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  • 1
    UID:
    b3kat_BV042027278
    Format: X, 369 S. , Ill.
    Edition: 1. publ. in the UK
    ISBN: 978-1-78320-185-3 , 1-78320-185-1
    Language: English
    Subjects: General works
    RVK:
    Keywords: Filmschule ; Geschichte
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  • 2
    AV-Medium
    AV-Medium
    Tillingham : Roland-Verl.
    UID:
    kobvindex_ZLB12336982
    Format: 1 Videokass. (35 Min.)
    Edition: 1
    Series Statement: The Roland Collection 667
    Content: This video examines one particular tendency in the history of photomontage, the analysis of the world in political terms. The is divided into three sections. The first looks at the effect of layout and juxtaposition on the meaning of images. It highlights the difference between the 'variety show' of a color magazine, and the impact of a John Heartfield montage, or the slaughterhouse scene in The Hour of the Furnaces, in which individual images are made to interact to produce new meanings. The second section examines the mechanics of photomontage construction, and its ability to say more about reality than a simple photograph. The third section considers possible uses for political photomontage, in campaigns, on posters, in books, newspapers and magazines. The video focuses on the work of British photomontagist Peter Kennard, probably best known for his anti-nuclear stance. In each section Kennard talks about his own practice, and shows how some of his photomontages were conceived, constructed and distributed. The film reveals how photomontage can provide a critique of the reality represented in conventional advertising and the media: by unmasking this mediated view of the world it becomes a political act. Kennard's work is discussed in relation to other photomontagists, such as John Heartfield and Hans Staek who have, in their own ways, used the juxtaposition of images to make political statements. Underlying these practices is the conviction that, in order to use images to change lives, you first have to change the images themselves. '...best used to stimulate discussion about the difference between propaganda and political art, or as an introduction for high school and college students creating their own photomontages using either cameras or images from magazines. For adults wishing to create montages, this is a needed purchase. There will always be a need for political photomontages. This videotape can be used in art, English, contemporary issues, and photography classes. And for any school wishing to teach thinking skills, this is a needed addition to the collection.' Video Rating Guide for Libraries, USA (Roland Collection)
    Note: engl.
    Language: English
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  • 3
    Book
    Book
    Newcastle : Cambridge Scholars Publ.
    UID:
    gbv_1602935785
    Format: XIII, 244 S. , 22 cm
    ISBN: 9781443803311 , 1443803316
    Note: Formerly CIP Uk. - Includes bibliographical references
    Language: English
    Subjects: English Studies
    RVK:
    Author information: Murray, Jonathan
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  • 4
    UID:
    gbv_565602586
    Format: VIII, 135 S , 1 DVD , 20 cm
    Edition: 1. publ.
    ISBN: 9781905674749 , 1905674740
    Series Statement: Nonfictions series
    Note: Includes bibliographical references , Formerly CIP Uk. - Includes bibliographical references
    Language: English
    Subjects: General works
    RVK:
    Keywords: Chavez: Inside the Coup ; DVD-Video
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  • 5
    Online Resource
    Online Resource
    Newcastle upon Tyne :Cambridge Scholars,
    UID:
    almahu_9948317633902882
    Format: xiii, 244 p.
    Edition: Electronic reproduction. Ann Arbor, MI : ProQuest, 2015. Available via World Wide Web. Access may be limited to ProQuest affiliated libraries.
    Language: English
    Keywords: Electronic books.
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  • 6
    UID:
    almahu_9948319165702882
    Format: 1 online resource (382 pages) : , illustrations, photographs
    ISBN: 9781783202690 (e-book)
    Additional Edition: Print version: Petrie, Duncan. Educating film-makers : past, present and future. Bristol, [England] ; Chicago, [Illinois] : Intellect, c2014 ISBN 9781783201853
    Language: English
    Keywords: Electronic books.
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  • 7
    Online Resource
    Online Resource
    Newcastle upon Tyne :Cambridge Scholars,
    UID:
    almafu_9959227703902883
    Format: 1 online resource (260 p.)
    Edition: 1st ed.
    ISBN: 1-282-18991-3 , 9786612189913 , 1-4438-0413-4
    Content: Cinema from Scotland has attained an unprecedented international profile in the decade or so since Shallow Grave (1995) and Trainspotting (1996) impinged on the consciousness of audiences and critics around the world. Scottish Cinema Now is the first collection of essays to examine in depth the new films and filmmakers that have emerged from Scotland over the last ten years. With contributions from both established names and new voices in British Cinema Studies, the volume combines detailed t...
    Note: Description based upon print version of record. , TABLE OF CONTENTS; EDITORS' INTRODUCTION; ACKNOWLEDGEMENTS; DEMONS IN THE MACHINE; REEL 2 REAL CACOPHONY; SCOTCH MYTHS, SCOTTISH FILM CULTURE AND THE SUPPRESSION OF LUDIC MODERNISM; NOSTOPHOBIA; THEY KNOW WHERE THEY'RE GOING; 'BONNIE SCOTLAND, EH?'; SCOTLAND'S OTHER KINGDOMS; ADMITTING THE KAILYARD; NEW SCOTTISH CINEMA AS TRANS-NATIONAL CINEMA; SCREENING SCOTLAND; NOT MADE IN SCOTLAND; CHASING CROSSOVER; WHAT'S THE POINT OF FILM SCHOOL, OR, WHAT DID BEACONS FIELD STUDIOS EVER DO FOR THE SCOTTISH FILM INDUSTRY?; SHAPE-SHIFTERS; LIST OF CONTRIBUTORS , English
    Additional Edition: ISBN 1-4438-0331-6
    Language: English
    Keywords: Libros electrónicos.
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