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  • 1
    Book
    Book
    London :bfi Publ.,
    UID:
    almahu_BV021650074
    Format: x, 326 S. : , Ill.
    ISBN: 1-84457-120-3
    Language: English
    Subjects: General works
    RVK:
    Keywords: Filmwirtschaft ; Nationalismus ; Filmtheorie ; Nationalismus ; Aufsatzsammlung ; Aufsatzsammlung ; Bibliografie ; Aufsatzsammlung
    URL: Cover
    Library Location Call Number Volume/Issue/Year Availability
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  • 2
    Online Resource
    Online Resource
    Manchester :Manchester University Press,
    UID:
    almafu_9959230959202883
    Format: 1 online resource : , illustrations (black and white)
    Edition: 1st ed.
    ISBN: 1-5261-0977-8
    Content: Popular cinema has mostly been discussed from a 'cult' perspective that celebrates uncritically its 'transgressive' qualities. Capital and popular cinema responds to the need for a more solid academic approach by situating 'low' film genres in their economic and culturally-specific contexts and by exploring the interconnections between those contexts, the immediate industrial-financial interests sustaining the films, and the films' aesthetics. Through the examination of three different cycles in film production - the Italian giallo of Mario Bava, the Mexican films of Fernando Mňdez, and the Hindi horror cinema of the Ramsay Brothers - this book proposes a comparative approach that accounts for the whole of a national film industry's production ('popular' and 'canonic'), and is applicable to the study of film genres globally.
    Note: Previously issued in print: 2016. , Cover -- Capital and popular cinema -- Contents -- List of figures -- Acknowledgements -- Introduction: national cinema and unstable genres -- 1 The time of popular cinema -- 2 The exclusion of giallo films from the history of Italian cinema -- 3 Mexico: the cinema of Fernando Méndez -- 4 The Hindi horror films of the Ramsay brothers -- Conclusion -- Notes -- Bibliography -- Filmography -- Index.
    Additional Edition: ISBN 0-7190-9965-X
    Language: English
    Keywords: Criticism, interpretation, etc.
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  • 3
    Online Resource
    Online Resource
    Manchester :Manchester University Press,
    UID:
    almahu_9949088245302882
    Format: 1 online resource (227 pages) : , illustrations
    ISBN: 9781784997335 (e-book)
    Additional Edition: Print version: Vitali, Valentina. Capital and popular cinema : the dollars are coming!. Manchester : Manchester University Press, 2016
    Language: English
    Keywords: Electronic books.
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  • 4
    Book
    Book
    New Delhi [u.a.] : Oxford Univ. Press
    UID:
    gbv_565391445
    Format: XXXIII, 266 S. , Ill. , 22 cm
    Edition: 1. publ.
    ISBN: 0195692446 , 9780195692440
    Note: Includes bibliographical references (p. [245]-259) and index
    Language: English
    Keywords: Hindi ; Actionfilm ; Geschichte 1900-2000 ; Abenteuerfilm ; Bollywood
    Library Location Call Number Volume/Issue/Year Availability
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  • 5
    Book
    Book
    Manchester :Manchester University Press,
    UID:
    almahu_BV043578700
    Format: 216 Seiten : , Illustrationen ; , 22 cm.
    Language: English
    Subjects: General works
    RVK:
    Keywords: Filmgenre ; Wirtschaftliche Lage ; Filmästhetik
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  • 6
    UID:
    kobvindex_BGAa0008947
    Format: 151 S. : zahlr. Ill. (z.T. farb.)
    Edition: 1. Aufl.
    ISBN: 3-86521-229-8
    Note: Text engl.-dt.
    Language: German
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  • 7
    E-Resource
    E-Resource
    Manchester :Manchester University Press,
    UID:
    edocfu_9959230959202883
    Format: 1 online resource : , illustrations (black and white)
    Edition: 1st ed.
    ISBN: 1-5261-0977-8
    Content: Popular cinema has mostly been discussed from a 'cult' perspective that celebrates uncritically its 'transgressive' qualities. Capital and popular cinema responds to the need for a more solid academic approach by situating 'low' film genres in their economic and culturally-specific contexts and by exploring the interconnections between those contexts, the immediate industrial-financial interests sustaining the films, and the films' aesthetics. Through the examination of three different cycles in film production - the Italian giallo of Mario Bava, the Mexican films of Fernando Mňdez, and the Hindi horror cinema of the Ramsay Brothers - this book proposes a comparative approach that accounts for the whole of a national film industry's production ('popular' and 'canonic'), and is applicable to the study of film genres globally.
    Note: Previously issued in print: 2016. , Cover -- Capital and popular cinema -- Contents -- List of figures -- Acknowledgements -- Introduction: national cinema and unstable genres -- 1 The time of popular cinema -- 2 The exclusion of giallo films from the history of Italian cinema -- 3 Mexico: the cinema of Fernando Méndez -- 4 The Hindi horror films of the Ramsay brothers -- Conclusion -- Notes -- Bibliography -- Filmography -- Index.
    Additional Edition: ISBN 0-7190-9965-X
    Language: English
    Keywords: Criticism, interpretation, etc.
    Library Location Call Number Volume/Issue/Year Availability
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  • 8
    Online Resource
    Online Resource
    London : British Film Institute
    UID:
    gbv_1895292662
    Format: 1 Online-Ressource (208 pages) , illustrations
    Edition: First edition
    Edition: Also issued in printing
    ISBN: 9781838710392
    Content: "Why do we think of clusters of films as 'national cinema'? Why has the relationship between the nation and film become so widely and uncritically accepted? 'Theorising National Cinema' is a major contribution to work on national cinema, by many of the leading scholars in the field. It addresses the knotty and complex relationship between cinema and national identity, showing that the nationality of a cinema production company, and the films that its made, have not always been seen as pertinent. The volume begins by reviewing and rethinking the concept of national cinema in an age of globalisation, and it goes on to chart the parallel developments of national film industries and the idea of a nation state in countries as diverse as Japan, South Korea, Russia, France and Italy. The issues of a 'national cinema' for nation states of contested status, with disputed borders or displaced peoples, is discussed in relation to film-making in Taiwan, Ireland and Palestine. The contributors also consider the future of national cinema in an age of trans-national cultural flows, exploring issues of national identity and cinema in Latin America, Asia, the Middle-East, India, Africa and Europe. 'Theorising National Cinema' also includes a valuable bibliography of works on national cinema."--Bloomsbury Publishing
    Note: Compliant with Level AA of the Web Content Accessibility Guidelines. Content is displayed as HTML full text which can easily be resized or read with assistive technology, with mark-up that allows screen readers and keyboard-only users to navigate easily , Includes bibliographical references and index , Introduction Valentina Vitali / Paul Willemen.- Part I: Theories.- History, Textuality, Nation: Kracauer, Burch, and Some Problems in the Study of National Cinema (Phil Rosen).- The National Revisited (Paul Willemen).- Reconceptualizing National Cinema/s (Stephen Crofts).- Part II: Histories.- Italian Cinema and History (Maria Wyke).- Russia: The Cinema of Anti-Modernity and Backward Progress (Mikhail Lampolski).- National Cinema in Ireland (Martin McLoone).- British Cinema as National Cinema (John Hill).- Ozu and the Nation (Kathe Geist).- The Break-up of the National Body: the Films of Takashi Miike (Mika Ko).- Taiwan New Cinema, or a Global Nativism? (Kuan-Hsing Chen).- From National Cinema to Cinema and the National: Chinese-Language Cinema and Hou Hsiao Hsien's 'Taiwan Trilogy' (Chris Berry).- 'We're in the Money!': A Brief History of Market Power and Risk-Aversion in the American Film Industry from the Edison Trust to the Rise of Transnational Media Conglomerates (David A. Cook).- National and Post-National French Cinema (Martine Danan).- From Cine-mania to Blockbusters and Trans-Cinema: Reflections on Recent South Korean Cinema (Soyoung Kim).- The Hidden Conscience of Estimated Palestine (Elia Suleiman).- Part III: Crossroads.- Early Cinema and Modernity in Latin America (Ana M. Lopez).- The Quest for / Obsession with / the National in Arabic Cinema (Sabry Hafez).- National/International/Transnational: The Concept of Trans-Asian Cinema and the Cultural Politics of Film Criticism (Mitsuhiro Yoshimoto).- Not a Biography of the 'Indian Cinema': Historiography and the Question of National Cinema in India (Valentina Vitali).- On the National in African Cinema/s: a Conversation (John Akomfrah).- Spaces of Identity: Communication Technologies and the Reconfiguration of Europe (David Morley / Kevin Robins).- Bibliographic Resource (Paul Willemen / Valentina Vitali). , Also issued in printing , Barrierefreier Inhalt: Compliant with Level AA of the Web Content Accessibility Guidelines. Content is displayed as HTML full text which can easily be resized or read with assistive technology, with mark-up that allows screen readers and keyboard-only users to navigate easily
    Additional Edition: ISBN 9781844571208
    Additional Edition: ISBN 9781844571192
    Additional Edition: Erscheint auch als Hardback version ISBN 9781844571192
    Additional Edition: Erscheint auch als Paperback version ISBN 9781844571208
    Language: English
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  • 9
    Online Resource
    Online Resource
    London :bfi Publishing,
    UID:
    almafu_BV047951742
    Format: 1 Online-Ressource (x, 326 Seiten) : , Illustrationen.
    ISBN: 978-1-83871-039-2
    Note: Bevorzugte Informationsquelle Landingpage (Bloomsbury), da weder Titelblatt noch Impressum vorhanden
    Additional Edition: Erscheint auch als Druck-Ausgabe, Paperback ISBN 978-1-84457-120-8
    Language: English
    Keywords: Filmwirtschaft ; Nationalismus ; Filmtheorie ; Nationalismus ; Aufsatzsammlung ; Aufsatzsammlung
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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