feed icon rss

Your email was sent successfully. Check your inbox.

An error occurred while sending the email. Please try again.

Proceed reservation?

Export
Filter
Type of Medium
Language
Region
Library
Person/Organisation
Subjects(RVK)
  • 1
    UID:
    almahu_BV041434478
    Format: XVII, 414 Seiten : , Illustrationen.
    Edition: First edition
    ISBN: 1-61374-492-7 , 978-1-61374-492-5
    Note: This book tells the story of the mutual influence of black power and soul music in the late 1960s and early '70s, with special attention paid to James Brown and the short-lived Oakland band The Lumpen. With a foreword by Boots Riley, preface, source, notes and index. Black & white photos
    Language: English
    Subjects: Musicology
    RVK:
    Keywords: Black power ; Soul ; Musikpolitik ; 1933-2006 Brown, James ; Soul
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 2
    Book
    Book
    New York :St. Martin's Griffin,
    UID:
    almahu_BV010998325
    Format: XXII, 375 S. : Ill.
    Edition: 1. St. Martin's Griffin ed.
    ISBN: 0-312-13499-1 , 978-0-312-13499-0
    Content: Funk hasn't received the critical attention that rock, jazz, and the blues have - until now. Colorful, intelligent, and in-your-face, Rickey Vincent's Funk celebrates the songs, the musicians, the philosophy, and the meaning of funk. The book spans from the early work of James Brown (the Godfather of Funk) through today, covering funky soul (Stevie Wonder, the Temptations), so-called "black rock" (Jimi Hendrix, Sly and the Family Stone, the Isley Brothers), jazz-funk (Miles Davis, Herbie Hancock), monster funk (Parliament, Funkadelic, Bootsy's Rubber Band), naked funk (Rick James, Gap Band), disco-funk (Chic, K.C. and the Sunshine Band), funky pop (Kool & the Gang, Chaka Khan), P-Funk Hip Hop (Digital Underground, De La Soul), funk-sampling rap (Ice Cube, Dr. Dre), funk rock (Red Hot Chili Peppers, Primus), and more
    Content: Funk tells a vital, vibrant history - the history of a uniquely American music born out of tradition and community, filled with energy, attitude, anger, hope and an irrepressible spirit
    Language: English
    Subjects: Musicology
    RVK:
    RVK:
    Keywords: Funk
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 3
    UID:
    almahu_9948318188002882
    Format: 1 online resource (450 pages) : , illustrations
    Edition: First edition.
    ISBN: 9781613744932 (e-book)
    Additional Edition: Print version: Vincent, Rickey. Party music : the inside story of the Black Panthers' band and how black power transformed soul music. Chicago : Lawrence Hill Books, 2013 ISBN 9781613744925
    Language: English
    Keywords: Electronic books.
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 4
    Online Resource
    Online Resource
    Durham :Duke University Press,
    UID:
    edocfu_9959712557802883
    Format: 1 online resource (344 p.) : , 57 b&w photos
    ISBN: 9780822386957
    Content: With Hit Me, Fred, sensational sideman Fred Wesley Jr. moves front and center to tell his life story. A legendary funk, soul, and jazz musician, Wesley is best known for his work in the late sixties and early seventies with James Brown and as the leader of Brown’s band, Fred Wesley and the JB’s. Having been the band’s music director, arranger, trombone player, and frequent composer, Wesley is one of the original architects of funk music. He describes what it was like working for the Godfather of Soul, revealing the struggle and sometimes stringent discipline behind Brown’s tight, raucous tunes. After leaving Brown and the JB’s, Wesley arranged the horn sections for Parliament, Funkadelic, and Bootsy’s Rubber Band, and led Fred Wesley and the Horny Horns. Adding his signature horn arrangements to the P-Funk mix, Wesley made funk music even funkier.Wesley’s distinctive sound reverberates through rap and hip-hop music today. In Hit Me, Fred, he recalls the many musicians whose influence he absorbed, beginning with his grandmother and father—both music teachers—and including mentors in his southern Alabama hometown and members of the Army band. In addition to the skills he developed working with James Brown, George Clinton, Bootsy Collins, and the many talented musicians in their milieu, Wesley describes the evolution of his trombone playing through stints with the Ike and Tina Turner Revue, Hank Ballard, and Count Basie’s band. He also recounts his education in the music business, particularly through his work in Los Angeles recording sessions.Wesley is a virtuoso storyteller, whether he's describing the electric rush of performances when the whole band is in the groove, the difficulties of trying to make a living as a rhythm and blues musician, or the frustrations often felt by sidemen. Hit Me, Fred is Wesley’s story of music-making in all its grit and glory.
    Note: Frontmatter -- , Contents -- , List of Illustrations -- , Foreword -- , 1. A Musical Upbringing -- , 2. Higher Education -- , 3. Uncle Sam’s Army -- , 4. James Brown -- , 5. California -- , 6. James Brown Again -- , 7. Bootsy’s Rubber Band and Parliament/Funkadelic -- , 8. Count Basie -- , 9. Hollywood, Hollywood -- , 10. Mile High in Denver -- , 11. JB Horns -- , 12. Star Time -- , Selected Discography -- , Index , In English.
    Language: English
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
Close ⊗
This website uses cookies and the analysis tool Matomo. Further information can be found on the KOBV privacy pages