Kooperativer Bibliotheksverbund

UID:

Format: xxv, 506 Seiten : , Illustrationen, Notenbeispiele.

ISBN: 978-1-78327-284-6

Content: Joseph Joachim (1831-1907), of Jewish-Hungarian descent, was arguably the greatest violinist of the nineteenth century. His performing career in Berlin transformed the aesthetics and interpretation of German music. But Joachim was also a composer of virtuoso pieces, violin concertos, orchestral overtures, and chamber music works, all written between 1847 and 1864 in one intense outpouring of creativity. Katharina Uhde follows Joachim's compositional path through a changing cultural milieu. Joachim's compositions display intimate knowledge of the works of Mendelssohn, Wagner, Liszt, Schumann, and Brahms, yet he was no mere imitator. Joachim's style, classically conceived yet seasoned with a preference for dark, melancholy soundscapes and, in the earlier years, ciphers, virtuosity, and 'psychological' programmaticism, emerges as the product of various personal and socio-cultural currents: his search for national, religious, and cultural identity and a mature compositional style. Joachim's music drew on a wealth of treasures accumulated in his process of 'enculturation', which began with Mendelssohn in Leipzig. Joachim's aesthetic evolved from a deeply subjective approach, not insignificantly inspired by his muse, Gisela von Arnim. Her circle - the von Arnim and Grimm families - became Joachim's cultural and literary haven. But unforeseen events also impacted his output, among them Schumann's death, the ascent of the young Brahms, and the 'War of the Romantics'. Joachim's music throws light onto a vibrant decade, colored by realism, naturalism, new visual technologies, and emerging academic disciplines including psychology. Uhde's book will be the standard work on the music of Joseph Joachim for many years to come. - KATHARINA UHDE is Assistant Professor for Violin and Musicology at Valparaiso University, IN. (Klappentext)

Note: Introduction: Approaching the Music of Joseph Joachim. - Virtuosity Uncoiled: Two Fantasies Re-discovered. - From Leipzig to Weimar. - Between Uncoiled Virtuosity and Lisztian Temptations. - Finding his Voice: Between Vergangenheitsmusik and Zukunftsmusik. - Joachim Encoded, or, 'Psychological Music'. - 'Psychological Music' Experienced and Remembered: Joachim and the Demetrius Plot in 1854 and 1876. - Resisting the Dark Butterfly. - Joachim and the Art of Variation. - Identities: The Hungarian Concerto and Hebrew Melodies. - Gisela von Arnim and Compositional Memories, or Ciphers in Disguise. - Cultural Objects in a Prussian Society. - Conclusion: an Assessment of Joachim's Style. - Appendix: Joachim Catalogue of Works. - Bibliography

Language: English

Subjects: Musicology

Keywords: 1831-1907 Joachim, Joseph ; Violinmusik ; Biografie ; Werkverzeichnis ; Biografie ; Werkverzeichnis

URL: http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=030389827&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA

URL: Inhaltsverzeichnis

UID:

Format: 1 online resource (xxv, 506 pages) : , digital, PDF file(s).

ISBN: 1-78744-258-6

Content: Joseph Joachim (1831-1907), of Jewish-Hungarian descent, was arguably the greatest violinist of the nineteenth century. His performing career in Berlin transformed the aesthetics and interpretation of German music. But Joachim was also a composer of virtuoso pieces, violin concertos, orchestral overtures, and chamber music works, all written between 1849 and 1864 in one intense outpouring of creativity. Katharina Uhde follows Joachim's compositional path through a changing cultural milieu. Joachim's compositions display intimate knowledge of the works of Mendelssohn, Wagner, Liszt, Schumann and Brahms, yet he was no mere imitator. Joachim's style, classically conceived yet seasoned with a preference for dark, melancholy soundscapes and, in the earlier years, ciphers and "psychological" programmaticism, emerges as the product of various personal and socio-cultural currents: his search for national, religious and cultural identity and a mature compositional style. Joachim's music drew on a wealth of treasures accumulated in his process of "enculturation", which began with Mendelssohn in Leipzig, and his aesthetic evolved from a deeply subjective approach, not insignificantly inspired by his muse, Gisela von Arnim. Her circle - the von Arnim and Grimm families - became Joachim's cultural and literary haven. But unforeseen events also impacted his output, among them Schumann's death, the ascent of the "young eagle" and the 'War of the Romantics'. Joachim's music throws light onto a vibrant decade, colored by realism, naturalism, new visual technologies and emerging academic disciplines, including psychology. Uhde's book will be the standard work on the music of Joseph Joachim for many years to come. KATHARINA UHDE is Assistant Professor for Violin and Musicology at Valparaiso University, IN.

Note: Title from publisher's bibliographic system (viewed on 14 Aug 2020). , Machine generated contents note: Virtuosity Uncoiled: Two Fantasies Rediscovered -- , Fantasy on Hungarian Themes (1848-50) -- , Fantasy on Irish [Scottish] Themes (1852) -- , From Leipzig to Weimar Early Sketches -- , Andantino and Allegro scherzoso Op. 1 (1844-47) -- , Three Pieces Op. 2 (1849-52) -- , Between Uncoiled Virtuosity and Lisztian Temptations -- , Violin Concerto in G minor in One Movement Op. 3 (1851-52) -- , Finding his Voice: Between Vergangenheitsmusik and Zukunftsmusik -- , Overture to Shakespeare's Hamlet Op. 4 (1851-53) -- , Joachim Encoded, or Psychological Music' -- , Three Pieces Op. 5 (1853) -- , Cipher Pieces -- , Psychological Music' Experienced and Remembered: Joachim and the Demetrius Plot in 1854 and 1876 -- , Overture to Herman Grimm's Demetrius Op. 6 (1853-54) -- , Scene of Marfa from Schiller's Unfinished Drama Demetrius Op. 14 (1876) -- , Resisting the Dark Butterfly -- , Overture to Shakespeare's Henry IV Op. 7 (1853-54) -- , Overture to a Comedy (Lustspiel) by Gozzi Op. 8 (1854) -- , String Quartet Movement in C minor (1858) -- , Joachim and the Art of Variation -- , Variations on an Original Theme Op. 10 (1854) -- , Variations on an Irish Elfenlied (1856) -- , Variations for Violin with Orchestral Accompaniment (1878-79) -- , Identities -- , Concerto in the Hungarian Manner' Op. 11 (1857-59) -- , Hebrew Melodys Op. 9 (1854) -- , Ciphers in Disguise: Gisela von Arnim and Compositional Memories -- , Elegiac Overture in Memory of the Poet Heinrich von -- , Kleist'O p. 13 (1856) -- , Notturno Op. 12 (1858) -- , Violin Concerto in G major (1863-64) -- , Cultural Objects in a Prussian Society -- , March No. 1 in C major (1871) -- , March No. 2 in D major (1871) -- , Overture for the Birthday of Kaiser Wilhelm II (1896).

Additional Edition: ISBN 1-78327-284-8

Language: English

DOI: 10.1515/9781787442580

URL: lizenzpflichtig

URL: https://www.cambridge.org/core/product/identifier/9781787442580/type/BOOK

UID:

Format: 1 Klavierauszug (XVI, 41 Seiten), 1 Stimme (18 Seiten)

Edition: Urtext, Klavierauszug von Martin Schelhaas

ISMN: 9790006566020

Series Statement: Bärenreiter Urtext

Note: Einführung und Danksagung deutsch und englisch, Critical commentary (Seite 40-41) in englischer Sprache

Additional Edition: Fantasie über Irische (Schottische) Motive (1852) = Fantasy on Irish (Scottish) themes

Language: German

Author information: Joachim, Joseph 1831-1907

Author information: Schelhaas, Martin

UID:

Format: 1 Klavierauszug (XVI, 41 Seiten), 1 Stimme

Edition: Klavierauszug von Martin Schelhaas

ISMN: 9790006566020

Series Statement: Bärenreiter Urtext

Note: Originalbesetzung: Violine, Orchester , Einführung deutsch und englisch, Critical commentary englisch

Additional Edition: Fantasie über irische (schottische) Motive (1852) = Fantasy on Irish (Scottish) themes (1852)

Language: German

Author information: Joachim, Joseph 1831-1907

UID:

Format: 477 Seiten

Edition: 1. Auflage

ISBN: 9783487164250

Series Statement: Studien und Materialien zur Musikwissenschaft 128

Content: Joseph Joachim (1831-1907) steht seit zwei Jahrzehnten wieder verstärkt im Licht der Öffentlichkeit. Seine multinationale Identität, seine multidisziplinäre Karriere als Geiger, Komponist, Pädagoge, seine rege internationale Konzerttätigkeit sowie seine Aktivitäten als Mitglied verschiedener kultureller Sphären werden in diesem Band erstmals aus einer pluralistischen, zweisprachigen Perspektive diskutiert.Die Beiträge stellen Joachims Rolle innerhalb seiner verschiedenen (inter)nationalen und persönlichen Netzwerke ins Zentrum. Unter Hinzuziehung erstmals ausgewerteter Archivquellen bieten sie neue Perspektiven auf sein performatives und kompositorisches Schaffen wie auch seine pädagogischen Aktivitäten.So eröffnet sich nicht nur eine facettenreiche Perspektive auf Joachims Identitäten und interkulturelle Verbindungen, sondern auch ein Ansatz zur Diskussion von Interpret:innen-Komponist:innen und ihrer einzigartigen multidisziplinären Wissensproduktion.Mit Beiträgen vonAnna Grigorievna Asatryan | Styra Avins | Tekla Babyak | Beatrix Borchard | Anja Bunzel | Ade le Commins | Joe Davies | Johannes Gebauer | Christine Hoppe | Walter Kurt Kreyszig | Natasha Loges | Robert Riggs | Henrike Rost | Larry Todd | Malcolm Tozer | Michael Uhde | Robert Whitehouse Eshbach | Valerie Woodring Goertzen.

Language: English

Keywords: Biografie

UID:

Format: 1 Online-Ressource (477 Seiten) , Illustrationen

ISBN: 9783487424682

Series Statement: Studien und Materialien zur Musikwissenschaft Band 128

Content: Joseph Joachim (1831–1907) steht seit zwei Jahrzehnten wieder verstärkt im Licht der Öffentlichkeit. Seine multinationale Identität, seine multidisziplinäre Karriere als Geiger, Komponist, Pädagoge, seine rege internationale Konzerttätigkeit sowie seine Aktivitäten als Mitglied verschiedener kultureller Sphären werden in diesem Band erstmals aus einer pluralistischen, zweisprachigen Perspektive diskutiert. Die Beiträge stellen Joachims Rolle innerhalb seiner verschiedenen (inter)nationalen und persönlichen Netzwerke ins Zentrum. Unter Hinzuziehung erstmals ausgewerteter Archivquellen bieten sie neue Perspektiven auf sein performatives und kompositorisches Schaffen wie auch seine pädagogischen Aktivitäten. So eröffnet sich nicht nur eine facettenreiche Perspektive auf Joachims Identitäten und interkulturelle Verbindungen, sondern auch ein Ansatz zur Diskussion von Interpret:innen-Komponist:innen und ihrer einzigartigen multidisziplinären Wissensproduktion. Mit Beiträgen von Anna Grigorievna Asatryan | Styra Avins | Tekla Babyak | Beatrix Borchard | Anja Bunzel | Adèle Commins | Joe Davies | Johannes Gebauer | Christine Hoppe | Walter Kurt Kreyszig | Natasha Loges | Robert Riggs | Henrike Rost | Larry Todd | Malcolm Tozer | Michael Uhde | Robert Whitehouse Eshbach | Valerie Woodring Goertzen

Content: “Joseph Joachim – Identities | Identitäten” presents new perspectives on the Hungarian violinist, composer, and pedagogue Joseph Joachim (1831–1907). Encompassing eighteen essays about Identity and Self-Staging, Identities on the European Musical Stage, Joseph Joachim in England, and Identity and (Inter)national Networks, the book brings together leading nineteenth-century scholars to examine not only Joachim’s position within the diverse spheres in which he operated, but also offers fresh analytical perspectives on his performative and compositional work. Furthermore, this volume sheds new light on Joachim’s pedagogical activities, thanks to recently unearthed archival sources accessed here for the first time. By blurring the lines between Joachim’s separate identities as composer, violinist, and pedagogue, this book proposes fresh approaches to discussing performer-composers more generally, and their unique multi-disciplinary ways of knowledge production. With contributions by Anna Grigorievna Asatryan | Styra Avins | Tekla Babyak | Beatrix Borchard | Anja Bunzel | Adèle Commins | Joe Davies | Johannes Gebauer | Christine Hoppe | Walter Kurt Kreyszig | Natasha Loges | Robert Riggs | Henrike Rost | Larry Todd | Malcolm Tozer | Michael Uhde | Robert Whitehouse Eshbach | Valerie Woodring Goertzen

Additional Edition: ISBN 9783487164250

Additional Edition: ISBN 3487164256

Additional Edition: Erscheint auch als Druck-Ausgabe Joseph Joachim [Baden-Baden] : Georg Olms Verlag, 2023 ISBN 9783487164250

Additional Edition: ISBN 3487164256

Language: English

DOI: 10.5771/9783487424682

URL: lizenzpflichtig

URL: lizenzpflichtig

URL: Inhaltstext

UID:

Format: 477 Seiten , Illustrationen, Notenbeispiele , 24 cm x 17 cm

ISBN: 9783487164250 , 3487164256

Series Statement: Studien und Materialien zur Musikwissenschaft Band 128

Note: Beiträge teilweise deutsch, teilweise englisch

Additional Edition: Erscheint auch als Online-Ausgabe ISBN 978-3-487-42468-2

Language: English

Subjects: Musicology

Keywords: Joachim, Joseph 1831-1907 ; Aufsatzsammlung

URL: Inhaltstext

URL: Inhaltsverzeichnis

UID:

Format: 1 Klavierauszug (XVI ; 41 Seiten), 1 Stimme , 31 cm

Edition: Urtext ; Klavierauszug

ISMN: 9790006566020

Series Statement: Bärenreiter Urtext

Note: Einführung deutsch und englisch, kritischer Kommentar englisch

Language: Undetermined

URL: http://d-nb.info/1172235007/04

Author information: Joachim, Joseph

Author information: Schelhaas, Martin

UID:

Format: 532 Seiten , Illustrationen , 23,9 cm

ISBN: 9781783272846

Content: Joseph Joachim (1831-1907), of Jewish-Hungarian descent, was arguably the greatest violinist of the nineteenth century. His performing career in Berlin transformed the aesthetics and interpretation of German music. But Joachim was also a composer of virtuoso pieces, violin concertos, orchestral overtures, and chamber music works, all written between 1847 and 1864 in one intense outpouring of creativity. Katharina Uhde follows Joachim's compositional path through a changing cultural milieu. Joachim's compositions display intimate knowledge of the works of Mendelssohn, Wagner, Liszt, Schumann, and Brahms, yet he was no mere imitator. Joachim's style, classically conceived yet seasoned with a preference for dark, melancholy soundscapes and, in the earlier years, ciphers, virtuosity, and 'psychological' programmaticism, emerges as the product of various personal and socio-cultural currents: his search for national, religious, and cultural identity and a mature compositional style. Joachim's music drew on a wealth of treasures accumulated in his process of 'enculturation', which began with Mendelssohn in Leipzig. Joachim's aesthetic evolved from a deeply subjective approach, not insignificantly inspired by his muse, Gisela von Arnim. Her circle - the von Arnim and Grimm families - became Joachim's cultural and literary haven. But unforeseen events also impacted his output, among them Schumann's death, the ascent of the young Brahms, and the 'War of the Romantics'. Joachim's music throws light onto a vibrant decade, colored by realism, naturalism, new visual technologies, and emerging academic disciplines including psychology. Uhde's book will be the standard work on the music of Joseph Joachim for many years to come. KATHARINA UHDE is Assistant Professor for Violin and Musicology at Valparaiso University, IN.

Note: Englisch

Language: English

Keywords: Joachim, Joseph ; Violinmusik