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  • 1
    Online Resource
    Online Resource
    Toronto ; Buffalo ; London : University of Toronto Press
    UID:
    b3kat_BV048654078
    Format: 1 Online-Ressource
    ISBN: 9781487528676 , 9781487528683
    Series Statement: Toronto Italian studies
    Additional Edition: Erscheint auch als Druck-Ausgabe, Hardcover ISBN 978-1-4875-2865-2
    Language: English
    Keywords: Deutschland ; Italien ; Modernismus ; Philosophie ; Literaturwissenschaft ; Idealismus ; Geschichte 1800-1999
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    Library Location Call Number Volume/Issue/Year Availability
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  • 2
    UID:
    almafu_9960800596302883
    Format: 1 electronic resource (400 pages)
    ISBN: 1-4875-4538-X , 1-4875-2867-1
    Series Statement: Toronto Italian Studies.
    Content: Offering a new approach to the intersection of literature and philosophy, Modernist Idealism contends that certain models of idealist thought require artistic form for their full development and that modernism realizes philosophical idealism in aesthetic form. This comparative view of modernism employs tools from intellectual history, literary analysis, and philosophical critique, focusing on the Italian reception of German idealist thought from the mid-1800s to the Second World War. Modernist Idealism intervenes in ongoing debates about the nineteenth- and twentieth-century resurgence of materialism and spiritualism, as well as the relation of decadent, avant-garde, and modernist production. Michael J. Subialka aims to open new discursive space for the philosophical study of modernist literary and visual culture, considering not only philosophical and literary texts but also early cinema. The author's main contention is that, in various media and with sometimes radically different political and cultural aims, a host of modernist artists and thinkers can be seen as sharing in a project to realize idealist philosophical worldviews in aesthetic form.
    Note: Frontmatter -- , Contents -- , Acknowledgments -- , Introduction: Modernist Idealism Revitalizing Italy -- , 1 Italy at the Banquet of Nations: Hegel in Politics and Philosophy -- , 2 Italy's Modernist Idealism and the Artistic Reception of Schopenhauer -- , 3 Aesthetic Decadence and Modernist Idealism: Schopenhauer's Literary-Artistic Legacy -- , 4 Avant-Garde Idealism: The Ambivalence of Futurist Vitalism -- , 5 Occult Spiritualism and Modernist Idealism: Reanimating the Dead World -- , 6 Cinematic Idealism: Modernist Visions of Spiritual Vitality Mediated by the Machine -- , Conclusion: Overdetermined Idealist Legacies -- , Appendix. Schopenhauer and Leopardi: A Dialogue between A and D -- , Notes -- , Works Cited -- , Index , English
    Additional Edition: ISBN 1-4875-2865-5
    Language: English
    Keywords: Criticism, interpretation, etc.
    URL: Cover
    URL: Cover
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  • 3
    Online Resource
    Online Resource
    [Erscheinungsort nicht ermittelbar] : University of Toronto Press
    UID:
    gbv_1832239942
    Format: 1 Online-Ressource (400 p.)
    ISBN: 9781487545383
    Content: Offering a new approach to the intersection of literature and philosophy, Modernist Idealism contends that certain models of idealist thought require artistic form for their full development and that modernism realizes philosophical idealism in aesthetic form. This comparative view of modernism employs tools from intellectual history, literary analysis, and philosophical critique, focusing on the Italian reception of German idealist thought from the mid-1800s to the Second World War. Modernist Idealism intervenes in ongoing debates about the nineteenth- and twentieth-century resurgence of materialism and spiritualism, as well as the relation of decadent, avant-garde, and modernist production. Michael J. Subialka aims to open new discursive space for the philosophical study of modernist literary and visual culture, considering not only philosophical and literary texts but also early cinema. The author's main contention is that, in various media and with sometimes radically different political and cultural aims, a host of modernist artists and thinkers can be seen as sharing in a project to realize idealist philosophical worldviews in aesthetic form
    Note: English
    Language: Undetermined
    Library Location Call Number Volume/Issue/Year Availability
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  • 4
    UID:
    gbv_1763716481
    Format: 220 Seiten , 23 cm
    ISBN: 9788849866063
    Series Statement: Rubbettino Università
    Note: Testualità dell'immagine -- Filosofia dell'immagine -- Psicologia dell'immagine , Luigi Pirandello (1867-1936) , Title of series appears on cover , Includes bibliographical references (pages 203-216) and index
    Language: Italian
    Keywords: Pirandello, Luigi 1867-1936 ; Psychoanalyse ; Philosophie ; Poetik
    Library Location Call Number Volume/Issue/Year Availability
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  • 5
    UID:
    almahu_BV049006149
    Format: xvi, 401 Seiten.
    ISBN: 978-1-3995-0685-4
    Content: Gabriele D’Annunzio was an internationally renowned artist and one of the most prominent public figures in Italy in the late nineteenth and early twentieth centuries. His novels and poetry stirred the enthusiasm of James Joyce and Henry James in the English-speaking world and his repute stretched far beyond – in France, Austria-Hungary, Russia, Japan and South America, D’Annunzio became a pivotal node in the broad networks of decadent exchange. This volume offers an overview of the global dynamics of D’Annunzio’s work, from his engagement with multilingualism and translingual writing to the international circulation and reception of his production. Featuring chapters by international scholars, it re-evaluates D’Annunzio with a critical eye and a transnational scope and offers a global assessment of the place that Dannunzian decadence holds in the constitution of a conflicted movement – one that is profoundly cosmopolitan and yet also problematically nationalistic.
    Additional Edition: Erscheint auch als Online-Ausgabe, PDF ISBN 978-1-3995-0687-8
    Additional Edition: Erscheint auch als Online-Ausgabe, EPUB ISBN 978-1-3995-0688-5
    Language: English
    Subjects: Romance Studies
    RVK:
    Keywords: Aufsatzsammlung
    Library Location Call Number Volume/Issue/Year Availability
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  • 6
    UID:
    edocfu_9960800596302883
    Format: 1 electronic resource (400 pages)
    ISBN: 1-4875-4538-X , 1-4875-2867-1
    Series Statement: Toronto Italian Studies.
    Content: Offering a new approach to the intersection of literature and philosophy, Modernist Idealism contends that certain models of idealist thought require artistic form for their full development and that modernism realizes philosophical idealism in aesthetic form. This comparative view of modernism employs tools from intellectual history, literary analysis, and philosophical critique, focusing on the Italian reception of German idealist thought from the mid-1800s to the Second World War. Modernist Idealism intervenes in ongoing debates about the nineteenth- and twentieth-century resurgence of materialism and spiritualism, as well as the relation of decadent, avant-garde, and modernist production. Michael J. Subialka aims to open new discursive space for the philosophical study of modernist literary and visual culture, considering not only philosophical and literary texts but also early cinema. The author's main contention is that, in various media and with sometimes radically different political and cultural aims, a host of modernist artists and thinkers can be seen as sharing in a project to realize idealist philosophical worldviews in aesthetic form.
    Note: Frontmatter -- , Contents -- , Acknowledgments -- , Introduction: Modernist Idealism Revitalizing Italy -- , 1 Italy at the Banquet of Nations: Hegel in Politics and Philosophy -- , 2 Italy's Modernist Idealism and the Artistic Reception of Schopenhauer -- , 3 Aesthetic Decadence and Modernist Idealism: Schopenhauer's Literary-Artistic Legacy -- , 4 Avant-Garde Idealism: The Ambivalence of Futurist Vitalism -- , 5 Occult Spiritualism and Modernist Idealism: Reanimating the Dead World -- , 6 Cinematic Idealism: Modernist Visions of Spiritual Vitality Mediated by the Machine -- , Conclusion: Overdetermined Idealist Legacies -- , Appendix. Schopenhauer and Leopardi: A Dialogue between A and D -- , Notes -- , Works Cited -- , Index , English
    Additional Edition: ISBN 1-4875-2865-5
    Language: English
    Keywords: Criticism, interpretation, etc.
    Library Location Call Number Volume/Issue/Year Availability
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  • 7
    UID:
    almahu_9949427776802882
    Format: 1 electronic resource (400 pages)
    ISBN: 1-4875-4538-X , 1-4875-2867-1
    Series Statement: Toronto Italian Studies.
    Content: Offering a new approach to the intersection of literature and philosophy, Modernist Idealism contends that certain models of idealist thought require artistic form for their full development and that modernism realizes philosophical idealism in aesthetic form. This comparative view of modernism employs tools from intellectual history, literary analysis, and philosophical critique, focusing on the Italian reception of German idealist thought from the mid-1800s to the Second World War. Modernist Idealism intervenes in ongoing debates about the nineteenth- and twentieth-century resurgence of materialism and spiritualism, as well as the relation of decadent, avant-garde, and modernist production. Michael J. Subialka aims to open new discursive space for the philosophical study of modernist literary and visual culture, considering not only philosophical and literary texts but also early cinema. The author's main contention is that, in various media and with sometimes radically different political and cultural aims, a host of modernist artists and thinkers can be seen as sharing in a project to realize idealist philosophical worldviews in aesthetic form.
    Note: Frontmatter -- , Contents -- , Acknowledgments -- , Introduction: Modernist Idealism Revitalizing Italy -- , 1 Italy at the Banquet of Nations: Hegel in Politics and Philosophy -- , 2 Italy's Modernist Idealism and the Artistic Reception of Schopenhauer -- , 3 Aesthetic Decadence and Modernist Idealism: Schopenhauer's Literary-Artistic Legacy -- , 4 Avant-Garde Idealism: The Ambivalence of Futurist Vitalism -- , 5 Occult Spiritualism and Modernist Idealism: Reanimating the Dead World -- , 6 Cinematic Idealism: Modernist Visions of Spiritual Vitality Mediated by the Machine -- , Conclusion: Overdetermined Idealist Legacies -- , Appendix. Schopenhauer and Leopardi: A Dialogue between A and D -- , Notes -- , Works Cited -- , Index , English
    Additional Edition: ISBN 1-4875-2865-5
    Language: English
    Keywords: Criticism, interpretation, etc.
    Library Location Call Number Volume/Issue/Year Availability
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  • 8
    UID:
    edoccha_9960800596302883
    Format: 1 electronic resource (400 pages)
    ISBN: 1-4875-4538-X , 1-4875-2867-1
    Series Statement: Toronto Italian Studies.
    Content: Offering a new approach to the intersection of literature and philosophy, Modernist Idealism contends that certain models of idealist thought require artistic form for their full development and that modernism realizes philosophical idealism in aesthetic form. This comparative view of modernism employs tools from intellectual history, literary analysis, and philosophical critique, focusing on the Italian reception of German idealist thought from the mid-1800s to the Second World War. Modernist Idealism intervenes in ongoing debates about the nineteenth- and twentieth-century resurgence of materialism and spiritualism, as well as the relation of decadent, avant-garde, and modernist production. Michael J. Subialka aims to open new discursive space for the philosophical study of modernist literary and visual culture, considering not only philosophical and literary texts but also early cinema. The author's main contention is that, in various media and with sometimes radically different political and cultural aims, a host of modernist artists and thinkers can be seen as sharing in a project to realize idealist philosophical worldviews in aesthetic form.
    Note: Frontmatter -- , Contents -- , Acknowledgments -- , Introduction: Modernist Idealism Revitalizing Italy -- , 1 Italy at the Banquet of Nations: Hegel in Politics and Philosophy -- , 2 Italy's Modernist Idealism and the Artistic Reception of Schopenhauer -- , 3 Aesthetic Decadence and Modernist Idealism: Schopenhauer's Literary-Artistic Legacy -- , 4 Avant-Garde Idealism: The Ambivalence of Futurist Vitalism -- , 5 Occult Spiritualism and Modernist Idealism: Reanimating the Dead World -- , 6 Cinematic Idealism: Modernist Visions of Spiritual Vitality Mediated by the Machine -- , Conclusion: Overdetermined Idealist Legacies -- , Appendix. Schopenhauer and Leopardi: A Dialogue between A and D -- , Notes -- , Works Cited -- , Index , English
    Additional Edition: ISBN 1-4875-2865-5
    Language: English
    Keywords: Criticism, interpretation, etc.
    Library Location Call Number Volume/Issue/Year Availability
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  • 9
    Online Resource
    Online Resource
    Edinburgh :Edinburgh University Press,
    UID:
    almahu_BV049026985
    Format: 1 Online-Ressource (xvi, 401 Seiten).
    ISBN: 978-1-3995-0687-8 , 978-1-3995-0688-5
    Content: Gabriele D’Annunzio was an internationally renowned artist and one of the most prominent public figures in Italy in the late nineteenth and early twentieth centuries. His novels and poetry stirred the enthusiasm of James Joyce and Henry James in the English-speaking world and his repute stretched far beyond – in France, Austria-Hungary, Russia, Japan and South America, D’Annunzio became a pivotal node in the broad networks of decadent exchange. This volume offers an overview of the global dynamics of D’Annunzio’s work, from his engagement with multilingualism and translingual writing to the international circulation and reception of his production. Featuring chapters by international scholars, it re-evaluates D’Annunzio with a critical eye and a transnational scope and offers a global assessment of the place that Dannunzian decadence holds in the constitution of a conflicted movement – one that is profoundly cosmopolitan and yet also problematically nationalistic.
    Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 978-1-3995-0685-4
    Language: English
    Subjects: Romance Studies
    RVK:
    Keywords: Aufsatzsammlung
    URL: Volltext  (URL des Erstveröffentlichers)
    Library Location Call Number Volume/Issue/Year Availability
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  • 10
    UID:
    gbv_1858293766
    Format: 1 Online-Ressource (xvi, 401 pages)
    ISBN: 9781399506878 , 9781399506885
    Content: Examines Gabriele D’Annunzio to re-evaluate cultural exchange and the political dimensions of global decadence and modernismFirst book to examine Gabriele D’Annunzio’s work from a global perspective and within World Literature paradigmsTransnational and cross-disciplinary focus: unveils D’Annunzio’s investment in multilingualism, including dialect and translingual writing, as well as the influence of issues of mobility and migration, colonialism and politics on the global reception of his worksIntroduces a polycentric view of D’Annunzio by bringing together chapters written by scholars from 12 countries (Italy, France, Belgium, Austria, Spain, UK, US, Canada, Russia, Egypt, Argentina, Japan), whose work in many cases appears in English for the first time Unveils the crucial role of D’Annunzio’s translators as cultural mediators and examines translations and adaptations as politically charged practicesRedefines D’Annunzio scholarship through a transnational lens, while also making a crucial contribution to studies of global decadence by demonstrating the role of Italian decadence in international networks of literary and artistic exchangeGabriele D’Annunzio was an internationally renowned artist and one of the most prominent public figures in Italy in the late nineteenth and early twentieth centuries. His novels and poetry stirred the enthusiasm of James Joyce and Henry James in the English-speaking world and his repute stretched far beyond – in France, Austria-Hungary, Russia, Japan and South America, D’Annunzio became a pivotal node in the broad networks of decadent exchange. This volume offers an overview of the global dynamics of D’Annunzio’s work, from his engagement with multilingualism and translingual writing to the international circulation and reception of his production. Featuring chapters by international scholars, it re-evaluates D’Annunzio with a critical eye and a transnational scope and offers a global assessment of the place that Dannunzian decadence holds in the constitution of a conflicted movement – one that is profoundly cosmopolitan and yet also problematically nationalistic
    Note: Frontmatter , Contents , Acknowledgements , Introduction , Part I A Poetics of Fusion: Cultural Appropriation, Multilingualism, Translingual Writing , Chapter 1 D’Annunzio and the Greek and Latin Classics , Chapter 2 D’Annunzio and Japonism , Chapter 3 Il Piacere as a Multilingual Text and its Afterlife in Translation , Chapter 4 ‘The essence of the race’: La figlia di Iorio and Italian Dialects , Chapter 5 The ‘Latin sister’: D’Annunzio’s Relationship to the French Language , Part II Translators as Transcultural Negotiators , Chapter 6 Gabriele D’Annunzio and Georges Hérelle: Virility, Machismo and the Homoerotic , Chapter 7 After Hérelle: André Doderet, the (In)visible Translator , Chapter 8 ‘An Artist in Translation’: D’Annunzio, Arthur Symons and Symbolist Drama , Chapter 9 Gabriele D’Annunzio and Karl Gustav Vollmoeller: From Classical Culture to the Attractions of Motor Power , Part III D’Annunzio’s Global Fin-de-siècle Reception , Chapter 10 Fin-de-Meiji as Fin-de-siècle: D’Annunzio and Japanese Literature , Chapter 11 D’Annunzio’s Feminine Archetypes, Nationalist Ideology and Catalan Modernism , Chapter 12 Gabriele D’Annunzio and the Austrian Reception after Italy’s Entry into the War , Part IV Complex Legacies , Chapter 13 D’Annunzio and Argentina: From Elitism to Mass Nationalism , Chapter 14 Gabriele D’Annunzio in the United States: Politics and Stereotypes , Chapter 15 The Myth of Gabriele D’Annunzio in Russian Culture, 1890–2010: From ‘Songs of the Native Land’ to the ‘Winged Cyclops’ , Chapter 16 From ‘Great Italian Poet’ to ‘Fascist Writer’: D’Annunzio and Arabic Culture , Chapter 17 Morlach’s Blood in Fiume’s Mensa: D’Annunzio and the Intimate Adriatic , Chapter 18 Infatuated with Il Vate: Mishima’s Transnational Mimesis of D’Annunzio as Decadent Poet, Patriot and Celebrity , D’Annunzio in the Twenty-First Century , Bibliography , Index , In English
    Additional Edition: ISBN 9781399506854
    Additional Edition: Erscheint auch als print ISBN 9781399506854
    Language: English
    Keywords: D'Annunzio, Gabriele 1863-1938 ; Mehrsprachigkeit ; Übersetzung ; Rezeption ; Aufsatzsammlung
    URL: Cover
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