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  • 1
    UID:
    almafu_9960118842902883
    Format: 1 online resource (xxviii, 526 pages) : , digital, PDF file(s).
    ISBN: 1-78744-006-0
    Series Statement: Aldeburgh studies in music ; volume 12
    Content: Benjamin Britten Studies brings together established authorities and new voices to offer a fresh perspective on previous scholarship models and a re-contextualization of previously held beliefs about Britten. Using the most recent and innovative historical, musicological, sociological, psychological, and theoretical methodologies, the authors take off the 'protective arm' around Britten and disclose an unprecedented amount of previously unpublished and disregarded primary source materials. The collection considers difficult questions of identity such as Britten's retreat to America, his re-entry into the British musical scene, and late-life revisions of his American works; scrutinizes the fraught establishing of the English Opera Group contemporaneous with the founding of the Aldeburgh Festival of Music and the Arts; explores his break with Boosey & Hawkes and inspects international copyright concerns in the Soviet Union' investigates sensitive issues of intimacy and Britten's relationships; and combines closer analysis of Britten's musico-rhythmic, harmonic, and compositional practices with a description of the more overtly political context within which he found himself. Benjamin Britten Studies ends by asking what we can actually know about the composer in a reconsideration of the materials he left behind. All of this coalesces into a volume that not only serves as a model of on-going and future Britten research but which generates a greater understanding of the overall trends within the ever-synthesizing and interdisciplinary musicological field of the twenty-first century.VICKI P. STROEHER is Professor of Music History at Marshall University.JUSTIN VICKERS is Assistant Professor of Voice at Illinois State University.Contributors: Byron Adams, Nicholas Clark, Jenny Doctor, Paul Kildea, Christopher Mark, Thornton Miller, Louis Niebur, Philip Reed, Colleen Renihan, Philip Rupprecht, Kevin Salfen, Vicki P. Stroeher, Justin Vickers, Lucy Walker, Danielle Ward-Griffin, Lloyd Whitesell
    Note: Title from publisher's bibliographic system (viewed on 30 Oct 2017). , The shock of exile / Paul Kildea -- Britten, Paul Bunyan, and American-ness / Vicki P. Stroeher -- Collaborating with Corwin, CBS, and the BBC / Jenny Doctor -- An empire built on shingle / Justin Vickers -- Save me from those suffering boys / Byron Adams -- Britten's (and Pears's) Beloved / Louis Niebur -- Notes of unbelonging / Lloyd Whitesell -- Take these tokens that you may feel us near / Colleen Renihan -- Traces of Nō / Kevin Salfen -- Britten and the augmented sixth / Christopher Mark -- Quickenings of the heart / Philip Rupprecht -- Reviving Paul Bunyan / Danielle Ward-Griffin -- Striking a compromise / Thornton Miller -- From Boosey & Hawkes to Faber Music / Nicholas Clark -- The man himself / Lucy Walker -- Epilogue / Vicki P. Stroeher and Justin Vickers.
    Additional Edition: ISBN 1-78327-195-7
    Language: English
    URL: Volltext  (lizenzpflichtig)
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  • 2
    Online Resource
    Online Resource
    Cambridge :Cambridge University Press,
    UID:
    almafu_9960178708602883
    Format: 1 online resource (xxv, 400 pages) : , digital, PDF file(s).
    ISBN: 1-108-75541-0 , 1-108-75197-0 , 1-108-63487-7
    Series Statement: Composers in context
    Content: Benjamin Britten, pianist, conductor, educator, composer of a wide range of music from large-scale operas and choral works to string quartets and songs, is acknowledged as a pivotal figure in mid-twentieth-century Britain. This volume explores the contexts for his multi-faceted career and his engagement with his contemporaries in music, art, literature, and film, British musical institutions, royal and governmental entities, and the church, as well as his ground-breaking projects, philosophical and ideological tenets. The book is thematically structured in five parts: Britten's relationships with Peter Pears, his close friends, mentors, and colleagues; musical life in Britain; his interactions with previous and contemporary generations of composers; his professional work with choreographers, librettists, stage designers, and directors; and his socio-cultural, religious, and political environment. The chapters shed light on the many opportunities and challenges of post-war British musical life that shaped Britten's creative output.
    Note: Title from publisher's bibliographic system (viewed on 01 Apr 2022). , Cover -- Half-title page -- Series page -- Title page -- Copyright page -- Dedication page -- Contents -- List of Figures -- List of Tables -- Notes on Contributors -- Acknowledgements -- List of Bibliographic and In-Text Abbreviations -- Prologue: Positioning Britten -- Part I The Britten Circle(s) -- 1 Early Mentors: The Bridges, the Auden Set, and the Mayers of Long Island -- 2 Peter Pears -- 3 The Open Secret -- 4 Britten's Circle -- 5 The Making of Britten: Imogen Holst, Rosamund Strode, and Colin Matthews -- 6 Britten's Publishers as Advance and Rear Guard -- Part II British Musical Life -- 7 Composing in England -- 8 Britten and Film -- 9 Britten and the Radio -- 10 Recording a Musical Experience: Britten's Works on Record and Television -- 11 Music Critics and the Press -- 12 Britten and English Opera: Myths and a (Chequered) History -- 13 Festival Culture in the British Isles -- 14 Concert Life in Britain -- 15 Benjamin Britten and Folk Song -- 16 Educating the Nation: Britten's Music for Young People -- Part III Britten and Other Composers -- 17 The Compositional Context: Creating a Voice -- 18 Responding to a British Musical Past -- 19 Britten and the English Musical Renaissance -- 20 Responding to the Continent -- 21 An English Tradition? -- 22 'An Exciting Time with All the Russians': Anglo-Soviet Musical Contacts -- 23 The Avant-Garde -- Part IV Wordsmiths, Designers, and Performers -- 24 W. H. Auden -- 25 Eric Crozier -- 26 Two Librettists: Montagu Slater and Ronald Duncan -- 27 The Wise, Queer Heart of Englishness: E. M. Forster -- 28 William Plomer's Poetics of Exile at Home -- 29 'Don't Colour Them, the Music Will Do That': Myfanwy Piper and Britten's Marriage of Words and Music -- 30 Designing and Dancing Britten -- 31 Pears as Illuminator, Interpreter, and Inspiration -- 32 Britten's Singers. , 33 Britten's Performers: Those Most 'Instrumental' -- Part V British Sociocultural, Religious, and Political Life -- 34 English and British National Identity in the Arts -- 35 The Place Within: Britten's Landscapes -- 36 Monarchy, Royalty, and Arts Patronage -- 37 Literary Leanings -- 38 Faith, Spirituality, and the Church -- 39 The Politics of the Closet -- 40 Communism, Socialism, and Pacifism in British Politics: From the 1930s to the Second World War -- Epilogue: Britten's Legacy -- Further Reading -- Index.
    Additional Edition: Print version: BENJAMIN BRITTEN IN CONTEXT. [S.l.] : CAMBRIDGE UNIV PRESS, 2022 ISBN 1108496695
    Additional Edition: Ebook version : ISBN 9781108751971
    Language: English
    Subjects: Musicology
    RVK:
    Keywords: Aufsatzsammlung
    Library Location Call Number Volume/Issue/Year Availability
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  • 3
    UID:
    almafu_BV043683226
    Format: XX, 452 Seiten : , Illustrationen.
    ISBN: 978-1-78327-108-5
    Series Statement: Aldeburgh studies in music volume 10
    Content: This volume comprises the complete surviving correspondence between Benjamin Britten and Peter Pears. The 365 letters written throughout their 39-year relationship are here brought together and published, as Pears intended, for the first time. While the correspondence provides valuable evidence of the development of Britten's works, more significant is theinsight into his relationship with Pears and their day-to-day life together. Entertaining to read, domestic and intimate, the letters provide glimpses of cultural and artistic life in the twentieth century, including pacifism and conscientious objection, critical assessments of music and other artists, transport and communications development in the twentieth century, the 'Aldeburgh corpses', artcollecting, gossip, everyday life in an English country house, the development of the Aldeburgh Festival, performance practice in early music, looking after dachshunds, travel, and a host of other topics. Above all, when read together, Britten and Pears's letters allow the clearest possible look 'behind the scenes' of one of the most productive creative partnerships of the twentieth century. - VICKI P. STROEHER is Professor of Music History at Marshall University where she is also Coordinator of the Music History & Literature area. NICHOLAS CLARK is the Librarian at the Britten-Pears Foundation at The Red House, Britten and Pears's home in Aldeburgh, Suffolk. JUDE BRIMMER is an Archivist at the Britten-Pears Foundation. (Klappentext)
    Note: Foreword by Fiona Shaw
    Additional Edition: Erscheint auch als Online-Ausgabe ISBN 978-1-78204-629-5
    Language: English
    Subjects: Musicology
    RVK:
    Keywords: 1913-1976 Britten, Benjamin ; 1910-1986 Pears, Peter ; Briefsammlung ; Briefsammlung
    Author information: Pears, Peter 1910-1986
    Author information: Britten, Benjamin 1913-1976
    Library Location Call Number Volume/Issue/Year Availability
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  • 4
    UID:
    almafu_9960116997802883
    Format: 1 online resource (xx, 452 pages) : , digital, PDF file(s).
    ISBN: 1-78204-629-1
    Series Statement: Aldeburgh studies in music
    Uniform Title: Works. Selections
    Content: 'It's a life of the two of us.'〈BR〉〈BR〉 This volume comprises the complete surviving correspondence between Benjamin Britten and Peter Pears. The 365 letters written throughout their 39-year relationship are here brought together and published, as Pears intended, for the first time. While the correspondence provides valuable evidence of the development of Britten's works, more significant is theinsight into his relationship with Pears and their day-to-day life together. Entertaining to read, domestic and intimate, the letters provide glimpses of cultural and artistic life in the twentieth century, including pacifism and conscientious objection, critical assessments of music and other artists, transport and communications development in the twentieth century, the 'Aldeburgh corpses', artcollecting, gossip, everyday life in an English country house, the development of the Aldeburgh Festival, performance practice in early music, looking after dachshunds, travel, and a host of other topics. Above all, when read together, Britten and Pears's letters allow the clearest possible look 'behind the scenes' of one of the most productive creative partnerships of the twentieth century.〈BR〉〈BR〉 VICKI P. STROEHER is Professor of Music History at Marshall University where she is also Coordinator of the Music History & Literature area.〈BR〉〈BR〉 NICHOLAS CLARK is the Librarian at the Britten-Pears Foundation at The Red House, Britten and Pears's home in Aldeburgh, Suffolk.〈BR〉〈BR〉 JUDE BRIMMER is an Archivist at the Britten-Pears Foundation.
    Note: Title from publisher's bibliographic system (viewed on 04 Jul 2016). , Frontmatter -- , Contents -- , Plates -- , Illustrations -- , Foreword -- , Acknowledgements -- , Editorial Note -- , Introduction. Britten and Pears’s ‘personal and consistent’ Correspondence -- , THE LETTERS -- , I ‘When I am not with you’ August 1937 to January 1941 -- , II ‘My life is inextricably bound up in yours’ May 1942 to November 1944 -- , III ‘I don’t know why we should be so lucky, in all this misery’ July 1945 to April 1949 -- , IV ‘You are potentially the greatest singer alive’ Late 1949 to January 1954 -- , V ‘Why shouldn’t I recognise that you are such a large part of my life’ May 1954 to December 1959 -- , VI ‘Far away as you are, at least I feel there is contact!’ January 1960 to March 1968 -- , VII ‘It is you who have given me everything’ January 1970 to June 1975 -- , VIII ‘My days are not empty’ January to November 1976 -- , Personalia -- , List of Works -- , Select Bibliography -- , General Index
    Additional Edition: ISBN 1-78327-108-6
    Language: English
    Subjects: Musicology
    RVK:
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  • 5
    UID:
    almahu_BV044302070
    Format: xxviii, 526 Seiten : , Illustrationen, Notenbeispiele.
    ISBN: 978-1-78327-195-5
    Series Statement: Aldeburgh studies in music Volume 12
    Language: English
    Subjects: Musicology
    RVK:
    Keywords: 1913-1976 Britten, Benjamin ; Musik ; Konferenzschrift
    Library Location Call Number Volume/Issue/Year Availability
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  • 6
    Book
    Book
    Cambridge : Cambridge University Press
    UID:
    b3kat_BV049732831
    Format: xxv, 400 Seiten , Illustrationen
    Edition: First paperback edition
    ISBN: 9781108721844
    Series Statement: Composers in context
    Content: Benjamin Britten, pianist, conductor, educator, composer of a wide range of music from large-scale operas and choral works to string quartets and songs, is acknowledged as a pivotal figure in mid-twentieth-century Britain. This volume explores the contexts for his multi-faceted career and his engagement with his contemporaries in music, art, literature, and film, British musical institutions, royal and governmental entities, and the church, as well as his ground-breaking projects, philosophical and ideological tenets. The book is thematically structured in five parts: Britten's relationships with Peter Pears, his close friends, mentors, and colleagues; musical life in Britain; his interactions with previous and contemporary generations of composers; his professional work with choreographers, librettists, stage designers, and directors; and his socio-cultural, religious, and political environment. The chapters shed light on the many opportunities and challenges of post-war British musical life that shaped Britten's creative output.
    Additional Edition: Erscheint auch als Online-Ausgabe ISBN 9781108634878
    Language: English
    Subjects: Musicology
    RVK:
    Keywords: Britten, Benjamin 1913-1976 ; Aufsatzsammlung
    Library Location Call Number Volume/Issue/Year Availability
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  • 7
    UID:
    gbv_883297442
    Format: 1 Online-Ressource (xx, 452 pages) , digital, PDF file(s)
    ISBN: 9781782046295
    Series Statement: Aldeburgh studies in music
    Uniform Title: Works Selections
    Content: 'It's a life of the two of us.'〈BR〉〈BR〉 This volume comprises the complete surviving correspondence between Benjamin Britten and Peter Pears. The 365 letters written throughout their 39-year relationship are here brought together and published, as Pears intended, for the first time. While the correspondence provides valuable evidence of the development of Britten's works, more significant is theinsight into his relationship with Pears and their day-to-day life together. Entertaining to read, domestic and intimate, the letters provide glimpses of cultural and artistic life in the twentieth century, including pacifism and conscientious objection, critical assessments of music and other artists, transport and communications development in the twentieth century, the 'Aldeburgh corpses', artcollecting, gossip, everyday life in an English country house, the development of the Aldeburgh Festival, performance practice in early music, looking after dachshunds, travel, and a host of other topics. Above all, when read together, Britten and Pears's letters allow the clearest possible look 'behind the scenes' of one of the most productive creative partnerships of the twentieth century.〈BR〉〈BR〉 VICKI P. STROEHER is Professor of Music History at Marshall University where she is also Coordinator of the Music History & Literature area.〈BR〉〈BR〉 NICHOLAS CLARK is the Librarian at the Britten-Pears Foundation at The Red House, Britten and Pears's home in Aldeburgh, Suffolk.〈BR〉〈BR〉 JUDE BRIMMER is an Archivist at the Britten-Pears Foundation
    Note: Title from publisher's bibliographic system (viewed on 04 Jul 2016)
    Additional Edition: ISBN 9781783271085
    Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 9781783271085
    Language: English
    Subjects: Musicology
    RVK:
    URL: Volltext  (lizenzpflichtig)
    Library Location Call Number Volume/Issue/Year Availability
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