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  • 1
    UID:
    b3kat_BV049650398
    Format: 1 Online-Ressource
    ISBN: 9783839470589
    Series Statement: The Middle Ages and Popular Culture Volume 4
    Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 978-3-8376-7058-5
    Language: English
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Cover
    Author information: Velten, Hans Rudolf 1961-
    Author information: Imorde, Joseph 1963-
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  • 2
    UID:
    almahu_BV044521982
    Format: 237 Seiten.
    ISBN: 978-3-8253-6803-6 , 3-8253-6803-3
    Series Statement: Reihe Siegen Band 176
    Language: German
    Subjects: Comparative Studies. Non-European Languages/Literatures
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    Keywords: Fantastischer Roman ; Mittelalter ; Mittelalter ; Rezeption ; Fantastischer Roman ; Konferenzschrift ; Aufsatzsammlung ; Konferenzschrift ; Konferenzschrift
    Author information: Busch, Nathanael 1978-
    Author information: Velten, Hans Rudolf, 1961-
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  • 3
    UID:
    almahu_BV009979219
    Format: VIII, 397 S.
    ISBN: 3-8253-0286-5
    Series Statement: Frankfurter Beiträge zur Germanistik 29
    Note: Zugl.: Frankfurt (Main), Univ., Diss., 1994
    Language: German
    Subjects: Comparative Studies. Non-European Languages/Literatures , German Studies
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    Keywords: Autobiografie ; Autobiografie ; Deutsch ; Autobiografische Literatur ; Deutsch ; Autobiografie ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift
    Author information: Velten, Hans Rudolf, 1961-
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  • 4
    UID:
    almahu_BV044562177
    Format: 1 Online-Ressource (533 Seiten) : , Illustrationen.
    Edition: [1. Auflage]
    ISBN: 978-3-7720-5543-0 , 978-3-7720-0036-2
    Series Statement: Bibliotheca Germanica 63
    Note: Habilitationsschrift Humboldt-Universität zu Berlin 2008/2009
    Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 978-3-7720-8543-7
    Language: German
    Subjects: Comparative Studies. Non-European Languages/Literatures , German Studies
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    Keywords: Deutsch ; Literatur ; Komik ; Körper ; Lachen ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (lizenzpflichtig)
    URL: Cover
    URL: Volltext  (URL des Erstveröffentlichers)
    Author information: Velten, Hans Rudolf, 1961-,
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  • 5
    UID:
    almahu_BV047422944
    Format: VI, 263 Seiten : , Illustrationen.
    ISBN: 978-3-8253-4829-8
    Series Statement: Reihe Siegen. Romanistische Abteilung Band 183
    Additional Edition: Erscheint auch als Online-Ausgabe ISBN 978-3-8253-7249-1
    Language: German
    Subjects: Comparative Studies. Non-European Languages/Literatures , Romance Studies
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    Keywords: Bibel ; Judentum ; Text ; Literatur ; Mann ; Männlichkeit ; Mann ; Männlichkeit ; Literatur ; Erzähltechnik ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung
    Author information: Müller, Anja, 1969-
    Author information: Weber, Rebecca 1983-
    Author information: Velten, Hans Rudolf, 1961-
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  • 6
    UID:
    almahu_BV042347740
    Format: 1 Online-Rsssource (X, 491 Seiten) : , Illustrationen.
    ISBN: 978-3-11-022556-3 , 3-11-022556-5
    Series Statement: Trends in medieval philology volume 21
    Content: Shame and shamelessness are subject to different conditions for their enactment: While shame manifests bodily what the individual wants to hide, shamelessness by contrast appears as ostentation. However, both have in common the status of the staged and perceived boundary violation. From this action-oriented perspective, the essays in this interdisciplinary book explore the different forms of staging and functions of shame and shamelessness in literature, art, theater and the social communication of the Early Modern Age
    Content: Einleitung; INCIPIT; Urszenen der Scham; Scham, Geheimnis und Gedächtnis; STUDIEN; Kulturen der Ehre -- Kulturen der Scham; Scham und Ehre. Zu einem asymmetrischen Verhältnis in der höfischen Epik; Schamlose Bilder -- schamloses Sprechen. Zur Poetik der Ostentation in Heinrichs Reinhart Fuchs; Diskursivierung der Scham im Erec Hartmanns von Aue und im mittelniederländischen Walewein von Penninc und Pieter Vostaert; Scham und Zweifel. Die Konstitution von Heimlichkeit und die Dissimulation des Begehrens in Gottfrieds Tristan; Schlüsselszenarien: Scham und Schamlosigkeit im Prosa-Lancelot; Von der Schamlosigkeit zur großen FormBeschämendes und schamloses Schweigen im Mittelalter. Facetten einer Provokation; Die spihlende Hand GOttes. Schamlosigkeit und Christusnarrheit im Mittelalter und in der Frühen Neuzeit (Alexiuslegenden, Jacob Schmids Weiße Thorheit); Entblößung, Scham und Heiligung in den Märtyrerinnenlegenden des Mittelalters und in Hugos von Langenstein Martina; Das Phantasma der Nacktheit: Sexualität, Häresie und Beichte. Eine Skizze; Spielprozess und Prozess der Zivilisation. Emotionales Rätsel in Italien und Frankreich zwischen 1479 und 1638; Reue und Scham. Selbstbeobachtung und ethische Emotion bei MontaigneNacktheit und Scham in der Anatomie der Frühen Neuzeit; EXPLICIT; Ostentative Schamlosigkeit in japanischen rituellen und ästhetischen Performances im Kulturvergleich
    Additional Edition: Erscheint auch als Druck-Ausgabe Gvozdeva, Katja Scham und Schamlosigkeit : Grenzverletzungen in Literatur Und Kultur Der Vormoderne ISBN 978-3-11-022555-6
    Language: German
    Subjects: German Studies
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    Keywords: Mittelhochdeutsch ; Literatur ; Scham ; Deutsch ; Literatur ; Scham ; Konferenzschrift ; Konferenzschrift ; Festschrift ; Konferenzschrift
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (lizenzpflichtig)
    URL: Cover
    URL: Cover
    URL: Volltext  (URL des Erstveröffentlichers)
    Author information: Gvozdeva, Katja, 1965-
    Author information: Velten, Hans Rudolf, 1961-
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  • 7
    UID:
    almahu_9949847419202882
    Format: 1 online resource (265 pages)
    Edition: 1st ed.
    ISBN: 3-8394-7058-7
    Series Statement: Populäres Mittelalter Series
    Content: Fantasy novels are products of popular culture. They owe their popularity also to the visualization of medievalist artifacts on book covers and designs, illustrations, maps, and marketing: Castles on towering cliffs, cathedral-like architecture, armored heroes and enchanting fairies, fierce dragons and mages follow mythical archetypes and develop pictorial aesthetics of fantasy, completed by gothic fonts, maps and page layout that refer to medieval manuscripts and chronicles. The contributors to this volume explore the patterns and paradigms of a specific medievalist iconography and book design of fantasy which can be traced from the 19th century to the present.
    Note: Cover -- Contents -- Preface -- Introduction: Fantasy between Text and Image -- 1. Literature and Visible Presentation -- 2. Fantasy Aesthetic(s): Some Perspectives -- 3. Contributions -- Bibliography -- Illustrations -- Aesthetics without Pictures? -- 1. Illustration as Fashion -- 2. Quantity: Pictures en masse -- 3. Infantilization: the Immature Audience -- 4. Fantasy: Endangering the Power of the Imagination -- Bibliography -- The Visual Realization of Fantastic Worlds in Book Cover Design -- 1. Representations of Landscapes -- 2. Representations of People/Heroes -- 2.1 The Significance of the Mainstream in the Representation of Characters in Fantasy Literature -- 2.2 Scenarios: Another Popular Representation of and with People is Their Integration into Fully Described Scenes from the Novel -- 3. Emblematic Representations -- 4. Conclusion: The Illustrator as a Creative Professional in the Book World -- Illustrations -- Beautiful and Sublime - and Never Mind the Pointed Ears -- 1. Introduction -- 2. »Ye light fairy things tripping so gay« - Victorian Flower Fairies and Diminishing -- 3. »He loved elves, though he seldom met them -- but he was a little frightened of them too.« (Tolkien 2002: 92): Tracing the 'Other' Tradition -- 4. »They were a race high and beautiful […]« (Tolkien 2004: 1137, Appendix F): Elves in The Lord of the Rings. -- 5. »[…] a Lady in the Golden Wood, as old tales tell!« (Tolkien 2004: 432): Galadriel, the Lady of Lothlórien -- 6. Conclusion -- Bibliography -- Illustrations -- Visualizing the Never‐Seen -- 1. Tensions in the Cartography of Middle‐earth -- 2. Visual Design Strategies: Hybrid Historicization -- 3. Serialization and Transformation -- Bibliography -- Primary Literature & -- Sources -- Secondary Sources -- Illustrations -- The Fantasy Novel as Commodity -- 1. Semiotics of the Book Cover. , 2. A Short History of the Cover Design of Epic Fantasy Literature (in Germany) -- 3. A Neomedieval Aesthetics of the Image and the Book -- 4. The Fantasy Novel as a Neomedieval Commodity -- Bibliography -- Illustrations -- Medievalist Aesthetics and Marketing Strategies -- 1. A Public Introduction to Medieval(ist) Aesthetics -- 2. The Medieval Period as Popular Culture -- 3. Sales Strategies -- 4. Historical Novels and Fantasy as Medievalist Genres: Overlaps and Boundaries -- 5. Types of 'Medievalisation' Employed within the Framework of Cover Design -- 5.1 Colour‐Coding -- 5.2 Font -- 5.3 Motif -- 6. Functions of the Cover -- 7. Overview of Medievalist Aesthetics -- 7.1 Romantic Period -- 7.2 Pre‐Raphaelites and Arts and Crafts Movement -- 7.3 From the End of the 19th Century to the End of the 20th Century -- 7.4 Post‐Modern -- 8. Analysis of the Covers of Gillian Bradshaw's Trilogy Down the Long Wind -- 8.1 Bradshaw's Writing between the Genres -- 8.2 Timeline and Context of Bradshaw's Trilogy -- 8.3 Fred Marcellino (1939-2001) -- 8.4 The Cover Designs by Fred Marcellino -- 8.5 The Cover Designs of the German Editions (1982 to 1984) -- 8.6 The Design of the German Collected Volume of 1999 -- 8.7 Other German Editions -- 9. A Conclusion on Medievalist Aesthetics and Marketing -- Bibliography -- Primary Sources -- Secondary Sources -- Illustrations -- William Morris's Medievalist Visual Aesthetics and its Persistence in Fantasy -- 1. William Morris: Works -- 2. Tolkien and Morris -- 3. Morris and Fantasy -- 4. Conclusion -- Bibliography -- Primary Literature -- Secondary Literature -- Illustrations -- Unicorns in Contemporary Popular Culture -- Bibliography -- Illustrations -- Fantasy Medievalism -- 1. Medievalism in the Fantasy Film Genre -- 2. Mythical Thinking -- 3. The Aesthetic of the Mythical -- 4. Conclusion -- Bibliography -- Films and Series. , Reception of Medieval Literature in Science Fiction Series -- 1. Star Trek: Heroes and Demons -- 2. Doctor Who: Robot of Sherwood -- 3. Legends of Tomorrow: Camelot/3000 -- Bibliography -- Biobibliographical Information.
    Additional Edition: ISBN 3-8376-7058-9
    Language: English
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  • 8
    UID:
    almahu_9949863606602882
    Format: 1 online resource (265 pages)
    Edition: 1st ed.
    ISBN: 9783839470589
    Series Statement: Populäres Mittelalter Series
    Note: Cover -- Contents -- Preface -- Introduction: Fantasy between Text and Image -- 1. Literature and Visible Presentation -- 2. Fantasy Aesthetic(s): Some Perspectives -- 3. Contributions -- Bibliography -- Illustrations -- Aesthetics without Pictures? -- 1. Illustration as Fashion -- 2. Quantity: Pictures en masse -- 3. Infantilization: the Immature Audience -- 4. Fantasy: Endangering the Power of the Imagination -- Bibliography -- The Visual Realization of Fantastic Worlds in Book Cover Design -- 1. Representations of Landscapes -- 2. Representations of People/Heroes -- 2.1 The Significance of the Mainstream in the Representation of Characters in Fantasy Literature -- 2.2 Scenarios: Another Popular Representation of and with People is Their Integration into Fully Described Scenes from the Novel -- 3. Emblematic Representations -- 4. Conclusion: The Illustrator as a Creative Professional in the Book World -- Illustrations -- Beautiful and Sublime - and Never Mind the Pointed Ears -- 1. Introduction -- 2. »Ye light fairy things tripping so gay« - Victorian Flower Fairies and Diminishing -- 3. »He loved elves, though he seldom met them -- but he was a little frightened of them too.« (Tolkien 2002: 92): Tracing the 'Other' Tradition -- 4. »They were a race high and beautiful […]« (Tolkien 2004: 1137, Appendix F): Elves in The Lord of the Rings. -- 5. »[…] a Lady in the Golden Wood, as old tales tell!« (Tolkien 2004: 432): Galadriel, the Lady of Lothlórien -- 6. Conclusion -- Bibliography -- Illustrations -- Visualizing the Never‐Seen -- 1. Tensions in the Cartography of Middle‐earth -- 2. Visual Design Strategies: Hybrid Historicization -- 3. Serialization and Transformation -- Bibliography -- Primary Literature & -- Sources -- Secondary Sources -- Illustrations -- The Fantasy Novel as Commodity -- 1. Semiotics of the Book Cover. , 2. A Short History of the Cover Design of Epic Fantasy Literature (in Germany) -- 3. A Neomedieval Aesthetics of the Image and the Book -- 4. The Fantasy Novel as a Neomedieval Commodity -- Bibliography -- Illustrations -- Medievalist Aesthetics and Marketing Strategies -- 1. A Public Introduction to Medieval(ist) Aesthetics -- 2. The Medieval Period as Popular Culture -- 3. Sales Strategies -- 4. Historical Novels and Fantasy as Medievalist Genres: Overlaps and Boundaries -- 5. Types of 'Medievalisation' Employed within the Framework of Cover Design -- 5.1 Colour‐Coding -- 5.2 Font -- 5.3 Motif -- 6. Functions of the Cover -- 7. Overview of Medievalist Aesthetics -- 7.1 Romantic Period -- 7.2 Pre‐Raphaelites and Arts and Crafts Movement -- 7.3 From the End of the 19th Century to the End of the 20th Century -- 7.4 Post‐Modern -- 8. Analysis of the Covers of Gillian Bradshaw's Trilogy Down the Long Wind -- 8.1 Bradshaw's Writing between the Genres -- 8.2 Timeline and Context of Bradshaw's Trilogy -- 8.3 Fred Marcellino (1939-2001) -- 8.4 The Cover Designs by Fred Marcellino -- 8.5 The Cover Designs of the German Editions (1982 to 1984) -- 8.6 The Design of the German Collected Volume of 1999 -- 8.7 Other German Editions -- 9. A Conclusion on Medievalist Aesthetics and Marketing -- Bibliography -- Primary Sources -- Secondary Sources -- Illustrations -- William Morris's Medievalist Visual Aesthetics and its Persistence in Fantasy -- 1. William Morris: Works -- 2. Tolkien and Morris -- 3. Morris and Fantasy -- 4. Conclusion -- Bibliography -- Primary Literature -- Secondary Literature -- Illustrations -- Unicorns in Contemporary Popular Culture -- Bibliography -- Illustrations -- Fantasy Medievalism -- 1. Medievalism in the Fantasy Film Genre -- 2. Mythical Thinking -- 3. The Aesthetic of the Mythical -- 4. Conclusion -- Bibliography -- Films and Series. , Reception of Medieval Literature in Science Fiction Series -- 1. Star Trek: Heroes and Demons -- 2. Doctor Who: Robot of Sherwood -- 3. Legends of Tomorrow: Camelot/3000 -- Bibliography -- Biobibliographical Information.
    Additional Edition: Print version: Velten, Hans Rudolf Fantasy Aesthetics Bielefeld : transcript Verlag,c2024 ISBN 9783837670585
    Language: English
    Keywords: Electronic books.
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  • 9
    UID:
    almahu_BV045138997
    Format: 216 Seiten ; , 22.5 cm x 14.8 cm, 318 g.
    ISBN: 978-3-8376-4400-5 , 3-8376-4400-6
    Series Statement: Gender Studies
    Additional Edition: Erscheint auch als Online-Ausgabe ISBN 9783839444009
    Language: English
    Subjects: Comparative Studies. Non-European Languages/Literatures , Romance Studies
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    Keywords: Geschlechterrolle ; Schelmenroman ; Schelmenroman ; Grenzüberschreitung ; Subversion ; Aufsatzsammlung ; Aufsatzsammlung
    URL: Cover
    Author information: Lickhardt, Maren.
    Author information: Schuhen, Gregor, 1973-
    Author information: Velten, Hans Rudolf, 1961-
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  • 10
    UID:
    b3kat_BV048464948
    Format: 1 Online-Ressource (VI, 263 Seiten) , Illustrationen
    ISBN: 9783825372491
    Series Statement: Reihe Siegen. Romanistische Abteilung Band 183
    Content: Vormoderne Texte erzählen vielfach Geschichten von mächtigen Herrschern und tapferen Kriegern, wobei sie deren Männlichkeit literarisch Gestalt verleihen. Im historischen (Antike, Mittelalter, Neuzeit) und interdisziplinären Vergleich ist festzustellen, dass es sich aber um semantisch sehr unterschiedliche Männlichkeitsentwürfe handelt, die die Erzählungen hervorbringen. Diesem pluralen Männlichkeitsverständnis trägt der vorliegende Band Rechnung, indem die einzelnen Beiträge nicht nur die ‚klassischen‘ männlichen Idealtypen (Ritter, Heilige, Hausväter, Gelehrte) fokussieren, sondern auch Abweichungen von der hegemonialen Norm vormoderner Männlichkeit beleuchten. Typische männliche Praktiken und Handlungsmodelle, die gewaltförmig (Kampf, Duell) oder gewaltlos (Wissen, Galanterie, Askese) im Spannungsfeld von Ehre und Schande stehen, werden in den Beiträgen perspektiviert und hinterfragt. Sie lassen das vormoderne Männlichkeitsnarrativ ebenso konstruiert und facettenreich erscheinen wie moderne Maskulinität.
    Note: Beiträge teilweise deutsch, teilweise englisch
    Additional Edition: Erscheint auch als Druck-Ausgabe, Hardcover ISBN 978-3-8253-4829-8
    Language: German
    Subjects: Comparative Studies. Non-European Languages/Literatures , Romance Studies
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    Keywords: Bibel ; Judentum ; Text ; Literatur ; Mann ; Männlichkeit ; Geschichte ; Mann ; Männlichkeit ; Literatur ; Erzähltechnik ; Geschichte ; Aufsatzsammlung ; Aufsatzsammlung
    Author information: Velten, Hans Rudolf 1961-
    Author information: Weber, Rebecca 1983-
    Author information: Müller, Anja 1969-
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