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Format: 37 pages : , illustrations ; , 21 × 29.7 cm.

Content: AI-GENERATED ABSTRACT: Abstract: This thesis examines the relationship between design and nature in the context of vernacular architecture, with a focus on traditional Japanese architecture. The aim is to understand how nature influences design and to identify elements that can be beneficial for contemporary architecture. The research explores the building elements, materials, spatial methods, and underlying philosophy of Japanese design, with the intention of integrating these elements into future design practices. While sustainability is not the main focus, it is closely related to the correlation between design and nature and serves as an incentive for the study. The thesis is structured into five chapters, relying on secondary qualitative research and case studies to support the findings. The research concludes by highlighting the relevance of the information gathered for designing with and for nature in the future. Keywords: design, nature, vernacular architecture, traditional Japanese architecture, sustainability, contemporary architecture.

Note: DISSERTATION NOTE: Bachelor of Arts thesis in Interior Architecture/Interior Design, Berlin International University of Applied Sciences, 2022. , MACHINE-GENERATED CONTENTS NOTE: Table of Contents 1. Introduction 1.1 Introduction to the Topic and its Context, Relevance and Aims 1.2 Methodology and Structure 2. Traditional Japanese Architecture and Design 2.1 The Climate, Seasons and Landscapes of Japan 2.2 Materials 2.3 Philosophy 2.4 Space in Japanese Architecture 3. Implementation into Contemporary Design 3.1 Amado House - Studio Bright 3.2 Fuji Kindergarten - Tezuka Architects 3.3 Al Naseej Textile Factory - Leopold Banchini Architects 4. Conclusion 5. Design Project Bibliography List of Figures Glossary

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Format: 25 pages : , illustrations ; , 21 × 29.7 cm.

Content: AI-GENERATED ABSTRACT: Abstract: As climate change looms as an insidious threat, the pivotal moment beckons to harness local resources and evolve construction paradigms that eschew environmental exploitation and global transportation of materials. The narrative of sustainability, often misused for corporate greenwashing, demands a sincere introspection across professions to foster tangible change. Vernacular architecture emerges as a poignant template, embodying generations of evolved techniques harmonized with local climate and resources, offering a pathway to mitigate global warming impacts. This thesis navigates the confluence of vernacular wisdom and modern architectural uniformity, probing the potential synergy that could redefine sustainable construction. Amidst the ubiquity of concrete, the hallmark of modern construction yet a significant source of greenhouse emissions, the discourse explores the resurgence of sustainable materials like Mycelium and the rekindling of age-old vernacular techniques. The investigation transcends a mere replication of traditional methods, advocating for a nuanced amalgamation of vernacular insights with modern technology to foster accessible and sustainable architectural solutions. By delving into the essence of vernacular architecture as the "building of and by the people" and juxtaposing it against the often detached modern design practices, the thesis seeks to elucidate a middle ground where the past informs the present, propelling a sustainable architectural narrative that is both accessible and environmentally congruent. Keywords: Climate Change, Vernacular Architecture, Modern Architecture, Sustainable Construction, Greenhouse Gas Emissions, Local Resources, Mycelium,

Note: DISSERTATION NOTE: Bachelor of Arts thesis in Interior Architecture / Interior Design, Berlin International University of Applied Sciences, 2023. , MACHINE-GENERATED CONTENTS NOTE: Table of Contents 1 Introduction ................................................................................. 1.1 Thesis Topic, Context, and Aim ................................................... 1.2 Definition of Vernacular Architecture ........................................... 1.3 Methodology ........................................................................ 2 Vernacular Architecture in a Mediterranean Climate ................................... 2.1 Climate Conditions of Mediterranean Countries ................................... 2.2 History of Architecture in Spain and the Arabic Influence ......................... 2.3 Vernacular Architecture and Sustainability - Passive Cooling Strategies ......... 2.4 Building Elements - Courtyard as a Passive Cooling Strategy ...................... 2.5 Materiality - Rammed Earth ....................................................... 3 Case Studies of Contemporary Vernacular Architecture .................................. 3.1 21st-century Vernacular House, Ayerbe, Spain ................................... 3.2 Vineyard House / Blaanc .......................................................... 4 Design Project ............................................................................. 4.1 Program and Implantation of Vernacular Strategies Into an Existing Building ...... 5 Conclusion ................................................................................. 6 Bibliography .............................................................................. 6.1 References ........................................................................ 6.2 List of Figures ..................................................................

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Format: 79 pages : , illustrations ; , 21 × 29.7 cm.

Content: AI-GENERATED ABSTRACT: Abstract: The current consumer society is based on the linear economy system, where raw materials are extracted, processed into products, used, and then discarded as waste. However, this approach has led to unsustainable resource consumption and a growing demand for new materials. The construction industry, a significant consumer of raw materials, contributes to a considerable amount of waste due to poor planning and design during construction and demolition. As a result, a substantial amount of construction and demolition waste is generated, contributing to environmental contamination and ecological concerns. To address this issue, there is a need to re-imagine waste and perceive it as a valuable resource opportunity. Waste should be seen as unwanted or undesired materials that can be transformed into a sustainable world through circularity. The concept of waste as a human invention is highlighted, and the importance of recycling and reusing materials is emphasized to build a more sustainable future. This shift in perspective towards waste can pave the way for a circular economy model, where resources are utilized efficiently, minimizing waste generation and maximizing their value. Keywords: Linear economy, resource consumption, construction industry, construction and demolition waste, circular economy, sustainability, waste re-imagined, recycling, circularity.

Note: DISSERTATION NOTE: Master of Arts thesis in Interior Design, Berlin International University of Applied Sciences, 2023. , MACHINE-GENERATED CONTENTS NOTE: Table of Contents acknowledgment ........................................................................................................................................ 2 contents........................................................................................................................................................ 3 chapter 1 Introduction.............................................................................................................................. 6 background ......................................................................................................................................................... 6 Linear Economy............................................................................................................................................... 6 Waste from the Building Industry .................................................................................................................. 7 Waste Re-defined .......................................................................................................................................... 8 vision.............................................................................................................................................................. 9 aim ................................................................................................................................................................ 10 scope ............................................................................................................................................................ 10 methodology ............................................................................................................................................. 11 literature Study ........................................................................................................................................ 12 chapter 2 Circular Economy .................................................................................................................. 15 Circularity Strategies ........................................................................................................................................ 15 3r Framework.............................................................................................................................................. 16 chapter 3 Waste to Resource .................................................................................................................. 21 Metal................................................................................................................................................................. 21 Wood ................................................................................................................................................................. 23 Plastic................................................................................................................................................................ 25 Resource to Application .......................................................................................................................... 30 Wall .................................................................................................................................................................. 32 Flooring............................................................................................................................................................. 36 Furniture ........................................................................................................................................................... 38 Decorative Elements ........................................................................................................................................... 41 chapter 4 Waste Reimagined Project .................................................................................................... 44 Project Site ........................................................................................................................................................ 46 Concept.............................................................................................................................................................. 47 Material Selection ............................................................................................................................................. 50 Interior Planning ............................................................................................................................................... 52 Journey Through Spaces ..................................................................................................................................... 56 Display Area ....................................................................................................................................................... 62 Showcase ........................................................................................................................................................... 64 Partition Wall: Design to Disassembly................................................................................................................ 68 Chair: Design to Disassembly............................................................................................................................... 70 conclusion .................................................................................................................................................. 72 bibliography................................................................................................................................................ 74

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Format: 40 pages : , illustrations ; , 21 × 29.7 cm.

Content: AI-GENERATED ABSTRACT: Abstract: The climate crisis has brought increased scrutiny to the building sector, a significant contributor to global energy consumption and greenhouse gas emissions. This research focuses on the role of interior architects in mitigating environmental impacts through the adoption of regenerative design strategies in the adaptive reuse of abandoned industrial buildings. The study aims to investigate a variety of regenerative and adaptive reuse strategies such as renewable energy sources, cradle to cradle, biomimicry, and restoration of local ecosystems. The central research question is, "How can interior architects create a positive impact on the environment through implementing regenerative design strategies in adaptive reuse projects?" By challenging traditional design paradigms and fostering collaboration with nature, this research seeks to advance a greener, more ecologically responsible built environment. Keywords: Climate Crisis, Building Sector, Interior Architecture, Regenerative Design, Adaptive Reuse, Renewable Energy, Cradle to Cradle, Biomimicry, Ecological Restoration, Built Environment

Note: DISSERTATION NOTE: Bachelor of Arts thesis in Interior Architecture / Interior Design, Berlin International University of Applied Sciences, 2023. , MACHINE-GENERATED CONTENTS NOTE: Table of Contents 1. Introduction 1.1. Background and Context 1.2. Thesis Topic and Aim 1.3. Methodology 2. Regenerative Design 2.1. What Is Regenerative Design? 2.2. the Importance of Regenerative Design 2.3. Regenerative Design Strategies 2.4. Challenges and Limitations 2.5. Regenerative Design Projects I. Powerhouse Brattørkaia, Trondheim, Norway Ii. Cal Guerxo: First Regenerative Building in Spain 3. Understanding Adaptive Reuse 3.1. What Is Adaptive Reuse? 3.2. Benefits and Challenges 3.3. Current Adaptive Reuse Strategies 3.4. Adaptive Reuse of Abandoned Industrial Buildings I. Red Bull Music Academy, Madrid, Spain Ii. Caixa Forum, Madrid, Spain 4. Conclusion 5. Design Project 5.1. Project Introduction 5.2. Strategies Implemented 6. Bibliography and List of Figures

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Format: 37 pages : , illustrations ; , 21 × 29.7 cm.

Content: AI-GENERATED ABSTRACT: Abstract: This thesis seeks to explore the integration of digital media technologies into the realm of interior architecture and spatial design, particularly focusing on the concept of spatial augmented reality (SAR). The research aims to examine how these digital elements can transition from being temporary installations to permanent aspects of interior design. In doing so, the study will redefine the notion of 'permanence' in the context of interior architecture. Keywords: Interior Architecture, Spatial Design, Digital Media Technologies, Spatial Augmented Reality, Permanence.

Note: DISSERTATION NOTE: Bachelor of Arts thesis in Interior Architecture / Interior Design, Berlin International University of Applied Sciences, 2023. , MACHINE-GENERATED CONTENTS NOTE: Table of Contents 1. Introduction 1 1.1. Context and Aim 1 1.2. Methodology 2 2. Spatial Augmented Reality (sar) Technology 2 2.1. Introduction of Technologies Including Sar, Ar, and Vr Definition 2 2.2. Projection Mapping 3 2.2.1. 2d Projection Mapping 3 2.2.2. 3d Projection Mapping 4 2.2.3. Interactive Projection Mapping 5 2.2.4. Dome Projection Mapping 5 2.3. Light Projection 6 2.4. Motion Sensor Technology 7 3. Implications in Space 7 3.1. Introduction to Analysis of Case Studies and Criteria 8 3.2. Blueprint - Joanie Lemercier 8 3.3. Latent Space - Monocolor (marian Essl) 10 3.4. Rain Room - Random International 13 3.5. Box - Gmunk 17 3.6. Living Room - Random International 20 4. Design Project 23 4.1. Program and Design Concept 23 4.2. Implementation of Spatial Augmented Reality (sar): Flooring 25 4.3. Implementation of Spatial Augmented Reality (sar): Wall Elements 26 4.4. Implementation of Spatial Augmented Reality (sar): Architectural Features 27 5. Conclusion 28 - Summary of Findings - Implications and Future Research Directions - Limitations and Suggestions for Further Studies 6. Bibliography 31 - List of Cited Sources and Additional Readings 7. List of Figures 32 - List of Cited Images and Additional Information

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Format: 47 pages : , illustrations ; , 21 × 29.7 cm.

Content: AI-GENERATED ABSTRACT: Abstract: Fashion shows are powerful platforms for creative expression and serve as a means for fashion houses to showcase their identities and collections. The evolution of fashion shows can be traced back to the French haute couture system and the emergence of ready-to-wear during the industrial revolution. In recent times, fashion shows have transformed into elaborate and theatrical performances, globally marketed through the internet. This thesis explores the key factors that contribute to the memorability of fashion shows, with a focus on spatial elements and impermanence. The study centers around the renowned production company, Bureau Betak, and delves into the multifaceted roles of scenographers in creating captivating atmospheres. The research aims to answer the question of what makes a fashion show immersive yet impermanent. The thesis comprises three main segments: The Space, The Performance, and The Practice, combining qualitative and quantitative research methods. It presents a comprehensive handbook for achieving successful fashion shows and serves as the foundation for an interior architecture design project centered around a fashion show. Keywords: Fashion shows, fashion industry, spatial elements, impermanence, production shows, scenography, Bureau Betak, immersive experiences, interior architecture, creative expression.

Note: DISSERTATION NOTE: Bachelor of Arts thesis in Interior Architecture / Interior Design, Berlin International University of Applied Sciences, 2023. , MACHINE-GENERATED CONTENTS NOTE: Table of Contents i. Introduction - Historical Context - Thesis Topic - Aim & Methodology ii. the Place - Elements and Layout - In-situ Set - Erected Set iii. the Performance - the Art of Light - the Power of Sound - the Choreography iv. the Practice - a Melting Pot - Betak X Dior - Industry Insights v. Design Project - the Loewe Foundation - Concept and Program - Plans and Sections vi. Conclusion - Subject Analysis - Opening

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Format: 80 pages : , illustrations ; , 21 × 29.7 cm.

Content: AI-GENERATED ABSTRACT: Abstract The global refugee crisis presents a pressing humanitarian challenge, with over 82 million forcibly displaced people worldwide. Refugee camps offer temporary shelter for displaced individuals, but their interior spatial planning and zoning pose significant challenges. Proper planning can ensure access to basic needs and promote safety and security. This research aims to investigate factors and design considerations that optimize the interior space design and planning of private spaces in refugee camps. The study employs a qualitative approach, utilizing a multiple case study design focused on Al Za'atari and Azraq refugee camps. The research includes a comprehensive literature review, analyzing layout, furniture, lighting, ventilation, and space use. The findings contribute to improving living conditions and well-being for refugees in these camps. Keywords: global refugee crisis, interior spatial planning, private spaces, refugee camps, humanitarian challenge, case study, layout, furniture, lighting, ventilation, well-being.

Note: DISSERTATION NOTE: Master of Arts thesis in Interior Design, Berlin International University of Applied Sciences, 2023. , MACHINE-GENERATED CONTENTS NOTE: Table of Contents 1. Introduction (1701 Words) ........................................................................................... 3 1.1 Introduction ............................................................................................................... 3 1.2 Problem Statement ................................................................................................. 4 1.3 Methodology ............................................................................................................ 5 1.4 Terminology ............................................................................................................ 6 2. Private Interiors in Refugee Camps (1831 Words) ................................................... 7 2.1 Typologies ................................................................................................................ 7 2.2 Zoning .................................................................................................................... 13 2.3 Challenges .............................................................................................................. 14 3. Layout Optimization of Private Interiors in Refugee Camps (2962 Words) .......... 16 3.1 Layout and Circulation ......................................................................................... 16 3.2 Ergonomics ............................................................................................................ 20 3.3 Furniture ............................................................................................................... 22 4. Case Study (5710 Words) ............................................................................................ 24 4.1 Al Za’atari ............................................................................................................ 24 4.1.1 Tents ........................................................................................................... 26 4.1.2 Informal Settlements ................................................................................. 33 4.1.3 Caravans .................................................................................................... 37 4.2 Azraq .................................................................................................................. 42 4.2.1 Containerized Settlements .......................................................................... 43 4.2.2 Transitional Shelters ................................................................................. 49 5. Design Project (1639 Words) ..................................................................................... 53 5.1 Introduction ......................................................................................................... 53 5.2 Private Interiors Typologies .............................................................................. 55 5.3 Shared Interiors ................................................................................................. 63 5.3.1 Educational Spaces .................................................................................. 64 5.3.2 Health and Wellness ................................................................................ 67 5.4 Conclusions ......................................................................................................... 68 6. Conclusions (740 Words) ........................................................................................... 69 6.1 Findings and Implications .................................................................................. 69 references ...................................................................................................................... 72 list of Figures ............................................................................................................... 77

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Format: 99 pages : , illustrations ; , 21 × 29.7 cm.

Content: AI-GENERATED ABSTRACT: Abstract The growing interest in adaptive reuse as a sustainable approach to repurposing existing buildings has highlighted the pivotal role of interior design in shaping transformed spaces. Heritage buildings hold immense cultural significance, and adaptive reuse offers an environmentally conscious alternative to demolition. Interior design plays a crucial role in preserving the building's historical narrative, essence, and collective memory. This research focuses on the adaptive reuse of former factories in Berlin, exploring how interior design interventions enhance memory continuity and reconcile functional requirements with cultural heritage preservation. The study employs a comprehensive methodology, including a literature review on interior design, historic structures, memory, and phenomenology of place. It delves into the concept of adaptive reuse and examines the significance of collective memory in repurposed historic structures. The research presents an interior design framework guided by the concept of Genius Loci, emphasizing the relationship between the human body and interior space. Case studies of three adaptive reuse projects in Berlin illustrate how interior design effectively contributes to memory continuity and heritage preservation. By understanding the interplay of interior design, memory, and cultural heritage in adaptive reuse, this research aims to contribute to future efforts in preserving and honoring the unique essence of heritage buildings. Keywords: adaptive reuse, interior design, heritage buildings, collective memory, Genius Loci, repurposed factories, Berlin, memory continuity, cultural heritage preservation, sustainable design.

Note: DISSERTATION NOTE: Master of Arts thesis in Interior Design, Berlin International University of Applied Sciences, 2023. , MACHINE-GENERATED CONTENTS NOTE: Table of Contents 1. Introduction .............................................................................................................................................................. 5 1.1 Introduction .............................................................................................................................................. 5 1.2 Problem Statement ................................................................................................................................... 6 1.3 Methodology ........................................................................................................................................... 7 2. Adaptive Reuse .................................................................................................................................................... 10 2.1 Introduction ........................................................................................................................................... 10 2.2 History of Adaptive Reuse ...................................................................................................................... 11 2.3 the Essence of Place: Exploring Genius Loci ....................................................................................... 16 2.4 Palimpsest ............................................................................................................................................... 23 3. Memory ................................................................................................................................................................. 25 3.1 Introduction ........................................................................................................................................... 25 3.2 Collective Memory ................................................................................................................................. 26 3.3 Memory and Continuity in Adaptive Reuse ........................................................................................... 28 4. Interior Design .................................................................................................................................................. 32 4.1 Spatial Cognition ................................................................................................................................... 32 4.2 Sensory Experience ............................................................................................................................... 35 4.3 Body and Spatial Memory ................................................................................................................... 38 5. Case Study ......................................................................................................................................................... 41 5.1 Alte Muenze ....................................................................................................................................... 41 5.2 Meistersaal Berlin .............................................................................................................................. 48 5.3 Funkhaus Berlin ................................................................................................................................. 54 5.4 Case Studies Conclusion ..................................................................................................................... 61 6. Design Project ................................................................................................................................................ 62 6.1 Introduction – the Berlin Ice Factory ................................................................................................... 62 6.2 a New Narrative .................................................................................................................................. 67 6.3 Design Intervention ........................................................................................................................... 69 6.4 Design Project Conclusion ............................................................................................................... 72 7. Conclusion ....................................................................................................................................................... 86 8. Bibliography .................................................................................................................................................... 89 9. List of Figures ................................................................................................................................................... 93

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Format: 39 pages : , illustrations ; , 21 × 29.7 cm.

Content: AI-GENERATED ABSTRACT: Abstract: Interior architecture transcends mere aesthetic appeal, embodying a meticulous endeavor to harmonize architectural decisions with spatial utility, thereby fostering a profound engagement between the space and its occupants. Rooted in functional and regional paradigms, architecture invariably intersects with a rich tapestry of cultural influences. The essence of architecture, as posited by Bernard Tschumi, hinges on facilitating human activity, weaving a nexus of spaces, events, and movements devoid of hierarchical segregation. This paradigm underscores the imperative of tailoring spaces to not only fulfill functional requisites but to also resonate with sensory experiences, thereby augmenting user interaction. This thesis propounds the premise that the infusion of local cultural elements can significantly enrich architectural and interior spatial quality. Through a meticulous exploration and analysis of various cultural symbols and their integration within architectural and interior architectural realms, the study endeavors to elucidate the tangible benefits garnered from such cultural incorporations. The objective is to distill the specific facets wherein cultural inputs can be harnessed as pivotal guidelines, potentially culminating in projects that are not only functionally robust but also culturally resonant. Keywords: Interior Architecture, Cultural Influence, Bernard Tschumi, User Interaction, Local Cultural Input, Spatial Quality, Cultural Symbols, Functional Requisites, Sensory Experiences, Architectural Integration

Note: DISSERTATION NOTE: Bachelor of Arts thesis in Interior Architecture / Interior Design, Berlin International University of Applied Sciences, 2023. , MACHINE-GENERATED CONTENTS NOTE: Table of Contents i. Introduction .................................................. 3 1. Thesis Context ............................................ 3 2. Thesis Aim ................................................ 4 3. Methodology ............................................... 4 ii. Interior Architecture and Cultural Identity .................. 5 1. Sense of Immersion ........................................ 5 2. the Immersion in Interior Architecture ................... 6 3. Cultural Identity in Architecture ......................... 8 iii. the Application of Cultural Symbols in Interior Architecture 12 1. Walls and Surfaces ........................................ 12 2. Flooring Finish ........................................... 17 3. Other Architectural Elements .............................. 21 4. Outdoor Spaces ............................................ 25 iv. Design Project ............................................... 30 v. Conclusion .................................................... 37

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Format: 63 pages : , illustrations ; , 21 × 29.7 cm.

Content: AI-GENERATED ABSTRACT: Abstract: In an era of digital encapsulation, the dwindling essence of community interaction and face-to-face socialization is a growing concern. The paradox of hyper-connectivity through digital means leading to real-world social isolation forms the crucible of this examination. This bachelor's thesis delves into the realm of Community Centers as pivotal nexuses of human interaction, scrutinizing their programmatic and spatial organization to decipher the quintessence of design that fosters community engagement, inclusivity, and social well-being. Pivoting around the research question - "Which functions are crucial to a Community Center in order to fulfill local demands?", the inquiry traverses through an extensive review of contemporary Community Center designs, analyzing their spatial narratives, programmatic articulations, and communal inclusivity. Amidst a discernible void in literature documenting the nuanced design and organizational attributes of Community Centers, this thesis ventures to bridge this gap, offering a well-structured insight into the anatomy of Community Center design. Through a comparative evaluation of myriad existing Community Centers, the discourse endeavors to distill design strategies and functional requisites that resonate with local demands and social dynamics. Culminating in a design project, the thesis manifests the gleaned insights into a tangible spatial organization addressing local imperatives and adaptive reuse challenges. This scholarly journey aims not only to contribute a granule of knowledge to the academic field but also to incite further exploration into the realm of community-centric architectural design. Keywords: Community Centers, Spatial Organization, Social Isolation, Digital Encapsulation, Programmatic Design, Community Engagement, Inclusivity, Social Well-being, Architectural Design, Adaptive Reuse

Note: DISSERTATION NOTE: Bachelor of Arts thesis in Interior Architecture / Interior Design, Berlin International University of Applied Sciences, 2023. , MACHINE-GENERATED CONTENTS NOTE: Table of Contents 1 Introduction ..................................................... 3 1.1 Thesis Topic and Aim ....................................... 3 1.2 Methodology ................................................ 4 1.3 Relevance of Community Centers ............................. 5 2 Community Centers ................................................ 7 2.1 Definition ................................................. 7 2.2 History .................................................... 9 2.3 Types of Community Centers ................................. 16 3 Programs and Articulations ...................................... 20 3.1 Introduction ............................................... 20 3.2 Programs ................................................... 21 3.3 Relationships .............................................. 24 3.4 Conclusion and Findings .................................... 32 4 Design Projekt .................................................. 34 4.1 Introduction ............................................... 34 4.2 Context .................................................... 36 4.3 Program .................................................... 38 4.4 Spatial Arrangement ........................................ 42 5 Conclusion ...................................................... 54 6 Bibliography .................................................... 56 7 List of Figures ................................................. 59

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