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  • 1
    Book
    Book
    Edinburgh :Edinburgh University Press,
    UID:
    almafu_BV044559745
    Format: 238 Seiten : , Illustrationen.
    ISBN: 978-0-7486-9606-2 , 0-7486-9606-7
    Content: In spite of harsh censorship, conservative morals and a lack of investment, women documentarists in the Arab world have found ways to subtly negotiate dissidence in their films, something that is becoming more apparent since the 'Arab Revolutions'. In this book, Stefanie Van de Peer traces the very beginnings of Arab women making documentaries in the Middle East and North Africa (MENA), from the 1970s and 1980s in Egypt and Lebanon, to the 1990s and 2000s in Morocco and Syria. Supporting a historical overview of the documentary form in the Arab world with a series of in-depth case studies, Van de Peer looks at the work of pioneering figures like Ateyyat El Abnoudy, the 'mother of Egyptian documentary', Tunisia's Selma Baccar and the Palestinian filmmaker Mai Masri. Addressing the context of the films' production, distribution and exhibition, the book also asks why these women held on to the ideals of a type of filmmaking that was unlikely to be accepted by the censor, and looks at precisely how the women documentarists managed to frame expressions of dissent with the tools available to the documentary maker
    Note: Erscheint auch als Open Access bei De Gruyter
    Additional Edition: Erscheint auch als Online-Ausgabe, webready PDF ISBN 978-0-7486-9607-9 10.1515/9780748696079
    Additional Edition: Erscheint auch als Online-Ausgabe, EPUB ISBN 978-1-4744-2338-0 10.1515/9780748696079
    Language: English
    Keywords: Muslimin ; Dokumentarfilm ; Criticism, interpretation, etc
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
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  • 2
    Book
    Book
    Edinburgh :Edinburgh University Press,
    UID:
    almafu_(DE-604)BV044559745
    Format: 238 Seiten : , Illustrationen.
    ISBN: 978-0-7486-9606-2 , 0-7486-9606-7
    Content: In spite of harsh censorship, conservative morals and a lack of investment, women documentarists in the Arab world have found ways to subtly negotiate dissidence in their films, something that is becoming more apparent since the 'Arab Revolutions'. In this book, Stefanie Van de Peer traces the very beginnings of Arab women making documentaries in the Middle East and North Africa (MENA), from the 1970s and 1980s in Egypt and Lebanon, to the 1990s and 2000s in Morocco and Syria. Supporting a historical overview of the documentary form in the Arab world with a series of in-depth case studies, Van de Peer looks at the work of pioneering figures like Ateyyat El Abnoudy, the 'mother of Egyptian documentary', Tunisia's Selma Baccar and the Palestinian filmmaker Mai Masri. Addressing the context of the films' production, distribution and exhibition, the book also asks why these women held on to the ideals of a type of filmmaking that was unlikely to be accepted by the censor, and looks at precisely how the women documentarists managed to frame expressions of dissent with the tools available to the documentary maker
    Note: Erscheint auch als Open Access bei De Gruyter
    Additional Edition: Erscheint auch als Online-Ausgabe, webready PDF ISBN 978-0-7486-9607-9 10.1515/9780748696079
    Additional Edition: Erscheint auch als Online-Ausgabe, EPUB ISBN 978-1-4744-2338-0 10.1515/9780748696079
    Language: English
    Keywords: Muslimin ; Dokumentarfilm ; Criticism, interpretation, etc
    URL: Volltext  (kostenfrei)
    Library Location Call Number Volume/Issue/Year Availability
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  • 3
    UID:
    almafu_BV043847015
    Format: XV, 318 Seiten : , Illustrationen.
    ISBN: 978-1-78453-326-7
    Series Statement: Tauris world cinema series
    Additional Edition: Erscheint auch als Onlineausgabe, eISBN ISBN 978-1-78672-171-6
    Additional Edition: Erscheint auch als Onlineausgabe, ePDF ISBN 978-1-78673-171-5
    Language: English
    Subjects: General works
    RVK:
    RVK:
    RVK:
    Keywords: Animationsfilm ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung
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  • 4
    Online Resource
    Online Resource
    New York :Bloomsbury Academic, | New York :Bloomsbury Publishing (US),
    UID:
    almahu_9949700178202882
    Format: 1 online resource (320 pages)
    Edition: 1st ed.
    ISBN: 9781501393259
    Content: Building on the work of star studies scholars, this collection provides contextual analyses of off-screen representation, as well as close textual analyses of films and star personas, thereby offering an in-depth study of the Arab star as text and context of Arab cinema. Using the tools of audience reception studies, the collection will also look at how stars (of film, stage, screen and new media) are viewed and received in different cultural contexts, both within and outside of the Arabic-speaking world. Arab cinema is often discussed in terms of political representation and independent art film, but rarely in terms of stardom, glamour, performance or masquerade. Aside from a few individual studies on female stardom or aspects of Arab masculinity, no major English-language study on Arab stardom exists, and collections on transnational stars or world cinema also often neglect to include Arab performers. This new book seeks to address this gap by providing the first study dedicated entirely to stardom on the Arab screen. Structured chronologically and thematically, this collection highlights and explores Arab film, screen and music stars through a transnational and interdisciplinary set of contributions that draw on feminist, performance and film theories, media studies, sound studies, material culture, queer star and celebrity studies, and social media studies.
    Note: Introduction: The Multidirectionality of Transnational Arab Stardom 〈i〉Kaya Davies Hayon (Open University, UK) and Stefanie Van de Peer (Queen Margaret University, UK)〈/i〉 〈i〉 〈/i〉 〈b〉Section 1: The Arab Diva: Glamour in Pan-Arab Performers〈/b〉 Chapter 1: Reading Umm Kulthum through Film: Egyptian Woman, International Star, and Haunting Legacy 〈i〉Laura Lohman (North Central College, USA)〈/i〉 Chapter 2: Fame, Infamy, Renown and Celebrity in the Life of Asmahan 〈i〉Sherifa Zuhur (Institute of Middle Eastern, Islamic, and Strategic Studies, USA)〈/i〉 Chapter 3: 'Subversive to Boot': Tahia Carioca, an Imagined Geography of Egypt 〈i〉Carolina Bracco (University of Buenos Aires, Argentina)〈/i〉 Chapter 4: The Modern Marianne of Cairo: Arabness and Cosmopolitanism in Dalida's Stardom 〈i〉Barbara Lebrun (University of Manchester, UK)〈/i〉 Chapter 5: Feiruz: Deconstructing a Legacy 〈i〉Salma Yassine and Vicky Panossian (Central European University, Austria)〈/i〉 〈b〉Section 2: The Intersections of Gender, Class and Sexuality in Arab Stardom〈/b〉 Chapter 6: Differently Empowering: The Performativity of Strong Female Leads Faten Hamama and Hind Rostom 〈i〉Wessam Elmeligi (University of Michigan-Dearborn, USA)〈/i〉 Chapter 7: The Sexually and Politically Dissident Stardom of Lubna Azabal 〈i〉Kaya Davies Hayon (Open University, UK)〈/i〉 Chapter 8: Artist contribution 〈i〉Bahia Shehab (American University in Cairo, Egypt)〈/i〉 Chapter 9: 'For Those That Haven't Given Up, Love Is Resistance': Hamed Sinno and the Power and Perils of Mashrou' Leila's Music 〈i〉Lowry Martin (University of Texas at El Paso, USA)〈/i〉 Chapter 10: 'Egypt, Africa!': The Sonic Stardom of Mohamed Ramadan 〈i〉Claire Cooley (Tufts University, USA)〈/i〉 Chapter 11: A 'Little Narrative': Elderly Actresses in Contemporary Egyptian Cinema Dina 〈i〉Mohamed Abd Elsalam (Alexandria University, Egypt)〈/i〉 〈i〉 〈/i〉 〈b〉Section 3: Power and Politics: The Ideologies and Reception of Arab Stars〈/b〉 Chapter 12: Habiba M'sika and Haydee Chikly: Tragic Transnational Fandom and the Feminist Legacy of the Earliest Stars of Arab Cinema 〈i〉Stefanie Van de Peer 〈/i〉〈i〉(Queen Margaret University, UK)〈/i〉 Chapter 13: Stars in Arms: Egypt's Movie Stars and the Free Officers 〈i〉Ifdal Elsaket (Netherlands-Flemish Institute in Cairo, Egypt)〈/i〉 Chapter 14: Being Omar Sharif: A Cinematographic Excavation of a Star 〈i〉Mark Lotfy (Figleaf Studios, Egypt)〈/i〉 Chapter 15: Elia Suleiman: The Reluctant Star 〈i〉Hania A.M. Nashef (American University of Sharjah, UAE)〈/i〉 Chapter 16: Jamel Debbouze: Intersectionality, Diaspora and Transnational Stardom 〈i〉Will Higbee (University of Exeter, UK)〈/i〉 〈i〉Index〈/i〉
    Language: English
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  • 5
    Online Resource
    Online Resource
    London :Routledge,
    UID:
    almahu_9949385936602882
    Format: 1 online resource (xviii, 240 pages)
    Edition: First edition.
    ISBN: 9781315227962 , 1315227967 , 9781351854719 , 1351854712 , 9781351854702 , 1351854704 , 9781351854696 , 1351854690
    Content: Women in African Cinema: Beyond the Body Politic showcases the very prolific but often marginalised presence of women in African cinema, both on the screen and behind the camera. This study provides the first in-depth and sustained study of women in African cinema. Films by women from different geographical regions are discussed in case studies that are framed by feminist theoretical and historical themes, and seen through an anti-colonial, philosophical, political and socio-cultural cinematic lens. A historical and theoretical introduction provides the context for thematic chapters exploring topics ranging from female identities, female friendships, women in revolutionary cinema, motherhood and daughterhood, women's bodies, sexuality, and spirituality. Each chapter serves up a theoretical-historical discussion of the chosen theme, followed by two in-depth case studies that provide contextual and transnational readings of the films as well as outlining production, distribution and exhibition contexts. This book contributes to the feminist anti-racist revision of the canon by placing African women filmmakers squarely at the centre of African film culture. Demonstrating the depth and diversity of the feminine or female aesthetic in African cinema, this book will be of great interest to students and scholars of African cinema, media studies and African studies.
    Note: 1. Women in African Cinema: Histories and Theories 2. The Multiplicity of Female Identities: Embracing Plurality 3. Female Friendships in Film: Affinities, Affiliations and Activism 4. Women in Revolution and Revolutionary Cinema 5. Daughters and Their Mothers: Between Conflict and Acceptance 6. African Women's Bodies: Journeys into Womanhood 7. (Re)defining Female Sexuality through Film 8. Spiritual Pathways to Emancipation
    Additional Edition: Print version: Bisschoff, Lizelle. Women in African Cinema. London : Routledge, 2019 ISBN 0415425662
    Additional Edition: ISBN 9780415425667
    Language: English
    Keywords: Electronic books. ; Electronic books. ; History. ; Electronic books
    URL: Volltext  (URL des Erstveroeffentlichers)
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  • 6
    Online Resource
    Online Resource
    [Erscheinungsort nicht ermittelbar] : Edinburgh University Press
    UID:
    gbv_1832218724
    Format: 1 Online-Ressource
    ISBN: 9780748696062 , 9781474423380 , 9781474437554
    Content: The first book to trace the female pioneers of Arab documentary filmmakingIn spite of harsh censorship, conservative morals and a lack of investment, women documentarists in the Arab world have found ways to subtly negotiate dissidence in their films, something that is becoming more apparent since the 'Arab Revolutions'. In this book, Stefanie Van de Peer traces the very beginnings of Arab women making documentaries in the Middle East and North Africa (MENA), from the 1970s and 1980s in Egypt and Lebanon, to the 1990s and 2000s in Morocco and Syria.Supporting a historical overview of the documentary form in the Arab world with a series of in-depth case studies, Van de Peer looks at the work of pioneering figures like Ateyyat El Abnoudy, the 'mother of Egyptian documentary', Tunisia's Selma Baccar and the Palestinian filmmaker Mai Masri. Addressing the context of the films' production, distribution and exhibition, the book also asks why these women held on to the ideals of a type of filmmaking that was unlikely to be accepted by the censor, and looks at precisely how the women documentarists managed to frame expressions of dissent with the tools available to the documentary maker.Case studies include:Egypt's Ateyyat El AbnoudyLebanon's Jocelyne Saab Algeria's Assia DjebarTunisia's Selma Baccar Palestine's Mai MasriMorocco's Izza Génini Syria's Hala Alabdallah Yakoub
    Note: English
    Language: Undetermined
    Library Location Call Number Volume/Issue/Year Availability
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  • 7
    Book
    Book
    London ; New York :Routledge, Taylor & Francis Group,
    UID:
    almahu_BV046790302
    Format: xviii, 240 Seiten.
    ISBN: 978-0-415-42566-7 , 978-0-415-42568-1
    Additional Edition: Erscheint auch als Online-Ausgabe, ebk ISBN 978-1-315-22796-2
    Language: English
    Subjects: General works , Sociology
    RVK:
    RVK:
    Keywords: Frau ; Embodiment ; Film
    Library Location Call Number Volume/Issue/Year Availability
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  • 8
    Online Resource
    Online Resource
    St Albans : Critical Publishing
    UID:
    b3kat_BV048730840
    Format: 1 online resource (210 Seiten)
    Edition: 1st ed
    ISBN: 9781915713018
    Content: A powerful and challenging book comprising stories of anti-racist action by higher education scholars including researchers and teachers at various stages of their careers. Aimed at and relevant for anyone involved in education, it encourages reflection on the tolerance of racist structures and strategies to help enact positive change
    Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 9781915713001
    Language: English
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  • 9
    Online Resource
    Online Resource
    Edinburgh : Edinburgh University Press
    UID:
    gbv_179522312X
    Format: 1 Online-Ressource (248 p)
    Edition: [Online-Ausgabe]
    ISBN: 9780748696079
    Content: Frontmatter -- Contents -- List of Figures -- Acknowledgements -- Introduction -- 1 Ateyyat El Abnoudy: Poetic Realism in Egyptian Documentaries -- 2 Jocelyne Saab: Artistic-Journalistic Documentaries in Lebanese Times of War -- 3 Selma Baccar: Non-fiction in Tunisia, the Land of Fictions -- 4 Assia Djebar: Algerian Images-son in Experimental Documentaries -- 5 Mai Masri: Mothering Film-makers in Palestinian Revolutionary Cinema -- 6 Izza Génini: The Performance of Heritage in Moroccan Music Documentaries -- 7 Hala Alabdallah Yakoub: Documentary as Poetic Subjective Experience in Syria -- Works Cited -- Index
    Content: The first book to trace the female pioneers of Arab documentary filmmakingIn spite of harsh censorship, conservative morals and a lack of investment, women documentarists in the Arab world have found ways to subtly negotiate dissidence in their films, something that is becoming more apparent since the 'Arab Revolutions'. In this book, Stefanie Van de Peer traces the very beginnings of Arab women making documentaries in the Middle East and North Africa (MENA), from the 1970s and 1980s in Egypt and Lebanon, to the 1990s and 2000s in Morocco and Syria.Supporting a historical overview of the documentary form in the Arab world with a series of in-depth case studies, Van de Peer looks at the work of pioneering figures like Ateyyat El Abnoudy, the 'mother of Egyptian documentary', Tunisia's Selma Baccar and the Palestinian filmmaker Mai Masri. Addressing the context of the films' production, distribution and exhibition, the book also asks why these women held on to the ideals of a type of filmmaking that was unlikely to be accepted by the censor, and looks at precisely how the women documentarists managed to frame expressions of dissent with the tools available to the documentary maker.Case studies include:Egypt's Ateyyat El AbnoudyLebanon's Jocelyne Saab Algeria's Assia DjebarTunisia's Selma Baccar Palestine's Mai MasriMorocco's Izza Génini Syria's Hala Alabdallah Yakoub
    Note: Mode of access: Internet via World Wide Web. , In English
    Language: English
    URL: Cover
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  • 10
    UID:
    almahu_9949226262202882
    Format: 1 online resource (338 pages)
    Additional Edition: Print version: Animation in the Middle East : practice and aesthetics from Baghdad to Casablanca. London, [England] : I.B. Tauris, c2017 ISBN 9781784533267
    Language: English
    Keywords: Electronic books.
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