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  • 1
    Book
    Book
    Durham ; London :Duke University Press,
    UID:
    almahu_BV045545181
    Format: viii, 288 Seiten : , Illustrationen, Portraits.
    ISBN: 978-1-4780-0046-4
    Note: Includes bibliographical references and index , Another resonance : Africa and the study of sound , Ululation , How the sea is sounded : remapping indigenous soundings in the Marshallese diaspora , Antenatal aurality in Pacific Afro-Colombian midwifery , Loudness, excess, power : a political liminology of a global city of the South , The spoiled and the salvaged : modulations of auditory value in Bangalore and Bangkok , Remapping the voice through transgender-Hijra performance , Banlieue sounds, or, The right to exist , Sound studies, difference, and global concept history , "Faking it" : moans and groans of loving and living in Govindpuri Slums , Disorienting sounds : a sensory ethnography of Syrian dance music , Afterword: Sonic cartographies
    Language: English
    Subjects: Ethnology , Musicology
    RVK:
    RVK:
    Keywords: Sound Studies ; Technischer Fortschritt ; Sozialer Wandel ; Ethnologie ; Kulturvergleich ; Aufsatzsammlung ; Aufsatzsammlung
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  • 2
    Book
    Book
    Chicago ; London :The University of Chicago Press,
    UID:
    almahu_BV049614126
    Format: XV, 233 Seiten.
    ISBN: 9780226831336 , 0226831337 , 9780226831367 , 0226831361
    Content: "In Interspecies Communication, ethnomusicologist Gavin Steingo examines several significant cases of attempted communication beyond the human--several cases, that is, where the dualistic relationship of human to non-human is dramatically challenged. Analyzing scenarios including a small coastal community in South Africa where humans call to whales, a scientific laboratory in the Caribbean where humans tried to speak with dolphins, and a case of black performance art involving human-alien communication, Steingo charts various mechanisms that humans have devised to think about, and indeed to reach, beings very unlike ourselves. These speculative endeavors look--and listen--beyond what we are and what we know. The book focuses on the second half of the twentieth century, when Enlightenment conceptualizations of human and non-human were increasingly materialized. Following the Second World War, scientists embarked upon the deep exploration of oceans and cosmic space--two realms previously inaccessible to the senses and to empirical investigation. As quintessential "final frontiers," the "outer" space of the cosmos and the "inner" space of oceans were conceptualized as structurally isomorphic twins, subject to the same method of scrutiny. Interspecies Communication examines the way that globally circulating ideas are taken up by a range of different subject positions-including, and especially, "peripheral" subject positions in the global South
    Note: Includes bibliographical references and index
    Additional Edition: ISBN 9780226831350
    Language: English
    Subjects: Musicology
    RVK:
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  • 3
    UID:
    b3kat_BV049577485
    Format: 127 Seiten , Illustrationen
    Language: English
    Keywords: Ausstellungskatalog
    Author information: Schwabsky, Barry
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  • 4
    Book
    Book
    Chicago ; London :The University of Chicago Press,
    UID:
    almahu_BV043652684
    Format: xx, 307 Seiten : , Illustrationen, Notenbeispiele, Karte.
    ISBN: 978-0-226-36240-3 , 978-0-226-36254-0
    Series Statement: Chicago studies in ethnomusicology
    Content: In mid-1990s South Africa, apartheid ended, Nelson Mandela was elected president, and the country s urban black youth developed "kwaito" a form of electronic music (redolent of North American house) that came to represent the post-struggle generation. In this book, Gavin Steingo examines kwaito as it has developed alongside the democratization of South Africa over the past two decades. Tracking the fall of South African hope into the disenchantment that often characterizes the outlook of its youth today who face high unemployment, extreme inequality, and widespread crime Steingo looks to kwaito as a powerful tool that paradoxically engages South Africa s crucial social and political problems by, in fact, seeming to ignore them. Politicians and cultural critics have long criticized kwaito for failing to provide any meaningful contribution to a society that desperately needs direction. As Steingo shows, however, these criticisms are built on problematic assumptions about the political function of music. Interacting with kwaito artists and fans, he shows that youth aren t escaping their social condition through kwaito but rather using it to expand their sensory realities and generate new possibilities. Resisting the truism that music is always political, Steingo elucidates a music that thrives on its its radically ambiguous relationship with politics, power, and the state. - Gavin Steingo is assistant professor of music at the University of Pittsburgh.
    Note: Includes bibliographical references and index
    Additional Edition: Erscheint auch als Online-Ausgabe ISBN 978-0-226-36268-7
    Additional Edition: Erscheint auch als Online-Ausgabe ISBN 978-0-226-36268-7
    Language: English
    Subjects: Musicology
    RVK:
    RVK:
    Keywords: Kwaito ; Politischer Wandel ; Jugend ; Schwarze ; Soziale Funktion
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