feed icon rss

Your email was sent successfully. Check your inbox.

An error occurred while sending the email. Please try again.

Proceed reservation?

Export
  • 1
    UID:
    almafu_9961448853802883
    Format: 1 online resource (317 p.)
    Edition: 1st ed.
    ISBN: 1-4426-2140-0 , 1-4593-4169-4 , 0-8020-9363-9
    Series Statement: University of Toronto romance series
    Content: "Juan Rana, the most famous actor of the Spanish Golden Age, enjoyed a long and successful career from 1617 to 1672. Over fifty entremeses - interludes featured between the main acts of full-length plays - were written especially for him by some of the most important playwrights of the period. This bilingual and annotated edition of The Outrageous Juan Rana Entremeses translates a selection of the entremeses for the first time, highlighting their literary complexity and providing historical context for the many double meanings and innuendos they contain." "Rana's arrest for homosexuality in 1636 led him to play more gender bending, transvestite, and implicitly sexual roles. Many of his roles parody marriage, patriarchy, and heterocentric values while wrestling with issues of gender, sexual, and biological identity. As Peter E. Thompson ably demonstrates, these interludes challenge preconceived notions about society during the Spanish Golden Age by dealing with subject matter that remains extraordinarily relevant today."--Publisher.
    Note: Translations and annotations by Peter E. Thompson. , Introduction : the outrageous Juan Rana -- El guardainfante I y II. Luis Quiñones de Benavente -- Los muertos vivos. Luis Quiñones de Benavente -- El parto de Juan Rana. Francisco Pedro Lanini y Sagredo -- Las fiestas del aldea. Francisco Bernardo de Quirós-- Una rana hace ciento. Luis Belmonte Bermúdez -- El desafio de Juan Rana. Pedro Calderón de la Barca -- El vetrato de Juan Rana. Sebastián de Villaviciosa -- La boda de Juan Rana. Gerónimo Cáncer y Velasco -- La loa de Juan Rana. Agustín Moreto y Cavana -- Juan Rana muger. Gerónimo Cáncer y Velasco -- El triunfo de Juan Rana. Pedro Calderón de la Barca. , Issued also in print. , English
    Language: English
    Keywords: Electronic books. ; Electronic books. ; Electronic books.
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 2
    UID:
    gbv_1771709251
    Format: 1 Online-Ressource (X, 248 Seiten)
    ISBN: 9789004465329
    Series Statement: The medieval Mediterranean volume 121
    Content: Introduction: the transcultural medieval Mediterranean / Felipe E. Rojas and Peter E. Thompson -- Part 1. Conquests -- Anomalous al-Andalus: Time, space, desire / Denise K. Filios -- The masculine body in the Mediterranean: queering the other in El Monserrate and Tirant lo Blanc / Vicente Lledó- Guillem -- Part 2. Femininities -- Bad girls and gender trouble in the thirteenth-ventury Mediterranean / Sahar Amer -- Going between bodies, minds, and spaces: the Alcahueta as the queer third party / Leyla Rouhi -- Part 3. Literatures -- Perversion and subversion: Mother Guidance and Illicit Sexuality in Ibn Dāniyāl's Shadow Play / Edmund Hayes -- Queer names and experiences in Old French and Romance literatures / Ellen Lorraine Friedrich -- Part 4. Captives -- Beaucaire, "Cartage," Torelore: the imaginary Mediterranean's queer carnival in Aucassin et Nicolette / Robert S. Sturges -- "Amor de voluntad"/ "Love freely given": homonormativity in Alfonso X, el Sabio's Legislation on Captives / Israel Burshatin -- Part 5. Encounters -- Spain's Pecado Sodomítico and its Mediterranean intertextualities / Gregory S. Hutcheson -- At the crossroads of intercultural desire in the Levant: Cultural Notes from the Bathhouse / Robert L.A. Clark.
    Content: "In ten essays authored by an international team of scholars, this volume explores queer readings of Western and Eastern Mediterranean Europe, Northern Africa, Islam and Arabic traditions. The contributors enter into a dialogue, comparing cases from opposite sides of the Mediterranean, in order to analyze the forgotten exchange of sexualities that was brought forth through the Mediterranean and its bordering landmasses during the Middle Ages. This collection questions the hypothesis that distinct cultures treated sexuality and the "other" differently. The volume initiates the conversation around queerness and sexuality on these trade routes, and problematizes the differences between various Mediterranean cultures in order to argue that through both queerness and sexuality, neighboring civilizations had access to, and knowledge of, common shared experiences. Contributors are Sahar Amer, Israel Burshatin, Robert L.A. Clark, Denise K. Filos, Ellen Lorraine Friedrich, Edmund Hayes, Gregory S. Hutcheson, Vicente Lledó-Guillem, Leyla Rouhi, and Robert S. Sturges"--
    Note: Includes bibliographical references and index
    Additional Edition: ISBN 9789004315150
    Additional Edition: Erscheint auch als Druck-Ausgabe Queering the medieval Mediterranean Leiden : Brill, 2021 ISBN 9789004315150
    Language: English
    Keywords: LGBT ; Mittelmeerraum ; Geschichte 500-1500 ; Aufsatzsammlung
    URL: DOI
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 3
    Online Resource
    Online Resource
    Toronto :University of Toronto Press,
    UID:
    almafu_9958353107702883
    Format: 1 online resource
    ISBN: 9781442682450
    Series Statement: University of Toronto Romance Series
    Content: Juan Rana was the most famous buffoon of his time. An actor working during the years 1617-1672, he achieved a status similar to that of the Italian Harlequin and was a favourite of the ruling monarchy and the general populace. Over fifty short plays were written especially for Rana by some of the most important playwrights of the day, including Pedro Calderón de la Barca, who crowned Rana the most famous gracioso of the baroque era. Juan Rana was arrested in 1636 for the 'nefarious sin' of homosexuality and thereafter played more gender bending, transvestite, and homosexual roles. Many of his roles wrestle with issues of gender, sexual, and biological difference but, surprisingly, little work has been done on the important issue of his sexuality. In The Triumphant Juan Rana, Peter E. Thompson examines the actor's sexuality both on and off the stage and demonstrates that his homosexuality was tolerated, even understood and applauded, by the public. Thompson challenges many preconceived ideas about the Spanish Golden Age and fills an existing void in queer studies of this important period in European theatrical and literary history.
    Note: Frontmatter -- , Contents -- , Acknowledgments -- , 1. What’s in a Name? -- , 2. The Self-‘Reflective’ Juan Rana: Acting, Meaning, Being the Double/Doppelgänger -- , 3. Crossing the Gendered ‘Clothes’-Line -- , 4. ‘Mas apetezco fuentes que braseros’: Phallic Innuendoes and Confessions -- , 5. The Triumphant Juan Rana -- , Notes -- , Bibliography -- , Index , In English.
    Language: English
    Keywords: Biographie. ; Biographies. ; Electronic books. ; Biographie. ; Biographies. ; Electronic books. ; Electronic books.
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 4
    UID:
    gbv_462625311
    Note: In: Bulletin of the comediantes. - Nashville, TN , Vol. 53, Nr. 2 (2001) ; S. 317-333
    In: year:2001
    Language: English
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 5
    UID:
    almahu_BV047294534
    Format: X, 248 Seiten.
    ISBN: 978-90-04-31515-0
    Series Statement: The medieval Mediterranean volume 121
    Content: "In ten essays authored by an international team of scholars, this volume explores queer readings of Western and Eastern Mediterranean Europe, Northern Africa, Islam and Arabic traditions. The contributors enter into a dialogue, comparing cases from opposite sides of the Mediterranean, in order to analyze the forgotten exchange of sexualities that was brought forth through the Mediterranean and its bordering landmasses during the Middle Ages. This collection questions the hypothesis that distinct cultures treated sexuality and the "other" differently. The volume initiates the conversation around queerness and sexuality, and, while it problematizes the difference between various Mediterranean cultutres, it argues that through both queerness and sexuality, neighboring civilzations had access to, and knowledge of, common shared experiences. The collection shows that the Mediterranean was truly a transcultural sea of sex, gender, identity and culture."
    Note: Introduction: the transcultural medieval Mediterranean / Felipe E. Rojas and Peter E. Thompson -- Part 1. Conquests -- Anomalous al-Andalus: Time, space, desire / Denise K. Filios -- The masculine body in the Mediterranean: queering the other in El Monserrate and Tirant lo Blanc / Vicente Lledó- Guillem -- Part 2. Femininities -- Bad girls and gender trouble in the thirteenth-ventury Mediterranean / Sahar Amer -- Going between bodies, minds, and spaces: the Alcahueta as the queer third party / Leyla Rouhi -- Part 3. Literatures -- Perversion and subversion: Mother Guidance and Illicit Sexuality in Ibn Dāniyāl's Shadow Play / Edmund Hayes -- Queer names and experiences in Old French and Romance literatures / Ellen Lorraine Friedrich -- Part 4. Captives -- Beaucaire, "Cartage," Torelore: the imaginary Mediterranean's queer carnival in Aucassin et Nicolette / Robert S. Sturges -- "Amor de voluntad"/ "Love freely given": homonormativity in Alfonso X, el Sabio's Legislation on Captives / Israel Burshatin -- Part 5. Encounters -- Spain's Pecado Sodomítico and its Mediterranean intertextualities / Gregory S. Hutcheson -- At the crossroads of intercultural desire in the Levant: Cultural Notes from the Bathhouse / Robert L.A. Clark
    Additional Edition: Erscheint auch als Online-Ausgabe ISBN 978-90-04-46532-9
    Language: English
    Subjects: History
    RVK:
    Keywords: Geschlechtsidentität ; Sexuelle Orientierung ; Aufsatzsammlung
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 6
    Book
    Book
    Toronto : University of Toronto Press
    UID:
    gbv_1629054135
    Format: X, 183 Seiten
    ISBN: 0802089690 , 9780802089694
    Series Statement: University of Toronto romance series
    Language: English
    Subjects: General works
    RVK:
    Keywords: Rana, Juan 1593-1672 ; Biografie
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 7
    Online Resource
    Online Resource
    Toronto :University of Toronto Press,
    UID:
    edocfu_9958353107702883
    Format: 1 online resource
    ISBN: 9781442682450
    Series Statement: University of Toronto Romance Series
    Content: Juan Rana was the most famous buffoon of his time. An actor working during the years 1617-1672, he achieved a status similar to that of the Italian Harlequin and was a favourite of the ruling monarchy and the general populace. Over fifty short plays were written especially for Rana by some of the most important playwrights of the day, including Pedro Calderón de la Barca, who crowned Rana the most famous gracioso of the baroque era. Juan Rana was arrested in 1636 for the 'nefarious sin' of homosexuality and thereafter played more gender bending, transvestite, and homosexual roles. Many of his roles wrestle with issues of gender, sexual, and biological difference but, surprisingly, little work has been done on the important issue of his sexuality. In The Triumphant Juan Rana, Peter E. Thompson examines the actor's sexuality both on and off the stage and demonstrates that his homosexuality was tolerated, even understood and applauded, by the public. Thompson challenges many preconceived ideas about the Spanish Golden Age and fills an existing void in queer studies of this important period in European theatrical and literary history.
    Note: Frontmatter -- , Contents -- , Acknowledgments -- , 1. What’s in a Name? -- , 2. The Self-‘Reflective’ Juan Rana: Acting, Meaning, Being the Double/Doppelgänger -- , 3. Crossing the Gendered ‘Clothes’-Line -- , 4. ‘Mas apetezco fuentes que braseros’: Phallic Innuendoes and Confessions -- , 5. The Triumphant Juan Rana -- , Notes -- , Bibliography -- , Index , In English.
    Language: English
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 8
    UID:
    almahu_9949703497802882
    Format: 1 online resource.
    ISBN: 9789004465329 , 9789004315150
    Series Statement: Late Antiquity and Medieval Studies E-Books Online, Collection 2021, ISBN: 9789004441149 121
    Content: In ten essays authored by an international team of scholars, this volume explores queer readings of Western and Eastern Mediterranean Europe, Northern Africa, Islam and Arabic traditions. The contributors enter into a dialogue, comparing cases from opposite sides of the Mediterranean, in order to analyze the forgotten exchange of sexualities that was brought forth through the Mediterranean and its bordering landmasses during the Middle Ages. This collection questions the hypothesis that distinct cultures treated sexuality and the "other" differently. The volume initiates the conversation around queerness and sexuality on these trade routes, and problematizes the differences between various Mediterranean cultures in order to argue that through both queerness and sexuality, neighboring civilizations had access to, and knowledge of, common shared experiences. Contributors are Sahar Amer, Israel Burshatin, Robert L.A. Clark, Denise K. Filos, Ellen Lorraine Friedrich, Edmund Hayes, Gregory S. Hutcheson, Vicente Lledó-Guillem, Leyla Rouhi, and Robert S. Sturges.
    Note: Notes on Contributors -- Introduction The Transcultural Medieval Mediterranean -- Felipe E. Rojas and Peter E. Thompson -- part 1 -- Conquests -- 1 Anomalous al-Andalus Time, Space, Desire -- Denise K. Filios -- 2 The Masculine Body in the Mediterranean Queering the Other in El Monserrate and Tirant lo Blanc -- Vicente Lledó-Guillem -- part 2 -- Femininities -- 3 Bad Girls and Gender Trouble in the Thirteenth-Century Mediterranean -- Sahar Amer -- 4 Going Between Bodies, Minds, and Spaces The Alcahueta as the Queer Third Party -- Leyla Rouhi -- part 3 -- Literatures -- 5 Perversion and Subversion Mother Guidance and Illicit Sexuality in Ibn Dāniyāl's Shadow Play -- Edmund Hayes -- 6 Queer Names and Experiences in Old French and Romance Literatures -- Ellen Lorraine Friedrich -- part 4 -- Captives -- 7 Beaucaire, "Cartage," Torelore The Imaginary Mediterranean's Queer Carnival in Aucassin et Nicolette -- Robert S. Sturges -- 8 "Amor de voluntad"/"Love freely given" Homonormativity in Alfonso X, el Sabio's Legislation on Captives -- Israel Burshatin -- part 5 -- Encounters -- 9 Spain's Pecado Sodomítico and Its Mediterranean Intertextualities -- Gregory S. Hutcheson -- 10 At the Crossroads of Intercultural Desire in the Levant Cultural Notes from the Bathhouse -- Robert L.A. Clark -- Index.
    Additional Edition: Print version: Queering the Medieval Mediterranean: Transcultural Sea of Sex, Gender, Identity, and Culture. Leiden ; Boston : BRILL, 2021 ISBN 9789004315150
    Language: English
    URL: DOI:
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 9
    UID:
    almafu_9958353182402883
    Format: 1 online resource
    ISBN: 9781442621404
    Content: Juan Rana, the most famous actor of the Spanish Golden Age, enjoyed a long and successful career from 1617 to 1672. Over fifty entremeses - interludes featured between the main acts of full-length plays - were written especially for him by some of the most important playwrights of the period. This bilingual and annotated edition of The Outrageous Juan Rana Entremeses translates a selection of the entremeses for the first time, highlighting their literary complexity and providing historical context for the many double meanings and innuendos they contain.Rana's arrest for homosexuality in 1636 led him to play more gender bending, transvestite, and implicitly sexual roles. Many of his roles parody marriage, patriarchy, and heterocentric values while wrestling with issues of gender, sexual, and biological identity. As Peter E. Thompson ably demonstrates, these interludes challenge preconceived notions about society during the Spanish Golden Age by dealing with subject matter that remains extraordinarily relevant today.
    Note: Frontmatter -- , Contents -- , Acknowledgments -- , Introduction: The Outrageous Juan Rana -- , El guardainfante I y II / The Hoopskirt I and II -- , Los muertos vivos / The Living Dead -- , El parto de Juan Rana / Juan Rana Gives Birth -- , Las fi estas del aldea / The Corpus Christi Village Festival -- , Una rana hace ciento / From One Frog a Hundred -- , El desafío de Juan Rana / Juan Rana’s Duel -- , El retrato de Juan Rana / The Portrait of Juan Rana -- , La boda de Juan Rana / Juan Rana’s Wedding -- , La loa de Juan Rana / Juan Rana’s Prologue -- , Juan Rana muger / Juan Rana Woman -- , El triunfo de Juan Rana / The Triumph of Juan Rana -- , Bibliography , In English.
    Language: English
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
Close ⊗
This website uses cookies and the analysis tool Matomo. Further information can be found on the KOBV privacy pages