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  • 1
    Online Resource
    Online Resource
    Stanford, CA :Stanford University Press,
    UID:
    almahu_9949546541702882
    Format: 1 online resource (232 p.)
    ISBN: 9781503632080 , 9783110993899
    Content: How does Martin Luther King, Jr., understand race philosophically and how did this understanding lead him to develop an ontological conception of racist police violence? In this important new work, Mark Christian Thompson attempts to answer these questions, examining ontology in Martin Luther King, Jr.'s philosophy. Specifically, the book reads King through 1920s German academic debates between Martin Heidegger, Rudolf Bultmann, Hans Jonas, Carl Schmitt, Eric Voegelin, Hannah Arendt, and others on Being, gnosticism, existentialism, political theology, and sovereignty. It further examines King's dissertation about Tillich, as well other key texts from his speculative writings, sermons, and speeches, positing King's understanding of divine love as a form of Heideggerian ontology articulated in beloved community. Tracking the presence of twentieth-century German philosophy and theology in his thought, the book situates King's ontology conceptually and socially in nonviolent protest. In so doing, The Critique of Nonviolence reads King's "Letter from a Birmingham Jail" (1963) with Walter Benjamin's "Critique of Violence" (1921) to reveal the depth of King's political-theological critique of police violence as the illegitimate appropriation of the racialized state of exception. As Thompson argues, it is in part through its appropriation of German philosophy and theology that King's ontology condemns the perpetual American state of racial exception that permits unlimited police violence against Black lives.
    Note: Frontmatter -- , Table of Contents -- , Acknowledgments -- , Introduction. Ontology and Nonviolence -- , 1 Being and Nonviolence -- , 2 Nonbeing and Nonviolence -- , 3 Black power as Nonviolence -- , 4 Gnosticism and Nonviolence -- , 5 Divine Nonviolence -- , Conclusion. Eros as Nonviolence -- , Notes -- , Bibliography -- , Index , Mode of access: Internet via World Wide Web. , In English.
    In: EBOOK PACKAGE COMPLETE 2022 English, De Gruyter, 9783110993899
    In: EBOOK PACKAGE COMPLETE 2022, De Gruyter, 9783110994810
    In: EBOOK PACKAGE Literary, Cultural, Area Studies 2022 English, De Gruyter, 9783110993752
    In: EBOOK PACKAGE Literary, Cultural, Area Studies 2022, De Gruyter, 9783110993738
    In: Stanford University Press Complete eBook-Package 2022, De Gruyter, 9783110766486
    Additional Edition: ISBN 9781503631137
    Language: English
    URL: Cover
    URL: Cover
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  • 2
    UID:
    b3kat_BV045011223
    Format: xxvi, 200 Seiten , Illustrationen , 23 cm
    ISBN: 9781438469874 , 9781438469867
    Series Statement: SUNY series, philosophy and race
    Content: Anti-Music examines the critical, literary, and political responses to African American jazz music in interwar Germany. During this time, jazz was the subject of overt political debate between left-wing and right-wing interests: for the left, jazz marked the death knell of authoritarian Prussian society; for the right, jazz was complicit as an American import threatening the chaos of modernization and mass politics. This conflict was resolved in the early 1930s as the left abandoned jazz in the face of Nazi victory, having come to see the music in collusion with the totalitarian culture industry. Mark Christian Thompson recounts the story of this intellectual trajectory and describes how jazz came to be associated with repressive, virulently racist fascism in Germany. By examining writings by Hermann Hesse, Bertolt Brecht, T.W. Adorno, and Klaus Mann, and archival photographs and images, Thompson brings together debates in German, African American, and jazz studies, and charts a new path for addressing antiblack racism in cultural criticism and theory. - Mark Christian Thompson is Professor of English at Johns Hopkins University and the author of Black Fascisms: African American Literature and Culture between the Wars and Kafka’s Blues: Figurations of Racial Blackness in the Construction of an Aesthetic. (Klappentext)
    Note: Includes bibliographical references and index
    Additional Edition: Erscheint auch als Online-Ausgabe ISBN 978-1-4384-6988-1
    Language: English
    Subjects: Musicology
    RVK:
    RVK:
    RVK:
    Keywords: Deutschland ; Schwarze ; Jazz ; Afroamerikanische Musik ; Ethnische Identität ; Nationalsozialismus ; Geschichte 1918-1939
    Library Location Call Number Volume/Issue/Year Availability
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  • 3
    Online Resource
    Online Resource
    Chicago :University of Chicago Press,
    UID:
    almahu_9949546552102882
    Format: 1 online resource (208 p.)
    ISBN: 9780226816432 , 9783110993899
    Series Statement: Thinking Literature
    Content: This unorthodox account of 1960s Black thought rigorously details the field's debts to German critical theory and explores a forgotten tradition of Black singularity. Phenomenal Blackness examines the changing interdisciplinary investments of key mid-century Black writers and thinkers, including the growing interest in German philosophy and critical theory. Mark Christian Thompson analyzes this shift in intellectual focus across the post-war decades, placing Black Power thought in a philosophical context. Prior to the 1960s, sociologically oriented thinkers such as W. E. B. Du Bois had understood Blackness as a singular set of socio-historical characteristics. In contrast, writers such as Amiri Baraka, James Baldwin, Angela Y. Davis, Eldridge Cleaver, and Malcolm X were drawn to notions of an African essence, an ontology of Black being. With these perspectives, literary language came to be seen as the primary social expression of Blackness. For this new way of thinking, the works of philosophers such as Adorno, Habermas, and Marcuse were a vital resource, allowing for continued cultural-materialist analysis while accommodating the hermeneutical aspects of Black religious thought. Thompson argues that these efforts to reimagine Black singularity led to a phenomenological understanding of Blackness-a "Black aesthetic dimension" wherein aspirational models for Black liberation might emerge.
    Note: Frontmatter -- , Contents -- , Introduction. The Essence of the Matter -- , 1 The Politics of Black Friendship: Gadamer, Baldwin, and the Black Hermeneutic -- , 2 The Aardvark of History: Malcom X, Language, and Power -- , 3 Black Aesthetic Autonomy: Ralph Ellison, Amiri Baraka, and "Literary Negro- ness" -- , 4 The Revolutionary Will Not Be Hypnotized: Eldridge Cleaver and Black Ideology -- , 5 Unrepeatable: Angela Y. Davis and Black Critical Theory -- , Conclusion. Black Aesthetic Theory -- , Acknowledgments -- , Notes -- , References -- , Index , Mode of access: Internet via World Wide Web. , In English.
    In: EBOOK PACKAGE COMPLETE 2022 English, De Gruyter, 9783110993899
    In: EBOOK PACKAGE COMPLETE 2022, De Gruyter, 9783110994810
    In: EBOOK PACKAGE Literary, Cultural, Area Studies 2022 English, De Gruyter, 9783110993752
    In: EBOOK PACKAGE Literary, Cultural, Area Studies 2022, De Gruyter, 9783110993738
    In: University of Chicago Complete eBook-Package 2021, De Gruyter, 9783110739190
    In: University of Chicago Complete eBook-Package 2022, De Gruyter, 9783110766509
    Additional Edition: ISBN 9780226816418
    Language: English
    Subjects: American Studies
    RVK:
    URL: Cover
    URL: Cover
    Library Location Call Number Volume/Issue/Year Availability
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  • 4
    Online Resource
    Online Resource
    Evanston, Illinois :Northwestern University Press,
    UID:
    edocfu_9960177761802883
    Format: 1 online resource (ix, 172 pages) : , illustrations
    ISBN: 0-8101-3287-7
    Note: Introduction -- Becoming negro -- Being negro -- Beyond negro -- Negro's machine -- Negro's manumission -- Negro's martyrdom -- Conclusion.
    Additional Edition: ISBN 0-8101-3285-0
    Additional Edition: ISBN 0-8101-3286-9
    Language: English
    Library Location Call Number Volume/Issue/Year Availability
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  • 5
    Book
    Book
    Charlottesville [u.a.] :University of Virginia Press,
    UID:
    almafu_BV022948500
    Format: X, 232 S.
    Edition: 1. publ.
    ISBN: 978-0-8139-2671-1 , 978-0-8139-2670-4
    Note: Includes bibliographical references and index
    Language: English
    Subjects: American Studies
    RVK:
    Keywords: Literatur ; Schwarze ; Faschismus
    Library Location Call Number Volume/Issue/Year Availability
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  • 6
    Book
    Book
    Stanford, California :Stanford University Press,
    UID:
    almahu_BV048412203
    Format: xi, 220 Seiten.
    ISBN: 978-1-5036-3207-3
    Content: How does Martin Luther King, Jr., understand race philosophically and how did this understanding lead him to develop an ontological conception of racist police violence? In this important new work, Mark Christian Thompson attempts to answer these questions, examining ontology in Martin Luther King, Jr.'s philosophy. Specifically, the book reads King through 1920s German academic debates between Martin Heidegger, Rudolf Bultmann, Hans Jonas, Carl Schmitt, Eric Voegelin, Hannah Arendt, and others on Being, gnosticism, existentialism, political theology, and sovereignty. It further examines King's dissertation about Tillich, as well other key texts from his speculative writings, sermons, and speeches, positing King's understanding of divine love as a form of Heideggerian ontology articulated in beloved community. Tracking the presence of twentieth-century German philosophy and theology in his thought, the book situates King's ontology conceptually and socially in nonviolent protest. In so doing, The Critique of Nonviolence reads King's "Letter from a Birmingham Jail" (1963) with Walter Benjamin's "Critique of Violence" (1921) to reveal the depth of King's political-theological critique of police violence as the illegitimate appropriation of the racialized state of exception. As Thompson argues, it is in part through its appropriation of German philosophy and theology that King's ontology condemns the perpetual American state of racial exception that permits unlimited police violence against Black lives.
    Additional Edition: Erscheint auch als Online-Ausgabe ISBN 978-1-5036-3208-0
    Language: English
    Subjects: History
    RVK:
    Keywords: 1929-1968 King, Martin Luther ; Rassenfrage ; Philosophie
    Library Location Call Number Volume/Issue/Year Availability
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  • 7
    UID:
    gbv_1620871424
    Format: ix, 172 Seiten , Illustrationen
    ISBN: 9780810132856 , 9780810132863
    Content: Introduction -- Becoming negro -- Being negro -- Beyond negro -- Negro's machine -- Negro's manumission -- Negro's martyrdom -- Conclusion
    Note: Includes bibliographical references and index
    Additional Edition: ISBN 9780810132870
    Language: English
    Subjects: German Studies
    RVK:
    Keywords: Kafka, Franz 1883-1924 ; Literatur ; Brief ; Tagebuch ; Rasse ; Sozialer Wandel ; Kafka, Franz 1883-1924 ; Ethnische Identität ; Kafka, Franz 1883-1924 ; Schwarze
    Library Location Call Number Volume/Issue/Year Availability
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  • 8
    Online Resource
    Online Resource
    Albany, NY :State University of New York,
    UID:
    edocfu_9959243739702883
    Format: 1 online resource (228 pages).
    ISBN: 1-4384-6988-8
    Series Statement: Suny series: philosophy and race
    Content: Anti-Music examines the critical, literary, and political responses to African American jazz music in interwar Germany. During this time, jazz was the subject of overt political debate between left-wing and right-wing interests: for the left, jazz marked the death knell of authoritarian Prussian society; for the right, jazz was complicit as an American import threatening the chaos of modernization and mass politics. This conflict was resolved in the early 1930s as the left abandoned jazz in the face of Nazi victory, having come to see the music in collusion with the totalitarian culture industry. Mark Christian Thompson recounts the story of this intellectual trajectory and describes how jazz came to be associated with repressive, virulently racist fascism in Germany. By examining writings by Hermann Hesse, Bertolt Brecht, T.W. Adorno, and Klaus Mann, and archival photographs and images, Thompson brings together debates in German, African American, and jazz studies, and charts a new path for addressing antiblack racism in cultural criticism and theory.
    Note: German jazz and the metronome of race -- The jazz paradox: race and totalitarian politics in German jazz reception -- The jazz machine: Brecht and the politics of jazz -- The monkey's trick: Herman Hesse and the music of decline -- The music of fascism: Adorno on jazz -- Jazz-Heinis: Klaus Mann and jazz ontology.
    Additional Edition: ISBN 1-4384-6987-X
    Language: English
    Library Location Call Number Volume/Issue/Year Availability
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  • 9
    Online Resource
    Online Resource
    Redwood City :Stanford University Press,
    UID:
    almahu_9949616156202882
    Format: 1 online resource (234 pages)
    Edition: 1st ed.
    ISBN: 9781503632080
    Note: Cover -- Title Page -- Copyright -- Dedication -- Table of Contents -- Acknowledgments -- Introduction: Ontology and Nonviolence -- 1. Being and Nonviolence -- 2. Nonbeing and Nonviolence -- 3. Black power as Nonviolence -- 4. Gnosticism and Nonviolence -- 5. Divine Nonviolence -- Conclusion: Eros as Nonviolence -- Notes -- Bibliography -- Index.
    Additional Edition: Print version: Thompson, Mark Christian The Critique of Nonviolence Redwood City : Stanford University Press,c2020 ISBN 9781503612419
    Language: English
    Keywords: Electronic books.
    Library Location Call Number Volume/Issue/Year Availability
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  • 10
    Book
    Book
    Chicago ; London :The University of Chicago Press,
    UID:
    almahu_BV047848536
    Format: 195 Seiten.
    ISBN: 978-0-226-81642-5 , 978-0-226-81641-8
    Series Statement: Thinking literature
    Content: "Phenomenal Blackness examines the changing interdisciplinary investments of key mid-century African American writers and thinkers, showing how their investments in sociology and anthropology gave way to a growing interest in German philosophy and critical theory by the 1960s. Thompson analyzes this shift in intellectual focus across the post-war decades, pinpointing its clearest expression in Amiri Baraka's writings on jazz and blues, in which he insisted on philosophy as the critical means by which to grasp African American expressive culture. More sociologically oriented thinkers, such as W. E. B. Du Bois, had understood blackness as a singular set of socio-historical characteristics. In contrast, writers such as Baraka, James Baldwin, Angela Y. Davis, Eldridge Cleaver, and Malcolm X were variously drawn to notions of an African essence, an ontology of Black being. For them, the work of Adorno, Habermas, Marcuse, and German thinkers was a vital resource, allowing for continued cultural-materialist analysis while accommodating the hermeneutical aspects of African American religious thought. Mark Christian Thompson argues that these efforts to reimagine Black singularity led to a phenomenological understanding of blackness--a "Black aesthetic dimension" wherein aspirational models for Black liberation might emerge"--
    Note: The essence of the matter -- The politics of Black friendship : Gadamer, Baldwin and the Black hermeneutic -- The Aardvark of history : Malcolm X, language and power -- Black aesthetic autonomy : Ralph Ellison, Amiri Baraka, and "literary Negro-ness" -- The revolutionary will not be hypnotized : Eldridge Cleaver and Black ideology -- Unrepeatable : Angela Y. Davis and Black critical theory -- Black aesthetic theory
    Additional Edition: Erscheint auch als Online-Ausgabe ISBN 978-0-226-81643-2
    Language: English
    Subjects: American Studies , Sociology
    RVK:
    RVK:
    Keywords: Schwarze ; Identität ; Kritische Theorie ; Phänomenologie ; History
    Library Location Call Number Volume/Issue/Year Availability
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