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  • 1
    Book
    Book
    Princeton, NJ [u.a.] :Princeton Univ. Press,
    UID:
    almahu_BV025145949
    Format: 225 S. : , Ill.
    ISBN: 978-0-691-60299-8 , 0-691-02917-2 , 0-691-03667-5
    Language: English
    Subjects: English Studies
    RVK:
    Keywords: Englisch ; Stilistik ; Lehrbuch
    URL: Cover
    Library Location Call Number Volume/Issue/Year Availability
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  • 2
    Book
    Book
    Princeton, NJ :Princeton Univ. Press,
    UID:
    almahu_BV008017414
    Format: XXVIII, 183 S. : , Ill.
    ISBN: 0-691-06955-7
    Language: English
    Subjects: Comparative Studies. Non-European Languages/Literatures , Ancient Studies
    RVK:
    RVK:
    RVK:
    Keywords: Autor ; Intention ; Interpretation ; Literatur ; Literaturproduktion ; Autor ; Individualität
    Library Location Call Number Volume/Issue/Year Availability
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  • 3
    Online Resource
    Online Resource
    Princeton University Press
    UID:
    almafu_9959232009502883
    Additional Edition: ISBN 0-691-06955-7
    Additional Edition: ISBN 1-306-98517-X
    Language: English
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  • 4
    Online Resource
    Online Resource
    Princeton University Press
    UID:
    edocfu_9959232009502883
    Additional Edition: ISBN 0-691-06955-7
    Additional Edition: ISBN 1-306-98517-X
    Language: English
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  • 5
    Online Resource
    Online Resource
    Princeton, [New Jersey] :Princeton University Press,
    UID:
    almafu_9959229499402883
    Format: 1 online resource (234 pages)
    Edition: Princeton legacy library edition.
    ISBN: 0-691-65474-3 , 0-691-60299-9
    Series Statement: Princeton Legacy Library ; 4842
    Content: Everyone talks about style, but no one explains it. The authors of this book do; and in doing so, they provoke the reader to consider style, not as an elegant accessory of effective prose, but as its very heart.At a time when writing skills have virtually disappeared, what can be done? If only people learned the principles of verbal correctness, the essential rules, wouldn't good prose simply fall into place? Thomas and Turner say no. Attending to rules of grammar, sense, and sentence structure will no more lead to effective prose than knowing the mechanics of a golf swing will lead to a hole-in-one. Furthermore, ten-step programs to better writing exacerbate the problem by failing to recognize, as Thomas and Turner point out, that there are many styles with different standards.In the first half of Clear and Simple, the authors introduce a range of styles--reflexive, practical, plain, contemplative, romantic, prophetic, and others--contrasting them to classic style. Its principles are simple: The writer adopts the pose that the motive is truth, the purpose is presentation, the reader is an intellectual equal, and the occasion is informal. Classic style is at home in everything from business memos to personal letters, from magazine articles to university writing.The second half of the book is a tour of examples--the exquisite and the execrable--showing what has worked and what hasn't. Classic prose is found everywhere: from Thomas Jefferson to Junichirō Tanizaki, from Mark Twain to the observations of an undergraduate. Here are many fine performances in classic style, each clear and simple as the truth.Originally published in 1994.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
    Note: Includes index. , Frontmatter -- , CONTENTS -- , ACKNOWLEDGMENTS -- , CLEAR AND SIMPLE AS THE TRUTH -- , ONE: PRINCIPLES OF CLASSIC STYLE -- , TWO: THE MUSEUM -- , THREE: FURTHER READINGS IN CLASSIC PROSE -- , NOTES -- , INDEX , In English.
    Additional Edition: ISBN 0-691-02917-2
    Additional Edition: ISBN 1-4008-8735-6
    Language: English
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  • 6
    Online Resource
    Online Resource
    Princeton, NJ :Princeton University Press,
    UID:
    almafu_9958352981002883
    Format: 1 online resource (212 p.)
    Edition: Course Book
    ISBN: 9781400863303
    Series Statement: Princeton Legacy Library ; 245
    Content: In an age of authorless, contextless, deconstructed texts, Francis-Noël Thomas argues that it is time to re-examine a fundamental but neglected concept of literature: writing is an action whose agent is an individual. Addressing both general readers and scholars, Thomas offers two cases, Bernard Shaw's Saint Joan and Marcel Proust's A la recherche du temps perdu, read against the background of the authors' large, eccentric, and surprisingly similar claims about their texts as acts. He examines what happens when we take these claims seriously enough to find out why the authors made them in the first place and what bearing they have on the texts themselves.Originally published in 1993.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
    Note: Frontmatter -- , Contents -- , Illustrations -- , Foreword -- , Preface -- , Acknowledgments -- , CHAPTER ONE. The Writer Writing -- , CHAPTER TWO. ‘Intentions’ and ‘Purposes’ -- , CHAPTER THREE. ‘Parody’ or the Imitation of Disciplines -- , CHAPTER FOUR. Explanations -- , CHAPTER FIVE. Bernard Shaw: Historical Explanation -- , CHAPTER SIX. Marcel Proust: Psychological Explanation -- , CHAPTER SEVEN. Historical Interpretation: The Face of the Muse and the Baker’s Daughter -- , Notes -- , Index , In English.
    Language: English
    Library Location Call Number Volume/Issue/Year Availability
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  • 7
    Online Resource
    Online Resource
    Princeton, NJ :Princeton University Press,
    UID:
    almafu_9959155499402883
    Format: 1 online resource (272 p.) : , 1 line illus.
    ISBN: 9781400838547
    Content: For more than a decade, Clear and Simple as the Truth has guided readers to consider style not as an elegant accessory of effective prose but as its very heart. Francis-Noël Thomas and Mark Turner present writing as an intellectual activity, not a passive application of verbal skills. In classic style, the motive is truth, the purpose is presentation, the reader and writer are intellectual equals, and the occasion is informal. This general style of presentation is at home everywhere, from business memos to personal letters and from magazine articles to student essays. Everyone talks about style, but no one explains it. The authors of this book do; and in doing so, they provoke the reader to consider style, not as an elegant accessory of effective prose, but as its very heart. At a time when writing skills have virtually disappeared, what can be done? If only people learned the principles of verbal correctness, the essential rules, wouldn't good prose simply fall into place? Thomas and Turner say no. Attending to rules of grammar, sense, and sentence structure will no more lead to effective prose than knowing the mechanics of a golf swing will lead to a hole-in-one. Furthermore, ten-step programs to better writing exacerbate the problem by failing to recognize, as Thomas and Turner point out, that there are many styles with different standards. The book is divided into four parts. The first, "Principles of Classic Style," defines the style and contrasts it with a number of others. "The Museum" is a guided tour through examples of writing, both exquisite and execrable. "The Studio," new to this edition, presents a series of structured exercises. Finally, "Further Readings in Classic Prose" offers a list of additional examples drawn from a range of times, places, and subjects. A companion website, classicprose.com, offers supplementary examples, exhibits, and commentary, and features a selection of pieces written by students in courses that used Clear and Simple as the Truth as a textbook.
    Note: Frontmatter -- , Contents -- , Acknowledgments -- , Clear and Simple as the Truth -- , One. Principles of Classic Style -- , Two. The Museum -- , Three. The Studio -- , Four. Further Readings in Classic Prose -- , Notes -- , Index , In English.
    Language: English
    Subjects: English Studies
    RVK:
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  • 8
    Online Resource
    Online Resource
    Princeton, NJ :Princeton University Press,
    UID:
    almafu_9958352898702883
    Format: 1 online resource
    ISBN: 9781400887354
    Series Statement: Princeton Legacy Library
    Content: Everyone talks about style, but no one explains it. The authors of this book do; and in doing so, they provoke the reader to consider style, not as an elegant accessory of effective prose, but as its very heart.At a time when writing skills have virtually disappeared, what can be done? If only people learned the principles of verbal correctness, the essential rules, wouldn't good prose simply fall into place? Thomas and Turner say no. Attending to rules of grammar, sense, and sentence structure will no more lead to effective prose than knowing the mechanics of a golf swing will lead to a hole-in-one. Furthermore, ten-step programs to better writing exacerbate the problem by failing to recognize, as Thomas and Turner point out, that there are many styles with different standards.In the first half of Clear and Simple, the authors introduce a range of styles--reflexive, practical, plain, contemplative, romantic, prophetic, and others--contrasting them to classic style. Its principles are simple: The writer adopts the pose that the motive is truth, the purpose is presentation, the reader is an intellectual equal, and the occasion is informal. Classic style is at home in everything from business memos to personal letters, from magazine articles to university writing.The second half of the book is a tour of examples--the exquisite and the execrable--showing what has worked and what hasn't. Classic prose is found everywhere: from Thomas Jefferson to Junichirō Tanizaki, from Mark Twain to the observations of an undergraduate. Here are many fine performances in classic style, each clear and simple as the truth.Originally published in 1994.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
    Note: Frontmatter -- , CONTENTS -- , ACKNOWLEDGMENTS -- , CLEAR AND SIMPLE AS THE TRUTH -- , ONE: PRINCIPLES OF CLASSIC STYLE -- , TWO: THE MUSEUM -- , THREE: FURTHER READINGS IN CLASSIC PROSE -- , NOTES -- , INDEX , In English.
    Language: English
    Library Location Call Number Volume/Issue/Year Availability
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