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  • 1
    Book
    Book
    London : William Collins
    UID:
    b3kat_BV046693035
    Format: 297 Seiten
    ISBN: 9780008276935 , 0008276935 , 9780008276942 , 9780008276973 , 0008276943
    Note: Includes bibliographical references and index
    Additional Edition: Erscheint auch als Online-Ausgabe ISBN 978-0-00-827695-9
    Language: English
    Subjects: Comparative Studies. Non-European Languages/Literatures , English Studies
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    RVK:
    RVK:
    Keywords: Erzähltechnik
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  • 2
    Online Resource
    Online Resource
    HarperCollins Publishers
    UID:
    kobvindex_ZLB34972212
    Edition: Unabridged
    ISBN: 9780008354664
    Content: "'Will Storr is one of our best journalists of ideas ... The Status Game might be his best yet' James Marriott, Books of the Year, The Times What drives our political and moral beliefs? What makes us like some things and dislike others? What shapes how we behave, and misbehave, in groups? What makes you, you? For centuries, philosophers and scholars have described human behaviour in terms of sex, power and money. In The Status Game, bestselling author Will Storr radically turns this thinking on its head by arguing that it is our irrepressible craving for status that ultimately defines who we are. From the era of the hunter-gatherer to today, when we exist as workers in the globalised economy and citizens of online worlds, the need for status has always been wired into us. A wealth of research shows that how much of it we possess dramatically affects not only our happiness and wellbeing but also our physical health – and without sufficient status, we become more ill, and live shorter lives. It's an unconscious obsession that drives the best and worst of us: our innovation, arts and civilisation as well as our murders, wars and genocides. But why is status such an all-consuming prize? What happens if it's taken away from us? And how can our unquenchable thirst for it explain cults, moral panics, conspiracy theories, the rise of social media and the 'culture wars' of today? On a breathtaking journey through time and culture, The Status Game offers a sweeping rethink of human psychology that will change how you see others – and how you see yourself."
    Language: English
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  • 3
    UID:
    kobvindex_ZLB34869032
    ISBN: 9781683358183
    Content: " The compelling, groundbreaking guide to creative writing that reveals how the brain responds to storytelling Stories shape who we are. They drive us to act out our dreams and ambitions and mold our beliefs. Storytelling is an essential part of what makes us human. So, how do master storytellers compel us? In The Science of Storytelling , award-winning writer and acclaimed teacher of creative writing Will Storr applies dazzling psychological research and cutting-edge neuroscience to our myths and archetypes to show how we can write better stories, revealing, among other things, how storytellers8212 and also our brains8212 create worlds by being attuned to moments of unexpected change. Will Storr's superbly chosen examples range from Harry Potter to Jane Austen to Alice Walker, Greek drama to Russian novels to Native American folk tales, King Lear to Breaking Bad to children's stories. With sections such as The Dramatic Question, Creating a World, and Plot, Endings, and Meaning, as well as a practical, step-by-step appendix dedicated to The Sacred Flaw Approach, The Science of Storytelling reveals just what makes stories work, placing it alongside such creative writing classics as John Yorke's Into the Woods: A Five-Act Journey into Story and Lajos Egri's The Art of Dramatic Writing . Enlightening and empowering, The Science of Storytelling is destined to become an invaluable resource for writers of all stripes, whether novelist, screenwriter, playwright, or writer of creative or traditional nonfiction. "
    Content: Biographisches: " Will Storr is an award-winning journalist and novelist whose work has appeared in the Guardian , Sunday Times , The New Yorker , and the New York Times . His books include Selfie: How the West Became Self-Obsessed and The Unpersuadables: Adventures with the Enemies of Science (Overlook/Abrams Press). His writing courses are among the most in-demand offerings of the Guardian Masterclasses and the Faber Academy. He lives in Kent, England." Rezension(2): "〈a href=http://www.kirkusreviews.com target=blank〉〈img src=https://images.contentreserve.com/kirkus_logo.png alt=Kirkus border=0 /〉〈/a〉: January 15, 2020 British novelist and science journalist Storr (Selfie: How We Became So Self-Obsessed and What It's Doing to Us, 2018, etc.) peels back the neuroscience of what makes stories work. A good story--Alice's Adventures in Wonderland, say, or Dracula--operates on rules that its makers may have internalized but may not be able to enumerate. One is that the creator of a story builds a model world that readers then colonize and rebuild. In one study, subjects watched stories as they were being related by casting their eyes upward when events occurred above the line of horizon, and when they heard 'downward' stories, that's where their eyes went too. Tracking saccades when stories land on a person is one thing, but there are fundamental observations that storytellers have long known: Character is more important than plot, for instance, and, as Storr puts it, every story you'll ever hear amounts to 'something changed.' A skillful storyteller will then build the promise of change close to the beginning, as with E.B. White's opening to Charlotte's Web: Where's Papa going with that ax? Humans being self-centered if social critters, another fundamental element is that we all like to be the hero of our own epics--our lives, that is--which helps explain our attraction to other such heroes and the journeys they face, which involve at least a couple of failures before getting it right. Moreover, we like the vicarious experience of chaos while yearning for stability in our own lives, which explains the value of a good tale full of reversals. As for that old rule about avoiding clich�s like the plague? It turns out that the brain doesn't fire quite so blazingly when it hears a familiar phrase as when it hears a fresh new metaphor, reason enough for the careful writer to try to find a new way of turning a phrase. Both veteran and budding storytellers will learn a great deal from Storr's pages, which themselves add up to a meaty yarn. COPYRIGHT(2020) Kirkus Reviews, ALL RIGHTS RESERVED. " Rezension(3): "〈a href=https://www.booklistonline.com target=blank〉〈img src=https://images.contentreserve.com/booklist_logo.png alt=Booklist border=0 /〉〈/a〉: February 15, 2020 Journalist and novelist Storr (Selfie, 2018) has compiled the scientifically proven ingredients for an empirically gripping story. Inspired by his popular workshop of the same name, Storr's book is for both storytellers and story consumers. Using psychology, sociology and neuroscience, Storr examines what compels audiences to care about a novel, movie, or play. His conclusion revolves around character: flawed, specific characters make a story worth finishing. He relies on examples from Citizen Kane, to Lolita, to The Remains of The Day to show how relating to or abhorring the characters within is critical to engagement with the plot. Plot, in Storr's assessment, never matters as much as character,it's simply a series of events that tests the will of the players. A juicy plot can't keep an audience's attention if left in the hands of a flat, unchanging cast. The book is key in understanding why some stories sell and why some go long forgotten. Storr's examination of myth and the mind has something to offer anyone curious enough to pick it up.(Reprinted with permission of Booklist, copyright 2020, American Library Association.) "
    Language: English
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  • 4
    Online Resource
    Online Resource
    ABRAMS, Inc. (Ignition)
    UID:
    kobvindex_ZLB34822488
    ISBN: 9781468315905
    Content: " An intriguing odyssey though the history of the self and the rise of narcissism ( The New York Times ). Self-absorption, perfectionism, personal branding8212 it wasn't always like this, but it's always been a part of us. Why is the urge to look at ourselves so powerful? Is there any way to break its spell8212 especially since it doesn't necessarily make us better or happier people? Full of unexpected connections among history, psychology, economics, neuroscience, and more, Selfie is a terrific book that makes sense of who we have become (NPR's On Point ). Award-winning journalist Will Storr takes us from ancient Greece, through the Christian Middle Ages, to the self-esteem evangelists of 1980s California, the rise of the selfie generation, and the era of hyper-individualism in which we live now, telling the epic tale of the person we all know so intimately8212 because it's us. It's easy to look at Instagram and selfie-sticks and shake our heads at millennial narcissism. But Will Storr takes a longer view. He ignores the easy targets and instead tells the amazing 2,500-year story of how we've come to think about our selves. A top-notch journalist, historian, essayist, and sleuth, Storr has written an essential book for understanding, and coping with, the 21st century. 8212 Nathan Hill, New York Times -bestselling author of The Nix This fascinating psychological and social history . . . reveals how biology and culture conspire to keep us striving for perfection, and the devastating toll that can take.8212 The Washington Post Ably synthesizes centuries of attitudes and beliefs about selfhood, from Aristotle, John Calvin, and Freud to Sartre, Ayn Rand, and Steve Jobs. 8212 USA Today Eminently suitable for readers of both Yuval Noah Harari and Daniel Kahneman,  Selfie  also has shades of Jon Ronson in its subversive humor and investigative spirit. 8212 Bookseller Storr is an electrifying analyst of Internet culture. 8212 Financial Times Continually delivers rich insights . . . captivating. 8212 Kirkus Reviews "
    Content: Biographisches: "Will Storr is an award-winning journalist and novelist whose work has appeared in the Guardian, Sunday Times, The New Yorker, and the New York Times. His books include Selfie: How the West Became Self-Obsessed and The Unpersuadables: Adventures with the Enemies of Science (Overlook/Abrams Press). His writing courses are among the most in-demand offerings of the Guardian Masterclasses and the Faber Academy. He lives in Kent, England." Rezension(2): "Nathan Hill, New York Times bestselling author of The Nix:It's easy to look at Instagram and selfie-sticks and shake our heads at millennial narcissism. But Will Storr takes a longer view. He ignores the easy targets and instead tells the amazing 2,500-year story of how we've come to think about our selves. A top-notch journalist, historian, essayist, and sleuth, Storr has written an essential book for understanding, and coping with, the 21st century." Rezension(3): "Bookseller, Editor's Choice:Eminently suitable for readers of both Yuval Noah Harari and Daniel Kahneman, Selfie also has shades of Jon Ronson in its subversive humour and investigative spirit . Selfie, without being remotely fluffy, just might be the ultimate in post-truth comfort reading." Rezension(4): "〈a href=http://www.kirkusreviews.com target=blank〉〈img src=https://images.contentreserve.com/kirkus_logo.png alt=Kirkus border=0 /〉〈/a〉: December 1, 2017 Studying self-image from a variety of perspectives.The idea of the self has long fascinated British novelist and journalist Storr (The Unpersuadables: Adventures with the Enemies of Science, 2014), and he scrutinizes the topic through both historical and contemporary lenses. The author probes themes of identity and reputation in an anthropologically sound examination of the ancestral tribal brain and the inherent nature of humans to become preoccupied with perfectionism and outward perception. He traces ideas of self-imagery and cultural influence back to ancient Greece, contrasts Confucian and Aristotelian principles, and looks at the work of Ayn Rand. He intermingles these notions with a chronicle of his conversation with a brutish former club bouncer whose violently aggressive demeanor, according to psychologists, stems from low self-esteem issues. Some scientists argue for the significance of threatened masculinity and ego, which correlates to Storr's introduction to the personal growth-focused Esalen Institute, whose main intent remains to improve attendees' general self-esteem. The author's immersion in the encounter groups at the facility's Big Yurt provides a revealing look at the individualistic author himself. In another self-commentary, he equates his extra belly fat with a moral transgression, a failure to match the historically and culturally normative blueprint of what his body should resemble. Reflections on neoliberalism follow a discussion of his extended stay at Silicon Valley's Rainbow Mansion tech commune, where a millennial narcissist obsessively takes hundreds of selfies daily, continually incentivized by social media's virtual validation. The book is uncommonly structured into large segments with text that often glides into a stream-of-consciousness flow, featuring ideas and points of reference that correlate but sometimes seem haphazardly arranged. Nonetheless, Storr continually delivers rich insights, historically grounded conclusions, and more contemporary deliberations on his subject's relevance to the Trump campaign and how to stay hopeful living in a me-first world.Captivating, self-reflective research on our culture of rampant egocentricity. COPYRIGHT(2017) Kirkus Reviews, ALL RIGHTS RESERVED. "
    Language: English
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  • 5
    UID:
    gbv_1008856053
    Format: 403 Seiten , 24 cm
    ISBN: 9781468315899 , 9781447283645 , 9781447283652
    Content: We live in an age of perfectionism. Every day, we're bombarded with the beautiful, successful, slim, socially-conscious and extroverted individual that our culture has decided is the perfect self. We see this person constantly in shop windows, in newspapers, on the television, at the movies and all over our social media. We berate ourselves when we don't match up to them - when we're too fat, too old, too poor or too sad. This cycle can be extremely bad for us. In recent years, psychologists have even begun to think that many people take their own lives because of the impossible standards that are set for who they ought to be.Will Storr began to wonder about this perfect self that torments so many of us. Who, actually, is this person? Why does it hold such power over us? Could it be humanity's deadliest idea? And, if so, is there any way we can break its spell?To find out, Storr takes us on a journey from the shores of Ancient Greece, through the Christian Middle Ages, the encounter groups of 1960s California and self-esteem evangelists of the late twentieth century to modern-day America, where research suggests today's young people are in the grip of an epidemic of narcissism. He'll tell the strange story of the individualist Western self from its birth on the Aegean to the era of hyper-individualistic neoliberalism in which we find ourselves today. "Selfie" reveals, for the first time, the epic tale of the person we all know so intimately . . . because it's us
    Content: The dying self -- The tribal self -- The perfectible self -- The bad self -- The good self -- The special self -- The digital self -- How to stay alive in the age of perfectionism
    Note: Includes bibliographical references and index
    Language: English
    Keywords: Selbst ; Selfie
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  • 6
    UID:
    b3kat_BV045066118
    Format: 403 Seiten , 24 cm
    Edition: updated paperback edition
    ISBN: 9781447283669
    Content: We live in an age of perfectionism. Every day, we're bombarded with the beautiful, successful, slim, socially-conscious and extroverted individual that our culture has decided is the perfect self. We see this person constantly in shop windows, in newspapers, on the television, at the movies and all over our social media. We berate ourselves when we don't match up to them - when we're too fat, too old, too poor or too sad. This cycle can be extremely bad for us. In recent years, psychologists have even begun to think that many people take their own lives because of the impossible standards that are set for who they ought to be.Will Storr began to wonder about this perfect self that torments so many of us. Who, actually, is this person? Why does it hold such power over us? Could it be humanity's deadliest idea? And, if so, is there any way we can break its spell?To find out, Storr takes us on a journey from the shores of Ancient Greece, through the Christian Middle Ages, the encounter groups of 1960s California and self-esteem evangelists of the late twentieth century to modern-day America, where research suggests today's young people are in the grip of an epidemic of narcissism. He'll tell the strange story of the individualist Western self from its birth on the Aegean to the era of hyper-individualistic neoliberalism in which we find ourselves today. "Selfie" reveals, for the first time, the epic tale of the person we all know so intimately . . . because it's us
    Note: The dying self -- The tribal self -- The perfectible self -- The bad self -- The good self -- The special self -- The digital self -- How to stay alive in the age of perfectionism
    Language: English
    Subjects: General works
    RVK:
    Keywords: Selbstbild ; Geschichte
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  • 7
    Online Resource
    Online Resource
    New York, NY : Abrams, Incorporated
    UID:
    kobvindex_INTEBC6119479
    Format: 1 online resource (168 pages)
    ISBN: 9781419743030 , 9781683358183
    Note: Cover -- Title Page -- Copyright Page -- Dedication -- Contents -- Introduction -- Chapter One: Creating a World -- 1.0 Where does a story begin? -- 1.1 Moments of change -- the control-seeking brain -- 1.2 Curiosity -- 1.3 The model-making brain -- how we read -- grammar -- filmic word order -- simplicity -- active versus passive language -- specific detail -- show-not-tell -- 1.4 World-making in fantasy and science fiction -- 1.5 The domesticated brain -- theory of mind in animism and religion -- how theory-of-mind mistakes create drama -- 1.6 Salience -- creating tension with detail -- 1.7 Neural models -- poetry -- metaphor -- 1.8 Cause and effect -- literary versus mass-market storytelling -- 1.9 Change is not enough -- Chapter Two: The Flawed Self -- 2.0 The flawed self -- the theory of control -- 2.1 Personality and plot -- 2.2 Personality and setting -- 2.3 Personality and point of view -- 2.4 Culture and character -- Western versus Eastern story -- 2.5 Anatomy of a flawed self -- the ignition point -- 2.6 Fictional memories -- moral delusions -- antagonists and moral idealism -- antagonists and toxic self-esteem -- the hero-maker narrative -- 2.7 David and Goliath -- 2.8 How flawed characters create meaning -- Chapter Three: The Dramatic Question -- 3.0 Confabulation and the deluded character -- the dramatic question -- 3.1 Multiple selves -- the three-dimensional character -- 3.2 The two levels of story -- how subconscious character struggle creates plot -- 3.3 Modernist stories -- 3.4 Wanting and needing -- 3.5 Dialogue -- 3.6 The roots of the dramatic question -- social emotions -- heroes and villains -- moral outrage -- 3.7 Status play -- 3.8 King Lear -- humiliation -- 3.9 Stories as tribal propaganda -- 3.10 Antiheroes -- empathy -- 3.11 Origin damage -- Chapter Four: Plots, Endings and Meaning -- 4.0 Goal directedness , constriction and release -- video games -- personal projects -- eudaemonia -- 4.1 The story event -- the standard five-act plot -- plot as recipe versus plot as symphony of change -- 4.2 The final battle -- 4.3 Endings -- control -- the God moment -- 4.4 Story as a simulacrum of consciousness -- transportation -- 4.5 The power of story -- 4.6 The value of story -- 4.7 The lesson of story -- 4.8 The consolation of story -- Appendix: The Sacred Flaw Approach -- A Note on the Text -- Acknowledgments -- Notes and Sources -- Index of Searchable Terms
    Additional Edition: Print version Storr, Will The Science of Storytelling New York, NY : Abrams, Inc.,c2020 ISBN 9781419743030
    Language: English
    Keywords: Electronic books.
    URL: FULL  ((OIS Credentials Required))
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  • 8
    Book
    Book
    London : William Collins
    UID:
    gbv_1696672856
    Format: 297 Seiten , 20 cm
    Edition: Paperback edition
    ISBN: 0008276978 , 9780008276973
    Note: auf dem Rückumschlag: "includes new material" , Enthält bibliografische Angaben und Index (Seite 261-297)
    Language: English
    Subjects: Comparative Studies. Non-European Languages/Literatures
    RVK:
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  • 9
    Book
    Book
    London : William Collins
    UID:
    gbv_177468649X
    Format: 405 Seiten , 24 cm
    ISBN: 9780008354633 , 9780008354640
    Note: Titelzusatz auf dem Umschlag
    Additional Edition: ISBN 9780008354657
    Language: English
    Subjects: Sociology
    RVK:
    Keywords: Sozialstatus ; Soziale Stellung ; Soziale Mobilität ; Kollektives Verhalten
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