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  • 1
    Book
    Book
    Ion channels : molecules in action (1996)
    Cambridge [u.a.] :Cambridge Univ. Press,
    Details
    UID:
    almafu_BV010957705
    Format: XII, 307 S. : zahlr. graph. Darst.
    Edition: 1. publ.
    ISBN: 0-521-49531-8 , 0-521-49882-1
    Content: Ion channels are crucial components of living cells. They are situated in the membranes of the cell and allow particular ions to pass from one side of the membrane to the other. In recent years the patch clamp technique has allowed the activity of individual channels to be measured, and recombinant DNA technology has revealed fascinating detail on channel structure. Together, these technical advances have produced a great flowering of knowledge and understanding about the subject, itself leading to further breakthroughs in science and medicine. Ion Channels provides an introduction to this scientific endeavour. It emphasizes the molecular structure of channels as determined by gene cloning technology. This molecular approach illuminates discussions of the permeability and selectivity of channels, their gating and modulation, their responses to drugs and toxins and the human diseases caused when they do not function properly
    Content: This book is aimed at an advanced undergraduate audience. It assumes little initial knowledge yet takes the readers to the frontiers of understanding
    Language: English
    Subjects: Biology
    RVK:
    WE 5000
    RVK:
    WE 5400
    RVK:
    WE 5460
    Keywords: Membranproteine ; Ionenkanal ; Ionenkanal
    URL: Inhaltsverzeichnis
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  • 2
    Book
    Book
    Body and soul : jazz and blues in American film, 1927 - 63 (2005)
    Urbana [u.a.] :Univ. of Illinois Press,
    Details
    UID:
    almafu_BV019818027
    Format: X, 213 S. : , Ill.
    ISBN: 0-252-02994-1 , 0-252-07235-9
    Language: English
    Subjects: General works
    RVK:
    AP 50300
    RVK:
    AP 51450
    Keywords: Filmmusik ; Jazz ; Filmmusik ; Blues ; Film ; Rasse ; Bibliografie
    URL: http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=013143337&sequence=000003&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA
    URL: http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=013143337&sequence=000003&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA
    URL: http://www.loc.gov/catdir/toc/ecip055/2004029989.html
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  • 3
    Online Resource
    Online Resource
    The cool and the crazy : pop fifties cinema (2015)
    New Brunswick, New Jersey ; : Rutgers University Press,
    Details
    UID:
    almafu_9959230259802883
    Format: 1 online resource (236 p.)
    Edition: 1st ed.
    ISBN: 0-8135-7301-7
    Content: Explosive! Amazing! Terrifying! You won't believe your eyes! Such movie taglines were common in the 1950's, as Hollywood churned out a variety of low-budget pictures that were sold on the basis of their sensational content and topicality. While a few of these movies have since become canonized by film fans and critics, a number of the era's biggest fads have now faded into obscurity. The Cool and the Crazy examines seven of these film cycles, including short-lived trends like boxing movies, war pictures, and social problem films detailing the sordid and violent life of teenagers, as well as uniquely 1950's takes on established genres like the gangster picture. Peter Stanfield reveals how Hollywood sought to capitalize upon current events, moral panics, and popular fads, making movies that were "ripped from the headlines" on everything from the Korean War to rock and roll. As he offers careful readings of several key films, he also considers the broader historical and commercial contexts in which these films were produced, marketed, and exhibited. In the process, Stanfield uncovers surprising synergies between Hollywood and other arenas of popular culture, like the ways that the fashion trend for blue jeans influenced the 1950's Western. Delivering sharp critical insights in jazzy, accessible prose, The Cool and the Crazy offers an appreciation of cinema as a "pop" medium, unabashedly derivative, faddish, and ephemeral. By studying these long-burst bubbles of 1950's "pop," Stanfield reveals something new about what films do and the pleasures they provide.
    Note: Includes index. , Front matter -- , Contents -- , Acknowledgments -- , Introduction -- , 1. Monarchs for the Masses: Boxing Films -- , 2. War Fever: Korea- Timely! Powerful! Exploitable! -- , 3. Got- to- See: Teenpix and the Social Problem Picture -- , 4. Teenpic Jukebox: Jazz, Calypso, Beatniks, and Rock 'n' Roll -- , 5. Intent to Speed: Hot Rod Movies -- , 6. Punks! JD Gangsters -- , 7. Dude Ranch Duds: Cowboy Costume -- , Conclusion -- , Notes -- , Index , Issued also in print. , English
    Additional Edition: ISBN 0-8135-7299-1
    Language: English
    Keywords: Electronic books.
    DOI: 10.36019/9780813573014
    URL: https://www.degruyter.com/isbn/9780813573014
    URL: Click to View
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  • 4
    Book
    Book
    A band with built-in hate : The Who from pop art to punk (2021)
    London :Reaktion Books,
    Details
    UID:
    almahu_BV047211926
    Format: 280 Seiten : , Illustrationen, Portraits (schwarz-weiß).
    ISBN: 978-1-78914-277-8
    Note: Hier auch später erschienene, unveränderte Nachdrucke
    Language: English
    Subjects: Musicology
    RVK:
    LS 48040
    RVK:
    LS 48060
    URL: Inhaltsverzeichnis
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  • 5
    Online Resource
    Online Resource
    Maximum movies--pulp fictions : film culture and the worlds of Samuel Fuller, Mickey Spillane, and Jim Thompson (2011)
    New Brunswick, N.J. :Rutgers University Press,
    Details
    UID:
    almahu_9948316245202882
    Format: xiii, 227 p. : , ill.
    Edition: Electronic reproduction. Ann Arbor, MI : ProQuest, 2015. Available via World Wide Web. Access may be limited to ProQuest affiliated libraries.
    Language: English
    Keywords: Electronic books.
    URL: Click to View
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  • 6
    Online Resource
    Online Resource
    "UN-American" Hollywood : Politics and Film in the Blacklist Era (2007)
    Piscataway : Rutgers University Press
    Details
    UID:
    gbv_1696216818
    Format: 1 online resource (368 pages)
    ISBN: 9780813543970
    Content: "Un-American" Hollywood reopens the intense critical debate on the blacklist era and on the aesthetic and political work of the Hollywood Left. In a series of fresh case studies focusing on contexts of production and reception, the contributors offer exciting and original perspectives on the role of progressive politics within a capitalist media industry. Original essays scrutinize the work of individual practitioners, such as Robert Rossen, Joseph Losey, Jules Dassin, and Edward Dmytryk, and examine key films, including The Robe, Christ in Concrete, The House I Live In, The Lawless, The Naked City, The Prowler, Body and Soul, and FTA.
    Content: Intro -- Contents -- Introduction -- Chapter 1: Are You Now or Have You Ever Been a Christian?: The Strange History of The Robe as Political Allegory -- Chapter 2: Un-American: Dmytryk , Rossellini, and Christ In Concrete -- Chapter 3: "A Living Part of the Class Struggle": Diego Rivera's The Flower Carrier and the Hollywood Left -- Chapter 4: A Monarch for the Millions: Jewish Filmmakers, Social Commentary, and the Postwar Cycle of Boxing Films -- Chapter 5: The Violent Poetry of the Times: The Politics of History in Daniel Mainwaring and Joseph Losey's The Lawless -- Chapter 6: Dark Passages: Jazz and Civil Liberty in the Postwar Crime Film -- Chapter 7: Documentary Realism and the Postwar Left -- Chapter 8: Cloaked in Compromise: Jules Dassin's "Naked" City -- Chapter 9: The Progressive Producer in the Studio System: Adrian Scott at RKO, 1943-1947 -- Chapter 10: The House I Live In: Albert Maltz and the Fight Against Anti-Semitism -- Chapter 11: Red Hollywood in Transition: The Case of Robert Rossen -- Chapter 12: Swashbuckling, Sapphire, and Salt: Un-American Contributions to TV Costume Adventure Series in the 1950s -- Chapter 13: Hollywood, the New Left, and FTA -- Chapter 14: Red Hollywood -- Afterword -- Acknowledgments -- Notes -- Notes on the Contributors -- Index.
    Note: Description based on publisher supplied metadata and other sources
    Additional Edition: ISBN 9780813541976
    Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 9780813541976
    Language: English
    URL: https://ebookcentral.proquest.com/lib/kxp/detail.action?docID=348825
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    MPI Bildungsforschung
  • 7
    Book
    Book
    Mob culture : hidden histories of American gangster film (2005)
    New Brunswick, NJ : Rutgers Univ. Press
    Details
    UID:
    gbv_387701370
    Format: IX, 311 S , Ill
    ISBN: 0813535573 , 0813535565
    Content: Gangsters and governance in the silent era / Lee Grieveson -- Why boys go wrong : gangsters, hoodlums, and the natural history of delinquent careers / Richard Maltby -- Gang busters : the Kefauver Crime Committee and the syndicate films of the 1950s / Ronald W. Wilson -- Ladies love brutes : reclaiming female pleasures in the lost history of Hollywood gangster cycles, 1929-1931 / Esther Sonnet -- A gunsel is being beaten : gangster masculinity and the homoerotics of the crime film, 1941-1942 / Gaylyn Studlar -- Mother Barker : film star and Public Enemy No. 1 / Mary Elizabeth Strunk -- "Good evening gentlemen, can I check your hats please?" : masculinity, dress, and the retro gangster cycles of the 1990s / Esther Sonnet and Peter Stanfield -- Waddaya lookin' at? : re-reading the gangster film through The sopranos / Martha P. Nochimson -- Black hands and white hearts : Southern Italian immigrants, crime, and race in early American cinema / Giorgio Bertellini -- "American like chop suey" : invocations of gangsters in Chinatown, 1920-1935 / Peter Stanfield -- The underworld films of Oscar Micheaux and Ralph Cooper : toward a genealogy of the Black screen gangster / Jonathan Munby -- Walking the streets : Black gangsters and the "abandoned city" in the 1970s blaxploitation cycle / Peter Stanfield.
    Note: Includes bibliographical references and index , Gangsters and governance in the silent era / Lee Grieveson -- Why boys go wrong : gangsters, hoodlums, and the natural history of delinquent careers / Richard Maltby -- Gang busters : the Kefauver Crime Committee and the syndicate films of the 1950s / Ronald W. Wilson -- Ladies love brutes : reclaiming female pleasures in the lost history of Hollywood gangster cycles, 1929-1931 / Esther Sonnet -- A gunsel is being beaten : gangster masculinity and the homoerotics of the crime film, 1941-1942 / Gaylyn Studlar -- Mother Barker : film star and Public Enemy No. 1 / Mary Elizabeth Strunk -- "Good evening gentlemen, can I check your hats please?" : masculinity, dress, and the retro gangster cycles of the 1990s / Esther Sonnet and Peter Stanfield -- Waddaya lookin' at? : re-reading the gangster film through The sopranos / Martha P. Nochimson -- Black hands and white hearts : Southern Italian immigrants, crime, and race in early American cinema / Giorgio Bertellini -- "American like chop suey" : invocations of gangsters in Chinatown, 1920-1935 / Peter Stanfield -- The underworld films of Oscar Micheaux and Ralph Cooper : toward a genealogy of the Black screen gangster / Jonathan Munby -- Walking the streets : Black gangsters and the "abandoned city" in the 1970s blaxploitation cycle / Peter Stanfield.
    Language: English
    Subjects: General works
    RVK:
    AP 44983
    RVK:
    AP 53600
    Keywords: USA ; Gangsterfilm ; Aufsatzsammlung
    URL: Inhaltsverzeichnis
    URL: Inhaltstext
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  • 8
    Online Resource
    Online Resource
    Maximum movies--pulp fictions : film culture and the worlds of Samuel Fuller, Mickey Spillane, and Jim Thompson (2011)
    New Brunswick, N.J. :Rutgers University Press,
    Details
    UID:
    almafu_9959229482802883
    Format: 1 online resource (242 p.)
    Edition: 1st ed.
    ISBN: 1-283-86460-6 , 0-8135-5103-X
    Content: In the words of Richard Maltby . . . ""Maximum Movies--Pulp Fictions describes two improbably imbricated worlds and the piece of cultural history their intersections provoked."" One of these worlds comprises a clutch of noisy, garish pulp movies--Kiss Me Deadly, Shock Corridor, Fixed Bayonets!, I Walked with a Zombie, The Lineup, Terror in a Texas Town, Ride Lonesome--pumped out for the grind houses at the end of the urban exhibition chain by the studios' B-divisions and fly-by-night independents. The other is occupied by critics, intellectuals, cinephiles, and filmmakers such as
    Note: Description based upon print version of record. , Contents; Foreword by Richard Maltby; Acknowledgments; Introduction:Yours till the Boys Come Home; 1.Position Papers: In Defense of Pulp Movies; 2.A Genealogy of Pulp: Black Mask to Mickey Spillane; 3.A World of Small Insanities: The Critical Reception of Kiss Me Deadly; 4.American Primitive: Samuel Fuller's Pulp Politics; 5.Authenticating Pulp: Jim Thompson Adaptations and Neo-noir; Conclusion: Hiding Out in Cinemas; Notes; Index; About the Author , English
    Additional Edition: ISBN 0-8135-5061-0
    Language: English
    DOI: 10.36019/9780813551036
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  • 9
    Online Resource
    Online Resource
    Maximum Movies—Pulp Fictions : Film Culture and the Worlds of Samuel Fuller, Mickey Spillane, and Jim Thompson (2011)
    New Brunswick, NJ :Rutgers University Press,
    Details
    UID:
    almafu_9959657701002883
    Format: 1 online resource (248 p.) : , 40 halftones
    ISBN: 9780813551036
    Content: In the words of Richard Maltby . . . "Maximum Movies--Pulp Fictions describes two improbably imbricated worlds and the piece of cultural history their intersections provoked." One of these worlds comprises a clutch of noisy, garish pulp movies--Kiss Me Deadly, Shock Corridor, Fixed Bayonets!, I Walked with a Zombie, The Lineup, Terror in a Texas Town, Ride Lonesome--pumped out for the grind houses at the end of the urban exhibition chain by the studios' B-divisions and fly-by-night independents. The other is occupied by critics, intellectuals, cinephiles, and filmmakers such as Jean-Luc Godard, Manny Farber, and Lawrence Alloway, who championed the cause of these movies and incited the cultural guardians of the day by attacking a rigorously policed canon of tasteful, rarified, and ossified art objects. Against the legitimate, and in defense of the illegitimate, in an insolent and unruly manner, they agitated for the recognition of lurid sensational crime stories, war pictures, fast-paced Westerns, thrillers, and gangster melodramas were claimed as examples of the true, the real, and the authentic in contemporary culture--the foundation upon which modern film studies sits.
    Note: Frontmatter -- , CONTENTS -- , Foreword -- , Acknowledgments -- , Introduction: Yours till the Boys Come Home -- , 1. Position Papers: In Defense of Pulp Movies -- , 2. A Genealogy of Pulp: Black Mask to Mickey Spillane -- , 3. A World of Small Insanities: The Critical Reception of Kiss Me Deadly -- , 4. American Primitive: Samuel Fuller’s Pulp Politics -- , 5. Authenticating Pulp: Jim Thompson Adaptations and Neo-noir -- , Conclusion: Hiding Out in Cinemas -- , Notes -- , Index -- , ABOUT THE AUTHOR , In English.
    Language: English
    DOI: 10.36019/9780813551036
    URL: https://www.degruyter.com/isbn/9780813551036
    URL: https://www.degruyter.com/isbn/9780813551036
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  • 10
    Online Resource
    Online Resource
    Hoodlum Movies : Seriality and the Outlaw Biker Film Cycle, 1966-1972 (2018)
    New Brunswick, NJ :Rutgers University Press,
    Details
    UID:
    edocfu_9959240084202883
    Format: 1 online resource
    ISBN: 0-8135-9903-2 , 0-8135-9905-9
    Content: From The Wild Angels in 1966 until its conclusion in 1972, the cycle of outlaw motorcycle films contained forty-odd formulaic examples. All but one were made by independent companies that specialized in producing exploitation movies for drive-ins, neighborhood theaters, and rundown inner city theaters. Despised by critics, but welcomed by exhibitors denied first-run films, these cheaply and quickly produced movies were made to appeal to audiences of mobile youths. The films are repetitive, formulaic, and eminently forgettable, but there is a story to tell about all of the above, and it is one worth hearing. Hoodlum Movies is not only about the films, its focus is on why and how these films were made, who they were made for, and how the cycle developed through the second half of the 1960s and came to a shuddering halt in 1972.
    Note: Description based on print version record. , Frontmatter -- , Contents -- , Introduction: Hoodlum Gestures -- , 1. Strange Excitements: The Topical and the Sensational -- , 2. Getting Out of Town: The Cycle Unfolds -- , 3. After Easy Rider: Modulations and Curious Combinations -- , 4. Nazi Satanists, Vietnam Vets, and Motorcycle Mamas (and Other Such Pulp Delights) -- , Conclusion: Buried in the Sand Forever -- , Acknowledgments -- , Notes -- , Index -- , About the Author , Issued also in print. , In English.
    Additional Edition: ISBN 0-8135-9902-4
    Language: English
    Keywords: Electronic books.
    DOI: 10.36019/9780813599052
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