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  • 1
    UID:
    almafu_9960117334302883
    Format: 1 online resource (xvii, 221 pages) : , digital, PDF file(s).
    ISBN: 1-78204-646-1
    Series Statement: Eastman studies in music ; v. 128
    Content: Long recognized as one of the most important medieval treatises on music, the 〈I〉Musica〈/I〉 of Hermannus Contractus is here presented in a newly revised translation, with commentary reflecting the best current scholarship. A polymath and monk, Hermannus Contractus (1013-54) contributed to the important advancements made in European arts and sciences in the first half of the eleventh century, writing on history, astronomy, and time-keeping devices, among other topics, and composing several chants. His music theory, founded on a systematic treatment of traditional concepts and terminology dating back to the ancient Greeks, is concerned largely with the organization of pitch in Gregorian chant. Hermann's approach stems from Germanic species-based thought, and is marked by a distinction between aspects of form and aspects of position, privileging the latter. He expresses this in terms imported from then-new developments in Italian music theory, thus acting as a nexus for the two traditions. Numerology and number symbolism play significant roles in Hermann's theories, and his critiques of other theorists offer insights into medieval intellectual life. Hermann also uses chant citations and exercises to help his readers apply theory to practice. John L. Snyder's revised edition of Ellinwood's long-standard 1952 text and translation offers a new introduction, including codicological descriptions of the sources; a critical edition of the Latin text with an annotated English translation on facing pages; appendices detailing the documents pertaining to Hermann's life, his citations of plainsong, and his original diastematic notation system; and greatly expanded indexes. Snyder's Musica will serve as the standard version of this major historical document for years to come. Leonard Ellinwood (1905-94) served in the Library of Congress cataloging divisions in music and in the humanities for thirty-five years. He published scholarly works and editions of both medieval music and church music. John L. Snyder is Professor of Music Theory and Musicology at the University of Houston's Moores School of Music.
    Note: Title from publisher's bibliographic system (viewed on 04 Jun 2021). , Frontcover; Contents; Preface to Leonard Ellinwood's 1952 Edition; Preface to the Second Edition; Abbreviations; Introduction; Musica; Variantiae Figurarum; Variantiae Neumarum; Plates; Appendix 1: Biographical Documents in English Translation; Appendix 2: Chants Cited; Appendix 3: Hermann's Diastematic Notation; Bibliography; Index Verborum; Index Cantuum; General Index , Latin
    Additional Edition: ISBN 1-58046-390-8
    Language: English
    Library Location Call Number Volume/Issue/Year Availability
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  • 2
    UID:
    gbv_824777468
    Format: XVII, 221 S , Ill., Kt., Notenbeisp.
    ISBN: 9781580463904
    Series Statement: Eastman studies in music v. 128
    Uniform Title: Musica clarissimi viri Hermanni
    Note: Includes bibliographical references and index
    Language: Latin
    Subjects: Musicology , Ancient Studies
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    Keywords: Hermann von Reichenau 1013-1054 ; Musiktheorie ; Musikhandschrift ; Quelle
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  • 3
    Book
    Book
    Rochester, NY :University of Rochester Press,
    UID:
    almahu_BV042982766
    Format: XVII, 221 Seiten : , Diagramme, Illustrationen, Karten, Notenbeispiele.
    ISBN: 978-1-58046-390-4
    Series Statement: Eastman studies in music 128
    Uniform Title: De Musica
    Note: Includes bibliographical references and index
    Language: Latin
    Subjects: Musicology , Ancient Studies
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    Keywords: von Reichenau 1013-1054 Hermann ; Musiktheorie ; Modalität ; Neumenschrift ; von Reichenau 1013-1054 Hermann ; Musiktheorie ; Musikhandschrift ; Quelle
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