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  • 1
    UID:
    almafu_BV022450230
    Format: xviii, 306 p. : , ill. ; , 24 cm.
    Edition: 1. publ.
    ISBN: 0-415-30202-1 , 0-415-30203-X
    Note: Includes bibliographical references (p. 253-293) and index
    Language: English
    Subjects: Ethnology
    RVK:
    Keywords: New Age ; Schamanismus ; Schamanismus ; New Age ; Neue Religion ; Bibliografie
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  • 2
    UID:
    gbv_186384130X
    Format: 1 Online-Ressource (xviii, 262)
    ISBN: 9781350268005 , 9781350268012
    Content: Cover -- Halftitle page -- Series page -- Title page -- Copyright page -- Dedication -- CONTENTS -- ILLUSTRATIONS -- CONTRIBUTORS -- INTRODUCTION Robert J. Wallis -- References -- PART I THE MATERIALITY OF HUMAN ENGAGEMENTS WITH BIRDS OF PREY -- CHAPTER 1 RAPTORS AS COMPANIONS: DEEP-TIME FORAYS IN MULTISPECIES ARCHAEOLOGY Shumon T. Hussain -- Introduction -- Agricentrism, forager phenomenology and companion species -- Being-with raptors: a comparative perspective -- Conclusion -- References -- CHAPTER 2 GODS, KINGS AND OFFERINGS: RAPTORS IN ANCIENT EGYPT Salima Ikram -- Introduction -- Raptors in religion, iconography and text -- Animal cults and raptors -- Sacrificial raptors -- Sourcing the birds -- Ancient Egyptians and raptors in relationship -- References -- CHAPTER 3 GHOSTHAWK WORLDINGS: RAPTOR HARUSPICY DURING THE NORTH EUROPEAN BRONZE AGE Joakim Goldhahn -- The Beak People -- Meeting the birds halfway -- Goshawk alias Grey-Foot -- The archaeology of Grey-Foot -- The Hvidegård I pebbles -- The transmorph of Grey-Foot -- Discussion and concluding thoughts -- References -- PART II VISUALISING HUMAN RELATIONS WITH RAPTORS -- CHAPTER 4 GOLDEN EAGLES: RAPTOR IMAGERY BIOGRAPHIES IN KAZAKHSTAN DURING THE EARLY FIRST MILLENNIUM BCE Kenneth Lymer -- Introduction -- Moving beyond the 'animal style' -- Shilikty-type raptors -- Raptor object entanglements -- A biography of raptor objects -- Rock art entanglements -- Towards biographies of raptor imagery -- References -- CHAPTER 5 VISUAL HYBRIDITY, POLITICAL POWER AND CULTURAL CONTEST: KITAN LIAO (916-1125 CE) AND JURCHEN JIN (1115-1234 CE) TEXTILES WITH FALCONRY-RELATED IMAGERY Leslie V. Wallace -- Introduction -- Kitan and Jin textiles, dress and personal adornment -- Category 1: Fully-developed chunshui imagery -- Category 2a: Paired raptors -- Category 2b: Paired geese.
    Note: Description based on publisher supplied metadata and other sources
    Additional Edition: ISBN 9781350267985
    Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 9781350267985
    Language: English
    Subjects: History , Ethnology
    RVK:
    RVK:
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  • 3
    UID:
    gbv_553306553
    Format: 1 Online-Ressource ([2], 26 p)
    Edition: Ann Arbor, Mich UMI 1999 Electronic reproduction; Digital version of: (Early English books, 1641-1700 ; 442:6)
    Series Statement: Early English Books Online / EEBO
    Content: eebo-0014
    Note: Place of publication from Wing , Wing, W621 , Reproduction of original in Bodleian Library , Electronic reproduction; Digital version of: (Early English books, 1641-1700 ; 442:6)
    Language: English
    URL: Volltext  (Deutschlandweit zugänglich)
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  • 4
    Online Resource
    Online Resource
    Basel : MDPI - Multidisciplinary Digital Publishing Institute
    UID:
    almafu_9960727309002883
    Format: 1 electronic resource (224 p.)
    Content: Art, shamanism, and animism are mutable, contested terms which, when brought together, present a highly charged package. Debates around these three terms continue to generate interest and strong opinions in the first decades of the twenty-first century. The editors recognise the urgency to explore them together in an unprecedented exercise which, to date, has only been attempted with reference to selected disciplines, periods, or regions. The contributors to this collection reignite debates around the status of ‘things’ identified as ‘art’ through the lens of theories drawn from new materialism, new animism, and multi-species and relational thinking. They are concerned with how and when art-like things may exceed conventional understandings of ‘art’ and ‘representation’ to fully articulate multiple scenarios or ‘manifestations’ in which they interface with academic discourses around animism and shamanism. The authors put in sharp focus the materiality of art-things while stressing their agentive, emotive, and performative aspects, looking beyond their appearances to what they do and who they may be or become in their dealings with diverse interlocutors. The contributors are united in their recognition that things and images are deeply entangled with how different communities, human and other-than-human, experience life, shifting attention from an obsolete concept of worldview to how reality is perceived through all the senses, in all its aspects, both tangible and intangible.
    Note: English
    Additional Edition: ISBN 3-0365-2958-6
    Additional Edition: ISBN 3-0365-2959-4
    Language: English
    Library Location Call Number Volume/Issue/Year Availability
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  • 5
    UID:
    gbv_725040165
    Format: 1 Online-Ressource (Includes files in TIFF, GIF and PDF formats with inclusion of keyword searchable text)
    Series Statement: Early American Imprints. Series II : Shaw/Shoemaker 1801-1819
    Note: Followed by: We the subscribers, selectmen of the town of Salem, do approve the foregoing regulations adopted by the company of the Union and Essex Engines. John Hathorne [and four others], selectmen of Salem. Salem, June 7, 1808 [and] Members' names , Nine numbered regulations, signed: Robert Wallis, clerk , Shaw & Shoemaker, 16354
    Language: English
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  • 6
    Online Resource
    Online Resource
    Basel : MDPI - Multidisciplinary Digital Publishing Institute
    UID:
    gbv_1832375536
    Format: 1 Online-Ressource (224 p.)
    ISBN: 9783036529585 , 9783036529592
    Content: Art, shamanism, and animism are mutable, contested terms which, when brought together, present a highly charged package. Debates around these three terms continue to generate interest and strong opinions in the first decades of the twenty-first century. The editors recognise the urgency to explore them together in an unprecedented exercise which, to date, has only been attempted with reference to selected disciplines, periods, or regions. The contributors to this collection reignite debates around the status of 'things' identified as 'art' through the lens of theories drawn from new materialism, new animism, and multi-species and relational thinking. They are concerned with how and when art-like things may exceed conventional understandings of 'art' and 'representation' to fully articulate multiple scenarios or 'manifestations' in which they interface with academic discourses around animism and shamanism. The authors put in sharp focus the materiality of art-things while stressing their agentive, emotive, and performative aspects, looking beyond their appearances to what they do and who they may be or become in their dealings with diverse interlocutors. The contributors are united in their recognition that things and images are deeply entangled with how different communities, human and other-than-human, experience life, shifting attention from an obsolete concept of worldview to how reality is perceived through all the senses, in all its aspects, both tangible and intangible
    Note: English
    Language: Undetermined
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  • 7
    Book
    Book
    Lanham, Md. [u.a.] :Scarecrow Press,
    UID:
    almahu_BV035192289
    Format: xx, 308 p. ; , 23 cm.
    ISBN: 978-0-8108-5798-8 , 0-8108-5798-7
    Series Statement: Historical dictionaries of religions, philosophies, and movements 77
    Note: Includes bibliographical references (p. 253-306)
    Language: English
    Subjects: Ethnology , Theology
    RVK:
    RVK:
    RVK:
    Keywords: Schamanismus ; Wörterbuch ; Wörterbuch
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  • 8
    Online Resource
    Online Resource
    Basel : MDPI - Multidisciplinary Digital Publishing Institute
    UID:
    edocfu_9960727309002883
    Format: 1 electronic resource (224 p.)
    Content: Art, shamanism, and animism are mutable, contested terms which, when brought together, present a highly charged package. Debates around these three terms continue to generate interest and strong opinions in the first decades of the twenty-first century. The editors recognise the urgency to explore them together in an unprecedented exercise which, to date, has only been attempted with reference to selected disciplines, periods, or regions. The contributors to this collection reignite debates around the status of ‘things’ identified as ‘art’ through the lens of theories drawn from new materialism, new animism, and multi-species and relational thinking. They are concerned with how and when art-like things may exceed conventional understandings of ‘art’ and ‘representation’ to fully articulate multiple scenarios or ‘manifestations’ in which they interface with academic discourses around animism and shamanism. The authors put in sharp focus the materiality of art-things while stressing their agentive, emotive, and performative aspects, looking beyond their appearances to what they do and who they may be or become in their dealings with diverse interlocutors. The contributors are united in their recognition that things and images are deeply entangled with how different communities, human and other-than-human, experience life, shifting attention from an obsolete concept of worldview to how reality is perceived through all the senses, in all its aspects, both tangible and intangible.
    Note: English
    Additional Edition: ISBN 3-0365-2958-6
    Additional Edition: ISBN 3-0365-2959-4
    Language: English
    Library Location Call Number Volume/Issue/Year Availability
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  • 9
    Online Resource
    Online Resource
    Basel : MDPI - Multidisciplinary Digital Publishing Institute
    UID:
    almahu_9949298043202882
    Format: 1 electronic resource (224 p.)
    Content: Art, shamanism, and animism are mutable, contested terms which, when brought together, present a highly charged package. Debates around these three terms continue to generate interest and strong opinions in the first decades of the twenty-first century. The editors recognise the urgency to explore them together in an unprecedented exercise which, to date, has only been attempted with reference to selected disciplines, periods, or regions. The contributors to this collection reignite debates around the status of ‘things’ identified as ‘art’ through the lens of theories drawn from new materialism, new animism, and multi-species and relational thinking. They are concerned with how and when art-like things may exceed conventional understandings of ‘art’ and ‘representation’ to fully articulate multiple scenarios or ‘manifestations’ in which they interface with academic discourses around animism and shamanism. The authors put in sharp focus the materiality of art-things while stressing their agentive, emotive, and performative aspects, looking beyond their appearances to what they do and who they may be or become in their dealings with diverse interlocutors. The contributors are united in their recognition that things and images are deeply entangled with how different communities, human and other-than-human, experience life, shifting attention from an obsolete concept of worldview to how reality is perceived through all the senses, in all its aspects, both tangible and intangible.
    Note: English
    Additional Edition: ISBN 3-0365-2958-6
    Additional Edition: ISBN 3-0365-2959-4
    Language: English
    Library Location Call Number Volume/Issue/Year Availability
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  • 10
    Online Resource
    Online Resource
    Basel : MDPI - Multidisciplinary Digital Publishing Institute
    UID:
    edoccha_9960727309002883
    Format: 1 electronic resource (224 p.)
    Content: Art, shamanism, and animism are mutable, contested terms which, when brought together, present a highly charged package. Debates around these three terms continue to generate interest and strong opinions in the first decades of the twenty-first century. The editors recognise the urgency to explore them together in an unprecedented exercise which, to date, has only been attempted with reference to selected disciplines, periods, or regions. The contributors to this collection reignite debates around the status of ‘things’ identified as ‘art’ through the lens of theories drawn from new materialism, new animism, and multi-species and relational thinking. They are concerned with how and when art-like things may exceed conventional understandings of ‘art’ and ‘representation’ to fully articulate multiple scenarios or ‘manifestations’ in which they interface with academic discourses around animism and shamanism. The authors put in sharp focus the materiality of art-things while stressing their agentive, emotive, and performative aspects, looking beyond their appearances to what they do and who they may be or become in their dealings with diverse interlocutors. The contributors are united in their recognition that things and images are deeply entangled with how different communities, human and other-than-human, experience life, shifting attention from an obsolete concept of worldview to how reality is perceived through all the senses, in all its aspects, both tangible and intangible.
    Note: English
    Additional Edition: ISBN 3-0365-2958-6
    Additional Edition: ISBN 3-0365-2959-4
    Language: English
    Library Location Call Number Volume/Issue/Year Availability
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