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  • 1
    Online Resource
    Online Resource
    Edinburgh :Edinburgh University Press,
    UID:
    almahu_9947413602602882
    Format: 1 online resource (xi, 154 pages) : , digital, PDF file(s).
    ISBN: 9780748633708 (ebook)
    Content: Despite more than a passing nod to such crowdpleasing classics as Hitchcock's North by Northwest, playwright-turned-independent filmmaker David Mamet's The Spanish Prisoner is a particularly idiosyncratic film that betrays its origin outside the Hollywood mainstream. Featuring a convoluted narrative, an excessive, often anti-classical, visual style, and belonging to the generic category of the 'con game film' which often challenges the spectator's cognitive skills, The Spanish Prisoner is a film that bridges genre filmmaking with personal visual style, independent film production with niche distribution,and mainstream subject matter with unconventional filmic techniques. This book discusses The Spanish Prisoner as an example of contemporary American independent cinema while also using the film as a vehicle to explore several key ideas in film studies, especially in terms of aesthetics, narrative, style, spectatorship, genre and industry. Key Features oDistinguishes between independent and 'indie' cinema through anexamination of the 'classics divisions,' especially Sony Pictures Classics oAssesses the position of David Mamet within American cinema oIntroduces the genre categories of the 'con artist' and the 'con game' filmand discusses The Spanish Prisoner as a key example of the latter oExamines the ways in which narrative, narration and visual style deviate from the mainstream/classical aesthetic
    Note: Title from publisher's bibliographic system (viewed on 02 Oct 2015). , Introduction : "You don't know who anyone is" -- From independent to "indie" cinema -- David Mamet and "indie" cinema -- "Indie" film at work : producing and distributing The Spanish prisoner -- "That's what you just think you saw!" : narrative and film style in The Spanish prisoner -- Playing with cinema : the master of the con game film -- Conclusion -- Filmography : David Mamet in American cinema and television.
    Additional Edition: Print version: ISBN 9780748633685
    Language: English
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  • 2
    Online Resource
    Online Resource
    London :Palgrave Macmillan,
    UID:
    almahu_BV046404221
    Format: 1 Online-Ressource (xii, 347 Seiten).
    ISBN: 978-1-137-40863-1
    Series Statement: Palgrave studies in screen industries and performance
    Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 978-1-137-40862-4
    Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 978-1-349-68127-3
    Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 978-1-349-68126-6
    Language: English
    Subjects: General works
    RVK:
    Keywords: Unabhängiger Film ; Filmschauspieler
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 3
    Online Resource
    Online Resource
    [London] : Bloomsbury Publishing | London : Bloomsbury Publishing
    UID:
    gbv_1681960907
    Format: 1 Online-Ressource (xxviii, 255 pages) , Illustrationen
    ISBN: 9781501337918 , 9781501337895 , 9781501337901
    Content: "In the year 1966, six films were released with the designation 'Suggested for Mature Audiences', with Who's Afraid of Virginia Woolf? credited with ushering in more permissive and mature content. Almost a year later, the December 8, 1967 cover of Time featured a picture from Bonnie and Clyde with the somewhat sensationalist headline: 'The New Cinema: Violence. Sex ... Art'. Two years later, the MPAA Ratings System were put into place - acknowledging the success and generational change in the film industry with younger executives and directors adopting a new approach to mainstream filmmaking. Over fifty years on, Yannis Tzioumakis and Peter Krämer's collection on one of the most explosive eras of Hollywood history examines 13 films from this period, situating each in its historical and political context with reference to important filmmakers, stars, production trends and organisations. The Hollywood Renaissance investigates these changes in the American film industry and American culture of the mid-1960s which made the Hollywood Renaissance possible. Concluding with a look at the legacy of the Hollywood Renaissance on contemporary American cinema, the volume explores both its aftermath in the late 1970s and the arguments about the emergence of the 'New New Hollywood' with its emphasis on the production of blockbuster by an increasingly conglomerated Hollywood majors and its impact on what became known as American independent or indie cinema..."--Bloomsbury Publishing
    Content: Who's afraid of Virginia Woolf? (1966): the commercial and regulatory impact of the first American art film / Justin Wyatt -- The film editors who invented the Hollywood Renaissance: Ralph Rosenblum, Sam O'Steen, and Dede Allen's Bonnie and Clyde / Warren Buckland -- "I smell money!" class product, The graduate, and the corporatisation of embassy / Anthony Mckenna -- "A triumph of aura over appearance": Barbra Streisand, Funny girl (1968) and the Hollywood Renaissance / Peter Krämer -- The auteurist special effects film: Kubrick's 2001: a space odyssey (1968) and the "single-generation look" / Julie Turnock -- "About as brutal, relevant and exploitable as they come": medium cool and political filmmaking / Oliver Gruner -- From exploitation to legitimacy: Easy rider (1969) and independent cinema's journey into Hollywood / Yannis Tzioumakis -- Hollywood trade: Midnight cowboy (1969) and underground cinema / Gary Needham -- Zabriskie point (1970), Michelangelo Antonioni and European directors in Hollywood / Melis Behlil -- Becoming Hal Ashby: intersectional politics, the "Hollywood Renaissance" and Harold and Maude (1971) / Philip Drake -- A matter of race and gender: Lady sings the blues (1972) and the Hollywood Renaissance canon / Charlene Regester -- De Niro and Scorsese: director-actor collaboration in Mean streets (1973) and the Hollywood Renaissance / R. Colin Tait -- Coppola's The conversation (1974) and Walter Murch's Sound worlds / Frederick Wasser.
    Note: Includes bibliographical references and index
    Additional Edition: ISBN 9781501337871
    Additional Edition: ISBN 9781501337888
    Additional Edition: Erscheint auch als
    Language: English
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  • 4
    Online Resource
    Online Resource
    Edinburgh :Edinburgh University Press,
    UID:
    almahu_9949369749202882
    Format: 1 online resource (353 pages)
    ISBN: 9781474416832
    Content: Redrawing the conventional map of Victorian Poetics.
    Note: Cover -- Title page -- Contents -- List of tables -- List of case studies -- List of figures -- Acknowledgements for the first edition -- Acknowledgements for the second edition -- Preface to the second edition -- Introduction: problems of definition and the discourse of American independent cinema -- Notes -- Part I. American independent cinema in the studio years (mid-1920s to late 1940s) -- 1. Independent filmmaking in the studio era: tendencies within the studio system -- Introduction -- The first independents -- Independents before the formation of the studios -- Independents in the age of oligopoly -- The second period (1940-8) -- Conclusion -- Notes -- 2. Independent filmmaking in the studio era: the Poverty Row studios and beyond (1930s to 1950s) -- Introduction -- The first period (1930-9) -- The second period (1940 to early 1950s) -- Conclusion -- Beyond Poverty Row: ethnic films -- Notes -- Part II. American independent cinema in the post-studio era (late 1940s to late 1960s) -- 3. Independence by force: the effects of the Paramount decree on independent film production -- Introduction -- The Paramount decree -- The post-war recession -- Identity crisis -- United Artists' revival -- Independent production the United Artists way -- The reasons for United Artists' success -- The triumph of a brand of independent production … and of the majors -- Conclusion -- Notes -- 4. An audience for the independents: exploitation films for the nation's youth -- Introduction -- The emergence of the teenager and the rise of the youth audience -- From Poverty Row to exploitation and showmanship -- The era of the drive-in theatres -- Low-end independents against television -- The exploitation teenpic and the companies behind it -- The majors and the low-budget exploitation market -- Conclusion -- Notes. , Part III. American independent cinema and the 'New Hollywood' (late 1960s to late 1970s) -- 5. The New Hollywood and the independent Hollywood -- Introduction -- The New American Cinema -- The influence of John Cassavetes -- The New Hollywood -- Conclusion -- Notes -- 6. American independent cinema in the age of the conglomerates -- Introduction -- Raising the stakes -- Economic opportunities in the low-budget independent sector (late 1960s to 1974) -- The end of exploitation as we know it -- The gradual rise and rapid fall of American International Pictures -- From the theatrical to the video market -- A new hope: the birth of the new American independent cinema -- Conclusion -- Notes -- Part IV. Contemporary American independent cinema (1980s to date) -- 7. Mini-majors and major independents -- Introduction -- A star is born -- The new Orion constellation -- The shining star -- The fading star -- The last bonfires -- The fall -- Conclusion -- Notes -- 8. The institutionalisation of American independent cinema -- Introduction -- A business of co-dependants -- Institutional framework (1): organisations dedicated to supporting independent filmmaking, finance opportunities and independent distributors -- Institutional framework (2): the studio specialty film divisions -- The aesthetics factor -- Conclusion -- Notes -- 9. American independent cinema in the age of media convergence -- Introduction -- The success of indiewood -- The studio pullout and the demise of Miramax -- Beyond indiewood: digital filmmaking and the regeneration of American independent cinema -- Conclusion: consolidation and independence, oligopoly and autonomy -- Notes -- Epilogue: from independent cinema to specialty content -- Notes -- Bibliography -- Index.
    Additional Edition: Print version: Tzioumakis, Yannis American Independent Cinema Edinburgh : Edinburgh University Press,c2017 ISBN 9781474416825
    Language: English
    Keywords: Electronic books.
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  • 5
    Online Resource
    Online Resource
    Edinburgh :Edinburgh University Press,
    UID:
    almahu_9947545694502882
    Format: 1 online resource (xvi, 302 p.) : , ill., ports.
    ISBN: 9780748670802 (ebook) :
    Content: This introduction to independent American cinema offers both a comprehensive industrial history of the sector from the early 20th century to the present and a study of key individual films and film-makers. Readers will develop an understanding of the complex dynamic relations between independent and mainstream American cinema.
    Additional Edition: Print version ISBN 9780748618668
    Language: English
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  • 6
    Online Resource
    Online Resource
    Edinburgh : Edinburgh University Press
    UID:
    b3kat_BV045210967
    Format: 1 online resource (xxiii, 328 pages)
    Edition: Second edition
    ISBN: 9781474416832
    Content: This introduction to 〈I〉American Independent Cinema〈/I〉 offers both a comprehensive industrial and economic history of the sector from the early twentieth century to the present and a study of key individual films, filmmakers and film companies.〈br〉〈br〉Ordered chronologically, beginning with independent filmmaking in the studio era (examining both top-rank and low-end independent film production), moving to the 1950s and 1960s (discussing both the adoption of independent filmmaking as the main method of production as well as exploitation filmmaking) and finishing with contemporary American independent cinema (exploring areas such as the New Hollywood, the rise of mini-major and major independent companies and the institutionalisation of independent cinema in the 1990s), readers will develop an understanding of the complex dynamic relations between independent and mainstream American cinema.〈br〉〈br〉Thoroughly updated to include developments from the mid-2000s onwards, this second edition includes new case studies, a new chapter on American Independent Cinema in the Age of Media Convergence, a new prologue and an enhanced epilogue and bibliography. Each chapter includes case studies focusing on specific films or filmmakers, and independent production and distribution companies are discussed throughout the text
    Note: Title from publisher's bibliographic system (viewed on 05 Jan 2018)
    Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 9781474416825
    Language: English
    Subjects: General works
    RVK:
    RVK:
    RVK:
    Keywords: USA ; Unabhängiger Film ; Geschichte 1920-2015 ; USA ; Unabhängiger Film ; Geschichte 1920-2000 ; Fallstudiensammlung
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 7
    Online Resource
    Online Resource
    Edinburgh :Edinburgh University Press,
    UID:
    edocfu_9960169916002883
    Format: 1 online resource (168 p.) : , 11 B/W illustrations
    ISBN: 9780748633708
    Series Statement: American Indies : AMIN
    Content: Despite more than a passing nod to such crowdpleasing classics as Hitchcock's North by Northwest, playwright-turned-independent filmmaker David Mamet's The Spanish Prisoner is a particularly idiosyncratic film that betrays its origin outside the Hollywood mainstream. Featuring a convoluted narrative, an excessive, often anti-classical, visual style, and belonging to the generic category of the'con game film' which often challenges the spectator's cognitive skills, The Spanish Prisoner is a film that bridges genre filmmaking withpersonal visual style, independent film production with niche distribution,and mainstream subject matter with unconventional filmic techniques.This book discusses The Spanish Prisoner as an example of contemporary American independent cinema while also using the film as a vehicle to explore several key ideas in film studies, especially in terms of aesthetics, narrative, style, spectatorship, genre and industry.Key FeaturesDistinguishes between independent and 'indie' cinema through anexamination of the 'classics divisions,' especially Sony Pictures ClassicsAssesses the position of David Mamet within American cinemaIntroduces the genre categories of the 'con artist' and the 'con game' film and discusses The Spanish Prisoner as a key example of the latterExamines the ways in which narrative, narration and visual style deviate from the mainstream/classical aestheticYannis Tzioumakis Lecturer in Media and Communication Studies at theUniversity of Liverpool.
    Note: Frontmatter -- , Contents -- , Series Preface -- , Acknowledgements -- , Introduction: ‘You don’t know who anyone is’ -- , 1. From Independent to ‘Indie’ Cinema -- , 2. David Mamet and ‘Indie’ Cinema -- , 3. ‘Indie’ Film at Work: Producing and Distributing The Spanish Prisoner -- , 4. ‘That’s what you just think you saw!’ Narrative and Film Style in The Spanish Prisoner -- , 5. Playing with Cinema: The Master of the Con Game Film -- , Conclusion -- , Filmography: David Mamet in American Cinema and Television -- , Notes -- , Bibliography -- , Index , In English.
    Language: English
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  • 8
    UID:
    gbv_1697893104
    Format: 1 online resource.
    ISBN: 9780429058332 , 0429058330 , 9780429608759 , 0429608756 , 9780429603235 , 0429603231 , 9780429597718 , 0429597711
    Series Statement: Routledge Hollywood centenary
    Content: Introduction: United Artists in film history / Tino Balio -- 'One of the United Artists' : Buster Keaton, Joseph Schenck and United Artists / Peter Krämer -- Declarations of independence : Gloria Swanson at United Artists, 1925-1933 / Mike Mashon -- Going independent in 1930s Hollywood : freelance star and independent producer collaborations at United Artists / Emily Carman -- The tramp, the dictator and the knight : United Artists and the roadshowing of prestige pictures in the 1930s and 1940s / Sheldon Hall -- 'Look, Ma, I'm a corporation!' : United Artists and Kirk Douglas's Bryna Productions 1955-1959 / James Fenwick -- The magnificent seven Mirisch companies : competitive strategy and corporate authorship / Paul Kerr -- An artist under the influence : United Artists and Woody Allen / Michael Petitti -- No Shot in the dark : developing the Pink Panther franchise / Oliver Gruner -- United Artists, fourth quarter 1980 : the rhetoric of Hollywood failure & success / Justin Wyatt -- 'Cruising is a picture we sincerely wish we did not have to show' : United Artists, ratings, blind-bidding and the controversy of William Friedkin's Cruising (1980) / Gary Needham -- From Heaven's gate to Rocky IV : reconfiguring auteurism in United Artists' transition to MGM/UA in the 1980s / Nicholas Godfrey -- The next step : Orion Pictures as the new United Artists (1978-1985) / Yannis Tzioumakis -- United Artists Films : re-entering the specialty market (1999-2005) / Lisa Dombrowski -- From star-producer to executive : Tom Cruise and/at United Artists (2006-2012) / Sarah E.S. Sinwell.
    Additional Edition: ISBN 9780367178987
    Additional Edition: ISBN 9780367179007
    Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 9780367178987
    Language: English
    Keywords: Electronic books
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  • 9
    UID:
    gbv_1869508300
    Format: 1 online resource (xv, 128 pages) , illustrations.
    ISBN: 9781315544908 , 1315544903 , 9781134826582 , 1134826583 , 9781134826728 , 1134826729 , 9781134826650 , 1134826656
    Series Statement: Cinema and youth cultures
    Additional Edition: ISBN 9781138682771
    Additional Edition: ISBN 9781032587950
    Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 9781138682771
    Language: English
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  • 10
    Online Resource
    Online Resource
    Detroit :Wayne State University Press,
    UID:
    almahu_9948325266602882
    Format: xii, 336 p. : , ill.
    Edition: Electronic reproduction. Ann Arbor, MI : ProQuest, 2015. Available via World Wide Web. Access may be limited to ProQuest affiliated libraries.
    Series Statement: Contemporary approaches to film and media series
    Language: English
    Keywords: Electronic books.
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