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  • 1
    Online Resource
    Online Resource
    London :Bloomsbury Academic, | London :Bloomsbury Publishing (UK),
    UID:
    almahu_9949870127202882
    Format: 1 online resource (280 pages)
    Edition: 1st ed.
    ISBN: 9781350302310
    Series Statement: Library of Gender and Popular Culture
    Content: What are the barriers to women's participation in live comedy, and how these barriers are maintained in the digital era? In this book, Ellie Tomsett considers how the origins of stand-up comedy still impact on current live comedy production, and explains how the contemporary stand-up scene still reflects wider societal stereotypes about the capabilities of women. Using primary data collected from women-only comedy nights and immersive research with the UK Women in Comedy Festival in Manchester, Tomsett analyses examples of stand-up performed by contemporary comedians - including Bridget Christie, Lolly Adefope, Luisa Omielan and Ava Vidal - and questions how these performances relate to conceptions of feminist and postfeminist humour, as well as notions of backlash against contemporary feminisms. She focuses on live comedy that is explicitly feminist to consider how social attitudes to women, the increasing visibility of female labour outside the home, and the emergence of multiple (and sometimes contradictory) feminisms has influenced the comedy produced by women comedians in 21st century Britain.
    Note: Introduction 1. How did we get here?: The evolution of the UK comedy circuit and stereotypes regarding women and comedy. 2. Where are we now?: Challenges today for women comics. 3. Women-only comedy spaces: Addressing inequality on the UK comedy circuit. 4. Online to IRL: The impact of social media on stand-up comedy by women 5. Self-deprecation and beyond: Feminisms on the current circuit 6. An (un)equal and opposite reaction: The backlash and barriers facing feminist comedy 7. Time's Up for comedy sexism Conclusion Bibliography Index
    Language: English
    Library Location Call Number Volume/Issue/Year Availability
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  • 2
    UID:
    almahu_9949709289802882
    Format: XVII, 333 p. 11 illus., 10 illus. in color. , online resource.
    Edition: 1st ed. 2024.
    ISBN: 9783031495762
    Series Statement: Palgrave Studies in (Re)Presenting Gender,
    Content: "This is a wide-ranging and timely collection with a sharp critical and analytical lens on the current realm of popular representations of women and work in the frame of neoliberal culture. It will be immensely useful for teachers and researchers in feminist media studies." Angela McRobbie, Professor Emeritus Goldsmiths University of London, UK. "This book sheds new light on the ways in which women's paid labour is depicted in the contemporary moment. It is both necessary and vital and unpicks the complexities of how limited and often damaging screen representations are suffused in the contemporary media landscape." Kirsty Fairclough, Professor of Screen Studies, Manchester Metropolitan University, UK. Working Women on Screen: Paid Labour and Fourth Wave Feminism critically examines screen media representations of women's participation in the contemporary labour market. Withinthe context of fourth wave feminism, there has been a new proliferation in the global media landscape of representations of women's paid labour. This has coincided with the development of critical and ideological issues surrounding intersectionality and culture wars, as well as the impacts of recessions, political upheavals, and pandemics. Workplace dynamics and post-#MeToo politics have led to the complexification of structures, oppressions and relationships that impact what women can do for money. As a result, the "working woman" is now a constant presence on our screens, though articulated in widely divergent ways. The chapters within this collection critique issues that are deeply embedded in neoliberal conceptions of contemporary feminism, such as aspects of "lean-in" culture, structural oppression, and women's experiences of the "glass ceiling" and "glass cliff". The volume analyses representations related to the intersecting dynamics of gender, race, class, sexuality, and disability in television, film, social media and video games. Dr Ellie Tomsett is a Senior Lecturer in Media and Communication at Birmingham City University, UK. Dr Nathalie Weidhase is a Lecturer in Media and Communication at the University of Surrey, UK. Dr Poppy Wilde is a Senior Lecturer in Media and Communication at Birmingham City University, UK. .
    Note: 1. Introduction -- Section 1: Aesthetic Labour -- 2. "The person inside has experienced the most change...": The labour of fitness, positivity and narratives of suffering -- 3. Selling Sunset... and my postfeminist sexual capital -- 4. 'Millennial dumplings' at work: Aesthetic and emotional labour in US sitcoms Shrill (2019- 21) and Mythic Quest (2020-) -- 5 Making Nüzhubo: Commodified Intimacy and Gendered Labour in Chinese Live/Life Streaming -- Section 2: Politics and Policies -- 6. Representation of women peacebuilders in the Nigerian TV news media -- 7. Recuperating Women's Care Work in 2010s Television Fictions of Nurses and Nursing in the Neoliberal NHS -- 8. "I took a dump on the glass ceiling": Veep, (the Absence of) Competence and Populist Political Culture -- Section 3: Relationships and Power -- 9. "I am the highest paid showrunner in Television!" Shonda Rhimes' work and influence in the media industry -- 10 Control and the fallacy of agency: negotiating neoliberal workplaces and toxic work environments -- 11. "You Deserve to Be Satisfied": Women in Tech and the Affective Reconfiguration of the Workplace through Song in Zoey's Extraordinary Playlist -- 12. Work it, robot! Exploring I'm Your Man [Ich bin dein Mensch] (2021) and The Trouble With Being Born (2020) -- Section 4: Sex and Sexuality -- 13. Queering Mothering, Labour, and Illness in Tully -- 14. A quest for self? Work as an identity in the Japanese movie 37 seconds -- 15. Representing Sex Workers: The Experiences of Shae, Ros and Daisy in Game of Thrones (2011-2019).
    In: Springer Nature eBook
    Additional Edition: Printed edition: ISBN 9783031495755
    Additional Edition: Printed edition: ISBN 9783031495779
    Additional Edition: Printed edition: ISBN 9783031495786
    Language: English
    URL: Volltext  (URL des Erstveröffentlichers)
    Library Location Call Number Volume/Issue/Year Availability
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  • 3
    Online Resource
    Online Resource
    Cham :Springer International Publishing AG,
    UID:
    edoccha_9961426846002883
    Format: 1 online resource (337 pages)
    Edition: 1st ed.
    ISBN: 3-031-49576-4
    Series Statement: Palgrave Studies in (Re)Presenting Gender Series
    Additional Edition: ISBN 3-031-49575-6
    Language: English
    Library Location Call Number Volume/Issue/Year Availability
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  • 4
    Online Resource
    Online Resource
    Cham :Springer International Publishing :
    UID:
    almafu_9961426846002883
    Format: 1 online resource (337 pages)
    Edition: 1st ed. 2024.
    ISBN: 3-031-49576-4
    Series Statement: Palgrave Studies in (Re)Presenting Gender,
    Content: “This is a wide-ranging and timely collection with a sharp critical and analytical lens on the current realm of popular representations of women and work in the frame of neoliberal culture. It will be immensely useful for teachers and researchers in feminist media studies.” Angela McRobbie, Professor Emeritus Goldsmiths University of London, UK. “This book sheds new light on the ways in which women’s paid labour is depicted in the contemporary moment. It is both necessary and vital and unpicks the complexities of how limited and often damaging screen representations are suffused in the contemporary media landscape.” Kirsty Fairclough, Professor of Screen Studies, Manchester Metropolitan University, UK. Working Women on Screen: Paid Labour and Fourth Wave Feminism critically examines screen media representations of women’s participation in the contemporary labour market. Withinthe context of fourth wave feminism, there has been a new proliferation in the global media landscape of representations of women’s paid labour. This has coincided with the development of critical and ideological issues surrounding intersectionality and culture wars, as well as the impacts of recessions, political upheavals, and pandemics. Workplace dynamics and post-#MeToo politics have led to the complexification of structures, oppressions and relationships that impact what women can do for money. As a result, the “working woman” is now a constant presence on our screens, though articulated in widely divergent ways. The chapters within this collection critique issues that are deeply embedded in neoliberal conceptions of contemporary feminism, such as aspects of “lean-in” culture, structural oppression, and women’s experiences of the “glass ceiling” and “glass cliff”. The volume analyses representations related to the intersecting dynamics of gender, race, class, sexuality, and disability in television, film, social media and video games. Dr Ellie Tomsett is a Senior Lecturer in Media and Communication at Birmingham City University, UK. Dr Nathalie Weidhase is a Lecturer in Media and Communication at the University of Surrey, UK. Dr Poppy Wilde is a Senior Lecturer in Media and Communication at Birmingham City University, UK. .
    Note: 1. Introduction -- Section 1: Aesthetic Labour -- 2. “The person inside has experienced the most change…”: The labour of fitness, positivity and narratives of suffering -- 3. Selling Sunset… and my postfeminist sexual capital -- 4. ‘Millennial dumplings’ at work: Aesthetic and emotional labour in US sitcoms Shrill (2019- 21) and Mythic Quest (2020-) -- 5 Making Nüzhubo: Commodified Intimacy and Gendered Labour in Chinese Live/Life Streaming -- Section 2: Politics and Policies -- 6. Representation of women peacebuilders in the Nigerian TV news media -- 7. Recuperating Women’s Care Work in 2010s Television Fictions of Nurses and Nursing in the Neoliberal NHS -- 8. “I took a dump on the glass ceiling”: Veep, (the Absence of) Competence and Populist Political Culture -- Section 3: Relationships and Power -- 9. “I am the highest paid showrunner in Television!” Shonda Rhimes’ work and influence in the media industry -- 10 Control and the fallacy of agency: negotiating neoliberal workplaces and toxic work environments -- 11. “You Deserve to Be Satisfied”: Women in Tech and the Affective Reconfiguration of the Workplace through Song in Zoey’s Extraordinary Playlist -- 12. Work it, robot! Exploring I’m Your Man [Ich bin dein Mensch] (2021) and The Trouble With Being Born (2020) -- Section 4: Sex and Sexuality -- 13. Queering Mothering, Labour, and Illness in Tully -- 14. A quest for self? Work as an identity in the Japanese movie 37 seconds -- 15. Representing Sex Workers: The Experiences of Shae, Ros and Daisy in Game of Thrones (2011-2019).
    Additional Edition: ISBN 3-031-49575-6
    Language: English
    Library Location Call Number Volume/Issue/Year Availability
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  • 5
    UID:
    gbv_1889921920
    Format: 1 Online-Ressource (xvii, 333 pages) , illustrations
    ISBN: 9783031495762 , 3031495764
    Series Statement: Palgrave studies in (re)presenting gender
    Content: This is a wide-ranging and timely collection with a sharp critical and analytical lens on the current realm of popular representations of women and work in the frame of neoliberal culture. It will be immensely useful for teachers and researchers in feminist media studies. Angela McRobbie, Professor Emeritus Goldsmiths University of London, UK. This book sheds new light on the ways in which womens paid labour is depicted in the contemporary moment. It is both necessary and vital and unpicks the complexities of how limited and often damaging screen representations are suffused in the contemporary media landscape. Kirsty Fairclough, Professor of Screen Studies, Manchester Metropolitan University, UK. Working Women on Screen: Paid Labour and Fourth Wave Feminism critically examines screen media representations of womens participation in the contemporary labour market. Within the context of fourth wave feminism, there has been a new proliferation in the global media landscape of representations of womens paid labour. This has coincided with the development of critical and ideological issues surrounding intersectionality and culture wars, as well as the impacts of recessions, political upheavals, and pandemics. Workplace dynamics and post-#MeToo politics have led to the complexification of structures, oppressions and relationships that impact what women can do for money. As a result, the working woman is now a constant presence on our screens, though articulated in widely divergent ways. The chapters within this collection critique issues that are deeply embedded in neoliberal conceptions of contemporary feminism, such as aspects of lean-in culture, structural oppression, and womens experiences of the glass ceiling and glass cliff. The volume analyses representations related to the intersecting dynamics of gender, race, class, sexuality, and disability in television, film, social media and video games. Dr EllieTomsettis a Senior Lecturer in Media and Communication at Birmingham City University, UK. Dr Nathalie Weidhase is a Lecturer in Media and Communication at the University of Surrey, UK. Dr Poppy Wilde is a Senior Lecturer in Media and Communication at Birmingham City University, UK
    Note: Includes bibliographical references and index , 1. Introduction -- Section 1: Aesthetic Labour -- 2. The person inside has experienced the most change: The labour of fitness, positivity and narratives of suffering -- 3. Selling Sunset and my postfeminist sexual capital -- 4. Millennial dumplings at work: Aesthetic and emotional labour in US sitcoms Shrill (2019- 21) and Mythic Quest (2020-) -- 5 Making Nzhubo: Commodified Intimacy and Gendered Labour in Chinese Live/Life Streaming -- Section 2: Politics and Policies -- 6. Representation of women peacebuilders in the Nigerian TV news media -- 7. Recuperating Womens Care Work in 2010s Television Fictions of Nurses and Nursing in the Neoliberal NHS -- 8. I took a dump on the glass ceiling: Veep, (the Absence of) Competence and Populist Political Culture -- Section 3: Relationships and Power -- 9. I am the highest paid showrunner in Television! Shonda Rhimes work and influence in the media industry -- 10 Control and the fallacy of agency: negotiating neoliberal workplaces and toxic work environments -- 11. You Deserve to Be Satisfied: Women in Tech and the Affective Reconfiguration of the Workplace through Song in Zoeys Extraordinary Playlist -- 12. Work it, robot! Exploring Im Your Man [Ich bin dein Mensch] (2021) and The Trouble With Being Born (2020) -- Section 4: Sex and Sexuality -- 13. Queering Mothering, Labour, and Illness in Tully -- 14. A quest for self? Work as an identity in the Japanese movie 37 seconds -- 15. Representing Sex Workers: The Experiences of Shae, Ros and Daisy in Game of Thrones (2011-2019).
    Additional Edition: ISBN 3031495756
    Additional Edition: ISBN 9783031495755
    Additional Edition: Erscheint auch als Druck-Ausgabe Tomsett, Ellie Working Women on Screen Cham : Springer International Publishing AG,c2024 ISBN 9783031495755
    Language: English
    Library Location Call Number Volume/Issue/Year Availability
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