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  • 1
    UID:
    almafu_BV040307551
    Format: 410 S. : , Ill., Notenbeisp.
    ISBN: 978-0-8223-4927-3 , 978-0-8223-4946-4
    Content: This anthology assembles primary documents chronicling the development of the phonograph, talking pictures, and the radio. These three sound technologies shaped Americans' relation to music from the late nineteenth century until the end of the Second World War, by which time they were thoroughly integrated into Americans' everyday lives. There are more than 120 selections between the collection's first piece, an article on the phonograph written by Thomas Edison in 1878, and its last, a column published in 1945, advising listeners "desirous of gaining more from music as presented by the radio." Among the selections are articles from popular and trade publications, advertisements, fan letters, corporate records, fiction, and sheet music. Taken together, the selections capture how the new sound technologies were shaped by developments such as urbanization, the increasing value placed on leisure time, and the rise of the advertising industry
    Language: English
    Subjects: General works , Musicology
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    Keywords: Phonograph ; Schallaufzeichnung ; Film ; Hörfunk ; Quelle ; Quelle ; Quelle
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  • 2
    Book
    Book
    New York :Routledge,
    UID:
    almafu_BV014275552
    Format: x, 278 Seiten : , Illustrationen , 23 cm.
    ISBN: 0-415-93683-7 , 0-415-93684-5
    Note: Hier auch später erschienene, unveränderte Nachdrucke
    Language: English
    Subjects: Ethnology , Musicology
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    Keywords: Musik ; Digitaltechnik ; Elektronische Musik ; Sounddesign
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  • 3
    Book
    Book
    Chicago and London :The University of Chicago Press,
    UID:
    almahu_BV042901812
    Format: xviii, 217 Seiten : , Illustrationen.
    ISBN: 978-0-226-31183-8 , 978-0-226-31197-5
    Series Statement: Chicago studies in ethnomusicology : big issues in music
    Additional Edition: Erscheint auch als Online-Ausgabe ISBN 978-0-226-31202-6
    Language: English
    Subjects: Musicology
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    Keywords: Musik ; Kapitalismus ; Neoliberalismus ; Kulturindustrie ; Globalisierung ; Digitalisierung ; Bibliographie enthalten
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  • 4
    Book
    Book
    Durham ; London :Duke University Press,
    UID:
    almahu_BV049046717
    Format: x, 254 Seiten.
    ISBN: 978-1-4780-1987-9 , 978-1-4780-1717-2
    Content: Verlagsinfo: "In Working Musicians Timothy D. Taylor offers a behind-the-scenes look at the labor of the mostly unknown composers, music editors, orchestrators, recording engineers, and other workers involved in producing music for films, television, and video games. Drawing on dozens of interviews with music workers in Los Angeles, Taylor explores the nature of their work and how they understand their roles in the entertainment business. Taylor traces how these cultural laborers have adapted to and cope with the conditions of neoliberalism, as over the past decade, their working conditions have become increasingly precarious. Digital technologies have accelerated production timelines and changed how content is delivered, while new pay schemes have emerged that have transformed composers from artists into managers and paymasters. Taylor demonstrates that as bureaucratization and commercialization affect every aspect of media, the composers, musicians, music editors, engineers, and others whose soundtracks excite, inspire, and touch millions face the same structural economic challenges that have transformed American society, concentrating wealth and power in fewer and fewer hands"--
    Note: Includes bibliographical references and index
    Additional Edition: Erscheint auch als Online-Ausgabe ISBN 978-1-4780-2444-6
    Language: English
    Subjects: General works
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    Keywords: Filmmusik ; Videospielmusik ; Komponist ; Musiker ; Tontechniker ; Musikjournalist ; Arbeitsbedingungen ; Wirtschaftliche Lage
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  • 5
    UID:
    gbv_1742504434
    Format: 1 Online-Ressource
    ISBN: 9780190859664
    Series Statement: Oxford handbooks online
    Content: This handbook is currently in development, with individual articles publishing online in advance of print publication. At this time, we cannot add information about unpublished articles in this handbook, however the table of contents will continue to grow as additional articles pass through the review process and are added to the site. Please note that the online publication date for this handbook is the date that the first article in the title was published online.
    Note: Includes bibliographical references. - Description based on online resource; title from home page (viewed on February 27, 2020)
    Additional Edition: ISBN 9780190859633
    Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 9780190859633
    Language: English
    Keywords: Musikethnologie ; Wirtschaft ; Globalisierung ; Sozialer Wandel ; Aufsatzsammlung
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  • 6
    Book
    Book
    Chicago : The University of Chicago Press
    UID:
    gbv_1859542824
    Format: xii, 243 Seiten , illustrations , 24 cm
    ISBN: 9780226442259 , 022644225X , 9780226442396 , 022644239X
    Content: In music studies, Timothy D. Taylor is known for his insightful essays on music, globalization, and capitalism. This is a collection of some of Taylor's most recent writings essays concerned with questions about music in capitalist cultures, covering a historical span that begins in the late nineteenth and early twentieth centuries and continues to the present. These essays look at shifts in the production, dissemination, advertising, and consumption of music from the industrial capitalism of the nineteenth century to the globalized neoliberal capitalism of the past few decades. In addition to chapters on music, capitalism, and globalization, 'Music and the World' includes previously unpublished essays on the continuing utility of the culture of concept in the study of music, a historicization of treatments of affect, and an essay on value and music. Taken together, Taylor's essays chart the changes in different kinds of music in twentieth- and twenty-first-century music and culture from a variety of theoretical perspectives
    Note: Includes bibliographical references and index , Introduction: culture, capitalism, globalization, music -- The absence of culture in the study of music -- Music and affect in the West: the first 2,000 years -- The commodification of music at the dawn of the era of "mechanical music" -- The role of opera in the rise of radio in the US -- Stravinsky and others -- World music festivals as spectacles of genrefication and diversity -- Fields, genres, brands -- Neoliberal capitalism, UNESCO, and the reenchantment of culture -- Globalized neoliberal capitalism and the commodification of taste -- Valuing music.
    Additional Edition: ISBN 9780226442426
    Additional Edition: Erscheint auch als Online-Ausgabe ISBN 9780226442426
    Language: English
    Subjects: Ethnology
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  • 7
    Online Resource
    Online Resource
    Durham :Duke University Press,
    UID:
    almafu_BV048989104
    Format: 1 Online-Ressource (272 Seiten).
    ISBN: 978-1-4780-2444-6
    Content: In Working Musicians Timothy D. Taylor offers a behind-the-scenes look at the labor of the mostly unknown composers, music editors, orchestrators, recording engineers and other workers involved in producing music for films, television, and video games. Drawing on dozens of interviews with music workers in Los Angeles, Taylor explores the nature of their work and how they understand their roles in the entertainment business. Taylor traces how these cultural laborers have adapted to and cope with the conditions of neoliberalism, as over the past decade, their working conditions have become increasingly precarious. Digital technologies have accelerated production timelines and changed how content is delivered, while new pay schemes have emerged that have transformed composers from artists into managers and paymasters. Taylor demonstrates that as bureaucratization and commercialization affect every aspect of media, the composers, musicians, music editors, engineers, and others whose soundtracks excite, inspire, and touch millions face the same structural economic challenges that have transformed American society, concentrating wealth and power in fewer and fewer hands
    Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 978-1-4780-1987-9
    Language: English
    Subjects: General works
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    Keywords: Filmmusik ; Videospielmusik ; Komponist ; Musiker ; Tontechniker ; Musikjournalist ; Arbeitsbedingungen ; Wirtschaftliche Lage
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 8
    Online Resource
    Online Resource
    Durham ; London :Duke University Press,
    UID:
    edocfu_BV049670027
    Format: 1 Online-Ressource (224 Seiten).
    ISBN: 978-1-4780-5934-9 , 1-4780-5934-6
    Content: In Making Value, Timothy D. Taylor examines how people's conceptions of value inform and shape their production and consumption of music. Drawing on anthropological value theory, Taylor theorizes music's economic and noneconomic forms of value both ethnographically and historically. He covers the creation and exchange of value in a wide range of contexts: indie rock scenes, an Irish traditional music session, the work of music managers, how supply chains function to create various forms of value, how trendspotters seek out and create value, and how musical performances act as media of value. Taylor shows that to focus on value is to attend to what is meaningful to people as they move through their worlds. Ultimately, Taylor demonstrates that theorizing value aids us in moving beyond the music itself toward understanding how musicians, workers in the music business, and audiences struggle to make and maintain what they value
    Note: In English
    Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 978-1-4780-3035-5
    Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 1-4780-3035-6
    Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 978-1-4780-2614-3
    Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 1-4780-2614-6
    Language: English
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 9
    Online Resource
    Online Resource
    Durham ; London :Duke University Press,
    UID:
    almafu_BV049670027
    Format: 1 Online-Ressource (224 Seiten).
    ISBN: 978-1-4780-5934-9 , 1-4780-5934-6
    Content: In Making Value, Timothy D. Taylor examines how people's conceptions of value inform and shape their production and consumption of music. Drawing on anthropological value theory, Taylor theorizes music's economic and noneconomic forms of value both ethnographically and historically. He covers the creation and exchange of value in a wide range of contexts: indie rock scenes, an Irish traditional music session, the work of music managers, how supply chains function to create various forms of value, how trendspotters seek out and create value, and how musical performances act as media of value. Taylor shows that to focus on value is to attend to what is meaningful to people as they move through their worlds. Ultimately, Taylor demonstrates that theorizing value aids us in moving beyond the music itself toward understanding how musicians, workers in the music business, and audiences struggle to make and maintain what they value
    Note: In English
    Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 978-1-4780-3035-5
    Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 1-4780-3035-6
    Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 978-1-4780-2614-3
    Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 1-4780-2614-6
    Language: English
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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