one's self through the eyes of others" : W. E. B. Du Bois's photographs for the 1900 Paris Exposition / Shawn Michelle Smith -- Ida B. Wells and the shadow archive / Leigh Raiford -- Snapshot 4. the photographer's touch : J. P. Ball / Shawn Michelle Smith -- No more auction block for me! / Cheryl Finley

Language: English

Subjects: General works

Keywords: Fotografie ; Schwarze ; Aufsatzsammlung ; Aufsatzsammlung

URL: http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=025421371&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA

URL: http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=025421371&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA

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Format: XI, 299 S. : , Ill.

ISBN: 0-691-00477-3 , 0-691-00478-1

Note: Teilw. zugl.: Diss.

Language: English

Subjects: General works

Keywords: Porträtfotografie ; Porträtfotografie ; Gesellschaft ; Geschlechterforschung ; Kunstwissenschaft ; Hochschulschrift

URL: Inhaltsverzeichnis

URL: Inhaltsverzeichnis

URL: Verlagsangaben

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Format: 1 online resource (400 p.) : , 71 photographs

ISBN: 9780822394563

Content: Pictures and Progress explores how, during the nineteenth century and the early twentieth, prominent African American intellectuals and activists understood photography's power to shape perceptions about race and employed the new medium in their quest for social and political justice. They sought both to counter widely circulating racist imagery and to use self-representation as a means of empowerment. In this collection of essays, scholars from various disciplines consider figures including Frederick Douglass, Sojourner Truth, Ida B. Wells, Paul Laurence Dunbar, and W. E. B. Du Bois as important and innovative theorists and practitioners of photography. In addition, brief interpretive essays, or "snapshots," highlight and analyze the work of four early African American photographers. Featuring more than seventy images, Pictures and Progress brings to light the wide-ranging practices of early African American photography, as well as the effects of photography on racialized thinking.Contributors. Michael A. Chaney, Cheryl Finley, P. Gabrielle Foreman, Ginger Hill, Leigh Raiford, Augusta Rohrbach, Ray Sapirstein, Suzanne N. Schneider, Shawn Michelle Smith, Laura Wexler, Maurice O. Wallace

Note: Frontmatter -- , Contents -- , Acknowledgments -- , Introduction Pictures and Progress -- , One. “A More Perfect Likeness”: Frederick Douglass and the Image of the Nation -- , Two. “Rightly Viewed”: Theorizations of Self in Frederick Douglass’s Lectures on Pictures -- , Three Shadow and Substance: Sojourner Truth in Black and White -- , Snapshot 1. Unredeemed Realities: Augustus Washington -- , Four. Mulatta Obscura: Camera Tactics and Linda Brent -- , Five. Who’s Your Mama? “White” Mulatta Genealogies, Early Photography, and Anti- Passing Narratives of Slavery and Freedom -- , Six. Out from Behind the Mask: Paul Laurence Dunbar, the Hampton Institute Camera Club, and Photographic Performance of Identity -- , Snapshot 2. Reproducing Black Masculinity: Thomas Askew -- , Seven. Louis Agassiz and the American School of Ethnoeroticism: Polygenesis, Pornography, and Other “Perfidious Influences” -- , Eight. Framing the Black Soldier: Image, Uplift, and the Duplicity of Pictures -- , Snapshot 3. Unfixing the Frame(- up): A. P. Bedou -- , Nine. “Looking at One’s Self through the Eyes of Others”: W. E. B. Du Bois’s Photographs for the Paris Exposition of 1900 -- , Ten. Ida B. Wells and the Shadow Archive -- , Snapshot 4. The Photographer’s Touch: J. P. Ball -- , Eleven. No More Auction Block for Me! -- , Bibliography -- , Contributors -- , Index , In English.

Language: English

Subjects: General works

DOI: 10.1515/9780822394563

URL: https://doi.org/10.1515/9780822394563

URL: https://www.degruyter.com/isbn/9780822394563

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Format: 1 online resource (398 p.)

ISBN: 1-280-77802-4 , 9786613688415 , 0-8223-9456-1

Series Statement: e-Duke books scholarly collection.

Content: Featuring more than seventy images, Pictures and Progress brings to light the wide-ranging practices of early African American photographers, as well as the effects of photography on racialized thinking.

Note: Description based upon print version of record. , Introduction: pictures and progress / Maurice Wallace and Shawn Michelle Smith -- "A More Perfect Likeness" : Frederick Douglass and the image of the nation / Laura Wexler -- "Rightly viewed" : theorizations of self in Frederick Douglass's lecture on pictures / Ginger Hill -- Shadow and substance : Sojourner Truth in black and white / Augusta Rohrbach -- Snapshot 1. unredeemed realities: Augustus Washington / Shawn Michelle Smith -- Mulatta obscura : camera tactics and Linda Brent / Michael Chaney -- Who's your mama? : "white" mulatta genealogies, early photography, and anti-passing narratives of slavery and freedom / P. Gabrielle Foreman -- Out from behind the mask : Paul Laurence Dunbar, the Hampton Institute Camera Club, and photographic performance of identity / Ray Sapirstein -- Snapshot 2. reproducing black masculinity : Thomas Askew / Shawn Michelle Smith -- Louis Agassiz and the American school of ethnoeroticism : polygenesis, pornography, and other "perfidious influences" / Suzanne Schneider -- Framing the black soldier : image, uplift, and the duplicity of pictures / Maurice Wallace -- Snapshot 3. unfixing the frame(-up): A. P. Bedou / Shawn Michelle Smith -- "Looking at one's self through the eyes of others" : W. E. B. Du Bois's photographs for the 1900 Paris Exposition / Shawn Michelle Smith -- Ida B. Wells and the shadow archive / Leigh Raiford -- Snapshot 4. the photographer's touch : J. P. Ball / Shawn Michelle Smith -- No more auction block for me! / Cheryl Finley. , English

Additional Edition: ISBN 0-8223-5085-8

Additional Edition: ISBN 0-8223-5067-X

Language: English

Subjects: General works

DOI: 10.1515/9780822394563

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Format: XVIII, 293 S. , zahlr. Ill.

ISBN: 9780822354864 , 9780822355021

Note: Literaturverz. S. [265]-282 , Race and reproduction in Camera LucidaThe politics of pictorialism : another look at F. Holland Day -- The space between : Eadweard Muybridge's motion studies -- Preparing the way for the train : Andrew J. Russell -- Chansonetta Stanley Emmons's nostalgic views -- Augustus Washington and the civil contract of photography -- Afterimages: Abu Ghraib.

Additional Edition: Online-Ausg. Smith, Shawn Michelle, 1965 - At the edge of sight Durham : Duke University Press, 2013 ISBN 0822378264

Additional Edition: ISBN 9780822378266

Additional Edition: Erscheint auch als Online-Ausgabe Smith, Shawn Michelle, 1965 - At the edge of sight Durham : Duke University Press, 2013 ISBN 9780822378266

Additional Edition: ISBN 0822378264

Language: English

Subjects: Ethnology , General works

Keywords: Geister ; USA ; Fotografie ; Unsichtbarkeit ; Geschichte ; Fotografie

URL: Inhaltsverzeichnis

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Format: xi, 103 Seiten , 32 cm

ISBN: 0826359175 , 9780826359179

Uniform Title: Photographs Selections

Note: Includes bibliographical references

Language: English

Subjects: General works

Keywords: Rubenstein, Meridel 1948- ; Naturfotografie ; Geschichte 2009-2017 ; Rubenstein, Meridel 1948- ; Fotografie ; Bildband

URL: Inhaltsverzeichnis

Author information: Weisman, Alan 1947-