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  • 1
    UID:
    almahu_9949546461702882
    Format: 1 online resource (368 p.) : , 14 b&w illustrations
    ISBN: 9781487538262 , 9783110993899
    Content: For at least a decade, university foreign language programs have been in decline throughout the English-speaking world. As programs close or are merged into large multi-language departments, disciplines like German studies find themselves struggling to survive. Transverse Disciplines offers an overview of the current research on the humanities and the academy at large and proposes creative and courageous ideas for the university of the future. Using German studies as a case study, the book examines localized academic work in Australia, Canada, the United Kingdom, and the United States in order to model new ideas for invigorated thinking beyond disciplinary specificity, university communities, and entrenched academic practices. In contributions that are theoretical, speculative, experimental, and deeply personal, contributors suggest that German studies might do better to stop trying to protect existing national and disciplinary arrangements. Instead, the discipline should embrace feminist, queer, anti-racist, and decolonial academic practices and commitments, including community-based work, research-creation, and scholar activism. Interrogating the position of researchers, teachers, and administrators inside and outside academia, Transverse Disciplines takes stock of the increasingly tenuous position of the humanities and stakes a claim for the importance of imagining new disciplinary futures within the often restrictive and harmful structures of the academy.
    Note: Frontmatter -- , Contents -- , Illustrations -- , Acknowledgments -- , Preface: Forging Alliances in the Burning Present -- , Introduction: Transversal Thinking, Accountabilities, and Commitments -- , Section 1: Situating Disciplinarity: Diagnoses, Genealogies, and Possibilities -- , 1. Recomposing the Humanities: Transversal Legacies, Localized Futures -- , 2. Beyond Germanistik: Transverse Approaches to German Studies in Australia -- , 3. Imagining German Studies for the Future -- , 4. Diversifying the German Curriculum through Student Research -- , Section 2: Against Insularity -- , 5. Critical Interventions in Land-Grant Epistemologies -- , 6. Unsettled Memory: Learning about the Holocaust at a United States Prison -- , 7. Anxious Trajectories: Game Studies and German Studies -- , 8. Thinking Inconveniently: A Neuroqueer Project on Mathematics and Lyric Poetry -- , 9. Making Academic Publishing More Public -- , Section 3: Speculative Methodologies and Radical Relationality -- , 10. Collaborative Infrastructures for Feminist German Studies -- , 11. "Sometimes I dream of different kinds of plants": Assemblage, Defiance, and Tenuous Connection -- , 12. Anti-Blackness in German Studies -- , 13. Beyond Disciplinary Belonging: Constructing a Scholarly Self through Interactions and Relationality -- , 14. German Studies, Home, Hospitality: Decolonial Possibilities and a Politics of Place? -- , Contributors -- , Index , Mode of access: Internet via World Wide Web. , In English.
    In: EBOOK PACKAGE COMPLETE 2022 English, De Gruyter, 9783110993899
    In: EBOOK PACKAGE COMPLETE 2022, De Gruyter, 9783110994810
    In: EBOOK PACKAGE Education, Psychology, Comm 2022 English, De Gruyter, 9783110993950
    In: EBOOK PACKAGE Education, Psychology, Communication 2022, De Gruyter, 9783110994186
    In: University of Toronto Press Complete eBook-Package 2022, De Gruyter, 9783110767155
    Language: English
    URL: Cover
    URL: Cover
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  • 2
    UID:
    gbv_733754368
    Format: 459 S. , Ill. , 21 cm
    ISBN: 3531184938 , 9783531184937
    Series Statement: Film, Fernsehen, Medienkultur
    Note: Literaturangaben
    Additional Edition: ISBN 9783531190761
    Additional Edition: Online-Ausg. Wedel, Michael, 1969 - DEFA international Wiesbaden : Springer VS, 2013 ISBN 9783531190761
    Additional Edition: Erscheint auch als Online-Ausgabe Wedel, Michael, 1969 - DEFA international Wiesbaden : Springer VS, 2013 ISBN 9783531190761
    Language: German
    Subjects: General works
    RVK:
    RVK:
    Keywords: DEFA-Studio für Spielfilme ; Internationale Kooperation ; Geschichte ; Deutschland ; Deutschland ; Film ; Kooperation ; Geschichte ; Deutschland ; Film ; Rezeption ; Ausland ; Geschichte ; Konferenzschrift
    Author information: Wedel, Michael 1969-
    Author information: Räder, Andy 1977-
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  • 3
    UID:
    kobvindex_WAN68017
    ISBN: 9783110221398
    In: Handbuch Nachkriegskultur, (2013), S. 652-655, 9783110221398
    Language: German
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  • 4
    Online Resource
    Online Resource
    Berlin : Humboldt-Universität zu Berlin
    UID:
    edochu_18452_8094
    Content: This article discusses the transnational processes and intermedial contexts of recent international feature cinema via the example of Uwe Boll, a German producer-director responsible for multiple video-game feature adaptations. Major structural shifts in German film financing between 1998 and 2008 have had a more significant impact on German film production and aesthetics than the contemporaneous digitalization of the media. Boll's oeuvre is a fitting example to depict these shifts, as his international success and infamy only came about after the foundation of German Medienfonds in 1998 and only then with respect to the cheaply acquired video game material he filmed. The article posits Boll as an agent maneuvering between multiple transnational networks in Germany, the USA, Canada, Spain, Indonesia and many other countries, such that his films circulate via a constellation of subsidies, affordable rights, Hollywood star power, Internet criticism and consumer naiveté. The mechanisms of his film operation are explained, as well as how his films are received differently across national boundaries. The essay then delves into two of Boll's "shooting spree" genre films in particular – "Heart of America" (2003) and "Postal" (2008) – to demonstrate the aesthetic effect of these transnational mechanisms on his overall work over the last decade. It concludes with the assertion that contemporary entertainment cinema can only be rendered intelligible through the elaboration of such mechanisms, rather than through the oft-invoked discourses of film auteur and genre.
    In: Unterwegs zwischen Bild-, Film- und Wirtschaftsräumen, 2010,2010,2, Seiten 2-
    Language: English
    URL: Volltext  (kostenfrei)
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  • 5
    UID:
    almahu_9947361399902882
    Format: VIII, 451 S. 99 Abb., 12 Abb. in Farbe. , online resource.
    ISBN: 9783531190761
    Series Statement: Film, Fernsehen, Medienkultur, Schriftenreihe der Hochschule für Film und Fernsehen "Konrad Wolf"
    Content: Das Buch untersucht die internationalen Filmbeziehungen der DEFA von ihrer Gründung 1946 bis zu ihrer Auflösung nach dem Ende der DDR. Im Rahmen einer komparatistischen Mediengeschichtsschreibung werden stilistische Einflüsse in verschiedenen Filmgattungen ebenso untersucht wie Wechselwirkungen in der Rezeption und öffentlichen Diskussion. Die Beiträge gehen institutionellen Verflechtungen, deutsch-deutschen Filmkontakten und gelungenen wie gescheiterten Kooperations- und Koproduktionsvorhaben nach. Ein zentraler Aspekt des interkulturellen Austauschs der DDR wird damit erstmals grundlegend aufgearbeitet. Der Inhalt Kontexte und Traditionen - Deutsch-Deutsche Filmbeziehungen - Wechselwirkungen, Kooperationen und Koproduktionen - Transnationale Distribution und Rezeption Die Zielgruppen Lehrende und Studierende der Film-, Medien- und Kommunikationswissenschaft, Kulturwissenschaft und Germanistik. Film - und Medienschaffende, Kultursoziologen, Historiker. Die Herausgeber Dr. Michael Wedel ist Professor für Mediengeschichte an der Hoch­schule für Film und Fernsehen „Konrad Wolf“ in Potsdam-Babelsberg und Wissenschaftlicher Leiter des Filmmuseums Potsdam.   Dr. Barton Byg ist Professor für German & Scandinavian Studies an der University of Massachusetts und Gründungsdirektor der DEFA Film Library.    Andy Räder ist Wissenschaftlicher Mitarbeiter am Institut für Medienforschung an der Universität Rostock.   Dr. Skyler Arndt-Briggs ist geschäftsführende Direktorin der DEFA Film Library an der University of Massachusetts.    Evan Torner ist Doktorand an der University of Massachusetts und Gastlektor im German Studies Program am Smith College.  .
    Note: Kontexte und Traditionen -- Deutsch-Deutsche Filmbeziehungen.-Wechselwirkungen, Kooperationen und Koproduktonen -- Transnationlae Distribution und Rezeption.
    In: Springer eBooks
    Additional Edition: Printed edition: ISBN 9783531184937
    Language: German
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  • 6
    UID:
    edocfu_9960890193102883
    Format: 1 online resource (242 p.)
    ISBN: 9781785331138
    Series Statement: Film Europa ; 19
    Content: Long overlooked by scholars and critics, the history and aesthetics of German television have only recently begun to attract serious, sustained attention, and then largely within Germany. This ambitious volume, the first in English on the subject, provides a much-needed corrective in the form of penetrating essays on the distinctive theories, practices, and social-historical contexts that have defined television in Germany. Encompassing developments from the dawn of the medium through the Cold War and post-reunification, this is an essential introduction to a rich and varied media tradition.
    Note: Frontmatter -- , CONTENTS -- , List of Figures and Tables -- , Introduction. German Television: Culture, Technology, or Cultural Technology? -- , Part I. Technical Prehistory and Theoretical Approaches -- , 1. The Third Image: Contingencies and Ruptures in the Technological History of Television -- , 2. Boredom, War, and Paradox: German Theories of Television -- , Part II. GDR Television -- , 3. “Just Like in the West, Except Diff erent”: Television and Its Relationship to Film in the Context of 1950s GDR Development -- , 4. Adventures in Stagnation: Gott fried Kolditz’s Unfi lmed Project Zimtpiraten -- , Part III. Television in the Federal Republic: Auteurist TV -- , 5. “A Challenge, Maybe the Greatest for a Filmmaker”: Televisual Perspectives on Rainer Werner Fassbinder’s Martha (1974) -- , 6. Nah am Fern: Kluge TV -- , Part IV. Present and Future Perspectives -- , 7. Television History in Germany: Media-Political and Media-Ethical Aspects -- , 8. Germany as TV Show Import Market -- , 9. Heritage, Heimat, and German Historical “Event Television”: Nico Hofmann’s teamWorx -- , 10. Once Upon a Crime: Tatort, Germany’s Longest Running Police Procedural -- , Bibliography -- , Index , In English.
    Language: English
    Subjects: General works
    RVK:
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  • 7
    UID:
    edocfu_9959369682702883
    Format: 1 online resource : , 49 black and white illustrations
    ISBN: 9781479830404
    Series Statement: User's Guides to Popular Culture ; 1
    Content: Forty original contributions on games and gaming culture What does Pokémon Go tell us about globalization? What does Tetris teach us about rules? Is feminism boosted or bashed by Kim Kardashian: Hollywood? How does BioShock Infinite help us navigate world-building?From arcades to Atari, and phone apps to virtual reality headsets, video games have been at the epicenter of our ever-evolving technological reality. Unlike other media technologies, video games demand engagement like no other, which begs the question—what is the role that video games play in our lives, from our homes, to our phones, and on global culture writ large? How to Play Video Games brings together forty original essays from today’s leading scholars on video game culture, writing about the games they know best and what they mean in broader social and cultural contexts. Read about avatars in Grand Theft Auto V, or music in The Legend of Zelda: Ocarina of Time. See how Age of Empires taught a generation about postcolonialism, and how Borderlands exposes the seedy underbelly of capitalism. These essays suggest that understanding video games in a critical context provides a new way to engage in contemporary culture. They are a must read for fans and students of the medium.
    Note: Frontmatter -- , Contents -- , Foreword -- , Introduction -- , I. Game Form -- , 1. FiFa -- , 2. Tetris -- , 3. King’s Quest -- , 4. Grand theft auto V -- , 5. Sid Meier’s Civilization -- , 6. Planescape: Torment -- , 7. Don’t Starve -- , 8. Braid -- , 9. BioShock Infinite -- , 10. The Legend of Zelda: Ocarina of Time -- , II. Representation -- , 11. Kim Kardashian: Hollywood -- , 12. The Last of Us -- , 13. Leisure Suit Larry -- , 14. The Queerness and Games Conference -- , 15. NBA 2K16 -- , 16. PaRappa the Rapper -- , 17. Sniper Elite III -- , 18. Papers, Please -- , 19. Age of Empires -- , 20. Borderlands -- , III Industry -- , 21. Miyamoto/Kojima -- , 22. Clash Royale -- , 23. Game Dev Tycoon -- , 24. Cookie Clicker -- , 25. Ball- and- Paddle Games -- , 26. Angry Birds -- , 27. Lego Dimensions -- , 28. Tomb Raider -- , 29. Medal of Honor -- , 30. Pokémon Go -- , IV. Game Practices -- , 31. Pelé’s Soccer -- , 32. Nes D- pad -- , 33. Minecraft -- , 34. Quake -- , 35. Counter- Strike -- , 36. EVE Online -- , 37. Night Trap -- , 38. Shovel Knight -- , 39. Tempest -- , 40. Walden, a game -- , Acknowledgments -- , Appendix. Video Games Discussed in this Volume -- , Contributors -- , Index , In English.
    Language: English
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  • 8
    UID:
    edocfu_9960890197802883
    Format: 1 online resource (336 p.)
    ISBN: 9781782387060
    Series Statement: Protest, Culture & Society ; 15
    Content: In keeping with the tenets of socialist internationalism, the political culture of the German Democratic Republic strongly emphasized solidarity with the non-white world: children sent telegrams to Angela Davis in prison, workers made contributions from their wages to relief efforts in Vietnam and Angola, and the deaths of Patrice Lumumba, Ho Chi Minh, and Martin Luther King, Jr. inspired public memorials. Despite their prominence, however, scholars have rarely examined such displays in detail. Through a series of illuminating historical investigations, this volume deploys archival research, ethnography, and a variety of other interdisciplinary tools to explore the rhetoric and reality of East German internationalism.
    Note: Frontmatter -- , Contents -- , Figures -- , Introduction -- , PART I Race Without Racism? -- , Chapter 1 Socialist Chromatism: Race, Racism, and the Racial Rainbow in East Germany -- , PART II Aid anders? -- , Chapter 2 Through a Glass Darkly: East German Assistance to North Korea and Alternative Narratives of the Cold War -- , Chapter 3 Between Fighters and Beggars: Socialist Philanthropy and the Imagery of Solidarity in East Germany -- , Chapter 4 Socialist Modernization in Vietnam: The East German Approach, 1976–89 -- , PART III Ambivalent Solidarities -- , William “Bloke” Modisane to Margaret Legum, 1966 -- , Chapter 5 Bloke Modisane in East Germany -- , Chapter 6 African Students and the Politics of Race and Gender in the German Democratic Republic -- , Chapter 7 Ambivalence and Desire in the East German “Free Angela Davis” Campaign -- , Chapter 8 True to the Politics of Frelimo? Teaching Socialism at the Schule der Freundschaft, 1981–90 -- , PART IV Socialist Mirrors -- , “The Black Façade of the Universities of German Revisionism” -- , Chapter 9 The Uses of Disorientation: Socialist Cosmopolitanism in an Unfinished DEFA-China Documentary -- , Chapter 10 Imposed Dialogues: Joerg Foth and Tran Vu’s GDR-Vietnamese Coproduction, Dschungelzeit (1988) -- , PART V Internationalist Remains -- , Chapter 11 Affective Solidarities and East German Reconstruction of Postwar Vietnam -- , Chapter 12 La Idea de Carlos Marx Tracing Germany in the Cuban Imaginary -- , Index -- , Protest, Culture, and Society , In English.
    Language: English
    Subjects: History
    RVK:
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  • 9
    Online Resource
    Online Resource
    Newcastle upon Tyne, UK :Cambridge Scholars Pub.,
    UID:
    edocfu_9959233019702883
    Format: 1 online resource (143 p.)
    ISBN: 1-282-41426-7 , 9786612414268 , 1-4438-1513-6
    Content: Myth presents the latest interdisciplinary research by graduate students in the fields of German and Scandinavian studies, compiling papers that were introduced at the eponymous 2008 graduate student conference at the University of Massachusetts Amherst. Focusing on myths in and about German and Scandinavian societies, these essays provide exemplary analyses of how cultural and social practices mutually inform and influence each other. This anthology is primarily intended for scholars acros...
    Note: Description based upon print version of record. , TABLE OF CONTENTS; FOREWORD; INTRODUCTION; PART I; PATER SEMPER INCERTUS EST; MIRROR, MIRROR ON THE WALL, WHO'S THE MOST POSTDRAMATIC OF THEM ALL?; PART II; LANGUAGE, TRAUMA AND EXAGGERATED FICTION; MYTHS THAT SHAPED THE EXILE EXPERIENCE OF CENTRAL EUROPEAN JEWISH REFUGEES IN JAPANESE-OCCUPIED SHANGHAI; PART III; THE COMPENSATION OF THIALFI AND RØSKVA; CULTURAL INTEGRATION IN GERMANY AND THE MYTHS OF TOLERANCE; PART IV; ODINIC ELEMENTS IN THE NORTHERN SIGURĐR LEGEND; FLASHBACKS, FANTASIES AND RESISTANCE IN JUREK BECKER'S JACOB THE LIAR; CONTRIBUTORS; INDEX , English
    Additional Edition: ISBN 1-4438-0555-6
    Language: English
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  • 10
    UID:
    edocfu_9959797020002883
    Format: 1 online resource (231 p.)
    ISBN: 1-283-51877-5 , 9786613831224 , 0-7864-9237-6
    Content: "This collection of essays approaches the topic of immersion as a product of social and media relations. Examining the premises and aesthetics of live-action and tabletop role-playing games, reality television, social media apps and first-person shooters, the essays take both game rules and the media discourse that games produce as serious objects of study"--Provided by publisher.
    Note: Description based upon print version of record. , pt. 1. Mind breaches role-playing -- pt. 2. Role-playing breaches reality -- pt. 3. Reality breaches media. , English
    Additional Edition: ISBN 0-7864-6834-3
    Language: English
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