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  • 1
    Book
    Book
    Zürich [u.a.] :Atlantis Musikbuch-Verlag,
    UID:
    almafu_BV010155330
    Format: 412 Seiten : , Illustrationen, Faksimile ; , 22 cm.
    Edition: 1. Aufl.
    ISBN: 3-254-00168-0
    Note: Aus dem Engl. übers. , Dissertation Oxford University 1988
    Language: German
    Subjects: Musicology
    RVK:
    Keywords: 1886-1957 Schoeck, Othmar ; 1886-1957 Schoeck, Othmar ; Biografie ; Hochschulschrift ; Werkverzeichnis ; Biografie ; Hochschulschrift ; Biografie ; Hochschulschrift ; Werkverzeichnis ; Biografie ; Hochschulschrift ; Werkverzeichnis ; Biographie ; Biografie
    Author information: Schoeck, Othmar 1886-1957
    Author information: Walton, Chris 1963-
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  • 2
    Online Resource
    Online Resource
    Rochester, NY, : University of Rochester Press
    UID:
    b3kat_BV049470504
    Format: 1 Online-Ressource , Illustrationen, Notenbeispiele
    ISBN: 9781800101890
    Series Statement: Eastman studies in music
    Note: Erscheint als Open Access bei De Gruyter
    Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 978-1-64825-012-5
    Language: English
    Keywords: Wagner, Richard 1813-1883 ; Dirigieren
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    Author information: Walton, Chris 1963-
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  • 3
    UID:
    almahu_BV019877771
    Format: 337 Seiten : , Illustrationen, Notenbeispiele, Diagramme ; , 25 cm.
    ISBN: 3-03910-492-6
    Note: Literaturverzeichnis S. 321 - 326 , Beiträge auf Deutsch oder Englisch
    Language: German
    Subjects: Musicology
    RVK:
    RVK:
    RVK:
    Keywords: Exil ; Komponist ; Konferenzschrift ; Konferenzschrift
    Author information: Baldassarre, Antonio, 1964-
    Author information: Walton, Chris, 1963-
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  • 4
    UID:
    almafu_BV011208881
    Format: 146 S. : Ill., Notenbeisp.
    ISBN: 3-905049-72-4
    Note: Enth.: Werkverzeichnis Wilhelm Furtwängler / von Chris Walton
    Language: German
    Subjects: Musicology
    RVK:
    Keywords: 1886-1954 Furtwängler, Wilhelm ; Konferenzschrift ; Werkverzeichnis ; Konferenzschrift ; Werkverzeichnis ; Aufsatzsammlung ; Werkverzeichnis ; Aufsatzsammlung ; Werkverzeichnis
    Author information: Walton, Chris 1963-
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  • 5
    UID:
    almafu_BV012994294
    Format: 80 S. : Ill.
    ISBN: 3-906415-12-0
    Series Statement: Allgemeine Musikgesellschaft 〈Zürich〉: ... Neujahrsblatt der Allgemeinen Musikgesellschaft Zürich 184 = Auf das Jahr 2000
    Language: German
    Subjects: Musicology
    RVK:
    Keywords: 1813-1883 Wagner, Richard ; Zeitgenossen ; Biografie ; Biografie ; Werkverzeichnis
    Author information: Walton, Chris 1963-
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  • 6
    UID:
    b3kat_BV035385851
    Format: 20 S. , St.
    Edition: [Klavierpartitur, Stimme]
    Uniform Title: Konzerte Va M C 15 Q
    Language: Undetermined
    Subjects: Musicology
    RVK:
    Author information: Rosetti, Antonio 1750-1792
    Author information: Walton, Chris 1963-
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  • 7
    Online Resource
    Online Resource
    Rochester, New York ; : University of Rochester Press,
    UID:
    almahu_9949460582302882
    Format: 1 online resource (x, 168 pages) : , digital, PDF file(s).
    ISBN: 9781580468435 (ebook)
    Series Statement: Eastman studies in music
    Content: Lies and Epiphanies offers case studies of "inspiration" in five composers -- Richard Wagner, Gustav Mahler, Wilhelm FurtwaÌngler, Richard Strauss, and Alban Berg. Their own tales of their epiphanies played a determining role in the reception history of their works: the finale of Mahler's Second Symphony was supposedly born of a "lightning bolt" of inspiration at the funeral of Hans von BuÌlow, while Alban Berg's Violin Concerto was purportedly his direct response to the tragic early death of Alma Mahler's daughter. Chris Walton looks behind these tales to explore instead the composer's dual role as author and self-commentator, laying bare the fissures and inconsistencieswithin these artists' testimonies and revealing how the putatively extrarational world of creative inspiration intersects with the highly rational world of money and politics. As Walton points out, the composer often imposes on the audience an interpretation of a work and its genesis that is as superficial as the score itself is not. This study seeks to show why.
    Note: Title from publisher's bibliographic system (viewed on 10 Feb 2023). , Richard Wagner's dynastic dreams -- Gustav Mahler's resurrection and the apostolic succession -- Of forked tongues and angels : Alban Berg's violin concerto -- Wilhelm Furtwängler and the return of the muse -- Here comes the sunset : the late and the last works of Richard Strauss -- Postlude : the telephone call.
    Additional Edition: Print version: ISBN 9781580464772
    Language: English
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  • 8
    Online Resource
    Online Resource
    Rochester :University of Rochester Press,
    UID:
    almahu_9949447715802882
    Format: 1 online resource (xii, 307 pages) : , digital, PDF file(s).
    ISBN: 9781800105478 (ebook)
    Series Statement: Eastman studies in music
    Uniform Title: Partimenti Giovanni Paisiellos.
    Content: Reveals the brilliant musical and pedagogical thinking of the famed eighteenth- and early nineteenth-century Neapolitan composer and teacher of royal students. Giovanni Paisiello (1740-1816) was one of the most important composers of opera in the eighteenth century. His operas were performed throughout Europe, and his fame led to appointments as a maestro di cappella and composer at prominent European courts. This book is the first study to address his work as a teacher of composition and what we would today call music theory. The practice of partimento (figured or unfigured bass lines) was an integral part of the training of musicians at the renowned conservatories in eighteenth-century Naples. By employing these often-unprepossessing partimento bass lines, young musicians learned the techniques of variation, improvisation, and composition while seated at the harpsichord. Paisiello's Regole per bene accompagnare il Partimento (Rules for Harpsichordists; 1782) survives in both autograph and printed forms. It contains forty-six partimenti that have long been considered the core of his pedagogic oeuvre. However, two recently discovered manuscripts contain a further forty-one unknown partimenti, notated as two- and three-part disposizioni (realizations). The present study offers numerous insights gleaned from the surviving sources and bolsters our understanding of how to perform the music of Paisiello and his contemporaries: music that has often survived in an incomplete form. These findings are relevant not just for keyboard players but also for singers, instrumentalists, and anyone interested in the inner workings of eighteenth- and early nineteenth-century music.
    Note: Title from publisher's bibliographic system (viewed on 11 Jan 2023).
    Additional Edition: Print version: ISBN 9781648250361
    Language: English
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  • 9
    UID:
    almahu_9947413592202882
    Format: 1 online resource (ix, 186 pages) : , digital, PDF file(s).
    ISBN: 9781782047001 (ebook)
    Uniform Title: Opernschule.
    Content: Opera has become big business as well as an art form, attracting young and old, true connoisseurs, enthusiasts and celebrities. And while opera singers and superstars sometimes attract a separate following, the stage director's job is often the one that really counts, yet it is a type of specialised knowledge available only to a select few. Here, Michael Hampe brings glimpses of the director's work to a wider audience. 〈I〉The Crafty Art of Opera〈/I〉 uncovers the many techniques and rules that should inform an opera's staging: the need for singers to know their orchestra, the importance of space around singers, the gestures of languages, what we all can learn from Mozart, and the primacy of sense over effect, to name but a few. It shows how stories, through music, become tangible and real. Packed with many anecdotes from the author's luminous career, this book is dedicated to opera-lovers who want to understand 'how it is done'; to opera-makers who want to better understand their craft;and, above all, to those who loathe opera, in order to prove them wrong. Eminently readable, it brings both insight and wit from a life spent in opera as director and teacher.〈BR〉〈BR〉 MICHAEL HAMPE is an internationally acclaimed opera stage director. 〈I〉The Crafty Art of Opera〈/I〉 was published in German as 〈I〉Opernschule〈/I〉.
    Note: Title from publisher's bibliographic system (viewed on 30 Oct 2017). , What is opera? -- The heart -- The seven 'W's -- Sense and sensuality -- Bodies in space -- Movement -- Le physique du r�ole -- Discomfort and inconvenience -- Bank robbers -- Pretend theatre -- The 'trizophrenic' upbeat -- The complete music-actor -- Mozart -- Recitative -- Being comic -- 'Too many notes&' -- Dramaturgy -- Breaking the rules -- The harmony of the spheres -- In place of an epilogue : My teachers -- Appendix 1. All the 'useful rules' in overview, for those who make opera -- Appendix 2. A masterclass in opera, for those who love it or hate it.
    Additional Edition: Print version: ISBN 9781783270972
    Language: English
    URL: Volltext  (lizenzpflichtig)
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  • 10
    UID:
    almahu_9947413543102882
    Format: 1 online resource (352 pages) : , digital, PDF file(s).
    ISBN: 9781782042259 (ebook)
    Uniform Title: Friedelind Wagner.
    Content: She was not the 'black sheep' of her family, as often claimed, but a heroic rebel. Friedelind Wagner (1918-1991), Richard Wagner's independent-minded granddaughter, daughter of Siegfried and Winifred Wagner, despised her mother's close liaison with Adolf Hitler and was the only member of the Wagner clan who fled Germany in protest. Although Winifred warned her that the Nazis would 'exterminate' her, should she continue her open opposition, she travelled to London and published articles pillorying the Nazi élite. All the same, her former proximity to Hitler & Co. made her suspicious in the eyes of the authorities, who promptly interned her. Even the British Parliament debated her fate. Only with the help of the world-famous conductor Arturo Toscanini was she able to gain an exit visa. Once she arrived in New York she broadcast, lectured and published against the Nazis, wrote an autobiography, and became friends with many other emigrants including singers who had themselves abandoned Bayreuth. After the war the Mayor of Bayreuth asked her to run the Festival, but she declined in favour of her brothers. They showed little gratitude, however, for after Friedelind returned to Germany in 1953 she found herself manoeuvred out of any role in the Festival management. She still made a remarkable effort to find a niche in post-war German society and culture, and did her best to cope with a family notorious for its intrigues past and present. Friedelind Wagner remained a staunch friend of artists such as Wilhelm Furtwängler, Frida Leider, Otto Klemperer, Erich Kleiber, Leonard Bernstein, Walter Felsenstein, Michael Tilson Thomas and many others. Drawing on archival research in many countries, Eva Rieger has here written the first-ever biography of Richard Wagner's talented, artistic granddaughter who fought against Hitler's Germany, but achieved no personal success for her troubles. Her book gives many new insights into wartime and postwar musical life in Germany, Europe and the United States. EVA RIEGER is a feminist musicologist and author of many books on music.
    Note: Title from publisher's bibliographic system (viewed on 02 Oct 2015). , A 'giant Easter egg'. Mausi's home and family -- The noisy child 1924 to 1931 -- 'She should learn to cope with drudgery'. At boarding school 1931 to 1935 -- 'Impudent, endearing and witty'. Friedelind and her aunts 1936 to 1937 -- 'Is it German, what Hitler has done for you?' 1938 to 1939 -- 'It's precisely because I'm German that I'm not living in Germany'. The farewell 1940 -- In England, behind barbed wire 1940 to 1941 -- 'My heart is overflowing'. From Buenos Aires to New York 1941 to 1943 -- 'Only you could still save our inheritance!' 1943 to 1945 -- After the war is over 1946 to 1950 -- Friedelind returns 1950 to 1955 -- The master classes begin 1956 to 1960 -- Heyday of the master classes and their end 1960 to 1966 -- Sibling conflict 1967 to 1970 -- Schemes and setbacks the 1970s -- 'A foster mother, a guiding light' the 1980s.
    Additional Edition: Print version: ISBN 9781843838647
    Language: English
    Subjects: Musicology
    RVK:
    URL: Volltext  (lizenzpflichtig)
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