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  • 1
    Book
    Book
    Woodbridge, Suffolk :James Currey,
    UID:
    almafu_BV046443125
    Format: xvi, 237 Seiten : , Illustrationen.
    ISBN: 978-1-84701-242-5
    Language: English
    Subjects: General works
    RVK:
    Keywords: 1954- Téno, Jean-Marie ; Film ; Filmografie ; Filmografie
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  • 2
    Online Resource
    Online Resource
    [San Francisco, California, USA] :Kanopy Streaming,
    UID:
    almahu_9949609663302882
    Format: 1 online resource (1 video file, approximately 90 minutes) : , digital, .flv file, sound , Playing time: 87 min.
    Content: Thirty years after Africa's 1960s independence movements, a generation of Africans inspired by the end of the Cold War, the fall of Berlin Wall and the dramatic political changes around the world set out to break away from the past, denouncing the one-party state, its nepotism, corruption and economic failures. Juxtaposing past and present and connecting yesterday's colonial tragedy with today's violence, corruption and poverty, Africa: I Will Fleece You is an experimental journey which, through a first-person lens and the director's commentary, immerses the viewer in the complexities of colonialism and its aftermath, the consequences of which continue to be felt today. Produced by Les Films Du Raphia Images: Robert Dianoux Sound: Francis Bonfanti Editing: Chantal Rogeon Original Music: Ray Lema
    Note: In Process Record. , Title from title frames. , Originally produced by Jean-Marie Teno Productions in 1992. , Mode of access: World Wide Web.
    Language: English
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  • 3
    Online Resource
    Online Resource
    [San Francisco, California, USA] :Kanopy Streaming,
    UID:
    almahu_9949609659102882
    Format: 1 online resource (1 video file, approximately 46 minutes) : , digital, .flv file, sound , Playing time: 44 min.
    Content: Chronicle of a rather particular afternoon during which the lives of three people change dramatically: Alex, the husband, goes to his in-laws' to bring home his second wife. Elise, Alex's childhood sweetheart and first wife, accompanies him-as she must, according to tradition. And Josephine, the young bride, leaves her parents to begin a new life. Pressed into service by a neighbor, Jean-Marie Teno turns what might have been a typical wedding video into a subtle and intimate portrait of polygamy in contemporary Cameroon. Filming the celebration in great cultural detail, Teno is also implicated in the interpersonal drama of the welcoming of the second wife into an already established household. Members of Alex's family and his friends sing songs about the harmony that the new wife, Josephine, will bring, but the silence of Elise, the first wife, and the tears of Josephine herself, force spectators to imagine how Alex and his wives will negotiate the new arrangements. I was concerned about respecting people's choices and didn't want to be accusatory. I positioned myself as an observer, capturing the reality of the event--the official speeches and traditional rituals, as well as the unspoken pain that was palpable throughout the evening. The film presents a ceremony ostensibly in celebration of love, but during which duty and submission were the preferred words. --Jean-Marie Teno Those in attendance speak directly to the camera, congratulating the newlyweds and later describing their attitudes toward polygamy. Alex's friends defend the practice as, alternately, an expression of cultural rights, as tacit resistance to European mores, or as the result of man's nature. Elise, Alex's first wife refuses to speak to Teno, who wants to give her a chance to express the pain she clearly feels. While the men assert that god gave man a sword sharpened on both sides to use, Elise sardonically agrees that yes, and he must then cut down everything in his path and lose no time doing so. Teno's quiet presence gradually reveals the complex set of expectations in which each of the players is caught, including the filmmaker. Though the viewer understands Teno's position on the matter, his personal voice adds moral force to his sensitively-delivered critique of polygamy. Alex's Wedding, accomplished with respectful camerawork and an evenhanded treatment of all involved, is a moving call to debate.
    Note: In Process Record. , Title from title frames. , Originally produced by Jean-Marie Teno Productions in 2002. , Mode of access: World Wide Web.
    Language: English
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  • 4
    UID:
    almahu_9949609771302882
    Format: 1 online resource (1 video file, approximately 76 minutes) : , digital, .flv file, sound , Playing time: 73 min.
    Content: Le Malentendu Colonial/The Colonial Misunderstanding examines Christian evangelism as the forerunner of European colonialism in Africa, and as the ideological model North-South relationships. On the occasion of the centenary of the1904 German genocide of the Herero people, it notably considers the missionaries' role in Namibia. The film reveals how colonialism destroyed African beliefs and social systems, replacing them with European ones promoted as the only acceptable route to modernity. As Prof. F. Kangue Ewane says in the film: I can forgive Westerners for taking away my land ...but not for taking away my mind and soul. The Colonial Misunderstanding thus continues the reflection that director Jean-Marie Teno so eloquently began in Afrique, je te plumerai on Africa 's way forward in the 21st century, which, he contends, must be based on a revaluation and reassertion of indigenous beliefs and cultures.
    Note: In Process Record. , Title from title frames. , Originally produced by Jean-Marie Teno Productions in 2004. , Mode of access: World Wide Web.
    Language: English
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  • 5
    Online Resource
    Online Resource
    [San Francisco, California, USA] :Kanopy Streaming,
    UID:
    almafu_9958912743602883
    Format: 1 online resource (streaming video file) , Duration: 70 minutes
    Content: Set in St-Leon, a modest neighborhood tucked between the cathedral and two mosques in the city of Ouagadougou, the capital of Burkina Faso, where for 40 years, the world's famous FESPACO (Pan African Film Festival of Ouagadougou) showcases the best achievements of African filmmaking, Sacred Places is a film about the fight to survive and to maintain one's dignity in a hostile environment. Through the lives of three characters: Jules Cesar, the djembe maker and player, Bouba, the video-club manager of a neighborhood movie salon that also serves as a praying place, and Abbo a fifty years old senior technician who decided to become a public letter writer, JMT skillfully lays out his rich, very complex and profound observations on many paradoxes of today's Africa. One of the many contradictions the director displays is the absence of African films in African distribution at a time of remarkable tecnological advances: "The digital era and the development of the internet have profoundly changed production, distribution and viewing of images around the world. With small budgets, independent films can be made and shown to the public in a matter of weeks or even days. Yet, despite this abundance of opportunities, having access to one's own images is still a distant dream for many in the cities and rural areas of Africa. It is in these places, where people are kept in the dark, with little hope on the horizon, where education and knowledge are needed the most," says Jean-Marie Teno.
    Note: Title from title frames. , In Process Record. , Originally produced by Jean-Marie Teno Productions in 2009. , Mode of access: World Wide Web. , In English
    Language: Undetermined
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  • 6
    Online Resource
    Online Resource
    [San Francisco, California, USA] :Kanopy Streaming,
    UID:
    almahu_9949609658702882
    Format: 1 online resource (1 video file, approximately 76 minutes) : , digital, .flv file, sound , Playing time: 73 min.
    Content: A voyage in search of the illusion of modernity, which haunts Cameroonian society. A Trip to the Country questions, sometimes ironically, the notion of development associated in Africa with a tropical modernity which can be summarized as follows: Everything from Europe is modern, while all things local are archaic and must be discarded. After the ravages of slavery and colonialism, the African continent now faces another threat: educational systems, which perpetuate inferiority complexes and dependence vis-à-vis the West. This self-destructive mentality also establishes a social hierarchy placing modern city dwellers above backward rural people. A Trip to the Country is a personal reflection on our obsession with modernity, our desire to conform to a certain model of development, which ironically turns our backs on the possibility of real progress, and perpetuates our dependency to Humanitarian so-called aid. Camera: Jean-Marie Teno and Moussa Diakite Sound: Lardia Thombiano Music: Ben's Belinga and Marianne Entat Editor: Christiane Badgley
    Note: In Process Record. , Title from title frames. , Originally produced by Jean-Marie Teno Productions in 2000. , Mode of access: World Wide Web.
    Language: English
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  • 7
    UID:
    almafu_BV021815341
    Format: 1 DVD (75 min) : , farbig ; , Beilage (4 Seiten) , 12 cm
    Content: Auf den Spuren der Rheinischen Missionsgesellschaft, die ab 1830 im heutigen Namibia tätig war, analysiert der Dokumentarfilm den ideologisch-religiösen Überbau der deutschen Kolonialisierung und Missionierung der Region. Eindrucksvolle "Relecture" wichtiger Stationen der Kolonialgeschichte von "Deutsch-Südwest", die auf die Frage nach einer afrikanischen Identität jenseits ihrer europäischen Sklerose zielt. - Ab 14. [Film-Dienst]
    Note: Bonus-Material: Fotos, Filmografie, Biografie. - Bildformat 16:9. - Original: Kamerun, Frankreich, Deutschland, 2004 , OF mit deutschen, engl. und französ. UT
    Language: French
    Subjects: General works , Theology
    RVK:
    RVK:
    Keywords: Film ; DVD-Video ; Film ; DVD-Video
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  • 8
    Online Resource
    Online Resource
    Woodbridge, Suffolk :James Currey,
    UID:
    almahu_9949344058602882
    Format: 1 online resource (xvi, 237 pages) : , digital, PDF file(s).
    ISBN: 9781787448872 (ebook)
    Content: Weaving together critical analysis and a filmic conversation, this book journeys through the multiple layers of Cameroonian filmmaker Jean-Marie Teno's thematically and aesthetically challenging body of work, framed here as a form of decolonial cinematic resistance.
    Note: Title from publisher's bibliographic system (viewed on 22 Jul 2022).
    Additional Edition: Print version: ISBN 9781847012425
    Language: English
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  • 9
    Online Resource
    Online Resource
    [San Francisco, California, USA] :Kanopy Streaming,
    UID:
    almahu_9949609658402882
    Format: 1 online resource (1 video file, approximately 96 minutes) : , digital, .flv file, sound , Playing time: 93 min.
    Content: Proud and determined, the hunter set out, leaving behind his village ravaged by a terrible drought. All the villagers came out to wish him well, and everyone gave what he could: an egg, a handful of peanuts or a few kola nuts... As in the folktale, Sobgui, a former computer programmer who now drives a clando cab in Douala, flees to Europe to escape a life in Cameroon which has become unbearable. In Cologne (Germany), , Sobgui joins a community of African emigrants. Most are hard-working and ambitious people. Sobgui begins a love affair with Madeleine, a German political activist who encourages Sobgui and his friends to return home and fight for change.
    Note: In Process Record. , Title from title frames. , Originally produced by Jean-Marie Teno Productions in 1996. , Mode of access: World Wide Web.
    Language: English
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  • 10
    Online Resource
    Online Resource
    [San Francisco, California, USA] :Kanopy Streaming,
    UID:
    almahu_9949609658902882
    Format: 1 online resource (1 video file, approximately 62 minutes) : , digital, .flv file, sound , Playing time: 60 min.
    Content: Chief! is a documentary chronicle of the trials and tribulations of daily life under dictatorship. In December, 1997, I was witness to several troubling events in Cameroon: a child thief's near lynching by the angry mob in my village; my discovery during a wedding ceremony that, by law, the husband is ruler of the family; and a highly respected journalist's arrest and imprisonment without a trial for writing an article questioning the health of the president. These seemingly unrelated events were all linked to the generalized problem of the abuse of power in authoritarian society. Chief! brings these events together in a personal reflection on the current state of Cameroonian society with its hierarchies, inequalities, and lack of respect for human rights, all of which are the by-products of dictatorship.
    Note: In Process Record. , Title from title frames. , Originally produced by Jean-Marie Teno Productions in 1999. , Mode of access: World Wide Web.
    Language: English
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