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  • 1
    Book
    Book
    Contesting British Chinese culture (2018)
    Cham, Switzerland : Palgrave Macmillan
    Details
    UID:
    gbv_1047744228
    Format: xvii, 273 Seiten , Illustrationen , 21 cm
    ISBN: 9783319711584 , 331971158X
    Content: "This is the first text to address British Chinese culture. It explores British Chinese cultural politics in terms of national and international debates on the Chinese diaspora, race, multiculture, identity and belonging, and transnational 'Chineseness'. Collectively, the essays look at how notions of 'British Chinese culture' have been constructed and challenged in the visual arts, theatre and performance, and film, since the mid-1980s. They contest British Chinese invisibility, showing how practice is not only heterogeneous, but is forged through shifting historical and political contexts; continued racialization, the currency of Orientalist stereotypes and the possibility of their subversion; the policies of institutions and their funding strategies; and dynamic relationships with transnationalisms. The book brings a fresh perspective that makes both an empirical and theoretical contribution to the study of race and cultural production, whilst critically interrogating the very notion of British Chineseness"--Back cover
    Note: Includes bibliographical references and index , Introduction: contesting British Chinese culture , The cultura politics of in/visibility: contesting 'British Chineseness' in the arts , One step forward, two steps back: dancing in the margins/on the border of oblivion , "A history written by our bodies": artistic activism and the agonistic Chinese voice of Mad For Real's performances at the end of the twentieth century , Testing, contesting , Manchester's Chinese Arts Centre: a case study in strategic cultural intervention , From South China to South London: a journey in search of home through fine art practice , The artist-photographer and performances of identity: the camera as catalyst , British Chinese cinema and the struggle for recognition, even on the margins , Cinema of displaced identity , The arts Britain utterly ignored: or, Arts Council revenue funding and state intervention in British East Asian theatre in the late 1990s and early 2000s , FACE: autobiographical theatre and cross-cultural considerations , British Chinese performance in minor transnational perspective
    Additional Edition: ISBN 9783319711591
    Additional Edition: ISBN 9783319711591
    Additional Edition: Erscheint auch als Online-Ausgabe ISBN 9783319711591
    Language: English
    Subjects: Ethnology , General works , English Studies
    RVK:
    AP 50300
    RVK:
    AP 64930
    RVK:
    HN 1135
    RVK:
    LB 48190
    Keywords: Großbritannien ; Kultur ; Chinesen ; Ethnische Gruppe ; Ethnische Identität ; Gesellschaft ; Kunst ; Entwicklung ; Sozialgeschichte 1985-2018
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  • 2
    Book
    Book
    Performing China on the London stage : Chinese opera and global power, 1759-2008 (2016)
    London : Palgrave Macmillan
    Details
    UID:
    b3kat_BV043880792
    Format: XVIII, 263 Seiten , Illustrationen
    ISBN: 9781137597854
    Content: This book details the history of Chinese theatre, and British representations of Chinese theatre, on the London stage over a 250-year period. A wide range of performance case studies – from exhibitions and British Chinese opera inspired theatre, to translations of Chinese plays and visiting troupes – highlight the evolving nature of Sino-British trade, fashion, migration, the formation of diaspora, and international relations. Collectively, they outline the complex relationship between Britain and China – the rise and fall of the British Empire, and the fall and rise of China – as it was played out on the stages of London across three centuries. Drawing extensively upon archival materials and fieldwork research, the book offers new insights for intercultural British theatre in the 21st century – "the Asian century".
    Note: Literaturverzeichnis Seite 235-254
    Additional Edition: Erscheint auch als Online-Ausgabe ISBN 978-1-137-59786-1
    Language: English
    Subjects: General works , Musicology
    RVK:
    AP 64962
    RVK:
    LQ 84400
    RVK:
    LS 41400
    Keywords: Großbritannien ; Kulturkontakt ; Chinesische Oper ; Theater ; Geschichte 1759-2008 ; London ; Chinesische Oper ; Theater ; Geschichte 1759-2008 ; London ; Theater ; Musiktheater ; China ; Rezeption
    URL: Inhaltsverzeichnis
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  • 3
    Online Resource
    Online Resource
    Contesting British Chinese Culture / (2018)
    Cham :Palgrave Macmillan,
    Details
    UID:
    almafu_BV045275005
    Format: 1 Online-Ressource (XVII, 273 p. 27 illus).
    ISBN: 978-3-319-71159-1
    Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 978-3-319-71158-4
    Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 978-3-319-71160-7
    Language: English
    Subjects: General works , English Studies
    RVK:
    AP 64930
    RVK:
    AP 50300
    RVK:
    HN 1135
    Keywords: Film ; Fotografie ; Theater ; Performance ; Großbritannien ; Chinesen ; Einwanderer ; Kultur ; Aufsatzsammlung ; Aufsatzsammlung
    DOI: 10.1007/978-3-319-71159-1
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 4
    Online Resource
    Online Resource
    Asian city crossings : pathways of performance through Hong Kong and Singapore (2021)
    Abingdon, Oxon ; : Routledge,
    Details
    UID:
    almahu_9949386625902882
    Format: 1 online resource
    ISBN: 9781003043157 , 1003043151 , 9781000381191 , 1000381196 , 100038120X , 9781000381207
    Content: "Asian City Crossings is the first volume to examine the relationship between the city and performance from an Asian perspective. This collection introduces "city as method" as a new conceptual framework for the investigation of practices of city-based performing arts collaboration and city-to-city performance networks across East- and Southeast Asia and beyond. The shared and yet divergent histories of the global cities of Hong Kong and Singapore as postcolonial, multiethnic, multicultural, and multilingual sites, are taken as points of departure to demonstrate how "city as method" facilitates a comparative analytical space that foregrounds in-betweenness and fluid positionalities. It situates inter-Asian relationality and inter-city referencing as centrally significant dynamics in the exploration of the material and ideological conditions of contemporary performance and performance exchange in Asia. This study captures creative dialogue that travels city-based pathways along the Hong Kong-Singapore route, as well as between Hong Kong and Singapore and other cities, through scholarly analyses and practitioner reflections drawn from the fields of theatre, performance, and music. This book combines essays by scholars of Asian studies, theatre studies, ethnomusicology, and human geography with reflective accounts by Hong Kong and Singapore-based performing arts practitioners to highlight the diversity, vibrancy, and complexity of creative projects that destabilise notions of identity, belonging, and nationhood through strategies of collaborative conviviality and transnational mobility across multi-sited networks of cities in Asia. In doing so, this volume fills a considerable gap in global scholarly discourse on performance and the city and on the production and circulation of the performing arts in Asia"--
    Note: Introduction: Mapping the Terrain: Hong Kong, Singapore, and the City as Method / Rossella Ferrari and Ashley Thorpe -- Culture of Exchange and Cultural Exchange / Danny Yung -- From 1989 to 1997 and Beyond: Zuni Icosahedron's Transnational Explorations / Wah Guan Lim -- Dialectics as Creative Process and Decentring China: Zuni Icosahedron and Drama Box's One Hundred Years of Solitude 10.0: Cultural Revolution / How Wee Ng -- Thoughts on Cross-Cultural Collaboration by Mok Chiu-yu, a Hongkonger: What We Did and Why There Was Little Interaction with Singapore / Mok Chiu-yu -- Augustine Mok Chiu-yu's Intercultural Asian People's Theatre: Imagining "The Third Way" for Hong Kong / Jessica Yeung -- Solitude to Solidarity: Imagined Transnational Alliance of Humanity against Bestial Hegemony / Daphne P. Lei -- Crossing-Over as Strategy / Liu Xiaoyi -- The City and the Artist: Alice Theatre Laboratory's Seven Boxes Possessed of Kafka in Shanghai / Mirjam Tröster -- Unequal Cosmopolitanisms: Staging Singaporean nanyin in and beyond Asia / Shzr Ee Tan -- Minor Translocalism: Messy and Marginal Networks in and beyond Singapore. An Interview with Tan Suet Lee / Amanda Rogers -- Facilitating Exchange / Kok Heng Leun -- Postscript: Asian City Crossings as a Strategy for Freedom? / Rossella Ferrari and Ashley Thorpe.
    Additional Edition: Print version: Asian city crossings. Abingdon, Oxon ; New York : Routledge, 2021 ISBN 9780367488413
    Language: English
    Keywords: Electronic books. ; Aufsatzsammlung
    DOI: 10.4324/9781003043157
    URL: https://www.taylorfrancis.com/books/9781003043157
    URL: lizenzpflichtig
    URL: lizenzpflichtig
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  • 5
    Book
    Book
    The role of the Chou ("clown") in traditional Chinese drama : comedy, criticism, and cosmology on the Chinese stage (2007)
    Lewiston, NY [u.a.] : Mellen
    Details
    UID:
    gbv_549530428
    Format: x, 351 p., [11] leaves of plates , Ill., graph. Darst. , 24cm
    ISBN: 0773453032 , 9780773453036
    Note: Includes bibliographical references (p. [325]-341) and index , Text teilw. chin
    Language: English
    Keywords: China ; Sprechtheater ; Chinesische Oper ; Clown
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  • 6
    Online Resource
    Online Resource
    Contemporary British studio pottery : forms of expression (2023)
    London : The Crowood Press
    Details
    UID:
    gbv_1852944196
    Format: 1 Online-Ressource (491 ungezählte Seiten) , Illustrationen
    ISBN: 9780719842436
    Content: Intro -- Half Title -- Title -- Contents -- Introduction: What is a pot and what is not? -- Formal Languages -- 1. Magdalene Odundo: Glossolalia -- 2. Tina Vlassopulos: Space for Imagining -- 3. Julian King-Salter: Twists and Turns -- Dialogues with Twentieth Century Art -- 4. Dan Kelly: In Contrast -- 5. Elizabeth Fritsch: A Responsive Eye -- 6. Sam Hall: The Muse of Fire -- 7. Sara Flynn: Drawn to Life -- 8. Julian Stair: On the Table -- Dialogues with the Eighteenth and Nineteenth Centuries -- 9. Jo Taylor: Re-collections -- 10. Matthew Warner: Status Symbols -- 11. Paul Scott: Breaking with Tradition -- 12. Stephen Dixon: Satura -- 13. Frances Priest: Neo-modernisme -- 14. Nico Conti: Ceramic Surgeon -- The Tangible -- 15. Toni De Jesus: Points of Contact -- 16. Gareth Mason: Tripartites -- 17. Sarah Purvey: Streams of Consciousness -- The Intangible -- 18. Chun Liao: Palimpsests -- 19. Nicholas Rena: Matter That Matters -- 20. Lawson Oyekan: A Unified Theorem -- 21. Akiko Hirai: Nothing Comes from Nothing -- Colliding Worlds -- 22. Tim Copsey: Tableau-ware -- 23. Gabriele Koch: Metaphorica -- 24. Márek Líška: Here and Now -- Afterword: Forms of Expression -- Artist Biographies -- Notes -- Bibliography -- Acknowledgements -- Image Credits -- Index -- Copyright.
    Language: English
    Keywords: Großbritannien ; Studiokeramik ; Geschichte 1980-2023
    URL: lizenzpflichtig
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    Staatliche Museen
  • 7
    Online Resource
    Online Resource
    Contesting British Chinese Culture (2018)
    Cham :Springer International Publishing :
    Details
    UID:
    almahu_9947971791002882
    Format: XVII, 273 p. 27 illus. , online resource.
    ISBN: 9783319711591
    Content: This is the first text to address British Chinese culture. It explores British Chinese cultural politics in terms of national and international debates on the Chinese diaspora, race, multiculture, identity and belonging, and transnational ‘Chineseness’. Collectively, the essays look at how notions of ‘British Chinese culture’ have been constructed and challenged in the visual arts, theatre and performance, and film, since the mid-1980s. They contest British Chinese invisibility, showing how practice is not only heterogeneous, but is forged through shifting historical and political contexts; continued racialization, the currency of Orientalist stereotypes and the possibility of their subversion; the policies of institutions and their funding strategies; and dynamic relationships with transnationalisms. The book brings a fresh perspective that makes both an empirical and theoretical contribution to the study of race and cultural production, whilst critically interrogating the very notion of British Chineseness.
    Note: 1. Contesting British Chinese Culture: Mapping the Terrain, Ashley Thorpe and Diana Yeh.- 2. The Cultural Politics of In/Visibility: Contesting ‘British Chineseness’ in the Arts, Diana Yeh -- 3. One Step Forward, Two Steps Back: Dancing in the margins / on the border of oblivion, Erika Tan -- 4. ‘A history written by our bodies’: artistic activism and the agonistic Chinese ‘voice’ of Mad For Real’s performances at the end of the twentieth century, Katie Hill -- 5. Testing, Contesting, susan pui san lok -- 6. Manchester’s Chinese Arts Centre: a case study in strategic cultural intervention, Felicia Chan and Andy Willis -- 7. From South China to South London: A Journey in Search of Home through Fine Art Practice, Anthony Key -- 8. The Artist-Photographer and Performances of Identity: The Camera as Catalyst, Grace Lau -- 9. British Chinese Cinema and the Struggle for Recognition, Even on the Margins, Felicia Chan and Andy Willis -- 10. Cinema of Displaced Identity, Rosa Fong -- 11. The Arts Britain Utterly Ignores: or; Arts Council Funding and State Intervention in British East Asian Theatre in the late 1990s and early 2000s, Ashley Thorpe -- 12. FACES Autobiographical Theatre and Cross-cultural Considerations, Veronica Needa -- 13. British Chinese Performance in Minor Transnational Perspective, Amanda Rogers.
    In: Springer eBooks
    Additional Edition: Printed edition: ISBN 9783319711584
    Additional Edition: Printed edition: ISBN 9783319711607
    Language: English
    DOI: 10.1007/978-3-319-71159-1
    URL: https://doi.org/10.1007/978-3-319-71159-1
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    HU Berlin
  • 8
    Online Resource
    Online Resource
    Performing China on the London Stage : Chinese Opera and Global Power, 1759–2008 (2016)
    London :Palgrave Macmillan UK :
    Details
    UID:
    almahu_9947363713902882
    Format: XVIII, 263 p. 9 illus., 4 illus. in color. , online resource.
    ISBN: 9781137597861
    Content: This book details the history of Chinese theatre, and British representations of Chinese theatre, on the London stage over a 250-year period. A wide range of performance case studies – from exhibitions and British Chinese opera inspired theatre, to translations of Chinese plays and visiting troupes – highlight the evolving nature of Sino-British trade, fashion, migration, the formation of diaspora, and international relations. Collectively, they outline the complex relationship between Britain and China – the rise and fall of the British Empire, and the fall and rise of China – as it was played out on the stages of London across three centuries. Drawing extensively upon archival materials and fieldwork research, the book offers new insights for intercultural British theatre in the 21st century – ‘the Asian century’.
    Note: Introduction -- Chapter 1. Chinese drama in the European Imagination before 1736 -- Chapter 2. ‘Confucius’ morals to Britannia’s ears' -- Chapter 3. From page to stage -- Chapter 4. Fashion, chinoiserie and modernity in The Circle of Chalk, 1929 -- Chapter 5. Seeking subalterneity in S.I. Hsiung’s Lady Precious Stream, 1934 -- Chapter 6. 'A traditional play in the traditional manner' -- Chapter 7. Chinese opera in the diaspora from 1949 -- Chapter 8. Opening the stage door -- Chapter 9. Postmodern politics -- Conclusion.
    In: Springer eBooks
    Additional Edition: Printed edition: ISBN 9781137597854
    Language: English
    DOI: 10.1057/978-1-137-59786-1
    URL: http://dx.doi.org/10.1057/978-1-137-59786-1
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  • 9
    Online Resource
    Online Resource
    Contesting British Chinese Culture / (2018)
    Cham :Palgrave Macmillan,
    Details
    UID:
    edoccha_BV045275005
    Format: 1 Online-Ressource (XVII, 273 p. 27 illus).
    ISBN: 978-3-319-71159-1
    Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 978-3-319-71158-4
    Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 978-3-319-71160-7
    Language: English
    Subjects: General works , English Studies
    RVK:
    AP 64930
    RVK:
    AP 50300
    RVK:
    HN 1135
    Keywords: Film ; Fotografie ; Theater ; Performance ; Großbritannien ; Chinesen ; Einwanderer ; Kultur ; Aufsatzsammlung
    DOI: 10.1007/978-3-319-71159-1
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 10
    Online Resource
    Online Resource
    Performing China on the London Stage : Chinese Opera and Global Power, 1759–2008 (2016)
    London :Palgrave Macmillan UK :
    Details
    UID:
    almafu_9958131720802883
    Format: 1 online resource (XVIII, 263 p. 9 illus., 4 illus. in color.)
    Edition: 1st ed. 2016.
    ISBN: 1-137-59786-0
    Content: This book details the history of Chinese theatre, and British representations of Chinese theatre, on the London stage over a 250-year period. A wide range of performance case studies – from exhibitions and British Chinese opera inspired theatre, to translations of Chinese plays and visiting troupes – highlight the evolving nature of Sino-British trade, fashion, migration, the formation of diaspora, and international relations. Collectively, they outline the complex relationship between Britain and China – the rise and fall of the British Empire, and the fall and rise of China – as it was played out on the stages of London across three centuries. Drawing extensively upon archival materials and fieldwork research, the book offers new insights for intercultural British theatre in the 21st century – ‘the Asian century’.
    Note: Introduction -- Chapter 1. Chinese drama in the European Imagination before 1736 -- Chapter 2. ‘Confucius’ morals to Britannia’s ears' -- Chapter 3. From page to stage -- Chapter 4. Fashion, chinoiserie and modernity in The Circle of Chalk, 1929 -- Chapter 5. Seeking subalterneity in S.I. Hsiung’s Lady Precious Stream, 1934 -- Chapter 6. 'A traditional play in the traditional manner' -- Chapter 7. Chinese opera in the diaspora from 1949 -- Chapter 8. Opening the stage door -- Chapter 9. Postmodern politics -- Conclusion.
    Additional Edition: ISBN 1-137-59785-2
    Language: English
    Keywords: History. ; History.
    DOI: 10.1057/978-1-137-59786-1
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    Online Resource
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    Charité
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